"An attempt to give a synoptic view of the scope, theory, principles, and techniques of literary criticism ... the book is continuously informed by original and incisive thought, by fine perception, and by striking observations upon literature in general and upon particular works."--Modern Language Review
"Does literary criticism need a conceptual universe of its own? Professor Frye has written a brilliantly suggestive and encyclopedically erudite book to prove that it does; and he has done his impressive best to provide a framework for this universe. His book is a signal achievement; it is tight, hard, paradoxical, and genuinely witty. . . . [Professor Frye] is the most exciting critic around; I do not think he is capable of writing a page which does not offer some sort of intellectual reward."--Hudson Review
"This is a brilliant but bristling book, an important though thoroughly controversial attempt to establish order in a disorderly field.... Mr. Frye has wit, style, audacity, immense learning, a gift for opening up new and unexpected perspectives in the study of literature.... It would be hopeless to attempt a brief summary of Mr. Frye's dazzlingly counterpointed classifications."--The Nation
From the Back Cover
Literature, Frye wrote, is "the place where our imaginations find the ideal that they try to pass on to belief and action, where they find the vision which is the source of both the dignity and the joy of life". And the critical study of literature provides a basic way "to produce, out of the society we have to live in, a vision of the society we want to live in".
Harold Bloom contributes a fascinating and highly personal foreword that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.