While critics couldn’t say for sure whether or not Sittenfeld captures the exact thoughts of Laura Bush, they did agree that she creates a realistic and highly sympathetic portrayal of the (soon-to-be former) First Lady. (The author supposedly based the novel on Ann Gerhart’s 2004 biography, The Perfect Wife: The Life and Choices of Laura Bush.) Sittenfeld asks provoking questions about marriage, loyalty, and responsibility. But many reviewers couldn’t fundamentally understand why the very decent Alice had supported her husband despite her doubts about his capabilities; Sittenfeld’s pat, unsatisfactory answer is that Alice leads a life “in opposition.” That, combined with the author’s obvious contempt for Charlie, brought the reviews down a notch. Still, there’s nothing as titillating as a look, albeit fictional, inside the White House—especially during an election year.
Copyright 2008 Bookmarks Publishing LLC
*Starred Review* In her bold third novel, the author of the best-selling Prep (2005) presents a fictional portrait of First Lady Laura Bush, although she changes some important details. In a memoir told entirely in the first person, Alice Blackwell relays her unlikely ascent to the White House from her humble Wisconsin beginnings. She conveys in convincing, thoroughly riveting detail a life far more complicated than it appears on the surface—the moment she discovered that her beloved grandmother was a lesbian; a tragic, life-changing car accident she had as a teenager; the friendship she willingly sacrificed with her best friend when she started dating the good-humored, athletic Charlie Blackwell; and her uncomfortable initiation into the tight-knit, immensely wealthy Blackwell family, run with unflappable authority by its formidable matriarch. No one is more surprised than Alice when her hard-drinking, sports-team-owning husband morphs into a born-again Christian with political ambitions. Suddenly, Alice’s life is no longer her own as her every move is parsed for its political implications. Sittenfeld is sure to come under fire for presuming to so methodically blur the lines between fiction and reality and for timing her novel’s publication to an election year for maximum publicity. Yet what she does here, in prose as winning as it is confident, is to craft out of the first-person narration a compelling, very human voice, one full of kindness and decency. And, as if making the Bush-like couple entirely sympathetic is not enough of a feat in itself, she also provides many rich insights into the emotional ebb and flow of a long-term marriage. --Joanne Wilkinson
Review
“A well-researched book that imagines what lies behind that placid façade of the first lady…Ms. Sittenfeld was not out to sensationalize but to sympathize.
–Maureen Dowd, The New York Times
“Brilliant…[A] triumph…Curtis Sittenfeld has provided a plausible secret history of an American embarrassment – and a grand entertainment.”
–Joe Klein, Time Magazine
“A smart and sophisticated portrait of a high-profile political wife…Sittenfeld has an astonishing gift for creating characters that take up residence in readers’ heads.”
–Connie Schultz,Washington Post Book World
“Sittenfeld boldly imagines the inner life of a first lady…an intimate and daring story…American Wife is a vicarious experience, an up-close portrait of the interior life of a very complicated woman…cinematic.”
–USA Today
“The novel, Sittenfeld’s most fully realized yet, artfully evokes the painful reverberations of the past.”
–New Yorker
“Compelling...enormously sympathetic...Sittenfeld’s remarkable gifts as a storyteller draw you back into the fictional world of Alice Blackwell. She writes in the sharp, realistic tradition of Philip Roth and Richard Ford–clear, unpretentious prose; metaphors so spot-on you barely notice them. Sittenfeld may have lifted the set pieces from a real woman’s life, but in the process she has created a wise and insightful character who is entirely her own.”
–Time Out New York
“Ambitious…Sittenfeld installs herself deep within the psyche of the tight-lipped wife of the president and emerges with an evenhanded, compassionate look at her mind and heart…powerfully intimate. Grade: A”
–Washington Post
“A masterful highbrow-lowbrow mash-up that satisfies as ass-kicking literary fiction
and juicy gossip simultaneously.”
–Radar
“With American Wife, Curtis Sittenfeld has deftly crossed an extraordinarily high wire…I read American Wife in just two or three delicious sittings, struck by the granular clarity of the author’s descriptions and the down-to-earth believability of the story, bewitched by the charming, frustrating woman at the center of it: Laura Bush.”
— Ana Marie Cox, The New York Observer
“Curtis Sittenfeld is one of our best contemporary chroniclers of class and caste… Sittenfeld imagines this couple so deliciously and so plausibly… Curtis Sittenfeld invents a deep, messy, sympathetic life for a public person whose surface is all we'll ever know.”
— St Petersburg Times
“Immensely readable. It's a nuanced portrait of a woman in a singularly fascinating position.”
— Cleveland Plain Dealer
“A broad, deep and utterly convincing account…a portrait of a woman and a marriage that also brings the reader as close to the probable essence of the outgoing president as any other novelist, or any biographer, is likely to get.”
— Portland Oregonian
“We love Sittenfeld. We love her wry, razor-sharp observations. We love her funny, straightforward honesty…[American Wife] is an empathetic, fascinating, and gorgeously written story about a 30-year marriage. We devoured it in one night.”
— Boston Magazine
“Endearing and poignant, humorous and enlightening, American Wife is a must-read for Sittenfeld fans--and a good first read for would-be converts.”
— Fredericksburg Freelance Star
“An entertaining, racy tale that's inspired more than a bit by the life of our current president's wife, Laura Bush…A well-told tale that will leave many readers wondering: How much of Sittenfeld's story might be closer to fact than fiction?”
— St Louis Post Dispatch
“The scope and detail of American Wife are reminiscent of Richard Russo. Like Russo, she creates characters from the ground up, ancestry, neighborhood, culture and all.”
–LA Times
“American Wife promises to be another sensation.”
- Dayton Daily News
“American Wife is a sparkling, sprawling novel…A ridiculously gifted writer…Sittenfeld has harnessed her talents perfectly in American Wife, producing an exhilirating epic infused with humor, pain, and hope.”
–BookPage
“Widely anticipated and vastly entertaining… An intelligent, well-crafted, psychologically astute novel”
–New York Sun
“Highly engaging…fascinating depth.”
— Seattle Times
“A well-researched, juicy roman a clef about the current first lady.”
— Boston Globe
“Ambitious…entertaining…a parable of America in the years of the second Bush presidency.”
–Joyce Carol Oates, cover of The New York Times Book Review
“With her first line - “Have I made terrible mistakes?” - Alice Blackwell (a fictional First Lady modeled after Laura Bush) reels us into a gripping epic of public and private lives. A gem.”
–Good Housekeeping
“This searing page-turner will make you wonder what unspoken promises lie behind the victory smiles of any power couple.”
- Redbook
“What is Laura Bush thinking? That’s the question Sittenfeld ponders in her novel,
loosely based on the life of our First Lady…Just as she did in Prep, Sittenfeld masterfully deflates
the middle-class fairy tale — rose gardens and all.”
–Marie Claire
“Bold…conveys in convincing, thoroughly riveting detail a life far more complicated than it appears on the surface…What she does here, in prose as winning as it is confident, is to craft out of the first-person narration a compelling, very human voice, one full of kindness and decency. And, as if making the Bush-like couple entirely sympathetic is not enough of a feat in itself, she also provides many rich insights into the emotional ebb and flow of a long-term marriage.”
–Booklist, Upfront and Starred review
About the Author
Curtis Sittenfeld is the author of The Man of My Dreams and Prep, which was chosen by The New York Times as one of the Ten Best Books of 2005. Her nonfiction has appeared in The New York Times, The Atlantic Monthly, Salon, Allure, Glamour, and on public radio’s This American Life. Her books are being translated into twenty-five languages.
Excerpt. © Reprinted by permission. All rights reserved.
PART I
1272 Amity Lane
In 1954, the summer before I entered third grade, my grandmother mistook Andrew Imhof for a girl. I’d accompanied my grandmother to the grocery store—that morning, while reading a novel that mentioned hearts of palm, she’d been seized by a desire to have some herself and had taken me along on the walk to town—and it was in the canned-goods section that we encountered Andrew, who was with his mother. Not being of the same generation, Andrew’s mother and my grandmother weren’t friends, but they knew each other the way people in Riley, Wisconsin, did. Andrew’s mother was the one who approached us, setting her hand against her chest and saying to my grandmother, “Mrs. Lindgren, it’s Florence Imhof. How are you?”
Andrew and I had been classmates for as long as we’d been going to school, but we merely eyed each other without speaking. We both were eight. As the adults chatted, he picked up a can of peas and held it by securing it between his flat palm and his chin, and I wondered if he was showing off.
This was when my grandmother shoved me a little. “Alice, say hello to Mrs. Imhof.” As I’d been taught, I extended my hand. “And isn’t your daughter darling,” my grandmother continued, gesturing toward Andrew, “but I don’t believe I know her name.”
A silence ensued during which I’m pretty sure Mrs. Imhof was deciding how to correct my grandmother. At last, touching her son’s shoulder, Mrs. Imhof said, “This is Andrew. He and Alice are in the same class over at the school.”
My grandmother squinted. “Andrew, did you say?” She even turned her head, angling her ear as if she were hard of hearing, though I knew she wasn’t. She seemed to willfully refuse the pardon Mrs. Imhof had offered, and I wanted to tap my grandmother’s arm, to tug her over so her face was next to mine and say, “Granny, he’s a boy!” It had never occurred to me that Andrew looked like a girl—little about Andrew Imhof had occurred to me at that time in my life—but it was true that he had unusually long eyelashes framing hazel eyes, as well as light brown hair that had gotten a bit shaggy over the summer. However, his hair was long only for that time and for a boy; it was still far shorter than mine, and there was nothing feminine about the chinos or red-and-white-checked shirt he wore.
“Andrew is the younger of our two sons,” Mrs. Imhof said, and her voice contained a new briskness, the first hint of irritation. “His older brother is Pete.”
“Is that right?” My grandmother finally appeared to grasp the situation, but grasping it did not seem to have made her repentant. She leaned forward and nodded at Andrew—he still was holding the peas—and said, “It’s a pleasure to make your acquaintance. You be sure my granddaughter behaves herself at school. You can report back to me if she doesn’t.”
Andrew had said nothing thus far—it was not clear he’d been paying enough attention to the conversation to understand that his gender was in dispute—but at this he beamed: a closed-mouth but enormous smile, one that I felt implied, erroneously, that I was some sort of mischief-maker and he would indeed be keeping his eye on me. My grandmother, who harbored a lifelong admiration for mischief, smiled back at him like a conspirator. After she and Mrs. Imhof said goodbye to each other (our search for hearts of palm had, to my grandmother’s disappointment if not her surprise, proved unsuccessful), we turned in the opposite direction from them. I took my grandmother’s hand and whispered to her in what I hoped was a chastening tone, “Granny.”
Not in a whisper at all, my grandmother said, “You don’t think that child looks like a girl? He’s downright pretty!”
“Shhh!”
“Well, it’s not his fault, but I can’t believe I’m the first one to make that mistake. His eyelashes are an inch long.”
As if to verify her claim, we both turned around. By then we were thirty feet from the Imhofs, and Mrs. Imhof had her back to us, leaning toward a shelf. But Andrew was facing my grandmother and me. He still was smiling slightly, and when my eyes met his, he lifted his eyebrows twice.
“He’s flirting with you!” my grandmother exclaimed.
“What does ‘flirting’ mean?”
She laughed. “It’s when a person likes you, so they try to catch your attention.”
Andrew Imhof liked me? Surely, if the information had been delivered by an adult—and not just any adult but my wily grandmother—it had to be true. Andrew liking me seemed neither thrilling nor appalling; mostly, it just seemed unexpected. And then, having considered the idea, I dismissed it. My grandmother knew about some things, but not the social lives of eight-year-olds. After all, she hadn’t even recognized Andrew as a boy.
In the house I grew up in, we were four: my grandmother, my parents, and me. On my father’s side, I was a third-generation only child, which was greatly unusual in those days. While I certainly would have liked a sibling, I knew from an early age not to mention it—my mother had miscarried twice by the time I was in first grade, and those were just the pregnancies I knew about, the latter occurring when she was five months along. Though the miscarriages weighted my parents with a quiet sadness, our family as it was seemed evenly balanced. At dinner, we each sat on one side of the rectangular table in the dining room; heading up the sidewalk to church, we could walk in pairs; in the summer, we could split a box of Yummi-Freez ice-cream bars; and we could play euchre or bridge, both of which they taught me when I was ten and which we often enjoyed on Friday and Saturday nights.
Although my grandmother possessed a rowdy streak, my parents were exceedingly considerate and deferential to each other, and for years I believed this mode to be the norm among families and saw all other dynamics as an aberration. My best friend from early girlhood was Dena Janaszewski, who lived across the street, and I was constantly shocked by what I perceived to be Dena’s, and really all the Janaszewskis’, crudeness and volume: They hollered to one another from between floors and out windows; they ate off one another’s plates at will, and Dena and her two younger sisters constantly grabbed and poked at one another’s braids and bottoms; they entered the bathroom when it was occupied; and more shocking than the fact that her father once said goddamn in my presence—his exact words, entering the kitchen, were “Who took my goddamn hedge clippers?”—was the fact that neither Dena, her mother, nor her sisters seemed to even notice.
In my own family, life was calm. My mother and father occasionally disagreed—a few times a year he would set his mouth in a firm straight line, or the corners of her eyes would draw down with a kind of wounded disappointment—but it happened infrequently, and when it did, it seemed unnecessary to express aloud. Merely sensing discord, whether in the role of inflictor or recipient, pained them enough.
My father had two mottoes, the first of which was “Fools’ names and fools’ faces often appear in public places.” The second was “Whatever you are, be a good one.” I never knew the source of the first motto, but the second came from Abraham Lincoln. By profession, my father worked as the branch manager of a bank, but his great passion—his hobby, I suppose you’d say, which seems to be a thing not many people have anymore unless you count searching the Internet or talking on cell phones—was bridges. He especially admired the majesty of the Golden Gate Bridge and once told me that during its construction, the contractor had arranged, at great expense, for an enormous safety net to run beneath it. “That’s called employer responsibility,” my father said. “He wasn’t just worried about profit.” My father closely followed the building of both the Mackinac Bridge in Michigan—he called it the Mighty Mac—and later, the Verrazano-Narrows Bridge, which, upon completion in 1964, would connect Brooklyn and Staten Island and be the largest suspension bridge in the world.
My parents both had grown up in Milwaukee and met in 1943, when my mother was eighteen and working in a glove factory, and my father was twenty and working at a branch of Wisconsin State Bank & Trust. They struck up a conversation in a soda shop, and were engaged by the time my father enlisted in the army. After the war ended, they married and moved forty-five miles west to Riley, my father’s mother in tow, so he could open a branch of the bank there. My mother never again held a job. As a housewife, she had a light touch—she did not seem overburdened or cranky, she didn’t remind the rest of us how much she did—and yet she sewed many of her own and my clothes, kept the house meticulous, and always prepared our meals. The food we ate was acceptable more often than delicious; she favored pan-broiled steak, or noodle and cheese loafs, and she taught me her recipes in a low-key, literal way, never explaining why I needed to know them. Why wouldn’t I need to know them? She was endlessly patient and a purveyor of small, sweet gestures: Without commenting, she’d leave pretty ribbons or peppermint candies on my bed or, on my bureau, a single flower in a three-inch vase.
My mother was the second youngest of eight siblings, none of whom we saw frequently. She had five brothers and two sisters, and only one of her sisters, my Aunt Marie, who was married to a m...
