- Series: The Southern Reach Trilogy (Book 1)
- Paperback: 208 pages
- Publisher: FSG Originals; First Edition edition (February 4, 2014)
- Language: English
- ISBN-10: 0374104093
- ISBN-13: 978-0374104092
- Product Dimensions: 5.2 x 0.6 x 7.7 inches
- Shipping Weight: 5.6 ounces (View shipping rates and policies)
- Average Customer Review: 1,717 customer reviews
- Amazon Best Sellers Rank: #7,164 in Books (See Top 100 in Books)
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Annihilation: A Novel (The Southern Reach Trilogy) Paperback – February 4, 2014
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An Amazon Best Book of the Month, February 2014: There is a comfort in familiarity, a foundation from which to definitively identify and label. But Jeff VanderMeer is not interested in putting his readers at ease. With Annihilation--the first volume of The Southern Reach Trilogy--he carefully creates a yearning for answers, then boldly denies them, reminding us that being too eager to know too much can be dangerous. The story follows an expedition of four women who are known only by their professions: the Psychologist, the Surveyor, the Anthropologist, and the Biologist--nameless pawns tasked with exploring, discovering, and (hopefully) delivering data about a portentous coastal territory called Area X. We are a bit like fifth members of that team (perhaps "the Reader"), learning at the same pace, guided by the observations of our narrator, the Biologist. Still the context remains blurry as VanderMeer twists each discovery into a deeper mystery. Through potent description and unrelenting tension, he achieves a level of emotional manipulation that should appeal to anyone who embraced the paranormal phenomena and maddening uncertainties of Lost. --Robin A. Rothman
*Starred Review* An expedition of four women is sent into an unknown region called Area X, beyond the borders of humanity: a psychologist, a surveyor, an anthropologist, and our narrator, a biologist. The purpose of the mission is to collect data about Area X and report back to the government, the Southern Reach, but circumstances begin to change when the group discovers a tower (or tunnel) that was previously unmarked on the map. Inside the structure, strange writing scrawls across the walls, and a spiral staircase descends downward, beckoning the members to follow. Previous expeditions ended badly, with group members disappearing or returning as shells of their former selves, but little is known about what actually occurred on those trips to Area X. A gripping fantasy thriller, Annihilation is thoroughly suspenseful. In a manner similar to H. G. Wells’ in The Island of Dr. Moreau (1896), VanderMeer weaves together an otherworldly tale of the supernatural and the half-human. Delightfully, this page-turner is the first in a trilogy. --Heather Paulson
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This book is a surprise and mystery if you have never read metaphysical horror before. To see what Annihilation would look like if executed flawlessly, read House of Leaves. The now-commonplace horror elements of humans encountering the utterly foreign and unknowable make up the backbone of the narrative. But whereas it is on glorious and staggering display in Lovecraft, King, amd other giants, here it is reduced to a bizarre oddity that induces head-scratching instead of spine-tingling.
The primary reason for this is the clashing styles. The first 160 pages of the book are so sterile and cold that even the strangest things are as interesting as unfinished jigsaw puzzles. The main character, The Biologist, states that this is to provide an objective account of events which necessotate a subjective experience in order to terrify. The last 30 pages are forced to give up the objective description, and only then does Annihilation actually become interesting.
The Biologist herself is done great injustice by the first 160 pages. In providing nothing but objective descriptions of events, the author fails to establish her as anything resembling a human being. She is nothing more than a camera lens that requires occasional flashbacks by the author to establish that she has Emotions and these are often at odds with the character as portrayed. The Biologist is a heavy introvert. She eschews people for her work. This is mentioned often and in bold fashion. Yet this person married, for reasons that are never explained beyond "he offsets my introversion". The Biologist is not portrayed as a person interested in the feelings or experiences of others. Why marry?
At the end of the book the semblance of a person begins to emerge from the Biologist, but by then the narrative has established her so firmly as a non-presence that her character feels like something the author shoved in when he realized there was no point to which the audience could attach. She is a walking fight between a detached third-person objective lens and a woman who wants to tell her own story. It does not end well for either party.
Finally, the book simply starts. No world-building or character history or any point of reference that would be helpful for an audience seeking a way into the story. In theory this plays along with the idea that the characters themselves know little, and are themselves poorly informed. In practice it is disorienting and dull. We know nothing about the state of the world. No baseline is established. Even the characters know more than we do, as is revealed later in the book - well past halfway in. The effect is like waking up to find yourself weightless inside an empty sphere. There is no point of reference and you can only make guesses until someone pops in and tells you what is happening.
There are many more small details that add up into a large pile of errors - debunked pop psychology from 1950 paired with hard science, characters that serve no purpose and go nowhere, jarring switches between clinical observation and surrealist prose, a world that is somehow both tantalizingly alien and horribly mundane - but describing those would take much longer.
Read a summary on Wikipedia. I guarantee it will be much more cohesive, interesting, and above all much less time-consuming than reading this book.
This is not a series by Michael Crichton. Although at times I was reminded of various Crichton works such as the Andromeda Strain, Sphere, and even Jurassic Park, Crichton takes painstaking efforts to ground the seemingly fantastical experiences in his stories with a semblance of fictional science. Crichton essentially is a magician who shows you afterwards how the trick was performed. There is no such reveal in this book (or really the series at large). Any sort of explanation (rational or irrational) is left entirely up to the reader. This can be frustrating for many people (including myself) who become engrossed in the plot and would like a finite resolution.
This is also not the book Arrival which also deals with potentially extraterrestrial beings, semiotics, and language. Whereas a linguist is the protagonist and narrator of Arrival, the linguist in Annihilation pointedly drops out of the expedition before the novel even begins.
What this book is, as many others have pointed out, is similar to Lost or (in my opinion) Prometheus. The writing, especially at the start, is both exciting and compelling. However, each mystery only leads to more mysteries. The main character is interesting if not rather obtuse (as many characters in sci-fi stories are -- if the crew of the Nostromo could follow simple quarantine procedures then the film Alien may have only been 15 minutes long -- but that's beside the point).
As a story, it's well written and the plot is intriguing. It borders on sci-fi horror and raises many interesting questions about the human condition. Hence the 3 stars. But the lack of exposition holds it back.
You'll see every twist coming and the suspenseful moments are over so quickly that there was no time to build any excitement.
I had to force myself to finish the book and I really hoped the ending would hook me enough to pick up the second, but it did nothing for me. I feel as though the questions weren't interesting enough for me to seek answers in following books and the characters were too drab to keep following.
Best part of the whole book was the cover art.