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Art & Fear: Observations On the Perils (and Rewards) of Artmaking Paperback – April 1, 2001

4.6 out of 5 stars 446 customer reviews

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Editorial Reviews

About the Author

David Bayles is an accomplished photographer, author, workshop leader, and conservationist. He has studied with Ansel Adams and Brett Weston, among others, and has taught and written extensively in the arts for over thirty years.

Ted Orland, the author of The View from the Studio Door, currently pursues parallel careers in teaching, writing, and photography.
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Product Details

  • Paperback: 122 pages
  • Publisher: Image Continuum Press; 1 edition (April 1, 2001)
  • Language: English
  • ISBN-10: 0961454733
  • ISBN-13: 978-0961454739
  • Product Dimensions: 5.5 x 0.4 x 8 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (446 customer reviews)
  • Amazon Best Sellers Rank: #4,081 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
I agree that this is a very clearly, respectfully, and unpretentiously written book that can serve as a companion to any artist. Making art can otherwise be a lonely,daunting undertaking. My concern for readers of this book, as with readers of The Artist's Way, is that it can be a pacifier. If it gets you to your work sooner and with greater courage and confidence, all the better. But if it substitutes for the process itself--makes you feel better but does not get you "working"--then it's something to pick up but let go of. There's a growing genre of books like this out there, some (such as this one) better than others. The sage advice gets recycled, as do the homilies from famous people. And again, that's fine, as long as they get us to a place where we are working with more energy and joy, but perhaps not so fine if the internal process becomes more interesting than the art-making. Did you paint today? No. But I reread passages of Art & Fear...
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By A Customer on September 3, 1997
Format: Paperback
Art & Fear is an easy book to rave about, but it is a particularly difficult book to write about. The authors have chosen their words so well, that it seems as if there ARE no other words with which to talk about this subject or this book. I'll try anyway, fully knowing that whatever I might say surely will not please me as much as what I have read in their pages. And this is part of the message of Art & Fear, one of the lessons to be learned - just do it and learn from it.

Art & Fear is an unpretentious little paperback, written by two lifelong friends who have been artists, as well as other things, for most of their lives. Both of them have their feet firmly rooted in the real world that we all live in (however high their ideas and ideals might fly), and both of them have keen insights into what enables individuals to produce good art and to continue to produce good art, and what stumbling blocks stop many individuals. These insights are of value to artists in any medium whatsoever, and are in fact likely to be of significant value to many individuals who don't think of themselves as artists at all. One doesn't need to be an artist to be struggling with goals that seem beyond your reach and a lack of appreciation from others; it's just a little more pervasive in the artmaking world.

Reading this book is like sitting down with the authors for a long and lively conversation. You'll learn something of them, and something of yourself, and good things are sure to come from it. I've actually found it too good to keep to myself - I'm on my 6th copy now, as I keep giving them away to friends!
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Format: Paperback
Before you even buy this book, I believe you need to determine what you hope to get out of it.

If you're hoping to identify with other artists who have faced doubts, fears and obstacles, you'll not be disappointed. This book delivers on its title: it is about ART & FEAR. It will describe where you are or have been. It could even help you stay there, if you choose.

This book says it explores "the way art gets made", why it often does not, and the difficulties along the way. As such, it is, in its own words "observational", not instructive. So it is not a "How To" book. It is also analytical, though not necessarily insightful, so it's not intended for your next meditation. And though other reviewers have said otherwise, I wouldn't recommend this book to help rouse anyone from their creative slumber.

If you're a practicing artist or would-be artist who is stuck, I don't believe this book will help free you. You may find identification or sympathy with other artists - maybe even justification - but not the inspiration, motivation or plain old instruction to get you going again.

Better to read something that is designed to be instructive or inspiring. (One inspiring book that springs to mind is Denise Sherkerjian's UNCOMMON GENIUS which profiles 40 winners of the MacArthur Prize. These artists cross all creative disciplines, face numerous obstacles and still create. It says a lot worth listening to and applying to the process of creating.)

I received ART & FEAR as a gift and read it as much out of curiosity as to honor the giver. I rated it 3 STARs because it (a.) has some good quotes, and (b.) helped me appreciate how differently I think about and respond to the doubt, ambiguity and chaos in my art. Compared to the Bayles & Orland landscape, I have more faith, trust and love in the process and the results of my creation.
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Format: Paperback
I do not describe myself as a practicing artist. I have practiced Emergency Medicine in large urban teaching hospitals for 25 years. Until a year ago, I hadn't played a 'cello or bass viol for 35 years, and hadn't written a poem in almost as many. I started writing letters to a friend making a difficult passage 8 months ago, to suport the process, and began to recall the letters and poetry I used to write. I wrote 50 letters in 6 months, then "hit a wall." After reading this book, I began rediscovering my "art," outside of my professional and personal life. Art may not be my life, but my Life is more Artful after reading this book. It will not get the "disappointed and afraids" a good job after art school, but it may help anyone began to reconnect to that Fearlessness that permeates early childhood, and from that, a richer expression of themselves. I will not write the great american novel, and probably nothing publishable, but the authors have made a genuine contribution to the quality of my life today. Try it.
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