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Attending Daedalus: Gene Wolfe, Artifice and the Reader (Liverpool University Press - Liverpool Science Fiction Texts & Studies) Hardcover – Bargain Price, November 1, 2003
- Print length240 pages
- LanguageEnglish
- PublisherLiverpool University Press
- Publication dateNovember 1, 2003
- Dimensions0.75 x 6.5 x 9.25 inches
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Product details
- ASIN : B005Q7GMRW
- Publisher : Liverpool University Press (November 1, 2003)
- Language : English
- Hardcover : 240 pages
- Item Weight : 1 pounds
- Dimensions : 0.75 x 6.5 x 9.25 inches
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- Reviewed in the United States on May 1, 2006Gene Wolfe's four-volume (plus coda) work The Book of the New Sun is widely regarded as one of the greatest works in science fiction, with a setting of great mystery and plot of enormous complexity. Since its publication in the 1980s, it has won many admirers, but few detailed examinations, and most of what's in print, such as the guides of Andre-Driussi and Borski, are amateurish and self-published. In ATTENDING DAEDALUS: Gene Wolfe, Artifice, and the Reader (Liverpool University Press, 2003), Peter Wright presents the first critique of academic quality on Wolfe's masterpiece.
ATTENDING DAEDALUS begins with a general introduction to Wolfe's body of writing, and two of his early stories are explored in depth, "Trip, Trap" and "In the House of Gingerbread". What I found especially enlightening here is that Wright presents the long series of critical reactions to Wolfe's work, even admitting that CASTLEVIEW is a problematic novel, and showing that OPERATION ARES was worth surpressing.
Wright's examination of the Urth cycle is based on two aspects of the work that have gained wide consensus through discussion on the Urth mailing list and other fora. The first is the deceitful religiosity of the book. While the Hierogrammates seem divine, the Claw a holy relic, and the deluge upon the coming of the New Sun sacrificial, humanity is really only being manipulated by the inhabitants of Yesod into furthering their own ends. God is, in the final analysis, nowhere in the picture. The second is the unreliability of Severian as narrator. Wolfe attended introductory courses in psychology in Texas and later in Ohio, and Wright conjectures that here Wolfe would have studied historic cases of perfect memory, providing a model for Severian's behaviour. Just as historic mnemonists, such as "S." studied by Aleksandr Romanovich Luria, were incapable of reflecting on their experiences, instead merely re-remembering events without analysis, so Severian stands between the reader and the true events of the work.
With these in mind, Wright's main thesis is that the Book of the New Sun is the epitome of a very complicated literary technique devised by Wolfe in which the reader is consistently challenged and baffled, and yet consistently given the necessary keys to unlocking the plot. Wolfe also consistently reminds the reader that what he is reading is fiction through a continual stream of metaliterary allusions and jibes. Wright's assertion that all of Wolfe's novels after the Book of the New Sun are meant to provide a series of elucidations for its mysteries is sure to be controversial, but is for me nonetheless quite convincing in many instances.
If you are a dedicated fan of Wolfe, having sought out everything he's ever put written and read the Urth cycle more times than you can remember, I would highly recommend ATTENDING DAEDALUS. With the intricacies of plotting revealed here, I appreciate Wolfe's skill more and more, and see him as one of the most significant English-language writers of our time. Don't heed what naysayers claim, this book is entirely dedicated to Wolfe's oeuvre and is very relevant to those investigating the Urth cycle.
- Reviewed in the United States on June 4, 2013If you want a vacuous synopsis of Wolfe's work that lists some obvious symbolism (as the first reviewer seemed to hope for - this is an academic work from an academic publisher. I'm not sure criticising it because of those factors is quite appropriate) then this is not the book for you. If, however, you want an illuminating, thought-provoking, in-depth (almost forensic, in fact) look at Wolfe's work, then this is the book you want. It is an excellent example of literary criticism.
- Reviewed in the United States on July 15, 2006Tylor Monroe (below) is a little harsh - but not very. This book is an academic critique of Wolfe's masterpiece, and like a lot of contemporary academic literary criticism, cannot get out of its own way. Lots of theory, lots of jargon, little illumination of the work for the average reader. This is the sort of book which gets on the author's resume, counts toward his publication list for tenure - and is immediately forgotten!
I do not want to say that that all of his ideas are worthless; just that they are very hard to extract from the jargon, and may not be worth the effort.
- Reviewed in the United States on January 16, 2010I don't agree with Wright's thesis, but people complaining that it is written in the academic tone, or comes with a bibliography? What? It is an academic book of litcrit from a university press-- what were they expecting? Wright knows his stuff, & his nuts & bolts are illuminating. Simple as that, even if you find fault with his arguments-- that is how a dialogue is supposed to go.
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Epi from WarwickshireReviewed in the United Kingdom on September 26, 20125.0 out of 5 stars You asked me for a light for your candle, and I tried to give you the sun
After a few rereadings of Wolfe's masterpiece I had a reasonable idea of the 'real story' behind the plot.
However, Peter Wright's analysis has helped the lift the veil and throw the story into vastly sharper focus for me. The techniques used by Wolfe to obscure they truth and to encourage the astute reader to question Severian's version of events are examined in great detail, in a manner that I found illuminating.
This isn't the book to tell you what an 'Arsinoither' is, or engage in fruitless speculation about who was who's mother. It IS an book about how the language and the mysteries affect the reader, misdirecting the incautious reader into thinking this a classic example of The Hero's Journey, and overlooking how Severian is completely manipulated.
Wright has given me new appreciation for the depth of Wolfe's work. I knew Wolfe was a master of characterisation, but I had not realised just HOW good Severian's characterisation is, and how his status as a mnemonist inhibits his (and hence the reader's) grasp of the true significance of events.
As an engineer I'm a newcomer to literary criticism, so the terminology and concepts were a little unfamiliar to me, but enlightening and enjoyable, and if I wanted an easy read, I would not be reading Gene Wolfe!



