All of the music on this CD comes from a single night (Sept 13, 1953) at the Lighthouse Jazz club in Hermosa beach Ca. Oh, to have been there that day!
Without the Cd in front of me, I can't recall exactly who was in this edition of the basic band of this version of Howard Rumsey's Lighthouse All-Stars, but to West Coast jazz fans probably all of the names will be familiar.
During this period, Max Roach was actually the bands house drummer, which was a bit of a shock to me. He only stayed for a couple of months before moving back to New York, but his inclusion here is a real plus for me-since i'm a fan of his solo percussion pieces, and one of them "Drum Conversation" is here (it was the last song played at the set that featured Miles).
Had I known their was a solo drum vehicle for Max Roach on this CD I would have purchased it even sooner.
Miles only performed 3 tracks that were taped that day (the first 3 tunes on the CD)-but it equals 30 minutes of music and is certainly worth owning.
The forth track is Roach's solo drum outing and the last track on this CD comes from the set that Chet Baker played earlier in the day.
This CD runs 39:39. This was originally released on vinyl back in 1985. This may account for the reason why more of Chet Bakers songs weren't included-since they were recorded, but the record label should have considered adding more of these tracks in on the CD reissue.
All the same it's incredible how good the recorded sound is, since, according to the liner notes, this was recorded not by professionals, but by a jazz fan(in mono)just by placing a microphone near the bandstand. I have to applaud the guy who designed the room then because the sound in there must really be something great.
Their is another import release of this music under Chet Bakers name-called something like "The Complete Lighthouse Session" available. This release (from Dec 2003)features all 3 of the Miles Davis tracks here, the one Chet Baker track that is here, along with another 5 tracks of music from Chet Bakers set. Sadly, for some reason (perhaps the time restrictions on CD's?) the Max Roach drum solo isn't included on that disc-too bad otherwise I would say go for that disc instead.
So of the 2 releases of this music on that day, this one gets my vote simply for the inclusion of Roach's solo drum piece as well as the excellent liner notes (reporoduced from the original vinyl 1985 issue). However, if you're not a fan of Max Roach's solo drums (and you should be!), then you may want to pick up the "Complete" version of this CD under Chet Bakers name.
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At Last: Miles Davis and the Lighthouse All Stars
Live
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Track Listings
| 1 | Infinity Promenade |
| 2 | 'Round Midnight |
| 3 | Night In Tunisia |
| 4 | Drum Conversation |
| 5 | At Last |
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.6 x 0.45 x 5.02 inches; 3.2 Ounces
- Manufacturer : Original Jazz Classics
- Date First Available : December 20, 2006
- Label : Original Jazz Classics
- ASIN : B000000YQY
- Number of discs : 1
- Best Sellers Rank: #342,478 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #6,522 in Bebop (CDs & Vinyl)
- #218,578 in Pop (CDs & Vinyl)
- Customer Reviews:
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Reviewed in the United States 🇺🇸 on January 6, 2005
18 people found this helpful
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Reviewed in the United States 🇺🇸 on November 5, 2013
This and the companion album recorded for a competing label (Contemporary) captures a magical September day in 1953. The companion album is titled
Witch Doctor
and is more focused on Chet Baker's performance that day.
The reason I have this album five stars, aside from the historic value and the superb playing, is the sound quality. It's not spectacular, but is surprisingly good for a live performance using 1953 recording technology and techniques. Listen to the sound samples and you will hear that the mix is very good - each instrument is where it should be - and the overall quality is more than adequate to enjoy this live performance.
The first three tracks are a continuation from the companion album I mentioned above. Miles seems to have taken over from Chet by accompanying Rolf Ericson on trumpet with Bud Shank on alto and baritone sax and Bob Cooper on tenor sax completing the front line. The rhythm section is Lorraine Geller on piano, Howard Rumsey on bass and Max Roach on drums.
On track 4 Max Roach treats to a four plus minute drum composition. I am not going to call it a solo because it has melodic qualities that Max perfected and is more focused on musical values than the bombastic showmanship most drummers display when given a solo spot.
The final track features Chet Baker backed by Russ Freeman on piano, Howard Rumsey on bass and Max Roach on drums.
This album was recorded for the Fantasy label at Howard Rumsey's Lighthouse Cafe in Hermosa Beach, CA on September 13, 1953. It's a rare glimpse into a West Coast institution (Rumsey's lighthouse) as well as a glimpse into the early and nascent years of West Coast jazz.
The reason I have this album five stars, aside from the historic value and the superb playing, is the sound quality. It's not spectacular, but is surprisingly good for a live performance using 1953 recording technology and techniques. Listen to the sound samples and you will hear that the mix is very good - each instrument is where it should be - and the overall quality is more than adequate to enjoy this live performance.
The first three tracks are a continuation from the companion album I mentioned above. Miles seems to have taken over from Chet by accompanying Rolf Ericson on trumpet with Bud Shank on alto and baritone sax and Bob Cooper on tenor sax completing the front line. The rhythm section is Lorraine Geller on piano, Howard Rumsey on bass and Max Roach on drums.
On track 4 Max Roach treats to a four plus minute drum composition. I am not going to call it a solo because it has melodic qualities that Max perfected and is more focused on musical values than the bombastic showmanship most drummers display when given a solo spot.
The final track features Chet Baker backed by Russ Freeman on piano, Howard Rumsey on bass and Max Roach on drums.
This album was recorded for the Fantasy label at Howard Rumsey's Lighthouse Cafe in Hermosa Beach, CA on September 13, 1953. It's a rare glimpse into a West Coast institution (Rumsey's lighthouse) as well as a glimpse into the early and nascent years of West Coast jazz.
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Top reviews from other countries
Terje Antonsen
5.0 out of 5 stars
That the product is original and free from failures
Reviewed in the United Kingdom 🇬🇧 on April 13, 2019
No dislike, just like. Product used for amusement or to feel good
One person found this helpful
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Melomaniak
4.0 out of 5 stars
Miles avant la gloire
Reviewed in France 🇫🇷 on February 15, 2016
Howard Rumsey
(7/11/1917 - 15/7/2015)
Si, clairement, nous sommes loin du Miles cool puis modal qui révolutionnera le monde du jazz, At Last!, dès sa pochette un peu kitsch et ses musiciens blancs en chemises bariolées (on remarquera que, déjà, Davis se détache), est une utile petite bulle temporelle permettant d'entendre le phénomène en ses (très) jeunes années. Qu'y découvre t-on ? Un instrumentiste déjà très doué mais pas seul puisque partageant deux des cinq pistes sur lesquels il joue avec un Rolf Ericson qui ne connaîtra pas le même destin que lui. Et sinon ? Musicalement on est exactement dans ce le jazz des années 50 qui, déjà largement affranchi du swing dont la gloire a passé, laisse de petites formations et leurs individualités s'exprimer à loisir, comme Miles sur un 'Round Midnight où, seul cuivre, il peut laisser libre cours à sa sensuelle approche de la trompette. On notera que, sur cette très sympathique collection, Miles n'est pas la seule star en devenir présente, que les présences, excusez du peu !, de Chet Baker, Bud Shank et Max Roach (uni au contrebassiste Howard Rumsey décédé en 2015), viendront encore attiser l'appétit de l'amateur qui ne sera pas déçu si pas franchement renversé non plus par une galette de belle tenue mais pas légendaire pour autant qui vaut cependant aussi pour son ambiance (c'est du vrai live dans un vrai club) où l'on entend les gens discuter, rire et même, ou alors je rêve, les glaçons s'entrechoquer dans les verres... Tout une époque.
1. Infinity Promenade 12:20
2. 'Round Midnight 5:48
3. Night in Tunisia 12:03
4. Drum Conversation 4:07
5. At Last 5:19
Miles Davis (trompette sur titres 1, 2 et 3)
Chet Baker (trompette sur titres 4 et 5)
Rolf Ericson (trompette sur titres 1 et 3)
Bob Cooper (saxophone ténor sur titres 1 et 3)
Bud Shank (saxophone alto, flûte, saxophone baryton sur titres 1 et 3)
Lorraine Geller (piano)
Russ Freeman (piano)
Howard Rumsey (contrebasse)
Max Roach (batterie)
(7/11/1917 - 15/7/2015)
Si, clairement, nous sommes loin du Miles cool puis modal qui révolutionnera le monde du jazz, At Last!, dès sa pochette un peu kitsch et ses musiciens blancs en chemises bariolées (on remarquera que, déjà, Davis se détache), est une utile petite bulle temporelle permettant d'entendre le phénomène en ses (très) jeunes années. Qu'y découvre t-on ? Un instrumentiste déjà très doué mais pas seul puisque partageant deux des cinq pistes sur lesquels il joue avec un Rolf Ericson qui ne connaîtra pas le même destin que lui. Et sinon ? Musicalement on est exactement dans ce le jazz des années 50 qui, déjà largement affranchi du swing dont la gloire a passé, laisse de petites formations et leurs individualités s'exprimer à loisir, comme Miles sur un 'Round Midnight où, seul cuivre, il peut laisser libre cours à sa sensuelle approche de la trompette. On notera que, sur cette très sympathique collection, Miles n'est pas la seule star en devenir présente, que les présences, excusez du peu !, de Chet Baker, Bud Shank et Max Roach (uni au contrebassiste Howard Rumsey décédé en 2015), viendront encore attiser l'appétit de l'amateur qui ne sera pas déçu si pas franchement renversé non plus par une galette de belle tenue mais pas légendaire pour autant qui vaut cependant aussi pour son ambiance (c'est du vrai live dans un vrai club) où l'on entend les gens discuter, rire et même, ou alors je rêve, les glaçons s'entrechoquer dans les verres... Tout une époque.
1. Infinity Promenade 12:20
2. 'Round Midnight 5:48
3. Night in Tunisia 12:03
4. Drum Conversation 4:07
5. At Last 5:19
Miles Davis (trompette sur titres 1, 2 et 3)
Chet Baker (trompette sur titres 4 et 5)
Rolf Ericson (trompette sur titres 1 et 3)
Bob Cooper (saxophone ténor sur titres 1 et 3)
Bud Shank (saxophone alto, flûte, saxophone baryton sur titres 1 et 3)
Lorraine Geller (piano)
Russ Freeman (piano)
Howard Rumsey (contrebasse)
Max Roach (batterie)
のぶちん
4.0 out of 5 stars
MILES & CHET LIGHTHOUSE
Reviewed in Japan 🇯🇵 on April 11, 2017
実はジャケットの若かりし頃のチェットベーカーの写真がほしくて買いました。ジャケットの作りは紙がちょっと薄くてイマイチでしたが、中身(演奏)は良かったです。最後の1曲のみチェットで後はマイルスでした。チェットもマイルスも写真も演奏も初々しい。当時の西海岸のオープンなライブハウスの雰囲気が詰まっていて楽しいです。ドラムソロの演奏ではドラムでもメロディーが叩けるのだと気づかされます。
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