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Atonement: A Novel Paperback – February 25, 2003

4.3 4.3 out of 5 stars 9,370 ratings

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NATIONAL BESTSELLER • A symphonic novel of love and war, childhood and class, guilt and forgiveness that provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from the acclaimed Booker Prize–winning, internationally bestselling author.

One of the New York Times’s 100 Best Books of the 21st Century

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment’s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia’s childhood friend. But Briony’s incomplete grasp of adult motives—together with her precocious literary gifts—brings about a crime that will change all their lives.

As it follows that crime’s repercussions through the chaos and carnage of World War II and into the close of the twentieth century,
Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.
"All the Little Raindrops: A Novel" by Mia Sheridan for $10.39
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more

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Editorial Reviews

Review

“A beautiful and majestic fictional panorama.” —John Updike, The New Yorker

“Flat-out brilliant.... Lush, detailed, vibrantly colored and intense.” —
San Francisco Chronicle

“A tour de force.... Every bit as affecting as it is gripping.” —Michiko Kakutani,
The New York Times

“Luminous.... Atonement is brilliant and like nothing he’s ever written before.” —Newsweek

“No one now writing fiction in the English language surpasses Ian McEwan.” —
The Washington Post Book World

“Brilliant.... McEwan could be the most psychologically astute writer working today, our era’s Jane Austen.” —
Esquire

“A work of astonishing depth and humanity.” —The Economist

“His most complete and passionate book to date.” —
The New York Times Book Review

“In the seriousness of its intentions and the dazzle of its language,
Atonement made me starry-eyed all over again on behalf of literature’s humanizing possibilities.” —Daphne Merkin, Los Angeles Times

“Resplendent.... Graceful.... Magisterial.... Gloriously realized.” —
The Boston Sunday Globe

“McEwan is technically at the height of his powers.” —
The New York Review of Books

“Astonishing ... [with] one of the most remarkable erotic scenes in modern fiction.... [It] is something you will never forget.” —
Chicago Tribune

“Enthralling.... With psychological insight and a command of sensual and historical detail, Mr. McEwan creates an absorbing fictional world.” —
The Wall Street Journal

“[
Atonement] hauls a defining part of the British literary tradition up to and into the 21st century.” —The Guardian

“Astonishing.... Gorgeous.... Bewitching.... A thought-provoking, luxuriant novel.” —
Minneapolis Star Tribune

“McEwan is one of the most gifted literary storytellers alive.... [
Atonement] implants in the memory a living, flaming presence.” —James Wood, The New Republic

“[McEwan’s] best novel so far.... It will break your heart.” —
The Star (Toronto)

“A masterpiece of moral inquiry.... Beautiful and wrenching.” —
New York

“A first-rate novel on any scale.... His most expansive and ambitious book.... Few, if any, novelists writing today match McEwan in ingenuity and plotting.” —
Milwaukee Journal Sentinel

“Magnificent.... McEwan forces his readers to turn the pages with greater dread and anticipation than does perhaps any other ‘literary’ writer working in English today.” —Claire Messud,
The Atlantic Monthly

“The extraordinary range of
Atonement suggests that there’s nothing McEwan can’t do.” —The Christian Science Monitor

“Magically readable.... Never has McEwan shown himself to be more in sympathy with the vulnerability of the human heart.” —
Sunday Times (London)

“Magnificent.... Suspenseful, psychologically astute and intellectually bracing.” —
Newsday

“Not since the 19th century has a writer stepped in and out of his characters’ minds with such unfettered confidence.” —The Plain Dealer

“A novel of artistry, power and truth that puts it among the most extraordinary works of fiction of the last decade.... It is, quite simply, magnificent–a masterpiece.”  —The Baltimore Sun

“Magical.... A love story, a war story, and a story about stories, and so it hits the heart, the guts and the brain.” —
The New York Observer

“Luminous.... McEwan’s writing has often made me blink, but never before blink with emotion.... [McEwan] is at one with his talent.” —Robert Cremins,
Houston Chronicle

Atonement can’t be laid down once it’s been picked up.... [McEwan] can write rings around most others writing in English today.” —The Weekly Standard

From the Inside Flap

Ian McEwan?s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment?s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia?s childhood friend. But Briony?s incomplete grasp of adult motives?together with her precocious literary gifts?brings about a crime that will change all their lives. As it follows that crime?s repercussions through the chaos and carnage of World War II and into the close of the twentieth century,
Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.

Product details

  • ASIN ‏ : ‎ 038572179X
  • Publisher ‏ : ‎ Anchor Books; First Edition (February 25, 2003)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 351 pages
  • ISBN-10 ‏ : ‎ 9780385721790
  • ISBN-13 ‏ : ‎ 978-0385721790
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 5.16 x 0.78 x 7.99 inches
  • Customer Reviews:
    4.3 4.3 out of 5 stars 9,370 ratings

About the author

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Ian McEwan
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Ian McEwan is a critically acclaimed author of short stories and novels for adults, as well as The Daydreamer, a children's novel illustrated by Anthony Browne. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His other award-winning novels are The Child in Time, which won the 1987 Whitbread Novel of the Year Award, and Amsterdam, which won the 1998 Booker Prize.

Customer reviews

4.3 out of 5 stars
9,370 global ratings

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Customers say

Customers find the book engaging and enjoyable to read. They describe the story as compelling and relatable. The writing quality is praised as excellent and detailed. Readers appreciate the well-developed characters and emotional story. However, opinions differ on the pacing - some find it well-paced, while others feel it's a bit slow.

AI-generated from the text of customer reviews

189 customers mention "Readability"153 positive36 negative

Customers find the book engaging and enjoyable to read. They appreciate the well-executed and interesting story within a novel format. The writing style is described as elegant and masterful.

"...such a brilliantly conceived idea, and is so effortlessly and elegantly penned that one is immediately engulfed in its design...." Read more

"...And the novel-within-a-novel format is well-executed and interesting...." Read more

"...Lola dresses and acts as much like an adult as she can. She's very pretty, dresses attractively, and her grooming and makeup are impeccable...." Read more

"...This may be a great book to listen to on tape. I found that reading it aloud was actually more enjoyable than reading it silently." Read more

168 customers mention "Story quality"129 positive39 negative

Customers find the story compelling and relatable. They appreciate the author's ability to draw them into the plot with many twists and turns. The story is described as fascinating, touching, and a wonderful piece of fiction.

"...to the reader is one of remarkable effectiveness, one that is truly relatable and believable and in the end of dire importance for its overall moral..." Read more

"_Atonement_ is a fine book, highly reminiscent of Elizabeth Bowen's work...." Read more

"...doesn't stop there, it keeps moving and the final plot solution is not only surprising but also very emotional. Clever, very nicely done." Read more

"This is a solid novel all the way through but what makes it great is the ending...." Read more

149 customers mention "Writing quality"111 positive38 negative

Customers praise the writing quality of the book. They find the prose and characterization excellent, with sensual and detailed descriptions that allow them to truly picture the scenes in their minds. The writing is efficient, with everything having a human drive. Readers appreciate the author's mastery of the English language and his uncanny sense of timing.

"...couple of minor passages that are a bit overwraught, the writing is wonderfully efficient, with everything having a place and importance, but with..." Read more

"...We have grown to expect this author's mastery of the English language, his uncanny sense of timing in creating stories that push forward fresh..." Read more

"...McEwan's writing is so sensual and detailed that you can truly picture his scenes in your mind's eye. It is truly poetic and beautiful description...." Read more

"...Sadly the second a third sections do not read as briskly, but their importance is all the more secured by the closing section as elderly Briony..." Read more

46 customers mention "Character development"36 positive10 negative

Customers enjoy the character development in the book. They say the characters are thoughtfully developed with purpose and depth. The book is beautifully written with a depth of characters reminiscent of Somerset.

"...Briony is a very interesting character. I found it truly fascinating as her character unveiled itself with each turning page...." Read more

"...The author creates characters so adroitly painted that they are destined to become enduring literary names to reference when describing archetypes..." Read more

"...before and during the Second World War, Atonement is beautifully written with depth of characters reminiscent of Somerset Maugham...." Read more

"...The other characters are not so richly developed, with the exception, perhaps, of Robbie who manages ultimately to create a productive and..." Read more

33 customers mention "Heartbreaking story"33 positive0 negative

Customers find the story heartbreaking and emotional. They describe it as a brilliantly orchestrated tale of pain, despair, loyalty, betrayal, and redemption. The characters are relatable, their pain and love are real, and the ending is sad.

"...`Atonement' is a brilliantly orchestrated tale of pain, despair, loyalty, betrayal and the ultimate yearning to make amends, to find atonement for..." Read more

"...moving and the final plot solution is not only surprising but also very emotional. Clever, very nicely done." Read more

"...retreat to Dunkirk, told through the eyes of a common soldier, disturbing and compelling. Choices have consequences...." Read more

"...The prose is elegant; the emotions are raw. And in the end you'll wonder whether there's been any atonement at all...." Read more

13 customers mention "Authenticity"13 positive0 negative

Customers find the book authentic and relatable. They appreciate the honest characters and the author's vivid descriptions of their inner lives.

"...is one of remarkable effectiveness, one that is truly relatable and believable and in the end of dire importance for its overall moral is one that..." Read more

"...based on the letters from actual participants, and it shows in a real authenticity that makes it hard to believe that the author really *wasn't*..." Read more

"...Things in this book are realistic and heartfelt and it is a wonder that it fell short of the Man Booker Prize...." Read more

"...Exceedingly well done, Mr. McEwen. Sad, but so real and affecting." Read more

45 customers mention "Pacing"15 positive30 negative

Customers have different views on the pacing of the book. Some find it well-paced and engaging, while others find it too slow or disjointed. The first section effectively captures a time, place, and real person. However, some readers feel the pacing is odd, inconsistent, and disjointed.

"...hand, the book is divided into three segments and the first segment is excrutiatingly slow...." Read more

"...writing on the war, and like the first section, really manages to capture a time, place, and a real person caught in it...." Read more

"...This was one of the slowest, most boring books I have ever read." Read more

"...The first part of the novel can be a little slow (although I thought it was wonderful, something to be savored), but along the way it gains..." Read more

19 customers mention "Difficulty to follow"5 positive14 negative

Customers find the book difficult to follow. They find it challenging to get started and finish. However, some readers find the first 50 pages engaging and hard to put down.

"...Much to my dismay. This book was so difficult to get through...." Read more

"...However, there is so much to dredge through before the story even begins...." Read more

"...It is such a simple story that it is disarming until the reader sees the artistry that enables McEwen to make one simple story heavy with universal..." Read more

"...keep going through the first section of Part One and it becomes difficult to put down, as you care so much for the characters and events...." Read more

"...unassuming prose that invites the reader to feel the emotion of each character."
4 out of 5 stars
"...unassuming prose that invites the reader to feel the emotion of each character."
“How guilt refined the methods of self-torture, threading the beads of detail into an eternal loop, a rosary to be fingered for a lifetime.”I'm always shocked and a bit ashamed at the sheer number of books that I acquire but never read. Even as I set out to write this review, I'm staring at a pile of 9 books that I received in the last couple of weeks. Despite my best intentions, I'll never be able to read them all. There just isn't enough time. Last week we set out for a cruise to celebrate my birthday. I was excited about getting away from work for a week to just relax, but I was even more hopeful that with all the extra time on my hands I would be able to devote hours to reading. As I packed a mix of several different books for the trip, I came to Ian McEwan's novel Atonement. It has been set on my shelf for over a decade, patiently waiting for the day that I would finally remove it and give it the read it deserves. Well my friends, I finally did it. I packed the book in my backpack and read the entire thing.Thirteen-year-old Briony is as precocious as she is imaginative. On a hot summer day in 1935, she has set out to present a play that she's written as a welcome home gift to her older brother. She hopes to impress him while encouraging him to eschew the single life in favor of settling down with a wife. Naturally, Briony intends to be a bridesmaid on the blessed day. In her eyes, there is no better way to achieve this goal than through a self-written and directed drama. Her visiting cousins, whom Briony has tasked with performing the great work, are not as keen. It is during yet another break from rehearsals when Briony spots her sister and the servant boy seemingly arguing down in the yard by the fountain. She isn't certain of the details of their apparent entanglement, but this does little to stop Briony from beginning to concoct the plot of her next drama.After Robbie and Cecilia have a row by the fountain, he storms off to his room. He's come to the conclusion that he simply can't go on lying to himself about the way he feels about the girl. Yes, they come from different classes, but he loves her. Robbie is determined to express his feeling to her. In a mad fury, he agonizes over pen and paper, writing out numerous drafts of his confession to her. One more colorful iteration of the confession sees the young man write of his lustful desire for Cecilia in a graphically detailed manner. With that out of his system, Robbie finally settles on a letter to her and seals it in an envelope. He tasks young Briony with delivering the note to her sister and breathlessly awaits a response.As any good little sister would do, Briony opens the letter before handing it off to Cecilia. She is shocked at the crude and perverse language with which Robbie used to describe his desires (clearly he sent the incorrect draft of his letter). Things come to a head that night as two children in attendance at her brother's return party go missing. Briony knows the kind of monster that is present at the gathering. As a search for the missing ensues, she dashes off to a remote part of the property where she interrupts a rape in progress. The quick and shocking nature of what she finds is made only murkier by the dark night sky. But at this point, Briony is too committed to the narrative in her mind to stick to the facts. She unequivocally tells of how she saw Robbie committing the crime, setting into motion a future built upon the follies of a child unaware of the magnitude of her naive convictions.On the surface, the main characters in Atonement can be kind of hard to connect with. In the opening chapters, as the young Briony set into motion a horrific lie that ruined the life of her sister and the man who loved her, I couldn't help but feel like each of them brought their own misery onto themselves. Yes, the girl lied about what actually happened, but the elder characters didn't do themselves any favors. It is in the second half of the book when author Ian McEwan shows the characters dealing with the ramifications of that fateful night that I found true empathy for each of them. We've all done something that has left us racked with guilt. Some people spend their whole lives trying to make up for a single moment. McEwan writes in unassuming prose that invites the reader to feel the emotion of each character. I was surprised at how moving the novel ultimately ends up being. There's a universality to the message of this work that pierced my consciousness, forcing me to reckon with my own shortcomings and mistakes. That such a simple story can have such a profound impact on the reader only further proves McEwan's dazzling ability. I'm certainly thankful to have finally dusted up my copy of Atonement.
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Top reviews from the United States

  • Reviewed in the United States on September 10, 2007
    Upon reading `Atonement' one is completely removed from their lives, their places of dwelling and time of departure and transplanted to a place where nothing is familiar yet everything is impressionable. Being the first novel I've read by the acclaimed novelist Ian McEwan I was immediately made aware of his immense talent. The tale presented to the reader is one of remarkable effectiveness, one that is truly relatable and believable and in the end of dire importance for its overall moral is one that transcends the boundaries of this prose and cements itself in our very being, in our every interaction and in our constant memory. Separated into four sections `Atonement' is broken down in such a way as to make the true conclusion all the more shocking and heartbreaking.

    Part one retells the events on one especially harsh summer day in 1935. I say `especially harsh' mainly because by the days end events take place that harshly affect the lives of everyone involved. 13-yearold Briony Tallis is a smart and imaginative young girl and she becomes the main focus of our attention as we hear of the day's events. As she attempts to orchestrate a theatrical production in honor of her brother Leon's arrival home she is met with a few snags and some ominous distractions that put her initial plans on hold and send her into a newfound direction. As the relationship between her older sister Cecilia and their housekeepers son Robbie begins to take a turn Briony finds herself in the know of a serious misunderstanding that changes the course of everyone's lives. With their three cousins Lola, Jackson and Pierrot visiting as well as Leon's friend Paul Marshall the house is quite full on the evening in question, so when events take a turn for the worse there are so many more eyes to cast their judgment.

    Briony is a very interesting character. I found it truly fascinating as her character unveiled itself with each turning page. Her immaturity is emphasized by her incessant need to be the mature one despite her inability to do so. She's lost in her writing, an obsession that causes her to read deeply into matters that aren't her concern and imagine the possibilities no matter how devastating they may become. She also allows the actions of others to affect her too deeply, finding herself reacting irrationally and this leaves her in a position to do much harm. It's hard for the reader not to find themselves calling Briony out as the villain here, for it's her needless actions that cause so much pain, but in reality she's nothing more than a young child who was invested in a poor decision.

    So, with an accusation made and a terrible crime committed we brace ourselves for the second and third parts of the novel where we follow Robbie and Briony respectably as they strive to patch up their lives. Robbie has been through hell, literally, and in the second part of the novel we follow his journey as he strives to get home from the war. The horrors he is witness to, the atrocities he is privy to are all sprawled out for us is detail, as is his dire need to be reunited with his lost love Cecilia. The third part covers Briony's struggles as a nurse during the war, but more importantly her struggles within herself for some ounce of atonement for her sins. She has grown up since that summer day, not only in age but in understanding, and she is finally able to grasp the seriousness of her lies. The pain she has caused will never fully be undone, but she desires to do all she can to write them.

    The novel opens with such a brilliantly conceived idea, and is so effortlessly and elegantly penned that one is immediately engulfed in its design. I for one could not put it down and read the entire first section in one sitting. Sadly the second a third sections do not read as briskly, but their importance is all the more secured by the closing section as elderly Briony recounts her actions and the ultimate consequences of them all. The final pages are chilling to say the least, and are completely unexpected, so much so that the tears running down my face had all but dried before I realized I was crying.

    `Atonement' is a brilliantly orchestrated tale of pain, despair, loyalty, betrayal and the ultimate yearning to make amends, to find atonement for our sins and attain forgiveness for our souls. Truly one of the most inspiring and ultimately absorbing novels I've read to date.
    49 people found this helpful
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  • Reviewed in the United States on April 8, 2002
    The first two parts of Atonement are brilliant.
    Part One features an inside look at a somewhat benignly dysfunctional early 20th-Century upper-class British family. There are segments written from the point of view of virtually every family member, and McEwan manages to powerfully convey the lifestyle and attitudes of not just the Tallis family, but of a segment of English society that really resonated for me. With the exception of a couple of minor passages that are a bit overwraught, the writing is wonderfully efficient, with everything having a place and importance, but with an effective pacing that isn't hurried.
    Part Two features the experiences of one of the main characters (Robbie) in France, 1940, during the Dunkirk evactuation. This experience is apparently based on the letters from actual participants, and it shows in a real authenticity that makes it hard to believe that the author really *wasn't* there. This section really is better than a lot of non-fiction writing on the war, and like the first section, really manages to capture a time, place, and a real person caught in it.
    Part Three is where the novel starts to fray a bit at the edges. We get another wonderful descriptive bit with the main character, Briony, and her experience as a nurse in a wartime hospital. But, it also starts to reveal what I believe is the key weakness of the book, and that's in the characters. All the wonderful setup done in part one (and to a lesser degree part 2) starts to fail to pay off here, as the characters seem to have been cast by their experiences in the first part - their development seems to abrubtly stop there despite just entering the primes of their lives. There is a scene between Briony, Robbie, and Cecilia that feels especially contrived. As it turns out, perhaps this particular scene is *supposed* to feel contrived! But that leads us too...
    The last part (only about 15 pages!) is the most intruiging and also, to me, the least successful. Because as it turns out, despite the quality of the writing in the first sections, Atonement is a gimmick book. There are significant signals as to the nature of the novel throughout the first 3 parts, but it's unlikely to be enough to reveal the truth to all but the most attentive of readers. I think most will clearly realize that it's a novel-within-a-novel (and McEwen does some really interesting things here, with the style of the different sections undergoing important changes as the novelist-within-the-novelist matures), but there is more, and it's that "more" that causes some problems in interpreting the book. As it turns out (trying here to be somewhat circumspect), the novel is not *about* Atonement, it *is* Atonement, and is really *about* the writer's craft. The details of this "surprise ending that makes you rethink the entire book" not only really didn't work for me, but actually caused me to devalue the novel as a whole and walk away somewhat unsatisfied. When Atonement was "about" the trauma of growing up as a girl in a repressive English household in a repressive society, or the struggle for survival in a war zone or sanity in a hospital treating the mass of war wounded, it had power for me. When it turned out to "just" be "about" an application of the writer's craft, it lost a great deal of its resonance (and it seemed to needlessly aggrandize the power of the writer, although I suppose this point is open to interpretation - perhaps this just reflects Briony's desparation). Anyway, there was just no emotional payoff on all of the really powerful events many of the characters experience, just a small intellectual one on the nature of writing, and not being a writer myself, all of a sudden the relevance of the book to me seemed to rapidly fade. Regardless of how good the first 300 pages were, it's the last few that leave the lasting impression.
    This ending is somewhat unfortunate, because after a slightly slow start, the book is frequently very well-written and really did keep me engrossed through most of it. And the meta-nature of the novel within a novel is a very interesting premise that is well-executed until the very end.
    So I do recommend this book for the brilliant work in the first two parts, and part of the third - they really are that good. And the novel-within-a-novel format is well-executed and interesting. It's just a shame that the payoff is an intellectual unravelling of threads and motivations and analysis of writing rather than somthing with real emotional power.
    65 people found this helpful
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  • Fabio Danza Santos Frazao
    5.0 out of 5 stars Livro em inglês
    Reviewed in Brazil on November 22, 2022
    O livro é ótimo! Chegou super rápido e em perfeito estado.
  • Kindle Customer
    5.0 out of 5 stars The best book I have read in the last 10 years
    Reviewed in the United Kingdom on October 28, 2024
    The novel centres on a tragic error
    committed by 12 year old Briony Tallis, when guided by her fervent imagination and passions, frames an innocent man of a crime and irrevocably affects her own future and those close to her.
    The novel spans across her life time as the reader is taken on an incredible emotional journey, echoed and intensified by the historical backdrop of the Second World War. The writing and the imagery are sublime and the characters are so vivid that you will be lost in their sorrows, anger, hopes, love and most strikingly Bryony’s guilt. The experience for the reader is a powerful one. As I immersed myself in the narrative I felt confronted with thoughts and feelings that often pushed me past my comfort zone. I just wished the final section of the novel was expanded to offer more
    Insights instead of leaving so many trails open ended. It is nonetheless a captivating novel that skilfully binds together a compelling plot with strong and controversial emotions.
  • Sujeet Kumar
    5.0 out of 5 stars An excellent read and good paper quality.
    Reviewed in India on September 7, 2024
    It is an excellent read, and the quality of paper is very good at this price.
  • Donatella Moisio
    5.0 out of 5 stars Stupendo
    Reviewed in Italy on September 7, 2023
    Letto in italiano ma comprato in inglese per un regalo. Una ottima edizione a un prezzo conveniente. Se comprate libri in lingua sapete che li fanno pagare sempre troppo. Su Amazon ci si può permettere di fare un dono bello senza aprire un mutuo.
    Il romanzo è meraviglioso ma è questione di gusti. Io lo consiglio anche in italiano.
  • Marina
    5.0 out of 5 stars Muuuy interesante
    Reviewed in Mexico on November 5, 2019
    Si pueden leer reviews de conocedores de literatura estaría ideal, a mi me ayudó mucho a disfrutar el libro ver más allá de la historia.

    Aquí unas preguntas para hacerse después de acabarlo si quieren seguir el análisis:
    Hay dos autores, podemos confiar en ambos? Hay uno que está sesgado? O los dos?
    Que es real y que es ficción escrita por el autor/personaje?
    Qué cuestiones de privilegio está levantando el autor? El “culpable” es afectado por privilegio?