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Book 1 of 2 in the L'Arabe du futur Series

The Arab of the Future: A Childhood in the Middle East, 1978-1984: A Graphic Memoir Paperback – October 20, 2015

4.3 out of 5 stars 51 customer reviews
Book 1 of 2 in the L'Arabe du futur Series

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Product Details

  • Series: The Arab of the Future (Book 1)
  • Paperback: 160 pages
  • Publisher: Metropolitan Books (October 20, 2015)
  • Language: English
  • ISBN-10: 1627793445
  • ISBN-13: 978-1627793445
  • Product Dimensions: 6.4 x 0.7 x 9.3 inches
  • Shipping Weight: 12.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (51 customer reviews)
  • Amazon Best Sellers Rank: #15,381 in Books (See Top 100 in Books)
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Format: Paperback Verified Purchase
Entertaining, humorous and disturbing. The insights here are deeply real, very personal. You just want to know more -- how and why is this marriage holding together? When will it end and how? At times, this is a very painful account of a family in some very strange circumstances. It is also the amusing perspective of a tiny, quirky outsider who is forced to bridge different worlds. The insights into the Arabic mindset are electrifying and especially relevant. I will be looking for the next book. Superb.
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I really can't decide how I feel about this book.

I can't put my feelings into words. I gave it 4 stars because the graphics are great, and the sarcasm/humor is on point. No one can say otherwise. However, being an Arab and a Muslim myself, I feel torn about where I stand. Yes, this is a satiric account of a boy's life moving around between Libya, Syria and France. A boy who was born to a Syrian father and a French mother. It bothered me how acquiescent the mother seemed to be, it was actually quite annoying. For someone who is not Arab and was not raised in the Middle East, to give up her life so readily for an extremely politically opinionated Syrian man and live the life she has (according to Riad's account that is), it was frustrating. He portrayed her as a woman without a voice.

Of course, this is only his account, and I can't be sure how credible or accurate it all is. I mean, we are talking about the life of a boy from the age of 2 to the age of about 6 years old. How can he remember his life at that age in such detail? And if he didn't and this is all based on experiences described by his family (mom, dad, grandparents etc.), then how accurate are those memories? Everyone remembers the same incident differently, so you can never actually be sure. In that sense, this memoir immediately lacks some of its credibility.

On the other hand, there's the whole idea of simply taking things at face value and learning to laugh at oneself. And that's something Arabs are not very good at doing. We don't know how to laugh at ourselves and not take things too seriously. Myself included. We don't know how to be satirical or ironic, and those who do - such as Riad here - are always judged and looked at with mild disdain. We also tend to quickly take offense and attack.
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This is an outstanding memoir. One must acknowledge that it takes place when the author is between 2 and 6. I will have to hunt down some interviews of the Mr. Sattouf, because most readers (including myself) find that his father, Syria and Libya all come across as a bit awful. Riad is half French and half Syrian, and his father (who is educated but incredibly sexist, racist and ethnocentric) hauls the family from France to Libya and then Syria so that he can secure a teaching position.

Little Riad is fawned over by relatives for having blond hair. At one family event, he is sent into a room with the women and children and the food they are offered are the gnawed bones and scraps that the men have discarded from the other room where they are eating. Riad's father scoffs at French and Western culture and celebrates Syria, despite the human feces on the ground, rotten fruit, rude people, garbage everywhere and dead bodies hanging from scaffoldings. I find myself sympathetic for the mother, but I also am not sure how she put up with such an awful man (granted, there is nothing here that suggests he cheated on or beat her, but those aren't the requirements for a bad relationship).

There are several funny moments, especially at the end on the plane. Riad has a good eye for detail and when he illustrates something that is tough to believe, he slides in "this actually happened" to let us know that he is not taking liberties.

It's a fine work. I imagine that some Arabs will find this offensive, and that some Trumpists will cite it as an excuse to ban all Muslims. Both are wrong. Frankly, it's a great story that from a man raised in two worlds.
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Excellent. I'm looking forward to volume two. The drawings are annoying at first, crude, but well balanced with the content. I soon grew to admire their succinct clarity and how well they complemented the storyline. Read this and share it.
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A very good example of what a young person growing up goes through. An interesting insight into life as an Arab by birth, with a good view of the conflict that can exist between a father and his son.
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Format: Kindle Edition Verified Purchase
I read this shortly after it came out last year and really loved it. Unfortunately, I'm lazy and very rarely review books - even ones I'm passionate about. Volume 2 of this series was my tipping point. I just had no excuse left not to go out and promote this masterpiece(s). For any fan of graphic memoirs - especially those involving totalitarian regimes seen thought the eyes of children - The Arab of the Future is a series you'll never forget. If Maus and Persepolis made an indelible impression on you, read The Arab of the Future.
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Format: Paperback Verified Purchase
This graphic novel is a window into culture and national identity and living conditions for one multi-national child, pulled back and forth between France, Syria and Libya. We feel his pain, especially in the current confusing times. Particularly poignant after Nov 13th in Paris when all are evaluating religion, fanaticism in France and Syria. Timely, moving. Part One of three. The drawings and dialogue are excellently rendered.This artist is well known in France and should be in the world.
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