- Series: Aquaman (Book 1)
- Paperback: 144 pages
- Publisher: DC Comics; New 52 ed. edition (May 21, 2013)
- Language: English
- ISBN-10: 140123710X
- ISBN-13: 978-1401237103
- Product Dimensions: 6.6 x 0.3 x 10.2 inches
- Shipping Weight: 9.1 ounces (View shipping rates and policies)
- Average Customer Review: 224 customer reviews
- Amazon Best Sellers Rank: #75,569 in Books (See Top 100 in Books)
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Aquaman Vol. 1: The Trench (The New 52) Paperback – May 21, 2013
"The Other Woman" by Sandie Jones
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"Fresh." —Entertainment Weekly
"This might be [Geoff Johns's] most impressive feat to date. Genius!" —USA Today
“Has breathed new life into [Aquaman]…. The series is off to an excellent start with plenty of mystery and action ahead. Anyone that ever hesitated to read a story about ‘the guy who talks to fish,’ should have no second thoughts about picking up Aquaman Volume 1: The Trench.” —Philadelphia Examiner
"Every page drips with humor and all of it is aimed at Aquaman and his considerable character heritage, be it the orange shirt, the power to talk to fish or the second-string super-hero status." —Los Angeles Times Hero Complex
About the Author
Geoff Johns is an award-winning writer and one of the most popular contemporary comic book writers today. Johns is the author of The New York Times bestselling graphic novels Aquaman: The Trench, Blackest Night, Green Lantern: Sinestro Corps War, Justice League: Origin, Superman: Brainiac and Batman: Earth One which hit #1 on the bestseller list. He is also known for transforming Green Lantern into one of the most critically and commercially successful franchises in comics.
Johns was born in Detroit and studied media arts, screenwriting, and film at Michigan State University. After moving to Los Angeles, he became an assistant to Richard Donner, director of Superman: The Movie. He and his mentor Donner later co-wrote Superman: Last Son featuring the return of General Zod.
Johns has written for various other media, including episodes of Smallville, Arrow and Adult Swim’s Robot Chicken, for which he was nominated along with his co-writers for an Emmy. He is the Chief Creative Officer of DC Entertainment and resides in Los Angeles, California.
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But then the Super Friends television show happened in 1973 and well...the stigma of Aquaman began. Since then everyone has made a joke on Arthur's behalf, in all forms of media. He's been portrayed as various things over the year like cannon fodder for the Justice League, as well as simply being the guy that can swim fast and talk to fish thanks to Super Friends. Sure he's has the occasional and decent public portrayal (Grant Morrison's JLA for example or JLA Annual #2 where he lead the group), but nothing great. So it's always felt like he's a B-list character (some would argue C-list) hanging around a league of A-listers...
Until Geoff Johns 2009 event Blackest Night came about and Aquaman came back to the DC Universe as a black lantern. "Aquaman's back as a black lantern?" People thought. "Meh." But then Aquaman summons zombie sharks and kills of bunch of Atlanteans. Wait? What?! People took notice. And even Aquaman's wife, Mera got a following going due to being a main player in the event as well. And then Arthur came back to life and was a key component in the Brightest Day event. And out of all those who came back to life during that event, Arthur was probably the most popular of the bunch. Now with the New 52, Geoff Johns decides to carry on writing Arthur and his "Aquawoman" wife Mera with artist Ivan Reis and Joe Prado, to create a fresh new start on the king of the seven seas.
AQUAMAN VOL 1: THE TRENCH collects issues #1-6 and see's Arthur going about his daily life as super-hero crime fighter on the sea and on land. But the world see's Arthur as "that guy that talks to fish", and so many people see him as joke. Even when Arthur stops a pack of bank robbers, they laugh at the notion of him being a threat and the police feel embarrassed to have Arthur do something they themselves could of done. While Arthur is slowly getting back into the habit of life, a species of being from the darkest depths of the ocean come to land to feast upon those in their paths. It's up to Arthur and Mera to save the day.
Johns immediately talks about the criticism and perception of our worlds view of Aquaman and attacks it head on which makes for some great comedic use. Everything and anything you can think of, Johns answers it for Arthur. Does he actually talk to fish? Why eat the fish you he talks to? Why the orange colors? Does the A on the belt stand for Aquaman or Atlantis? Or how does it feel being the punch line of the joke? Johns even goes far enough to show Arthur's power set more fully then simply swimming fast. Super hearing, super strength and reflexes, and near-bullet proof skin are little details added to Arthur never quite seen before to establish Arthur really is a powerful being. Johns also shows a likable personality from Arthur that is well-tempered about how society treats him and just wanting to do what's right. All of these attributes make Aquaman stand out as powerful and likable character. And you don't have have read any past Aquaman material at all to enjoy the story.
Although the book is predominantly about Aquaman, you could almost consider it a buddy book, because Mera shares quite a bit of panel time with Arthur. It's one of the main themes regarding the book is Arthur and Mera's relationship together and it's handle fairly well. Mera herself has her share of powers and attributes that we get to see are quite different from Arthur (some bad and some good). Mera gets to have an entire issue of her going solo into town to simply get supplies and you see her personality (which it too is quite comedic). Either way, the dynamics between the two is nice to see happen.
Mention has to go to Ivan Reis. His art alone is amazing. Every fine detail of water and sand (!), to spash pages showing Aquaman in his shining orange outfit are stellar. You'll spend half the time looking and taking in Reis beautiful artwork. Special mention does also go for Joe Prado who does the coloring, as wall as drawing issue #6. Again, the art is stellar.
Now why the 4 star review instead of 5 you say? Two things come to mind. One of which is that the Trench arc is a mere 4 issues. Actually you can argue its 3 issues and it ends very abruptly (Though I do get the feeling The Trench will come back somewhere down the line in Johns run.). And the other thing is the issues collected which I'll explain. Issue #1 deal primarily on establishing Aquaman, while issues 2-4 are the Trench arc. Then issue #5 is the prologue to the next arc, "The Others". And issue #6 is mostly a stand alone tale about Mera going into town. See the problem here? It feels sort of scattered when you look at it, as if Johns played the Trench arc very safely (which it feels like) and just wanted to get to the next arc as soon as possible. It just feels a bit incohesive.
Overall though, AQUAMAN VOL 1: THE TRENCH is still a good start for this unexpected hit in the New 52. It has fabulous art and a capable writer behind it. This short volume may not be perfect, but the current team sure makes it feel like it does have it coming for it down the road. It's a new era for the king of Atlantis. And the fish jokes stop here.
The collection is certainly worth a read for Aquaman fans both old and new, as you don't need to know much about the character when coming to the series. However, readers expecting the pageantry and drama of fabled Atlantis (such as that found in Peter David's epic run) may be disappointed here (at least with this collection) in Johns's preference for the domestic. Also, as some reviewers have noted, we don't get much in the way of an origin story; however, Johns does present an innovative perspective on how Aquaman's powers actually work, though much of this is given in response to comments (often humorous) made within the story on how the character has been perceived in popular culture. Instead of a new origin, Johns presents bits and pieces of Aquaman's back story--there are lots of scenes of him as a child and his interaction with his dad--that further humanize the character. There is not much new material here (I think), but Johns seems reverential to what has come before. In addition, Johns does offer some original material here. We get to see a new villain/monster and hints of a mystery tied into Atlantis's past, and he gives us a new take on Mera, her own powers, and the nature of her relationship to Aquaman.
it is an amazing book. Like the current Rebirth, Johns' Aquaman is an attempt to give new life to an old DC standby that has often been treated like a joke. Some of the art in this feels a bit dated, but gosh, the storytelling. This book is a stark reminder of just how good Geoff Johns is at storytelling, writing dialogue, showing, rather than telling you. It is a great story. I can't wait to read the rest of the series