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The Art of the Iron Giant Hardcover – September 20, 2016
In director Brad Bird’s beloved and critically acclaimed 1999 movie The Iron Giant, an inquisitive young boy named Hogarth Hughes forms a powerful friendship with a robot visitor from outer space. Set in the days of the Cold War, the film follows the adventures of Hogarth and the Iron Giant as they try to escape a town’s hysteria, a shady government agent, and the US military.
Featuring the voices of Vin Diesel, Jennifer Aniston, Harry Connick Jr., Cloris Leachman, John Mahoney, and Eli Marienthal, The Iron Giant is considered one of the classic animated gems of the era, offering a beautiful mix of hand-drawn and CG animation. In celebration of the timeless legacy of the film, Warner Bros. released a special remastered Signature Edition featuring two new scenes.
The Art of The Iron Giant takes an in-depth look at the making of this modern classic, featuring interviews with the director and the talented members of the creative team who worked endless hours to bring their vision to the big screen. Including never-before-seen images, concept art, backgrounds, and storyboards, this deluxe volume provides fascinating insight into the creative process, in addition to offering a sneak peek at some of the alternative images and plotlines the filmmakers considered before coming up with the final version of the movie. Showcasing the brilliant work of Brad Bird and his tireless team of masterful artists, The Art of The Iron Giant is a must-have companion to the movie and a wonderful testament to the enduring magic of this animated classic.
THE IRON GIANT and all related characters and elements are trademarks of and © Warner Bros. Entertainment Inc.
About the Author
- Print length144 pages
- LanguageEnglish
- PublisherInsight Editions
- Publication dateSeptember 20, 2016
- Dimensions11 x 0.7 x 10 inches
- ISBN-101608878880
- ISBN-13978-1608878888
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Product details
- Publisher : Insight Editions (September 20, 2016)
- Language : English
- Hardcover : 144 pages
- ISBN-10 : 1608878880
- ISBN-13 : 978-1608878888
- Item Weight : 2.75 pounds
- Dimensions : 11 x 0.7 x 10 inches
- Best Sellers Rank: #479,520 in Books (See Top 100 in Books)
- #590 in Art of Film & Video
- #1,129 in Pop Culture Art
- #3,773 in Performing Arts (Books)
- Customer Reviews:
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About the author

Ramin Zahed is an LA-based author and journalist who specializes in animation, VFX, pop culture, and indie films. The Editor in Chief of Animation Magazine, he has written for Variety, The Hollywood Reporter, Los Angeles Times, Sight and Sound, and others. Among his recent books are "Spider-Man: Across the Spider-Verse: Art of the Movie," "The Art of Love, Death + Robots," "The Art of My Father's Dragon," "The Art of The Amazing Maurice," "The Art of Klaus," "Spider-Man: Into the Spider-Verse The Art of the Movie," "The Art of The Mitchells vs. The Machines," and "J.K. Rowling’s Wizarding World: Movie Magic Vol. 2."
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The book begins with a foreword by director Brad Bird, who writes about his involvement in the project. The text then discusses the challenges of the film, with focus on the design and animation processes. The artwork in the book varies greatly -- some of it is from a previous incarnation of the film that was planned prior to Bird's involvement; and then obviously the artistic progression into the final visual style you recognize on-screen. Those who know the film will know that it has a unique look which blended a computer generated 3D-character and a traditional 2D environment.
The Iron Giant himself went through various design iterations, and it's fun to see what could have been. Many of the designs are cool-looking, but the final design also gives the character a real personality. Additional chapters show the art of the human characters, as well as the settings in the film (including Hogarth's house and the power plant). Finally, the book concludes with a look back at the legacy of the film and an appreciation of the artists involved in making it a reality. Dozens of team members recall their experiences - including storyboard artists, animators, and composer Michael Kamen.
This is one of those few books that will likely rise greatly in value over time. Sometimes I recommend waiting to buy art books for a few months until the retail price drops and remainder copies go on sale - but in this case I recommend picking this one up as soon as possible because a fresh new copy may be difficult to find down the road (Amazon is already showing a 1-2 month backorder at the time of this review).
Reviewed in the United States on October 5, 2016
The book begins with a foreword by director Brad Bird, who writes about his involvement in the project. The text then discusses the challenges of the film, with focus on the design and animation processes. The artwork in the book varies greatly -- some of it is from a previous incarnation of the film that was planned prior to Bird's involvement; and then obviously the artistic progression into the final visual style you recognize on-screen. Those who know the film will know that it has a unique look which blended a computer generated 3D-character and a traditional 2D environment.
The Iron Giant himself went through various design iterations, and it's fun to see what could have been. Many of the designs are cool-looking, but the final design also gives the character a real personality. Additional chapters show the art of the human characters, as well as the settings in the film (including Hogarth's house and the power plant). Finally, the book concludes with a look back at the legacy of the film and an appreciation of the artists involved in making it a reality. Dozens of team members recall their experiences - including storyboard artists, animators, and composer Michael Kamen.
This is one of those few books that will likely rise greatly in value over time. Sometimes I recommend waiting to buy art books for a few months until the retail price drops and remainder copies go on sale - but in this case I recommend picking this one up as soon as possible because a fresh new copy may be difficult to find down the road (Amazon is already showing a 1-2 month backorder at the time of this review).
I enjoyed revisiting the art of the movie, understanding its evolution, and meeting some of its parents. But the large amount of early art that didn't make the final version is made to seem more intrusive by the structure of the book. The book unfolds by character and scene, not by stage of development. So there is a lot of jumping back and forth between early art and the final versions. It is a bit distracting.
Because the book is episodic there is a sense narratives stepping on each other. Yet there is a lot of interesting information in the book. If you are a fan of the Iron Giant this is a book worth having, but you will have to take it on its own terms and fight the format a bit.
I was provided a copy for review by the publisher.
Top reviews from other countries
Reviewed in Mexico on January 12, 2020
But there was a happy ending. The film critics absolutely loved THE IRON GIANT, and it did find an audience on home viewing (TV, video and DVD). Bird went on to direct the two excellent Pixar hits, THE INCREDIBLES (2004) and RATATOUILLE (2007), and made a decent transition into live-action with the surprisingly good MISSION: IMPOSSIBLE - GHOST PROTOCOL (2011). All three films did critically AND commercially well, and there's no doubt that thanks to their successes that even more people became aware of THE IRON GIANT (OK, Bird suffered his first 'dud' with TOMORROWLAND: A WORLD BEYOND [2015], but it seems that most of the film's failings was caused by co-writer/producer Damon Lindelof, so hopefully Bird will emerged triumph again with the long-awaited THE INCREDIBLES II [ETA 2019], the only sequel Pixar really needs to make).
Last year, Bird presented THE IRON GIANT in a signature edition, with two scenes that were written and storyboarded, but never completed back in 1999 due to budget and schedule pressure. People who have watched the signature edition have assured that these two reinstated scenes doesn't tarnish the overall film or stick out like a sore thumb. Now, we have an book that looks into the artwork of THE IRON GIANT, that was done during the making of the movie, as well as the completion of the two scenes for the signature edition and words of comments from the crew, including the late music composer Michael Kamen.
The book has some fascinating trivia as well as art. For example, before Bird came on board to direct THE IRON GIANT, it was originally going to be a musical set in the modern-day (the film was set in October 1957)! The original design of the Iron Giant himself was done by Joe Johnston, who worked on the designs for the original STAR WARS trilogy (1977-1983) and the visual effects for RAIDERS OF THE LOST ARK (1981) before becoming a director (his best film as director is another underrated family gem, THE ROCKETEER [1991]). Perhaps the most amazing trivia was that the movie was made by an understaffed crew with half the time and budget of the animated films produced at that time. It stands as a testament thanks to Bird's passion in the story and characters.
THE ART OF THE IRON GIANT is a worthy companion piece to the Blu-Ray/DVD, and I'm very happy that the film is finally been recognised by more people than it did back in 1999, because it proves that animated films can be so much more than just stuff with comedy sidekicks, romantic subplots, Oscar-bait songs and shout-out to modern pop-culture references. Thank you very much, Bird. You should be proud.
Reviewer: Ben David W



















