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Amsterdam Audible – Unabridged

3.3 out of 5 stars 435 customer reviews

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Product Details

  • Audible Audio Edition
  • Listening Length: 4 hours and 42 minutes
  • Program Type: Audiobook
  • Version: Unabridged
  • Publisher: Recorded Books
  • Audible.com Release Date: December 7, 2011
  • Whispersync for Voice: Ready
  • Language: English
  • ASIN: B006J9WHJI
  • Amazon Best Sellers Rank:

Customer Reviews

Top Customer Reviews

Format: Paperback
Ordinarily I find McEwan's work thrilling, but was disappointed by Amsterdam. Although the writing is masterly and the plot keeps you turning the pages, the story is insubstantial and ultimately unsatisfying.
Who knows why it won the Booker Prize? Surely The Comfort of Strangers or The Innocent deserved it more. Other reviewers have suggested variously that the committee felt guilty about ignoring McEwan's previous work, or because the book featured an interplay between theme and character brilliant enough to justify the award. I interpret that to mean that the judges thought it clever that the novel's characters were shallow, and that the newspaper Vernon Halliday edited was shallow, and that the symphony Clive Linley wrote was derivative and fatally unvaried, and that ultimately the book itself was shallow, too, and so decided Amsterdam was a brilliantly self-referential piece of---I don't know, meta-fiction or something.
Maybe so, but some of the social commentary in the book reads like a magazine article rather than a novel, like a 2,000-word piece in a weekend supplement, and I expect more from McEwan: strong characters and images and themes that resonate in your head like a fascinating bad dream.
Amsterdam is light entertainment, a finely written but forgettable tale by a brilliant author who's capable of producing much, much better work.
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Format: Paperback
McEwan's booker prize-winning novel traces the consequencesof a Machiavellian attitude towards work. Clive Linly a composer withan established reputation and Vernon Hailliday, editor of the struggle daily paper, The Judge, renew their former friendship at the funeral of their former lover, the larger than life forty-something year old Molly Lane.
There they meet George Lane, Molly's husband and another former lover Julian Garmony, the Foreign Secretary, who's despised by Molly's former lovers.
The novel traces the lives of the four men after Molly's funeral when they all face pinnacle moments in both their private and professional lives.
Amsterdam is a book without heroes. The characters fail to grab your sympathy, but this adds to the reader's curiosity as you try to unravel their true worth and nature. It's not a book about how the strong and ruthless survive but rather how obsession with work can turn into self-obsession and ultimately destruction as the books characters take personal desire over public responsibility.
The book's 196 pages make it more of a novella than a novel and some would argue that more time should have been given over to plot and character development. However an expansion of the books length could have faltered the quick tempo, that McEwan's rich language lends to the book, and the vagueness of the characters leads us to question rather than condemn them at the end, allowing for the books effect to linger long after the final page has been read.
This books quality has been questioned in comparison to other Booker winners but Amsterdam, a book so rich in dramatic irony should be judged on its own merits. This socio-political satire manages to examine such a thorny issue as human morality in a humorous and entertaining fashion and is a recommended read.
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Format: Hardcover
In response to the prior reviewer, a book about "silly, conceited people" is not necessarily a silly and conceited book; consider The Great Gatsby. Amsterdam is a clever book that reveals the conflicts of people who have either found or placed themselves in moral dilemmas. The central characters share the common denominator of having been lovers of Molly Lane who has recently died. They are brought together at her funeral, and as the story unfolds she seems to have been the only true and trustworthy moral compass among them. The book causes the reader to contemplate our contemporary values. What have our morals and ethics become at the end of the 20th century? Consider the "integrity" of our political "leaders"; the media's right to know vs. an individual's right to privacy; the value of human life vs. modern medical science. The characters in Amsterdam come across as opportunistic, self-centered, and morally indecisive. Do we feel more sympathy for Vernon,the editor who must publish something scandalous to keep his paper afloat or for Julian, the politician whose private indiscretion is made public? Do we feel any sympathy at all? Even Clive the successful composer is corrupted and looks away because he believes his musical genius is more important than another human being. (echoes of Wilhelm Furtwangler?) Is it more important to save the Mona Lisa, a timeless work of art, or a transient human life? Today's politicians take polls first to determine which decision or action will most likely keep them in power. Amsterdam considers all of these issues in less than 200 pages and concludes in a deliciously wicked ending.
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Format: Paperback
I've become a real fan of Ian McEwan this past year, and though I'm not completely through his catalog, I'm very impressed with his ability to have great ideas within a tight story. This may be his tightest story ... it moves very quickly, and the book can be finished in 3 to 4 hours.
The main characters, a composer and a newspaper editor, become embroiled in a political scandal that relates to the affair each has had with a recently deceased woman. Their friendship becomes strained, and the miscommunication that develops drives the story. The story moves quickly, and I disagree with those who dislike the ending -- it does work, at least for me.
I also think this book works as a good introduction to McEwan. Its spare style is indicative of his work. When you've finished this book, move on to Atonement or Enduring Love: both are excellent books.
A few general words about Ian McEwan. He pays great attention to the word choice in each sentence, but unlike some other post modern types, he has a real story with a real conflict. Among modern writers, there seems to be some dislike of plotting, but McEwan shows that you can write about interesting ideas and have a good story as well.
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