Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.99 shipping
+ $3.99 shipping
The Art of Death: Writing the Final Story Paperback – July 11, 2017
"Children of Blood and Bone"
Tomi Adeyemi conjures a stunning world of dark magic and danger in her West African-inspired fantasy debut. Pre-order today
Frequently bought together
Customers who bought this item also bought
Customers who viewed this item also viewed
“This book is a kind of prayer for her mother ― an act of mourning and remembrance, a purposeful act of grieving. . . . Danticat writes beautifully about fellow writers, dissecting their magic and technique with a reader’s passion and a craftsman’s appraising eye. . . . As a grieving daughter, she wants to understand how others have grappled with this essential fact of human existence; and as a writer ― a ‘sentence-maker,’ in the words of a DeLillo character ― she wants to learn how to use language to try to express the inexpressible, to use her art to mourn.”―The New York Times
“Danticat taps into such tough subject matter . . . with a trickless, spellbinding clarity. . . . This small book is a bracingly clear-eyed take on its subject.”―The Boston Globe
“Danticat’s is a memoir written in a manner akin to the circular, overlapping and overwhelming processes of grief and mourning; she layers her story with other poems, memoirs, novels and essays about death, scaling the personal to wider-ranging political and ecological catastrophes. . . . Deeply felt.”―Los Angeles Times
“The Art of Death offers an inspired syllabus of Danticat’s own design. . . . What’s important about reading great writing about death ― or in the case of The Art of Death, reading about reading about it ― is that it teaches us how to live. Rather than shy away from these books, we should turn to them in all seasons.”―Chicago Tribune
“There is, after all, no more universal experience for humans, other than birth, and that is, in some ways, what this beautiful book feels like; it is an offering, almost, a renewal about the ways in which we think about the unthinkable, force ourselves to confront the dark in order to live with light in our lives. It is elegant and thoughtful, and a fascinating meditation on the thing that brings us together.”―Nylon
“It’s unusual for a craft book to make such an emotional impact, but The Art of Death shows readers―through the words of others and through Danticat’s own―how it’s done.”―Star Tribune (Minneapolis)
“In The Art of Death, Danticat writes clearly and judiciously about a subject that is challenging for both writers and people to face directly. Her range and grasp of literary references is wide and powerful.”―Milwaukee Journal Sentinel
“Consider [The Art of Death] a master class in literature and a guidebook for the most universal human experience.”―BUST Magazine
“A haunting heart-breaking book that illuminates the artfulness in writing about death as well as Danticat’s own genius at conjuring up powerful emotions.”―Literary Hub
“A portrait of the emotional toll of death as well as a cathartic guide to finding peace.”―Ryan Strong, The Paris Review Staff Picks
“The Art of Death, much like the author’s prayer, feels like an offering, a study born of devotion. Part essay, part memoir, part elegy, the book has numerous obsessions ― lingual, mortal, and parental ― that come together to compelling effect. Danticat ― who has published novels, short story collections, a memoir, a children’s book, and a volume of poetry ― combines these forms fluidly, in a meditation as instructive as it is moving.”―Los Angeles Review of Books
“Remarkably rich. . . . This is a volume that respectfully and brilliantly draws in astute observations about scores of great writers and their relationship with death. More important, the skill and tact [Danticat] employs in bringing outside texts into her narrative should be a required roadmap that will reward inquisitive readers for years to come.”―PopMatters
“For a subject that’s so daunting to tackle, Danticat manages to distill death down to its core elements. . . . The penultimate section of The Art of Death culminates with a prayer. . . [that] manages to accomplish everything Danticat does throughout The Art of Death: leave you wanting more, while knowing in your heart that what you were given was just enough.”―Miami Rail
“Danticat’s literary reach is impressive―especially so in a book that spans fewer than 200 pages. . . . The Art of Death overflows with life, quietly but insistently inspiring anyone reading it to make good use of what remains of that precious gift.”―Shelf Awareness
“The Art of Death is a rare blend of criticism and memoir, and it reaches a breathtakingly touching conclusion in the last chapter.”―Garrand Conley, Slice Magazine
“Danticat’s latest book articulates with fervent heart what we often cannot when faced with loss.”―Dianca Potts
“The author lends a deeply personal touch to this study. . . . Danticat takes on an unpleasant topic with sensitivity and passion.”―Kirkus Reviews, starred review
“In a series of linked essays on overlapping topics such as suicide, close calls, and how we relate to catastrophic events, she both shows how great writers make death meaningful, and explores her own raw grief over her mother’s death. This slim volume wraps literary criticism, philosophy, and memoir into a gracefully circling whole, echoing the nature of grief as ‘circles and circles of sorrow.’”―Publishers Weekly
About the Author
Edwidge Danticat is the author of many books, most recently Claire of the Sea Light and Brother, I’m Dying. She is a two-time finalist for the National Book Award, and has received the National Book Critics Circle Award and other honors.
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
Danticat is one of the best American writers. She's a US citizen of Haitian origins, living in New York City. Her mother's life was a kind of connection between Danticat and her Haitian roots. If you have read her other books, you will know that her books pack a powerful emotional content, and I think this is the most powerful yet. Keep an eye on this writer, the Nobel Prize could be lurking in her future--that's a guess.
It's almost impossible to convey the wonderful relationship between mother and daughter. The mother had a very strong Christian faith, and was full of family memory and Haitian folklore--and proud of having a daughter who writes books. It's also difficult to describe how Danticat mixes her own professional life as a writer with her Haitian roots. Some of her mother's folk wisdom is written in Kreyol (that's the Haitian spelling) and you can almost hear the old woman talk to her daughter.
There is also a strong literary element, as you might expect from a novelist. She pulls in Tolstoy and other writers and how they wrote death and sometimes, how they regarded it. This mix of the personal and the literary, of literary death and real human mortality may sound dry and academic. I did not find it that way, but rather as a very powerful exploration of mortality generally and within the family. It's a book about death, but not sad or sorrowful. It's an intensely human book, warm and passionate. And I recommend it highly.
My only problem that I'm seeing with this audio version is that it is read by the author. After listening to Stephen King read one of his books and at
least one or two others, I 've come to realize that I don't like hearing authors read their own work. We all know Stephen King is a brilliant writer but IMHO he's not such a great narrator.
I'm not certain why I find the authors' voices unappealing except that I get pictures in my mind as I'm listening. So if I know I'm hearing the author, it tends to take away from the distance that I need to then absorb and become close to the story. And then most authors do not have the voice training or theater/acting background that good book narrators possess, so to me, they sound a bit monotone and the depth that professional narration can add, is missing.