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The Arch of Constantine: Inspired by the Divine Paperback – December 15, 2013
- Print length160 pages
- LanguageEnglish
- PublisherAmberley Publishing
- Publication dateDecember 15, 2013
- Dimensions6.77 x 0.5 x 9.76 inches
- ISBN-10144560129X
- ISBN-13978-1445601298
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- Publisher : Amberley Publishing (December 15, 2013)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 144560129X
- ISBN-13 : 978-1445601298
- Item Weight : 1.03 pounds
- Dimensions : 6.77 x 0.5 x 9.76 inches
- Best Sellers Rank: #3,688,278 in Books (See Top 100 in Books)
- #663 in Religious Building Architecture
- #817 in Monument Photography
- #1,273 in Landmarks & Monuments
- Customer Reviews:
About the authors

I am a writer and archaeologist based in Pembrey, Carmarthenshire, Wales, specialising in Roman art and archaeology. I have worked at Birmingham University and Manchester University and directed major excavations in northern England and the midlands. I gained my PhD in 2001 and was elected a Fellow of the Society of Antiquaries of London in 2012. I have published widely in academic journals and specialist archaeological monographs and now have written ten popular books on different aspects of Roman life, art, and material culture, as featured on this page. My eighth book, 'Cave Canem. Animals and Roman Society', examined Roman attitudes to the natural world and was published in February 2018. My ninth book-'The Dignity of Labour'-about images of artisans and workers in the Roman world and the construction of identity was published in January 2021, having been delayed by the pandemic. My tenth book-'Visions of the Roman North: Art and Identity in Northern Roman Britain' was published by Archaeopress in April 2021 and has been well received. My eleventh book-'A Map of the Body, a Map of the Mind. Visualising Geographical Knowledge in the Roman World'-is now finished and with Archaeopress publishers. In it I examine the use of visual imagery in the Roman world to convey geographical information and how that information might have been received and perceived. Following the positive reception of my 'Visions....' book I have also started compiling a similar, short study focused on Roman Wales, provisionally titled 'Whatever Slips Beyond the Edge: the Visual Culture of Roman Wales.' In addition, I have worked up a proposal for a personal memoir about working in British archaeology for the past forty years-'Archaeological Confidential' and have almost finished writing a literary thriller-'The Observation Platform'-which hopefully I can interest an agent in promoting.

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Additional chapters deal with the "good" emperors - Trajan, Hadrian, and Marcus Aurelius - and what their monuments contributed to the A of C; an in depth discussion of the various sculptural programs intentionally "inspired by the divine"; the specter and building legacy of Maxentius in Rome ("The Ghost in the Machine"); "Collage and Memory" discusses the use of "spolia" on the Arch and the reasons for the specifics of it. The subject is also treated with reference to the new capital - Constantinople (Istanbul) - of the Eastern Roman Empire and its relationship to the acquisition of "holy Christian" relics. A final chapter ("A Metaphor for Modernity") not only deals with the artistic legacy of the Arch but contains an excellent discussion and critique of Bernard Berenson's "misguided" 1954 analysis of the A of C. An Appendix, 39 color photographs, and a superb and up to date very extensive bibliography (along with notes) completes the book.
It is also the opinion of this reviewer that the Arch of Constantine should rightfully be considered both the last Pagan monument and first Christian monument above ground in the city of Rome.






