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The Art of X-Men: The Last Stand: From Concept to Feature Film (Newmarket Pictorial Moviebooks) Hardcover – May 26, 2006
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This lavishly illustrated filmbook boasts more than 360 illustrations, including striking movie stills and unique set designs, concept drawings, costume sketches, and storyboards, appearing exclusively in this edition. Beginning with an introduction by director Brett Ratner, text includes commentary about the production of the movie, along with an original history of the X-Men by Peter Sanderson, the comics historian and author of X-Men: The Ultimate Guide, illustrated with archival Marvel comic-book art.
In X-Men: The Last Stand, a "cure" for mutancy threatens to alter the course of history. For the first time, mutants have a choice: retain their uniqueness, though it isolates and alienates them, or give up their powers and become human. The opposing viewpoints of mutant leaders Charles Xavier (Patrick Stewart), who preaches tolerance, and Magneto (Ian McKellen), who believes in the survival of the fittest, are put to the ultimate test—triggering the war to end all wars. The old cast returns, including Hugh Jackman as Wolverine and Halle Berry as Storm, along with newcomers Kelsey Grammer as Beast, Vinnie Jones as Juggernaut, and Ben Foster as Angel. 360 photos and illustrations.
- Print length160 pages
- LanguageEnglish
- PublisherNewmarket
- Publication dateMay 26, 2006
- Dimensions9.25 x 0.75 x 11 inches
- ISBN-101557047340
- ISBN-13978-1557047342
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Product details
- Publisher : Newmarket (May 26, 2006)
- Language : English
- Hardcover : 160 pages
- ISBN-10 : 1557047340
- ISBN-13 : 978-1557047342
- Item Weight : 1.93 pounds
- Dimensions : 9.25 x 0.75 x 11 inches
- Best Sellers Rank: #5,574,719 in Books (See Top 100 in Books)
- #60,663 in Movies (Books)
- #63,620 in Performing Arts (Books)
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About the authors

CHRISTOPHER MEASOM has been a freelance writer/photographer since 1994. He was Senior Writer at the travel newsletter Out & About for ten years and had a monthly column called New York Metro Page in the now-defunct Hero magazine. His books include Pride: The LGBTQ+ Rights Movement: A Photographic Journey; Paris Wish You Were Here!; The Little Big Book of Ireland; and Sex Libris. He is photo editor of the bestseller Michelle Obama: A Photographic Journey.

Peter Sanderson is a popular culture historian specializing in comic books. He is the author of Marvel Universe, has worked as an editor and archivist for Marvel Comics and has contributed to many magazines and journals.
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Too few storyboards and conceptual art/visual fx pictures and maybe too many movie stills.....but it's only a personal opinion..... I prefer when an "Art of" is fully focused into storyboards (Art of Matrix) or into comparison between creating what is in comic books and comic books themselves (Art of Sin City).
The first chapter of the book traces the long and often bumpy history of the X-Men, first created in 1963 by Stan Lee and Jack Kirby at Marvel Comics. While the X-Men has been the most popular comic in the world for the better part of 25 years, it certainly didn't start out that way. The X-Men basically treaded water throughout the 60's and early 70's, with the notable exceptions of the brief runs by artistic greats Neal Adams, Jim Steranko, and Barry Smith. In fact things got so bad for the title that eventually new stories ceased and it just ran re-prints for a time. Then, 1975 brought us Giant-Sized X-Men #1 by writer Len Wein and artist Dave Cockrum. This book would feature a whole new cast of X-Men such as Wolverine, Storm, Colossus, Banshee, Nightcrawler, Thunderbird, and Sunfire. The New X-Men were born and the rest is history. This chapter introduces to both the new and old X-men team members as well as their many villains such as Magneto and the Brotherhood of Evil Mutants.
The next chapter gets into the latest film and features outstanding full color photography from the film, but that's just the beginning. There's magnificent concept art done for various characters and scenes from the film. You can see the various artists renderings for Colossus, The Beast, the Danger Room, and Phoenix, and compare them to the finished products.
Chapters three and four highlight the various members of the Brotherhood such as Mystique, Pyro, and Juggernaut, as well as various action scenes. There were over a half dozen different looks to Juggernaut's signature headgear, some of which are really better than the one they ultimately chose for the film. There are some great storyboard sequences in this chapter such as when Magneto brings down the Golden Gate bridge, Pyro battles Iceman, and Kitty Pryde flees from Juggernaut as he literally smashes through walls in pursuit of his prey.
These photos, drawings, and storyboards truly get you inside the film and give the fan a greater understanding of the filmmaking process. You get a keen sense of just how meticulous they are in planning out shots and film sequences. It's a fantastic book from beginning to end. If you're an X-Men fan than you MUST own this book!
Reviewed by Tim Janson




