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The Art Instinct: Beauty, Pleasure, and Human Evolution Paperback – February 9, 2010
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Denis Dutton
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Print length288 pages
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LanguageEnglish
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PublisherBloomsbury Press
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Publication dateFebruary 9, 2010
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Dimensions5.56 x 0.79 x 8.19 inches
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ISBN-101608190552
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ISBN-13978-1608190553
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Editorial Reviews
Review
"Pugnacious, witty and entertaining first book by prolific essayist and critic Dutton... Picking up where evolutionary psychologists like Steven Pinker leave off in their investigations into the origins of human language and other mental phenomena... even those who disagree with these opinions will find his manifesto scintillatingly written and not to be missed--even the end notes are indispensable... Promises to instigate a lively conversation about the origins and meaning of art, not only among the author's peers in academia, but also in the culture at large."--"Kirkus" (starred review)
""The Art Instinct" gives a comprehensive survey of the field, written with fluency, wit, and wide erudition."--John Derbyshire, "New Criterion"
""The Art Instinct" offers fresh and liberating ideas while demonstrating Dutton's profound sense of curiosity and his willingness to take risks while dealing with puzzling and largely fragmentary pre-history."--Robert Fulford, "National Post" (Canada)"As he observes in his provocative new book, "The Art Instinct," people the world over are weirdly driven to create beautiful things...Dutton is an elegant writer, and his book should be admired for its attempt to close the gap between art and science."--Jonah Lerner, "Washington Post BookWorld""" "Mr. Dutton's book is anything but strident. He argues his thesis--that art-making evolved among humans as a means of demonstrating physical and cognitive fitness to potential mates, and that this fundamental reality provides the best answer we can give to the question "What is art?"--with almost old-fashioned politeness toward his adversaries. And that, perhaps, is the best way to read ""The Art Instinct"": as aguided tour of the great landmarks of the philosophy of art--aesthetic theory explained, modified and refuted with patience and fluency by a writer whose mind was apparently formed well in advance of the meme-ocracy it helped to create."--"New York Observer" "Why do we human beings make art?...That is the question raised and answered, more or less, in this intriguing book. Author Dennis Dutton teaches philosophy, has done archaeological work in New Guinea and is founder of the popular Arts & Letters Daily Web site. Art's appeal, he argues, is lodged in our genes and in the genes of our Ice-Age ancestors, those shaggy forebears who first painted cave walls and told stories around the campfire."--"Dallas Morning News" "If you care about art writ large as a miraculous bounty for the world, or only for your own selfish sake, "The Art Instinct" should impress you as the most shrewd, precisely written and provocative study you'll find on its topic's place in human nature."--"Philadelphia Inquirer"
"[Dutton's] discussion of the arts and of our responses to them is uniformly insightful and penetrating......he touches on all the major issues of aesthetics in this fairly short book and invariably illuminates them...Dutton's eloquent account sheds light on the role art plays in our lives, whatever its ultimate origins"--Anthony Gottlieb, "New York"" Times Book Review"
"Full of observations that again demonstrate [Dutton's] uncanny ability to collect complex arguments and present them as thought-provoking statements"--James Panero, "City Journal"
"Vigorous and wonderfully provocative"--"Raleigh News & Observer"
"A substantial contribution to the debate we ought to be having."--Martin Kemp,"The New Scientist""When it comes to the Darwinian competition that is book marketing, Dutton actually has two secrets: sex and the Internet."--Bob Thompson, "Washington"" Post"
"If you care about art writ large as a miraculous bounty for the world, or only for your own selfish sake, "The Art Instinct" should impress you as the most shrewd, precisely written and provocative study you'll find on its topic's place in human nature."--"Philadelphia Inquirer"
"An important book that raises questions often avoided in contemporary aesthetics and art criticism. [Dutton] has woven a powerful plea for the notion that art expresses a longing to see through the performance or object to another human personality.""--Los Angeles Times"
"Denis Dutton argues that humankind's universal interest in art is the result of human evolution. We enjoy sex, grasp facial expressions, understand logic and spontaneously acquire language--all of which make it easier for us to survive and produce children. In "The Art Instinct," Dutton contends that an interest in art belongs on this list of evolutionary adaptations... read Dutton's book: his masterful knowledge of art and his compelling prose make it a thing of beauty." -James Q. Wilson, "Newsweek"
"Pugnacious, witty and entertaining first book by prolific essayist and critic Dutton... Picking up where evolutionary psychologists like Steven Pinker leave off in their investigations into the origins of human language and other mental phenomena... even those who disagree with these opinions will find his manifesto scintillatingly written and not to be missed--even the end notes are indispensable... Promises to instigate a lively conversation about the origins and meaning of art, not only among the author's peers in academia, but also in the culture at large."--"Kirkus" (starred review)
""The Art Instinct" gives a comprehensive surveyof the field, written with fluency, wit, and wide erudition."--John Derbyshire, "New Criterion"
""The Art Instinct" offers fresh and liberating ideas while demonstrating Dutton's profound sense of curiosity and his willingness to take risks while dealing with puzzling and largely fragmentary pre-history."--Robert Fulford, "National Post" (Canada)"As he observes in his provocative new book, "The Art Instinct," people the world over are weirdly driven to create beautiful things...Dutton is an elegant writer, and his book should be admired for its attempt to close the gap between art and science."--Jonah Lerner, "Washington Post BookWorld""" "" "Mr. Dutton's book is anything but strident. He argues his thesis--that art-making evolved among humans as a means of demonstrating physical and cognitive fitness to potential mates, and that this fundamental reality provides the best answer we can give to the question "What is art?"--with almost old-fashioned politeness toward his adversaries. And that, perhaps, is the best way to read ""The Art Instinct"": as a guided tour of the great landmarks of the philosophy of art--aesthetic theory explained, modified and refuted with patience and fluency by a writer whose mind was apparently formed well in advance of the meme-ocracy it helped to create."--"New York Observer" "Why do we human beings make art?...That is the question raised and answered, more or less, in this intriguing book. Author Denis Dutton teaches philosophy, has done archaeological work in New Guinea and is founder of the popular Arts & Letters Daily Web site. Art's appeal, he argues, is lodged in our genes and in the genes of our Ice-Age ancestors, those shaggy forebears who firstpainted cave walls and told stories around the campfire."--"Dallas Morning News" """[Dutton's] discussion of the arts and of our responses to them is uniformly insightful and penetrating......he touches on all the major issues of aesthetics in this fairly short book and invariably illuminates them...Dutton's eloquent account sheds light on the role art plays in our lives, whatever its ultimate origins"--Anthony Gottlieb, "New York"" Times Book Review"
"Full of observations that again demonstrate [Dutton's] uncanny ability to collect complex arguments and present them as thought-provoking statements"--James Panero, "City Journal"
"Vigorous and wonderfully provocative"--"Raleigh News & Observer"
"A substantial contribution to the debate we ought to be having."--Martin Kemp, "The New Scientist"
""
About the Author
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Product details
- Publisher : Bloomsbury Press; 1st THUS edition (February 9, 2010)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1608190552
- ISBN-13 : 978-1608190553
- Item Weight : 9.6 ounces
- Dimensions : 5.56 x 0.79 x 8.19 inches
-
Best Sellers Rank:
#616,425 in Books (See Top 100 in Books)
- #447 in Philosophy Aesthetics
- #2,646 in Arts & Photography Criticism
- #43,696 in Social Sciences (Books)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Nevertheless, I particularly perked up at the chapter on the adaptive uses of fiction, and again at the chapter on forgeries. I think that the topics Dutton brings up here are pivotal -- they have changed my opinion completely about what I do and why I do it.
Furthermore, and I wish he'd expanded on it, there is a connection between what is aesthetic and what is moral. An example given in the appendix seems to bear this out. Bullfighting, he says, despite Hemingway's opinion, is not an art, because the bull is killed. Otherwise, it meets enough of his criteria to constitute an art. But why does he think that the bull dying relieves it of artfulness? There are at least two possibilities: first, that he has an aesthetic objection, that the death of the bull pulls the entire display down into an unartful literalness. Or, more simplistically, because it's morally wrong to kill animals needlessly. And are these the same argument? that is, is not the simple (presumably moral) assumption that it's wrong to kill animals needlessly a compacted statement of the first? I wish Dutton had spelled that out. (Philosophers seldom have the familiarity with animals that would be required if the subject were anything else. This is a cultural (I think!) misconception -- as though having a set of teeth made you a dentist.)
The book breezily assumes at least a passing familiarity with a wide range of art, and doesn't talk down to its readers. This is a feat.
Read this book, and Steven Pinker, Brian Boyd and Ellen Dissanayake as well.
When I recently returned to The Art Instinct, I realized that my lukewarm initial appraisal was premature, and based more on my preconceived expectations of content and topic, and how these might be introduced. The first two chapters provide, as it turns out, a well constructed and highly relevant foundation for fully embracing and appreciating the real value of the book for the artist. The final sentence in chapter 2 reads, ..."And along the way in developing all of this ("evolved life"), the arts were born". I should have held my judgement until I had actually read this remarkable book.
Top reviews from other countries
with various implications for understanding the origins and function of arts practice in societies. Plenty of implications to
chew on and digest - likely to cause controversy. I don't see the reasoning in a couple of places, but I read this as a library book,
then bought the paperback - because I see it as a key text in my research area. See also 'The Moral Animal' by Robert Wright,
'The Third Chimpanzee' by Jared Diamond, 'The Mating Mind' by Geoffrey Miller and 'The Red Queen'
by Matt Ridley.







