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Comment: BROKEN / CRACKED SPINE AT ONE SPOT, BUT NO LOOSE PAGES. OTHERWISE CLEAN, MODERATE WEAR AND AGING. READING COPY ONLY. AS PICTURED. ISBN MATCH. FULFILLMENT BY AMAZON.
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The Andy Warhol Diaries Paperback – January, 1991

4.5 out of 5 stars 93 customer reviews

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Editorial Reviews

Review

"The ultimate self-portrait."―Boston Globe --This text refers to an alternate Paperback edition.

About the Author

Pat Hackett, editor of THE ANDY WARHOL DIARIES, was one of Warhol's closest confidantes. She co-authored POPism: The Warhol Sixties and Andy Warhol's Party Book with him, and co-authored the screenplay for Bad, Warhol's cult movie classic. --This text refers to an alternate Paperback edition.
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Product Details

  • Paperback: 807 pages
  • Publisher: Warner Books (January 1991)
  • Language: English
  • ISBN-10: 0446391387
  • ISBN-13: 978-0446391382
  • Product Dimensions: 8.2 x 2.2 x 9.2 inches
  • Shipping Weight: 3.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (93 customer reviews)
  • Amazon Best Sellers Rank: #588,322 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
Fascinating tales from the horses mouth. Andy dictated his diary to Pat Hackett at 9:30 am daily from whereever he was in the world. It started out as an expense account diary, but it turned into gossipy dish about the wild times in the Warhol world of the 70s and 80s. One can almost hear Andy speaking the words in his low, whiney voice. Some parts are very very funny, other parts make you want to cry. Andy was a lost soul and it comes through very clearly in his quest for acceptance. This book is large, trimmed down from 20,000 original diary pages, but still too large for a quick read. It almost takes extra time to read the diaries, a lot cannot be absorbed all at once. It is best ingested and enjoyed in small doses. It is really a delight and full of naughty fun
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Format: Paperback
I'm going to need a new copy of the Andy Warhol Diaries in a year or two. The binding on my current copy is really creased from periodic re-examinations. For me, the highpoints of this book are in the 1977 - late 1978 sections, and the early 80s (1982 - 1984). There seemed to be a constant energy in the entries in those years.

Prior to Steve Rubell's (owner of Studio 54) arrest for tax evasion, the entries were dominated by descriptions of New York City nightlife and name dropping. In 1982, there seemed to be a renaissance of social activity, albeit tempered, with a new group of regulars (Chris Makos and his boyfriend Peter, Jon Gould, etc.). AIDS was originally referred to as "gay cancer." What is striking me most in this re-reading of the Diaries is how much has been left out. There are a lot of gaps, especially when it comes to Warhol's personal relationships. For an overview of NYC's nightlife and artworld circa 1977 - early 1987, this book is essential. Social and popular culture historians will delight at Warhol's wry observations of celebrities and superstars in his immediate sphere. I remember when this book was first published, without an index. That was, in retrospect, a public relations coup. People were forced to comb through the volume to see who merited a mention.

Sadly, many of the Diary's notables came to a bad end: Andy himself died unexpectedly - and prematurely - after gall bladder surgery in February 1987. Jed Johnson died in the TWA plane crash in 1996. Steve Rubell, Jon Gould, Robert Hayes, Keith Haring, Halston, and so many others died of complications from AIDS. Jean-Michel Basquiat died from a drug overdose. Truman Capote died, relatively young, after decades of alcohol and drug abuse.
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Format: Paperback
A fantastic look inside the head of one of the world's biggest mysteries! And the guide is none other than the man himself.
Under the platinum fright-wig, there was a swiss-made machinery that went on 24/7. This is a description of Andy's last 9 years. At times funny and piquant, at others annoying, it offers the closest thing to an autobiography there ever will be about both man & myth.
A veritable who's who and who's what (and where) of this era is there in vivid detail. From the '54 days, to Bianca and Mick's ugly split, John Lennon's murder which left Warhol aghast, to Truman Capote's passing which made him cry. Phone chats with First Ladies and litterbugs, crushes on rock stars, celebrity weddings and celebrity parties, taxi bills (oh, how he kept track of money!), loneliness in crowds and funny, catty comment on friends and foes alike with the deadpan charm that was his trademark.
This is a most precious document on pop culture and history, as seen through the eyes and lenses of a man who was gifted with talent and was virtuous enough to be totally observant.
Read it and keep it forever!
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Format: Paperback
For centuries, the world of visual art was filled with mythical giants, people whose genius was not revealed to the world until long after said person's demise or people whose genius so overwhelmed others that no one dared get close to the figure. Thankfully, Andy Warhol was neither of those two types of artists. And the world knows this due to the IRS, a woman who originally just wanted a little excitement in her life, and a man who refused to censor himself.
Andy Warhol was a lifelong Democrat who criticized the Nixon administration, thus sparking a series of intense IRS audits. To help make these audits easier, he and his then-assistant Pat Hackett began cataloguing his daily expenses and saving every single receipt he received. This grew into a routine that lasted long after Hackett stopped officially working for Warhol, through phone conversations and taped recordings. Warhol would inject bits of his everyday life into the financial chatter and he and Hackett became close friends and confidants. Approximately two years after Warhol's passing, Hackett compiled all of her notes together, made it into a cohesive whole, and published it as The Andy Warhol Diaries. And the Warhol fan should silently thank Hackett every day for this.
Because of the intimate friendship these two people enjoyed, the reader is able to get a more personal, more vulnerable view of one of the art world's most original and celebrated figures. By devouring the pages of this easily readable text, one can understand that for all the glitz and glamour associated with this artist's public persona, his private life was actually not that much different from that of the "average" American.
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