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Learn more about free returns.| 1 | The Devils Sonata And Other Works:'La Sonata Del Diavolo' In G Minor: III Andante-Largo-Adagio |
| 2 | Complete Violin Sonatas: Op. III, No. 3, 'La Melana' |
| 3 | Concert For The Prince Of Poland: Violin Concerto In E-Flat Major 'La Tempesta Di Mare', Op. VIII, No. 5, RV 253: I. Presto |
| 4 | Concert For The Prince Of Poland: Violin Concerto In E-Flat Major 'La Tempesta Di Mare', Op. VIII, No. 5, RV 253: II. Largo |
| 5 | Concert For The Prince Of Poland: Violin Concerto In E-Flat Major 'La Tempesta Di Mare', Op. VIII, No. 5, RV 253: III. Presto |
| 6 | Sonatas: Sonata Over Toccata V, Op. IV 'Detta La Laura Rilucente' |
| 7 | Concerti Grossi, Op. 6: ' Twelve Grand Concertos In Seven Parts': Concerto VI In G Minor, HWV 3624: III. Musette |
| 8 | Concerti Grossi, Op. 6: ' Twelve Grand Concertos In Seven Parts': Concerto VI In G Minor, HWV 3624: IV. Allegro |
| 9 | Violin Sonatas:Sonate Sixieme In B Minor: III. Gracieusement |
| 10 | Violin Sonatas:Sonate Sixieme In B Minor: IV. Viste |
| 11 | Violin Sonatas: Toccata And Fugue In A Minor: Toccata and Fugue In A Minor For Unaccompanied Violin, Reconstructed By A. M. From The Organ Work BWV 565 In Minor |
| 12 | Sonata In E Major: I. Adagio |
| 13 | Twelve Fantasias For Violin Solo/Gulliver Suite For Two Violins: Intrada |
| 14 | Twelve Fantasias For Violin Solo/Gulliver Suite For Two Violins: Lilliputsche Chaconne |
| 15 | Curiose & Moderne Inventioni: Sinfonia Sesto Tuono |
| 16 | Curiose & Moderne Inventioni: Balletto Quarto Allemano |
| 17 | Curiose & Moderne Inventioni: Sinfonia Terzo Tuono |
| 18 | Sonata In A Major, HWV 361: III. Adagio |
| 19 | Sonata In A Major, HWV 361: IV. Allegro |
| 20 | Concerto XII In D Minor 'Follia': Theme + Variations 1-8 |
| 21 | Concerto XII In D Minor 'Follia': Variations 9-14 |
| 22 | Concerto XII In D Minor 'Follia': Variations 15-24 |
Andrew Manze - Andrew Manze: Portrait - CD
This is a compendium of pieces drawn from Andrew Manze's recordings past, present, and projected. It includes single movements, groups of movements, and complete works, some unaccompanied, some with one or two supporting instruments, some with the ensemble Romanesca, some with the Academy of Ancient Music, of which Manze is co-director and concertmaster. The selections range from intimate chamber music to brilliant bravura pieces and are well designed to whet the listener's appetite to hear the complete records. They also display Manze's versatility, virtuosity, improvisatory imagination, expressiveness, and communicative power, which have propelled him to the top rank of Baroque violinists. He succeeds in combining rigorous scholarship with adventurous spontaneity, passionate involvement and a sense of humor--all of which are also in evidence in his erudite but entertaining program notes.
Naturally, the most substantial pieces on the program tend to be especially impressive. Vivaldi's Concerto "La tempesta di Mare" is truly tempestuous, with extraordinarily daring harmonies and modulations. Manze's transcription and performance of a famous Bach Toccata and Fugue for organ creates the amazing illusion of an original unaccompanied violin composition. And, taken from Manze's recording with the Academy of Ancient Music, "La Follia," one of 12 Corelli Sonatas orchestrated by Geminiani as Concerti Grossi, is enormously exciting. Also noteworthy are selections by Uccellini and Marini performed with Romanesca, some movements from Bach and Handel sonatas, and part of Tartini's "La Sonata del Diavolo", better known as the "Devil's Trill Sonata," played unaccompanied with diabolical freedom and virtuosity. --Edith Eisler
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