Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle Cloud Reader.
Using your mobile phone camera - scan the code below and download the Kindle app.
April Witch: A Novel Paperback – March 11, 2003
| Majgull Axelsson (Author) Find all the books, read about the author, and more. See search results for this author |
The woman who gave Desirée up at birth subsequently took in three foster daughters, who know nothing of the existence of their fourth “sister.” Sensing that her own time is short, Desirée has decided that one of the others has lived the life she herself deserved. One day, each of the three women receives a mysterious letter that forces her to examine her past and her present—setting in motion a complex fugue of memory, regret, and confrontation that builds to a shattering climax.
April Witch created a furor upon its original publication in Sweden. Addressing themes of mother-daughter relationships, competition between women, and the failures of Sweden’s postwar welfare state, it is foremost a thrillingly written and fascinating story.
- Print length432 pages
- LanguageEnglish
- PublisherRandom House Trade Paperbacks
- Publication dateMarch 11, 2003
- Dimensions5.17 x 0.83 x 8 inches
- ISBN-100812966880
- ISBN-13978-0812966886
New: Sarah Selects
Sarah Selects is a new book club hosted by Amazon Editorial Director Sarah Gelman. Whenever Sarah finds a book that sticks with her, she loves to recommend it to her friends and family. These books are the books she's sharing, so members can talk about them after they’re done reading. Join the club to view and reply to posts from Sarah and get email updates when the December book is chosen. Join the club.
Editorial Reviews
Review
—The Washington Post
“Both dreamlike and gritty...Axelsson’s irresistible story combines suspense with the supernatural, setting up a haunting confrontation between a soaring mind and a body shackled by disease, family and society....Readers will be disturbed and exhilarated. Bottom line: Bewitching.”
—People
“Axelsson has a bone-deep understanding of completely convincing characters. Rendered in fluid, rewarding prose, April Witch offers insight and beauty on every page. I’m recommending it to everyone I know.”
—Mary Doria Russell, author of The Sparrow and Children of God
From the Inside Flap
The woman who gave Desirée up at birth subsequently took in three foster daughters, who know nothing of the existence of their fourth ?sister.? Sensing that her own time is short, Desirée has decided that one of the others has lived the life she herself deserved. One day, each of the three women receives a mysterious letter that forces her to examine her past and her present?setting in motion a complex fugue of memory, regret, and confrontation that builds to a shattering climax.
April Witch created a furor upon its original publication in Sweden. Addressing themes of mother-daughter relationships, competition between women, and the failures of Sweden?s postwar welfare state, it is foremost a thrillingly written and fascinating story.
From the Back Cover
—The Washington Post
“Both dreamlike and gritty...Axelsson’s irresistible story combines suspense with the supernatural, setting up a haunting confrontation between a soaring mind and a body shackled by disease, family and society....Readers will be disturbed and exhilarated. Bottom line: Bewitching.”
—People
“Axelsson has a bone-deep understanding of completely convincing characters. Rendered in fluid, rewarding prose, April Witch offers insight and beauty on every page. I’m recommending it to everyone I know.”
—Mary Doria Russell, author of The Sparrow and Children of God
About the Author
From the Hardcover edition.
Excerpt. © Reprinted by permission. All rights reserved.
Neutrinos they are very small
They have no charge and have no mass
And do not interact at all
The earth is just a silly ball
To them, through which they simply pass
Like dust maids down a drafty hall
Or photons through a sheet of glass . . .
-John Updike
“Who’s out there?” asks my sister.
She’s more perceptive than the others, the only one who ever senses my presence. She looks like a bird right now, standing there craning her neck, staring out across the backyard. She’s wearing nothing but a gray bathrobe over her white nightgown, and doesn’t seem to notice last night’s frost hanging in the air. Her robe is open, the belt untied, dangling from one single loop. Like a slender tail feather, it trails behind her down the steps from the kitchen.
She swivels her head sharply, listening in the direction of the yard, awaiting a response. When none is forthcoming, she repeats her question, now in a shriller, more anxious tone of voice: “Who’s out there?”
Her breath forms small white plumes, very becoming to her ethereal type. Like mist, I thought the very first time I ever saw her. It was a hot August day many summers ago, long before I had moved into assisted accommodation. A medical conference was about to begin in the auditorium of the nursing home, and Hubertsson had gotten them to roll my wheelchair out and park me in the shade of the big maple tree. He orchestrated a coincidence in which he bumped into Christina Wulf in the parking lot and got her to walk across the big lawn where I was sitting. The heels of her pumps went right through the soft grass, and when she reached the graveled yard she stopped for a moment to make sure there was no dirt stuck under her shoes. That was when I noticed she was wearing panty hose, despite the heat. A neat blouse, a calf-length skirt, and panty hose. All in shades of white and gray.
“Your elder sister is one of those ladies who washes her hands in chlorine bleach,” Hubertsson had said before showing her to me.
On the surface, that was a good description. But not completely adequate. Now that I could see her in the flesh, she seemed to me so ambiguous in both shape and color that the laws of physical matter failed to apply to her. She should be able to seep like smoke through closed windows and locked doors. For one instant as he reached out to support her, I thought Hubertsson’s hand was going to pass straight through her arm.
Which wouldn’t have been so strange, really. We often forget that what we consider laws of nature are actually nothing but our ignorant ideas about a highly complex reality. For instance, the fact that we are living in a cloud of particles with no substance: photons and neutrinos. Or the fact that all matter—even that of which the human body is composed—is primarily emptiness, a vacuum. The distance between the particles in the atoms is just as great as the distance between a star and its planets. What gives rise to surface and solidity is not the particles themselves, in other words, but the electromagnetic field that binds them. Quantum phys- ics also teaches us that the very smallest elements of matter are not just particles. They are also waves. Simultaneously. For the duration of a microsecond the electron tries out its potential positions, and for that instant all its possibilities are equally real.
So everything is in flux. As we know.
Seen in light of this there is nothing particularly peculiar about the fact that some of us are able to violate the laws of physics. But when Hubertsson’s hand reached Christina as she stood there on one foot examining the sole of her shoe, she turned out to have contours just as solid as those of any other human being. His hand grasped her arm and remained there.
She hasn’t become less transparent over the years; she still looks like she might dissolve at any moment and drift away in a jumble of waves and particles.
But, of course, this is simply an illusion. Christina is actually a solidly coherent lump of human matter. Extraordinarily coherent, even.
And now her electrons have decided to change position. She blinks and forgets me, tightens her bathrobe around her body, and walks, her rubber boots squelching, along the slushy gravel path in the direction of the mailbox and the morning papers.
The letter is at the bottom of the mailbox. When she catches sight of it a tiny wave of horror wafts like a breeze through the yard. Astrid, she thinks, just as she remembers that Astrid is dead, that she has, in fact, been dead for three years. That is some comfort. She stuffs the papers under her arm and starts toward the house, all the time twisting and turning the envelope. She’s not watching her step.
That’s why she trips over the dead seagull.
At that very instant my second sister opens her eyes in a hotel room in Göteborg, gulping for air. That’s how she always wakes up; for one instant she is terrified, before she remembers who she is and where. When her morning panic subsides, she starts to fall back to sleep, then halts herself and stretches toward the ceiling. Jesus! She doesn’t have time to lie around! This is the day she is going to spend a perfectly ordinary Thursday retracing her own footsteps. A walk down memory lane. She’s been that way before, but not for a long time.
Margareta sits up in bed, fumbles for a smoke. The first puff gives her the shivers, she feels as if her skin rises and hovers a fraction of an inch above her flesh. She looks down at her arms. They are naked, pale and goose-bumped. She forgot her only nightgown at Claes’s place . . .
For a confirmed smoker Margareta is surprisingly addicted to fresh air. Covering her nudity with the blanket, she walks over to the window and opens it wide. She stays there in the cold air, staring out at the late winter day, gray as lead.
Nowhere in Sweden is the air as ugly as in Göteborg, she thinks. It’s a habitual, familiar thought, the one she uses to console herself when the northern darkness of Kiruna presses her to the ground. She’s been lucky after all. Had it not been for a coincidence, she might very well have had to live her whole life under the metallic Göteborg sky. A coincidence in Tanum . . .
Margareta inhales deeply, letting the smoke seep out from a satisfied smile. She’s going back to Tanum today. For the first time in more than two decades, she’s returning to the place that determined her adult destiny.
She had just turned twenty-three, and was studying archaeology, when it happened. She’d been on a dig there all summer, sifting and brushing her way through the sand of the heather-covered heath in an attempt to reveal yet another ancient rock drawing. All the time, a string inside her had oscillated with expectation. That string was vibrating for Fleming, a Danish visiting professor with a deep voice and slitlike eyes. Even in those days Margareta had already had, to put it mildly, some experience of middle-aged men, and now she was using all the tricks and wiles she had in her bag. She lowered her gaze and drew her hand quickly through her hair when he looked at her, she let her breasts protrude and her hips sway as she walked, laughed softly and cooed at his jokes during the coffee breaks.
Initially, he’d been more intimidated than flattered. Although he did often seek her out, smile and laugh back, he took no initiative. Instead he would mention—increasingly often and out of context—his wife and children, his age and obligations. But Margareta didn’t release her grip. She was fanatical by nature, then as now, and the more he flaunted his signals and evasions, the more intently she would lock eyes. She wanted him!
The problem was that she didn’t really know what she wanted him for.
They would go to bed together. Naturally. At night in her tent she would often fantasize about how he would embrace her waist with one arm while undoing his fly with the other hand. He would tremble and fumble, but she would not aid him. On the contrary, she would exacerbate things by pressing her crotch to his, rotating it slowly. Once his fly was open, however, she would allow her own hand to find its way in, cupping his sex, which would rise, throbbing and erect, out of the shapeless lump under the white cotton weave of his briefs, after which her fingers would wander on, light and flitting, like butterfly wings.
But sleeping with him was only the means. Not the end. Margareta had a feeling all she would be able to see was the mirror image of her own desire in his, and she really didn’t mind. A different void in her was waiting to be filled afterward, she knew, as they lay in the heather surrounded by the summer’s night. That was when Fleming would say or do something—she didn’t know what—but something that would forever fill every empty cavity in her body. From that moment on, she would live in satisfaction. Forever filled to overflowing.
And at last it happened. One evening Fleming put his arm around her waist while his other hand fumbled with his fly. Margareta’s hand embraced his sex and her desire burst into pure anticipation as she sank under him into the heather. Shortly afterward Fleming exploded. After which it was over, because once Fleming’s cock had slackened he turned out to have nothing with which to fill her. His weight, which had been solace and a promise such a short time ago, was now stifling, threatening. Gasping for air, she heaved him aside. He reacted not at all, simply grunted and changed position, sound asleep in the flowering heather.
To this day Margareta has no idea what made her get up and go. It would have been more her style to stay put, snuggling in his armpit, more like her to be content for a few months with the crumbs he had to offer, rather than immediately to begin...
Product details
- Publisher : Random House Trade Paperbacks; First Thus edition (March 11, 2003)
- Language : English
- Paperback : 432 pages
- ISBN-10 : 0812966880
- ISBN-13 : 978-0812966886
- Item Weight : 10.6 ounces
- Dimensions : 5.17 x 0.83 x 8 inches
- Best Sellers Rank: #3,236,135 in Books (See Top 100 in Books)
- #225 in Scandinavian Literary Criticism (Books)
- #127,518 in Literary Fiction (Books)
- Customer Reviews:
About the author

Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
"April Witch" tells a story of Ellen Johansson (I have no idea why "Ellen" was changed to "Ella" in translation. Did "Ella" sound more Swedish to the translator?) who works as a foster mother. Three girls, Christina, Birgitta and Margareta, are adopted by her and their lives, albeit they turn out very different, are very much influenced by her personality. Ellen has a secret though - her real daughter, Desiree, has been taken from her right after birth and put into professional care. Desiree has cerebral palsy with epileptic attacks, and her condition worsens with time. She has an unusual ability - as an "April witch" she can possess the body of any other living creature, although she pays for each such trip a price of her own health. Desiree uses her abilities to track the lives of her adopted sisters, trying to figure out, which one has "stolen" her life. The reader goes through the past of all five women, with frequent retrospectives and narration changes. The characters are beautiful, complicated and contrasting. I liked the idea for the novel very much, although I felt that the plot got weaker towards the end and the ending was not completely satisfactory, as if the author had run our of steam.
Axelsson novels, and "April Witch" is no exceptions, are very feministic, but on the pole, which I especially like; her characters are strong women, who know themselves, but the writer is also not afraid to explore their weaknesses and stupidity, the long and painful process of maturation and self-analysis, their addictions and illnesses. This is the writing completely different from what I call "a feminist propaganda (which can also be very good - Erica Jong comes to my mind instantly, but I prefer Axelsson's style).
I recommend "April Witch" to anyone interested in real, well developed characters with complicated lives. I would like to recommend also other books of Axelsson's, especially chronologically later "Augusta's House" (very mature with a well-balanced story - Axelsson really develops as a writer) and earlier "Far from Niflheim" (with dramatic volcano eruption in the Philippines in the center of the plot) but it seems that first I have to wish for them to be translated...
Desiree is the biological daughter of Aunt Ella, but because of Aunt Ella's childhood, Ella is the illegimate child of a factory worker and deprived of good nourishing food her bones are weak, her labor is long, no caesarian section available, her labor is long and hard. As a result, Desiree is born with cerebral palsy and epilepsy. She is institionalized, never visited, but such children were treated this way back in the '50. However, Desiree is a genius, she keeps a library about books concerning earth studies, planets, astronomy and places her words and desires on her computer. Another interesting fact about Desiree is that she is an April Witch and travels about in the bodies of birds, small animals and sometimes lands into people.. Interesting character.
Christina is the only child of a mentally ill mother and is placed in the home of Aunt
Ella. She patterns herself after Aunt Ella who has risen from the very poor to the middle class. Christina becomes a doctor, marries well and has twin daughters.
The most interesting of the three is Margareta who was found when an infant abandoned in a washeteria. Margareta is good hearted, promiscious, goes from man to man, and at her age is still trying to find herself. She was given to Aunt Ella to foster as an infant. She studied archeology, but gave up on that study to become a physicist. She still hasn't gotten around to writing her dissertation.
Then comes Birgitta, a drunk, a drug user, loud, rude, coarse. Beer, drugs, booze are her main reasons for living. Birgitta hates the establishment, the middle class and blames society for her mothers' death. Birgitta has to be the adult in her mother/daughter relationship. She took care of her mother when mom come home too drunk. She resents being placed with Aunt Ella who treated her as a child which she never was.
The lives of these characters is interesting and well told. Dr. Hubertsson who is a close friend of Desiree had rented a room from Aunt Ella and knew these three women when they were children.
On the other hand, I actually picked up this book because of the supernatural undertones, so to speak. When it was all said and done, that is the one portion of the book that I did not really enjoy. Without giving anything away, at first, throughout the first few chapters of the book, I was captivated with what would eventually come of the hospitalized sister and her ability. Unfortunately, I don't feel the author developed this area of her story, nor did it seem to lead to any level of interest for me. Actually, it was rather odd and out of place when compared to the rest of the book.
Had the author left out all of the witch business, and had she focused on the book just being what it truly is, a story of four woman and the struggles they faced throughout their childhood, I think the story would have held more weight.
Having said all that, it's not a bad book, but nothing supreme. Although, I feel it could have been. The potential was there.

