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Arteffects Paperback – October 1, 1993
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Looking for new directions in your artwork? Between the covers of ArtEffects you'll find hundreds of fresh ideas that will spark your creative instincts.
ArtEffects is divided into five sections that cover the most-used painting mediums: inks, watercolor, acrylics, oils, and pastels. Each section begins with a general discussion of the specific medium's unique properties, physical makeup, and methods of application, followed by a list of various materials that can be used in combination with the medium. Then comes a dazzling display of examples (some with step-by-step demonstration) of the almost limitless textures and effects you can achieve by combining one medium with another, or with the myriad papers and art-related products on the market today, as well as with household and other unexpected materials such as cornstarch, string, and plastic wrap. Here, you can easily find out how a specific medium will perform in combination with, for example, sand, gold gouache, or acrylic modeling paste, and how that medium can be used in airbrush, stenciling, and monoprinting techniques.
With more than 400 full-color examples of effects that run the gamut from the traditional to the experimental, ArtEffects is an extraordinary visual reference that belongs in every artist's studio.
- Print length208 pages
- LanguageEnglish
- PublisherWatson-Guptill
- Publication dateOctober 1, 1993
- Dimensions8.25 x 0.5 x 11.25 inches
- ISBN-100823025292
- ISBN-13978-0823025299
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- Publisher : Watson-Guptill; First Edition (October 1, 1993)
- Language : English
- Paperback : 208 pages
- ISBN-10 : 0823025292
- ISBN-13 : 978-0823025299
- Item Weight : 2.15 pounds
- Dimensions : 8.25 x 0.5 x 11.25 inches
- Best Sellers Rank: #1,655,773 in Books (See Top 100 in Books)
- #1,136 in Arts & Photography Study & Teaching
- #1,368 in Art Encyclopedias
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I'll give a few brief examples from the book:
Using Liquin as a Resist
Liquin, made by Windsor and Newton, is a medium used to thin oil and alkyd paints and speed their drying. Used with watercolor however, it acts as a resist, pushing color around, and can result in some quite exciting effects. In the Example shown below, I put down a watercolor wash first and, while it was still wet, painted the lizard with a brush dipped in liquin.
Creating Brick Texture with Polystyrene
Polystyrene (foam plastic) is an interesting material to apply paint with, lending its texture to the depiction of various objects, such as brick walls in the example shown at left. To get this effect, I use a scalpel blade (heated first in a gas flame) to incise the brick pattern in a piece of polystyrene. (You can create any pattern you desire this way.)I then brushed watercolor onto the plastic and stamped it onto my paper. This technique certainly saves time when a wall is required in your painting.
Painting Directly on Fabric
Although the design at left looks as if it had been done using a batik process, in fact lynne Tinley created it simply by painting on a piece of black fabric with thinned acrylic paints. The black lines you see are the color of the fabric; the artist simply painted around them, negative fashion.
I teach painting (Oil, Acrylics and Pastels) through a local community college and I am always looking to have my students experiment and grow. Some are very timid but after looking through this book several said..."Oh I want to try that!" That tells me that this book is a great teaching tool. The experiments are easy and uncomplicated...ok maybe one or two...but simple enough to get them trying.
I did not expect to find such a great book sitting on my student's coffee table. Now maybe she'll start using it!! I know we will use many of the projects in our class.
i sent a copy to a former student and this is what she wrote to me about the book. "The beautiful book has arrived in great, excellent condition and packaged very securely. Jim and I were away for a wedding this weekend and It was on the deck when we got home last night. It's fascinating! There are so many different things to do and I can't wait to try them. Thank you so much, I really appreciate the book and I will send pictures of my attempts.
A "must have" for any artist seeking to make a difference with their art.
Reviewed in the United States on February 25, 2020





