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Anathem Hardcover – September 9, 2008

4.4 4.4 out of 5 stars 4,918 ratings

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A #1 New York Times Bestseller, Anathem is perhaps the most brilliant literary invention to date from the incomparable Neal Stephenson, who rocked the world with Snow Crash, Cryptonomicon, and The Baroque Cycle. Now he imagines an alternate universe where scientists, philosophers, and mathematicians live in seclusion behind ancient monastery walls until they are called back into the world to deal with a crisis of astronomical proportions.

 

Anathem won the Locus Award for Best Science Fiction Novel and the reviews for have been dazzling: “Brilliant” (South Florida Sun-Sentinel), “Daring” (Boston Globe), “Immensely entertaining” (New York Times Book Review), “A tour de force” (St. Louis Post-Dispatch), while Time magazine proclaims, “The great novel of ideas…has morphed into science fiction, and Neal Stephenson is its foremost practitioner.”

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Customer reviews

4.4 out of 5 stars
4,918 global ratings

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Customers say

Customers find the book thought-provoking and engaging with its ideas and philosophy. They describe the storyline as intriguing and complex, with a realistic yet fantastical adventure. The characters are described as interesting, funny, charming, and natural. While some readers find the writing good and easy to read, others feel the words aren't explained enough or the text isn't intense enough. There are mixed opinions on the pacing, with some finding it quick while others consider it slow.

AI-generated from the text of customer reviews

230 customers mention "Thought provoking"206 positive24 negative

Customers enjoy the book's thought-provoking content and engaging story. They find it has interesting ideas and accessible philosophy presented in an accessible way. The setting is described vividly, with clever descriptions of scenes and battles that require close attention.

"...of paint on a vast canvas that includes philosophical colleges, cultural upheavals, alien visitors, vast works of engineering and gadgetry, and a..." Read more

"...It has lots of little discourses, a stately pace punctuated by wild moments of action, interesting characters, and enormous historical depth...." Read more

"...meaning that everything that's weird or new in it is a rigorous extrapolation of science, mathematics and philosophy...." Read more

"...The characters are interesting, funny, charming and I liked the protagonist, Fraa Erasmus, or Raz, very much...." Read more

213 customers mention "Storyline"175 positive38 negative

Customers find the storyline intriguing and complex. They appreciate the real and new ideas developed in exciting ways. The book is described as the best escapist science fiction they've read since Harry Potter. The adventure is realistic, though somewhat fantastical. It's ambitious with impressive plot twists, inventive conflicts, and resolutions. Readers enjoy exploring different ideas and math and science concepts.

"...Realistic characters, impressive plot twists, inventive conflicts and resolutions leave you with plenty to digest...." Read more

"...you are a patient and observant reader with an appreciation for scientific and mathematical concepts, this is your cup of tea." Read more

"...But that's okay. The ideas are real and new, and developed in exciting ways. And Hard SF is supposed to be chunky...." Read more

"...the eyes of monastic observers was a lot of fun to read and an interesting premise. Except... it was a bit sad...." Read more

111 customers mention "Pacing"105 positive6 negative

Customers enjoy the book's pacing and find it full of substance. They find the characters believable and unique. The book is described as original, ambitious, and well-crafted. The setting and themes are well-balanced, and classic elements are used effectively. Overall, readers find the book an enjoyable example of science fiction.

"...colleges, cultural upheavals, alien visitors, vast works of engineering and gadgetry, and a central theme: What does it mean to be conscious in the..." Read more

"...And it's about time. "Anathem" is a work of Hard SF, meaning that everything that's weird or new in it is a rigorous extrapolation of..." Read more

"...At any rate, he skewers it beautifully throughout the novel...." Read more

"...a fascinating and well written scenario, a good plot that weaves all parts together nicely, but too long. 4 stars." Read more

100 customers mention "Character development"81 positive19 negative

Customers enjoy the book's character development. They find the characters interesting, funny, and charming. The interactions feel natural, and the world is detailed. Readers appreciate the cast of real, believable characters who are brave, talented, and rebellious.

"...Realistic characters, impressive plot twists, inventive conflicts and resolutions leave you with plenty to digest...." Read more

"...a stately pace punctuated by wild moments of action, interesting characters, and enormous historical depth...." Read more

"...The writing is, as always, brilliant and clear. The characters are interesting, funny, charming and I liked the protagonist, Fraa Erasmus, or Raz,..." Read more

"...quantum theory, the past, the present, the future, and fully-developed characters that you actually care about, whose Middle Ages-esque existence..." Read more

225 customers mention "Readability"129 positive96 negative

Customers have different views on the book's readability. Some find the writing engaging and detailed, with an interesting presentation of the idea. Others feel the words are not explained enough or lack context, making the language hard to understand without frequent reference to the glossary. Overall, opinions vary on how easy it is to read and whether it's a quick or slow read.

"...The novel begins with a compelling look at a cloistered culture, which seems religious until you realize that here it is science and philosophy that..." Read more

"...It means that the words aren't explained enough or have so little context that you have to keep going back to hte glossary to understand what's..." Read more

"...Altogether, this was a more hopeful, humorous and intriguing presentation of the idea that empires come and go, even when they have our modern..." Read more

"...however, which pleasantly surprised me, is Stephenson's continuing maturation as a writer...." Read more

65 customers mention "Pace"21 positive44 negative

Customers have different views on the book's pacing. Some find it fast-paced and riveting, making the 900+ pages fly by. Others mention it's slow at first but worth the complete world.

"The book admittedly starts slow, and getting used to the invented language seems absurd when you first start...." Read more

"...It has lots of little discourses, a stately pace punctuated by wild moments of action, interesting characters, and enormous historical depth...." Read more

"...and impressive as a literary concept, but sort of dry and slow as an actual story...." Read more

"...The story in this book, although slow at times, will stick with you for a very long time. Neal was clever in spending an early enormity..." Read more

57 customers mention "Difficulty level"25 positive32 negative

Customers have different views on the book's difficulty level. Some find it complex and thought-provoking, while others find it tedious and difficult to get into at first. The dialogue and terms are described as a little hard to follow, but the more immersed they become, the easier it becomes.

"...means that the first chapters of the book are challenging and somewhat difficult, but as another review stated, nowhere near as convoluted and..." Read more

"This was both a very interesting and challenging book to read...." Read more

"...I admit this is a hard book to start; the size is daunting and the initial chapters do not grab you by the throat in the way that some of his other..." Read more

"...What I will say is that this is a book so good, so intriguing, and so complex, that I've read it twice, and I may dive in again sometime soon...." Read more

47 customers mention "Action sequences"26 positive21 negative

Customers have mixed opinions about the action sequences. Some find them intense and attention-grabbing, with periodic action and philosophical discourses. The story builds suspense and keeps them engaged just enough. Others feel the ending is convoluted, unrealistic, and silly.

"...It has lots of little discourses, a stately pace punctuated by wild moments of action, interesting characters, and enormous historical depth...." Read more

"...Science Fiction has become an exclusively literary genre, with books inspired less by new scientific research than by previous science fiction books..." Read more

"...The story in this book, although slow at times, will stick with you for a very long time. Neal was clever in spending an early enormity..." Read more

"...Anathem’s strong rooting in science, I found several unrealistic aspects of the novel, which pulled me from my suspension of disbelief...." Read more

Rhetors, Incanters & Vailers Past Present & Future Before During and After
5 out of 5 stars
Rhetors, Incanters & Vailers Past Present & Future Before During and After
Anathem's deep , on the shallow end of it are the Vailers (its actually the deeper end but its the easiest to understand imho).Rhetors specialize on Before and the Past.Incanters the Future and After the present.Vailers are masters of the Present During the now.Emergence is their religion, but theres no religions in Anathem just logic and intuition.That is knowing exactly what to do and when to do it. Emergence when all causes and effects rise up to affect you and yours, and knowing exactly what has to be done in that moment.Buy this book, read it (over and over again, its so highly re-readable) but focus on the Ringing Vail on your first run through and how you can incorporate their system into your own life.Then buy the Book of Five Rings and Sun Tsu and Clausewitz and even books on John Boyd (theres a free pdf book titled "New Conception of War" by Ian Brown Google it).Its a must read. Get it.
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Top reviews from the United States

  • Reviewed in the United States on September 29, 2015
    Some novelists give us popcorn: snacks of characters interacting in episodes of tasty enjoyment, to be read and then forgotten three hours later. I like popcorn—but whether it is a pricey gourmet treat with truffle oil or capers and cheddar, or an almost-scorched microwave bag of munchies, popcorn is not memorable. You consume and move on.

    Other authors provide a solid meal, with two sides and a biscuit. Realistic characters, impressive plot twists, inventive conflicts and resolutions leave you with plenty to digest. Still, by time you open the covers of the next book, you've digested what is enjoyable and nutritious from this one, and you're hungry again.

    Neal Stephenson is more like the world-class chef who takes everyday ingredients and whips them into a life-changingly succulent repast. I have yet to read a Stephenson novel once and know how I feel about it. I must ruminate. I must re-read.

    "Anathem" is no different. I can scarcely believe this rich meal is available for less than $2 as a Kindle novel. The novel begins with a compelling look at a cloistered culture, which seems religious until you realize that here it is science and philosophy that must be protected from the ordinary world—the 'extramuros' world outside the cloister walls.

    The denizens of the 'intramuros' cloister, the 'concent,' are kept focused on their studies. They forego possessions, limiting themselves to a Bolt of newmatter cloth (which can be reconfigured in size, texture, and other characteristics of fabric), a newmatter Chord (a rope or cord of similar diversity), and a newmatter Sphere. These three possessions serve as clothing, bedding, pack and tools for all sorts of purposes. They also provide identification of the owner as an 'avout' (whether male 'fraa' or female 'suur'): someone who lives the cloistered life.

    Residing in their "Tenner" cloister, the four fraas Erasmus, Lio, Jesry and Arbilast obey the Discipline while they eagerly await the day the gates will open to allow them to interact with the "Extras" for ten days. For these four, this 'Apert' holiday happens once every ten years. The 'One-Offs' in the Unitarian cloister of their concent have Apert once a year, while the 'Hundreders' will not exit until ten years from now for their once-a-century mingle with the world outside the walls and the fraas (and suurs) from other cloisters. None of them, Extras, One-Offs, Tenners or Hundreders, can imagine the mindset of the 'Millennarians' who stay cloistered for a thousand years before they emerge.

    Just this one detail might provide a lesser writer with a complete novel. In "Anathem" it is the initial baseline stroke of paint on a vast canvas that includes philosophical colleges, cultural upheavals, alien visitors, vast works of engineering and gadgetry, and a central theme: What does it mean to be conscious in the world? How do our minds perceive reality, and how do they affect reality?

    Philosophers from Thales through Kant and Gödel to Husserl have thought about these questions and written or spoken about their attempts to unravel meaning from them. Stephenson's novel takes these snooze-worthy tomes and distills them into an adventure, complete with complex characters whose actions we can cheer or hiss (sometimes both for the same person).

    "Anathem" is a challenging read in the most delightful sense. I noticed as I re-read it on Kindle that every few pages, I was prompted to visit Wikipedia to expand on the details of the story. The 'Teglon,' a crucial mathematical tiling problem in the novel, led me to 'Penrose prototiles' and 'Wang dominoes.' The concept of 'Cnoös' as a personalization of the interaction of thought and reality led me to Husserl's theory of intentionality, and onward to 'noesis' (nuos) and the Gnostic philosophies.

    I know this is not the last time I will read and enjoy (and spend quite a while digesting) this complex tale. Like all great works of literature, Stephenson rewards the devoted fan with new vistas of thought each time you enter his world.
    18 people found this helpful
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  • Reviewed in the United States on December 6, 2008
    When a book has a glossary, it has one strike against it. A glossary means the book is full of words the author has made up or changed the meaning of. If you actually need the glossary, it has two strikes. It means that the words aren't explained enough or have so little context that you have to keep going back to hte glossary to understand what's being said.

    I'm happy to say that Neal Stephenson's "Anathem" has only one strike, and perhaps only half a strike. The glossary could have been eliminated without damage to book or reader.

    If you're a fan of Stephenson's last four books, you don't need my review. You've already purchased it, and are working your way through it slowly and lovingly.

    If you hated his last four books, you don't need my review either, except to confirm that this one is put together much like the last four. But if you're in the middle, then read on.

    Structurally "Anathem" is put together pretty much like Stephenson's four previous books. It has lots of little discourses, a stately pace punctuated by wild moments of action, interesting characters, and enormous historical depth. There are multiple simultaneous plots to be juggled and an enormous cast of characters.

    On the other hand the history is all made up, a number of the discourses are actually critical to understanding the book, and the entire story is told from a single characters point of view. It's also one of the more interesting re-visits of a standard SF trope that I'd thought had been mined out.

    As for what I said above about the glossary: it serves a purpose in alerting you that you shouldn't necessarily assume the words introduced don't have exact counterpoints in English. For example, Stephenson gives you a word which you quickly decide actually means "monastery." But if you're not paying attention, you miss the immediate clues that this is really some other thing which we have no adequate analog for. Hence a new word is appropriate, and the sort of short descriptions you get in a glossary are inadequate to properly describe it.

    Stephenson does this repeatedly in the book. The opening pages give you an immediate impression of a monastery, with monks living in simplicity and poverty. With the next breath he gives you a couple of details which, if you stop to think about them, mean that these 'monks' are neither poor nor simple. Nor, for that matter, are they monks except in the sense of being largely separated from regular society.

    Even when Stephenson uses language we're used to, it can be misleading. The residents refer to themselves as living under the Cartesian discipline. The adjective Cartesian is explained fairly quickly, but you've been fooled - in this case, discipline is meant in a sense other than self-discipline. But I can't say more without veering towards spoilers for the plot.

    And what a plot that is. The Baroque Cycle and Cryptonomicon (if you liked them) could be described simply as interesting things happening to interesting people, with the plot almost secondary. That's not the case here, although there are certainly interesting things happening to interesting people. There are huge things afoot, and this entire world is on the edge of a critical and disruptive change.

    A great deal of the joy of the book is seeing and understanding just what that change is. Stephenson's narrator is young and moderately naive, and he presents things as he sees (saw) them. You may be getting most or all of the facts, but you may not be seeing the larger picture or may lack the context to understand what those facts actually mean. That doesn't mean Stephenson is misleading you or deliberately obscuring things; no character in the book actually has a complete understanding of what is happening. That's what makes the book work so well. There are multiple mysteries in here, both in the sense of things unknown and things which are generally known which turn out not to be true.

    Stephenson's discourses are an important part of this. Some of the little asides about philosophy, history and mathematics are simply that: asides. As one reviewer put it, Stephenson likes to wear his erudition on his sleeve. But others are actually laying critical foundation for you to understand what's going to be happening later in the book, and you'd better be paying attention or you're going to be lost.

    This is not to say that every mystery is tied up in a neat bow. In particular, one critical set is only partially explained. We know that what of what happened, have some implications about the why, and only glimpses as to the how. This in general is a good thing. It's a messy and complex world that Stephenson has created for us, and tying everything off neatly would be a false note and a disservice to the wonderful complexity he's built.

    I liked it a lot. It made me think a lot while reading it, and I find myself mulling it over again and again. I will almost certainly re-read it, and soon. It's not for everyone, but if you are a patient and observant reader with an appreciation for scientific and mathematical concepts, this is your cup of tea.
    16 people found this helpful
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Top reviews from other countries

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  • Carlos Lopez
    5.0 out of 5 stars totalmente Stephenson
    Reviewed in Mexico on July 19, 2019
    este debe ser el libro mas denso que he leido de Neal, el inicio un poco pesado, pero poco a poco vas metiendote en este nuevo mundo que creo y no puede soltarlo. Si eres fan de las invenciones de Terry Pratchet y quieres algo en ese estilo pero serio recomiendo ampliamente este libro
  • Scott Akenhead
    5.0 out of 5 stars Possibly the ultimate "novel of ideas"
    Reviewed in Canada on September 15, 2017
    Possibly the ultimate "novel of ideas." As you start reading, you will have no idea where this novel will take you. Considering a sort-of-contemporary world where the intellectuals have retreated behind closed walls, awesome in itself, merely lures you into lowering your guard so that the novel's development catches you like a sucker punch and leaves you gasping. What is the most absolutely huge idea you can imagine? This novel explores several ideas that are bigger. I lost track of how many time I said "Oh my god!"

    Well, yes, as a matter of fact, I am a Neil Stephenson fan, funny you should ask.
  • Wilton Barbosa
    5.0 out of 5 stars Genial
    Reviewed in Brazil on October 21, 2017
    Como toda distopia, apresenta semelhanças com nossa realidade que não são meras coincidências. Não apenas apresenta uma história do pensamento análoga à nossa, como mostra o quanto os donos do poder tratam de limitar a atuação dos intelectuais na sociedade, seja encerrando-os em suas torres de marfim, seja manipulando a maneira como as pessoas ordinárias os enxergam.
  • Jan Onderwater aus NL
    5.0 out of 5 stars Ein Intelligenter SF für Liebhaber
    Reviewed in Germany on July 5, 2017
    Ohne zu viel zu Spoilern, es ist ein sehr intelligente SF Roman. Es dauert eine ziemliche weile bevor man mit kriegt was alles passiert und warum. Wie diese Welt funktioniert und wo man sich befindet. Letztendlich stimmt alles, alle Puzzlestucken fallen zusammen.
    Anathem spielt auf und um den fiktiven Planeten Arbre. Jahrtausende vor den Ereignissen im Roman traten die Intellektuellen des Planeten in Konzentrationen (monastische Gemeinschaften) ein, um ihre Aktivitäten vor dem Zusammenbruch der Gesellschaft zu schützen. Die avout werden von der Inquisition beaufsichtigt, die der Außenwelt gegenüber verantwortlich ist. Die Ausweichenden dürfen nur einmal im Jahr, Jahrzehnt, Jahrhundert oder Jahrtausend mit Menschen außerhalb der Mauern des Konzents kommunizieren, je nachdem, welche Gelübde sie abgelegt haben.
    Der Erzähler und Protagonist Fraa Erasmas ist ein Ausweichen im Zentrum von Saunt Edhar. Sein Lehrer Fraa Orolo entdeckt, dass ein außerirdisches Raumschiff Arbre umkreist - eine Tatsache, die die Sæcular Power zu vertuschen versucht. Orolo beobachtet das fremde Schiff heimlich mit einer Videokamera, eine Technologie, die für ihm verboten ist. Aber die Anwesenheit des außerirdischen Schiffes wird bald zu einem offenen Geheimnis unter vielen der Ausweichenden in St. Edhar.
    Ich werde nichts weiter über das Plot erzählen, ich hasse es, wenn man in einen Review soviel liest das man sich das Buch sparen kann.

    Zugegeben, ich bin ein großer Stephenson Fan, er ist IMHO einer der besten amerikanischer Schriftsteller von unsere Zeit.

    Habe gerade auch die Musik dazu gekauft, Iolet :: Music from the World of Anathem von David Stutz

    Schön!
  • Jon Morgan
    5.0 out of 5 stars A great story set in a fascinating world
    Reviewed in Australia on October 23, 2016
    Simply put, I loved this book. It was full of unexpected twists as the author slowly built a picture of a complex world with similarities and differences to our own, and of the world-changing events now happening in that world.
    So, what is the book?
    Is it an action thriller?
    A religious text?
    A mathematical textbook?
    A philospher's handbook?
    A journey of discovery / coming of age?
    An excuse for the author to build many plays on words (both good and bad)?

    It contains all those things, but I'm not sure that any of them really define it. Perhaps the "journey of discovery" part appeals to me most, as it helps the author to slowly build up a picture of a world like ours, but at the same time not. I also particularly liked the reimagining of maths and science in a religious setting and competing with other religions. Many think the book is too long, but I'll give the author this: the most random parts of the book, parts that you think "why is this here? Where is it going?" do turn out important to the plot. All in all, a great read.