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Audio-Technica AT-LP120-USB Direct-Drive Professional Turntable (USB & Analog), Silver
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| Brand | Audio-Technica |
| Connectivity Technology | Wired |
| Included Components | Headshell/cartridge^AC line cord^dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable^dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable^45 RPM adapter^USB cable^recording software See more |
| Special Feature | Fully Manual Operation; Built-In Switchable Phono Preamp; Direct-Drive, High-Rorque Motor |
| Material | Aluminum |
| Item Weight | 23.5 Pounds |
| Style | AT-LP120-USB Turntable |
| Color | SILVER |
| Motor Type | AC Motor |
| Signal Format | Analog |
About this item
- Connectivity Technology: Wired
- Included Components: Headshell/cartridge
- AC line cord
- dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable
- dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable
- 45 RPM adapter
- USB cable
- recording software
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Product information
| Product Dimensions | 13.88 x 6 x 17.75 inches |
|---|---|
| Item Weight | 23.5 pounds |
| Department | ELECTRONICS-OTHER -> PROFESSIONAL AUDIO/VIDEO |
| Manufacturer | Audio-Technica |
| ASIN | B002S1CJ2Q |
| Item model number | ATLP120 USB |
| Customer Reviews |
4.7 out of 5 stars |
| Best Sellers Rank | #150,259 in Electronics (See Top 100 in Electronics) #1,192 in Audio & Video Turntables |
| Is Discontinued By Manufacturer | No |
| Date First Available | September 1, 2004 |
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Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 13.88 x 6 x 17.75 inches; 23.5 Pounds
- Item model number : ATLP120 USB
- Department : ELECTRONICS-OTHER -> PROFESSIONAL AUDIO/VIDEO
- Date First Available : September 1, 2004
- Manufacturer : Audio-Technica
- ASIN : B002S1CJ2Q
- Best Sellers Rank: #150,259 in Electronics (See Top 100 in Electronics)
- #1,192 in Audio & Video Turntables
- Customer Reviews:
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Customer Review: I really like this turntable
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Product Description
Audio-Technica's AT-LP120-USB direct-drive, high-torque professional turntable is perfect for DJs and other music enthusiasts, especially in an era that many would call "postvinyl," when it's no longer the norm for audio/video receivers or even integrated amplifiers to offer a dedicated phono input. Connect the Audio Technica ATLP120 to your computer to digitize your old LPs (laptop not included). It also includes a selectable internal stereo phono preamplifier and a USB output that connects directly to your computer-perfect for digitizing your old LPs to high-quality MP3 or FLAC files for playback from your computer. USB cable and adapter cables are included, along with Mac- and PC-compatible Audacity software to digitize your LPs. The AT-LP120's S-shaped tone arm assembly comes with an adjustable counterweight, an antiskate adjustment, a tone-arm height adjustment and lock, a tone-arm lift with hydraulic action and lift lever, and a tone-arm rest with a locking mechanism to keep the arm stable during transport. The turntable uses a DC servo motor to maintain accurate rotational speed at either 33-1/3 45, or 78 rpm, governed by a selectable, high-accuracy quartz-controlled pitch lock-all of which gives new life to 7- and 12-inch singles you may not have played for years. Unleash your inner DJ with the 'table's pitch-adjustment feature, with variations ranging from either +/-10 percent or +/-20 percent. A pop-up stylus target light and stroboscopic platter speed indicator offer visual assistance in queuing and playing your favorite tunes. Forward and reverse play options unlock countless creative doors. The turntable comes with a cast-aluminum record platter, a slip mat, and a professional cartridge and headshell (model AT95E) that plugs directly into the tone arm. Adjustable, antivibrational feet keep the platter level, regardless of your environs. A start/stop button with remote start/stop input lets you integrate the player with your more sophisticated DJ tools. The player also includes a 45 rpm adapter with storage receptacle for the adapter and for a surplus or replacement headshell (sold separately). If the turntable is connected to a sound card, powered speakers or AUX -type inputs, set the selector to LINE, which will activate the turntable’s internal pre-amp
The half-inch standard mount AT95E phonograph cartridge offers outstanding clarity and detail. Reviewers have rated this affordable, high-performance cartridge as a best buy value. Manufactured to Audio-Technica's renowned quality standards, each cartridge is meticulously assembled with remarkably tight tolerances. The elliptical diamond stylus is designed to track record grooves with high accuracy for outstanding audio reproduction. Includes mounting hardware and stylus guard.
SPECIFICATIONS:
Frequency Response: 20-20,000 Hz
Channel Separation: >20 dB at 1 kHz
Tracking Force Range: 1.5-2.5 grams 2.0 grams (20 mN) recommended tracking force
Recommended Load Impedance: 47,000 ohms Output 3.5 mV (1 kHz, 5 cm/sec)
Channel Balance: within 2.0 dB
Stylus Type: 0.4 x 0.7 mil elliptical diamond stylus
Cantilever: Alloy tube
Mount: Half-inch
From the manufacturer
Specifications
- Type: 3-speed, fully manual operation
- Motor: DC motor
- Drive Method Direct Drive: Direct drive
- Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
- Pitch Variation: +/-10% or +/-20%
- Turntable Platter: Die-cast aluminum
- Starting Torque: >1.6 kgf-cm
- Braking System: Electronic brake
- Wow and Flutter: <0.2% WRMS (33 RPM)
- Signal-to-Noise Ratio: >50 dB
- Output Level: Pre-amp "PHONO": 2.5 mV nominal at 1 kHz, 5 cm/sec
- Output Level: Pre-amp "LINE": 150 mV nominal at 1 kHz, 5 cm/sec
- Phono Pre-Amp Gain: 36 dB nominal, RIAA equalized
- USB Function: A/D, D/A - 16 bit 44.1 kHz or 48 kHz USB selectable; Computer interface - USB 1.1 Compliant Windows XP, Vista or MAC OSX
- Power Supply Requirements: 115/230V AC, 60/50 Hz
- Power Consumption: 11W
Audio-Technica AT-LP120-USB
Direct-Drive Professional Turntable (USB and Analog), Silver
This professional stereo turntable features a high-torque direct-drive motor for quick start-ups and a USB output that connects directly to your computer. Other features include: forward and reverse play capability; cast aluminum platter with slip mat and a start/stop button; three speeds 33/45/78; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-10% or +/-20% adjustment ranges; and removable hinged dust cover. A selectable internal stereo phono pre-amplifier allows the turntable to plug directly to components with no dedicated turntable input. A USB cable and adapter cables are included along with Mac- and PC-compatible Audacity software to digitize your LPs.
Winner of numerous industry awards, Audio-Technica manufactures products that set quality, durability and price/performance standards for live sound tours, broadcast and recording studios, corporate and government facilities, house-of-worship venues, and more. A-T microphones are chosen for critical government installations such as the U.S. House of Representatives and Senate. Audio-Technica microphones and wireless systems are also selected for major broadcast music events, including the Grammy Awards and the Rock and Roll Hall of Fame induction ceremonies.
If you are purchasing the product for a sales area outside the U.S., you should consider purchasing the turntable from your sales region. This unit is set to operate on 120V AC.
- Accessories Included: Headshell/cartridge; AC line cord; dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable; dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable; 45 RPM adapter; USB cable; recording software
- Convert your vinyl records to digital audio files
- Mac- and PC-compatible Audacity software digitizes your records
- Fully manual operation
- Selectable 33/45/78 RPM speeds
- Professional anti-resonance, die-cast aluminum platter with slip mat
- ½” mount universal headshell with AT95E Dual Magnet phono cartridge and long-life diamond stylus
- Balanced S-shaped tone arm with hydraulically damped lift control and lockable rest
- Built-in switchable phono pre-amplifier with RCA output cables
- Stroboscopic platter with speed indicator
- Forward/reverse operation and variable pitch control with quartz speed lock
- Popup stylus target light for easier cueing in low light
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| AT-LP60 | AT-LP60-USB | AT-LP60-USB Roland R-MIX Bundle | AT-LP120-USB | AT-LP120-USB Roland R-MIX Bundle | AT-LP1240-USB | |
| Color(s) Available: | Silver, Black, Blue, Red | Silver | Silver | Silver, Black | Silver | Black |
| Type: | Belt drive turntable, fully automatic | Belt drive turntable, fully automatic | Belt drive turntable, fully automatic | 3-speed, fully manual operation | 3-speed, fully manual operation | 3-speed, fully manual operation |
| Speeds: | 33-1/3 RPM, 45 RPM | 33-1/3 RPM, 45 RPM | 33-1/3 RPM, 45 RPM | 33-1/3 RPM, 45 RPM, 78 RPM | 33-1/3 RPM, 45 RPM, 78 RPM | 33-1/3 RPM, 45 RPM, 78 RPM |
| Motor: | DC servo-controlled | DC servo-controlled | DC servo-controlled | DC motor | DC motor | 16-pole, 3-phase, brushless DC motor |
| Turntable Platter: | Aluminum | Aluminum | Aluminum | Die-cast aluminum | Die-cast aluminum | 332 mm dia. die-cast aluminum |
| Wow and Flutter: | Less than 0.25% (WTD) @ 3 kHz (JIS) | Less than 0.25% (WTD) @ 3 kHz (JIS) | Less than 0.25% (WTD) @ 3 kHz (JIS) | <0.2% WRMS (33 RPM) | <0.2% WRMS (33 RPM) | < 0.1% WRMS (JIS WTD) with 33 RPM |
| Signal-to-Noise Ratio: | >50 dB (DIN-B) | >50 dB (DIN-B) | >50 dB (DIN-B) | >50 dB | >50 dB | > 55 dB (DIN-B) |
| USB Function: | None | A/D, D/A: 16 bit 44.1 kHz or 48 kHz USB selectable; Computer interface: USB 1.1 Compliant Windows XP, Vista or MAC OSX | A/D, D/A: 16 bit 44.1 kHz or 48 kHz USB selectable; Computer interface: USB 1.1 Compliant Windows XP, Vista or MAC OSX | A/D, D/A - 16 bit 44.1 kHz or 48 kHz USB selectable; Computer interface - USB 1.1 Compliant Windows XP, Vista or MAC OSX | A/D, D/A - 16 bit 44.1 kHz or 48 kHz USB selectable; Computer interface - USB 1.1 Compliant Windows XP, Vista or MAC OSX | A/D, D/A - 16 bit 44.1 kHz or 48 kHz USB selectable; Computer interface - USB 1.1 Compliant Windows XP or above or MAC OSX or above |
| Accessories Included: | Dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable; dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable; 45 RPM adapter | Dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable; dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable; 45 RPM adapter; USB cable; recording software | Roland R-MIX Audio Processing Software; Dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable; dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable; 45 RPM adapter; USB cable; recording software | Headshell / cartridge; AC line cord; dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable; dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable; 45 RPM adapter; USB cable; recording software | Roland R-MIX Audio Processing Software;Headshell / cartridge; AC line cord; dual RCA (female) to 3.5 mm (1/8") mini-plug (male) stereo adapter cable; dual RCA (female) to 3.5 mm (1/8") mini-plug (female) stereo adapter cable; 45 RPM adapter; USB cable; recording software | Slip mat; dust cover; platter; 45 RPM adapter; counterweight; headshell; power cord; USB cable; dual RCA (female) to 1/8" (3.5 mm) mini-plug (male) stereo adapter cable; dual RCA (female) to 1/8" (3.5 mm) mini-plug (female) stereo adapter cable; dual RCA (male) cable with integrated ground wire; stylus target light; Audacity software (CD) |
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Learn more how customers reviews work on AmazonReviewed in the United States on April 21, 2017
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I have owned the AT LP120 for the past few weeks and have come to my own conclusions. They are based on my own personal experience what the AT LP120 is and what it is not. I have also been a vinyl-phile for nearly 30 years; I live and breathe the vinyl medium---for me it never "died" nor went away(even with the rise and acceptance of all current digital formats).Over the years, I have had my share of the low fi to mid-fi vinyl gear(have yet to own a high end audiophile turntable with the hefty price tag to boot, I'm sure) and currently still own a few(Denon, JVC, Technics). On that note, I will start with what the AT LP-120 is not.
It is NOT the Technics 1200 MK2 performance-wise nor construction-wise.At the price point the AT LP120 sells for, I don't expect it to perform sonically,mechanically or electronically like a 1200 and nowhere near like an audiophile 'table;That would be ludicrous.That said, it is NOT going to perform like an $800 to an $80,000 turntable(yes,they do exist through a company called Rockport).It's a 1200 ONLY in appearance. I believe that this is what disappoints a lot of current and former Technics owners when they buy the Audio Technica AT LP-120. The Technics 1200 MK2 had a long(over 30 year)successful history of production and Panasonic used higher grade materials and construction standards in Japan.The 1200 also yielded VERY admirable technical performance specs which in turn meant better sonic playback characteristics than the AT LP-120. The AT LP-120 is not very well damped, even though it is heavy (at or over 25 lbs.). It is made of a sturdy plastic composite(for the plinth) with a heavy steel plate on the inside---this is where that hefty feel comes from.The plate is at the bottom, so that is why when you do even a light finger tap on top of the turntable, while playing a record, you will hear a dull "thud" through your speakers. However, who in the world pounds or sucker punches a turntable when playing vinyl? Still, a well damped turntable is necessary if you dee-jay or have limited room space and must place it near your speakers as those vibrations will be picked up by the plinth and tonearm,out the speakers,muddying the sound/music. In this category, the AT does an acceptable job if you do not do the finger-tap test on the plinth(but,again,who beats up a turntable?). I also tested my AT LP-120 for its quartz speed accuracy(very simple to do visually using the stroboscope dots---that's what they are there for to verify complete accuracy). I also did this because I previously saw another owner's AT LP-120 on YouTube not being quartz accurate...Well, it is and it isn't and this is what I found out. If you play a record and have the quartz system engaged,stare at the stroboscopic dots for just a little over a minute or two. I noticed that after this amount of time,I began to see the dots barely,but still noticeably, drift out of synch with the quartz circuit. With my experience with any other direct drive quartz-timed turntables I have owned, the speed was dead accurate; ZERO drifting of the strobo-dots. That's what quartz speed accuracy means and that's what it is designed to do. The AT-LP 120 lacks this required speed accuracy refinement. Does this create some sort of noticeable and audible effect or defect? No. However, it places in my mind as to how long the quartz system in my AT LP-120 will last---will that drift become more noticeable both visually and aurally over time? I hope not.But wait, it gets better. I then removed the vinyl record and supplied felt mat. I let the turntable platter spin in the quartz mode and after a minute or two there was NO dot speed drift.However,the dots are absolutely not still in the quartz mode when playing at the 78 rpm speed;I am not sure if this is a design flaw or if at 78 rpm the turntable was designed not to include that stroboscopic quartz display for whatever technical reason. As for the minimal quartz dot drift at the 33 and 45 speeds,what this told me was that the AT engineers did not take into account the weight or mass of the mat and record and tonearm to compensate for this stroboscopic dot drift... The DC motor on mine makes a slight cogging sound effect that is transmitted through my speakers if I play the quiet portion of a disc loudly(the blank space between songs). Some direct drive systems do cog, but the better built ones with better motor noise isolation material are a lot more silent or not noticeable at all(even with a stethoscope you can't hear the motor).On the AT LP-120, it's a very minute pulsating sound that is masked when the music is playing so this is not a major problem.Again, does this mean that with time that sound will get louder? The motor and spindle bearing-shaft assembly is fastened to the top round black metal plate of the plinth with four screws only,so that would account for possibly any motor noise/vibration not to be properly isolated. The aluminum platter is light and does ring when tapped on;A heavier or thicker platter would mean better sound dampening and better resistance to unwanted vibrations(from the motor and from the speakers). Also, the platter is not machined to perfectly flat specs;There is a slightly noticeable wobble(other reviewers have noticed this,too)---I can see the platter,as it rotates,slightly rise up and down.However, this does not create any audible effects or sound distortions...Until,I used the 78 speed;Obviously, the cartridge and tonearm rise up and down but not enough to skip off the platter with enough proper tracking.There is a tad of a light bumping sound...if you pay close attention to it. However, most 78's I have are noisy to begin with. While the AT LP120 does have acceptable torque for quick start ups, it is very susceptible to being easily slowed down and even stopped if you brush-clean a record while it is spinning.A Technics 1200 would maintain perfect speed and pitch and just fight me while I would brush clean a record while it spun---THIS is just one of the qualities dee-jays love about a torquey direct drive!Again, one must remember these are two different animals with similar coats. Overall, mechanically, the AT LP-120 is not a super quiet machine with regards to motor and rumble noise.Audio Technica did not include the rumble spec on their data sheet as most turntable manufacturers do---the lower the number the better performance and quieter sonic background so that all you ever hear is just the music,even with very low and almost quiet musical passages.I am now using a heavier aftermarket rubber mat that has decreased most of the inherent motor noise and rumble effect. The bottom line is that,in this case, Audio Technica's performance numbers/specs,while somewhat not the best I have seen for a quartz direct drive, do not impede this turntable from doing its job;The job it is set out to do and that is provide a pleasing tonal and sonic level.
FINALLY, now to the good stuff. This is what the AT LP-120 IS and why I like it ! Let me just say that the AT LP-120 changed my perspective on what a $200 turntable can do soundwise even if its performance specs and build specs may not be the best or anywhere near audiophile standards---this is not designed, manufactured, sold, or marketed as an audiophile-grade turntable to begin with and is simply listed as "professional"---when you compare it to the much lower stuff that is out there.My point is that the numerical specs and data one sees on the AT LP-120(when comparing to other turntables,like the Technics 1200) should NOT deter or hinder a person into buying this good quality turntable. If you look and listen for the imperfections(assuming you know what to look for), you will find them. In addition, the included and premounted cartridge and stylus do a decent job.Bass is tight or firm,mids are decent(you can tell that the mids are tipped upward and make vocals more pronounced),highs are acceptable but do not sound natural---cymbals have an artificial sound, if that makes sense. Yes, it is required to track more on the heavier side for optimal performance. However I have been tracking it at close to 2 grams with no audible degradation(sibilance,innergroove distortion or mistracking). I did test the AT LP-120 with an AT 440ML cartridge/stylus setup and liked what I heard---better stereo imaging and separation, but the highs were bright(a characteristic of the AT 440ML).So,yes,using a better quality cartridge and a thicker mat (rubber, NOT the felt kind) will yield VERY good playback results. I don't recommend spending a large sum on a high end cartridge as (with my experience in the past) that might reveal the AT LP-120's sonic shortcomings...Even though the turntable is a manual operated affair,and not a semi or full automatic, this is more desireable when you start to get into professional mid hi-fi to audiophile hi-fi turntables; One less function to break as most automatics that use gears and linkages gum up or freeze up over time.Most automated arms also add unwanted extraneous mechanical sounds or sonic degradation to the playback---There were only a few audio hi-fi companies back in the day that used very sophisticated,independently, and reliable motor driven automatic arms such as Denon,JVC, and a few older Technics (non-1200) models. Those automatic arms and features were marvels on some of those turntables.Appearance-wise, the AT LP-120 is a very attractive looking piece of analog audio gear, even though the aesthetic design is not original and strongly resembles the Technics 1200 MK2.Overall, it physically looks great as the focal point to anyone's audio component system setup---it just looks expensive and did I mention it is fun to listen to and use?---It plays 78 rpm vintage records!The Technics can be sent to a special aftermarket company for 78 rpm modification---but that costs about as much as a whole new AT LP120...The cueing lever mechanism is one of the smoothest I've ever used on a manual turntable;It truly gently places the stylus in the groove with precision and ease.
There are a few quirks and kinks that could definitely be worked out by Audio Technica with a tighter qc implementation.However, the parameters for the technical range specs are such for AT LP-120 that they do not hinder it from being a reliable and decent quality performer; In other words, under normal,casual playback conditions for the non-audiophile this is a very cool turntable to set up,use, and listen to(also, someone just getting back into vinyl or approaching this medium for the first time will be surprisingly pleased)! If you are on the opposite end of the spectrum and in search of analog sonic perfection or audiophile grade quality, you will be somewhat disappointed.Unless,as an audiophile, you are using it as a secondary turntable, then you will know what to expect and will thoroughly enjoy it as I have. If you are considering to use the AT LP-120 for dj record scratching purposes, it will reveal its shortcoming concerning its torque; The motor is not that quick and the platter is very light(for normal playback startups,the torque is up to par,but NOT for "scratchin')---it simply does not have the high torque capability of a Technics 1200 and most other dj turntables. Also, the reverse function is not the quickest when going from forward to reverse and vice versa as on other dj styled turntables.However, for normal dj playback applications,this turntable unit will perform respectively.
I have purchased audio equipment in the past in which the manufacturer may not have used esoteric,exotic, or even super grade materials like the more refined and high end competitors. However, it was in the execution and accuracy of the design and production on how those less expensive materials were best used. THAT is what yielded such great audio quality results that rivaled,and in some cases,surpassed those of a better or higher quality name brand.The reason for the four star review is because this is an area where AT could still make some improvements with the AT LP-120.
Turns out it was a good bet and I am well pleased with this turntable. I ran it through a range of sonic inputs (solo voice, chamber ensemble, piano, Baroque organ, symphonic orchestral and an old, much abused and original Rolling Stones mono from the 60's) Some vinyl is in good condition: Some not so much. And I ran some recordings up to the maximum amp power output. No distortion I could hear.
The rest of this review tries to summarize everything I learned from reading all those reviews and my own experience with this turntable.
But first, let's deal with the two huge gorillas sitting here with me as I write this review.
(1) Yes, sure, this can be described as a "cheap, plastic, Chinese knock-off" of the much venerated and beloved original Japanese Technics turntable. But from what I can see the plastic is not so cheap and perfectly functional. I assume the 6 lb chunk of sheet steel in the base serves as a damper. Though I have mine sitting on 30+lbs of solid baked clay. The direct drive motor has a quartz lock as well as pitch control. Another more technical reviewer tested for durability, satisfactorily. A-T has upgraded the cartridge/stylus to one that is well established and generally very highly regarded. The set up is easy. I won't need the pre amp as my amp has a phono input. Don't know about the usb port and circuitry. But this is a common, inexpensive component. The plastic looks good. The unit is heavy and feels solid. The arm is probably not up to the original Japanese standard. But seems solid to me. Aesthetically it is retro (70s -80's) styling rather than the attractively sleek and minimalist higher priced ($450-$850 and above) tables.
(2) This is a review for people much like me who want decent quality at a reasonable cost. Not looking for a turntable aimed at professional DJ's, audio engineers or audiophiles, (high testosterone or obsessive compulsive - whatever). I have a very decent a/v system - including the top end Oppo D for digital audio and video service, top end Yamaha for driving the speakers and JBL studio speakers for output. And Sennheiser 600s for listening in private. No, not audiophile level, but meets my idea of "decent". No distractions, just good sound. So I needed to complete the picture with a turntable that was solid, reliable, with a cartridge/stylus that would produce sufficient quality to fit with the digital audio sources I have but be forgiving of the poor quality of some of my vinyl.
The LP 120 does this well.
So: A summary Review -
The set up is straight forward especially if you watch the Audio-Technica set up video on You Tube. (If you are not familiar with this type of set up.) I found this arm and weight/balance/ anti skate the easiest I've used in three previous tables.
- There have been many complaints about the platter being warped. So, out of the box I checked mine VERY carefully. Perfect! I'm using my own rubber mat from a previous turntable. Do not like the slip mat AD packed with the table.
- I doubt I'll use the pitch-slider or the reverse motor switch. But sometimes there are issues with old vinyl recordings and a small pitch adjustment availability is welcome.
-This is direct drive with a quartz clock/lock. There have been complaints about feedback through the motor. (I've had belt drives in the past and the rubber belt mitigates this possibility.) But, even through the Sennheisers which are sensitive, I can hear no feedback, hiss, rumble or anything. I have knocked the arm a couple times and got a crackle that then faded. I think the table was telling me to be gentler with it (in electro-Mandarin?).
- The other big issue is tracking. Not an expert but I think one way to solve tracking problems is to put a crude, gouging stylus (ceramic or similar) with a big weight on it and hope it stays in the groove - tearing up your record and wearing it out as it does so.
Otherwise the stylus/head shell alignment, anti skate and arm geometry do matter a lot. Fortunately Audio-Technica include a very decent stylus in a tried and true mid range quality cartridge, already aligned and set up. Treat it as the manual directs and a quick turn of the locking ring sets the cartridge in place. And properly aligned. If you set the counter balance correctly and the anti skate according to their directions (1.5-2 on their scales works for me.) - well I have found no distortion in either track from the beginning of the tracking in either channel from the outside of the record to the inside near the center spindle.
- The cartridge is described by audiophiles as "warm" and "musical". No experience to judge. But to my ear I'm listening to a performance and not being distracted by a too sharp or fuzzy sound field. I feel the sibilants are just right and the base response is not bad. The mid range has a bit of a glow to it. Will have to try the digital (CD) versions I have of some of my records to check into this more. But I have to say that I was well please with the feel of the sound coming from the old vinyl, through the LP120 and out into the room via the JBL speakers.
Actually rather good. --There are some pops and rattles from time to time. This just means I have to clean the vinyl more thoroughly. Otherwise this stylus (AT95e) seems both responsive and forgiving. "Better", more expensive cartridges, the audiophiles say, are not so forgiving.
-I do plan to use the usb port into my computer to transfer some of my more precious vinyl. I doubt I'll use the included software. There are better, easier to use, software options on line.
So, there we are. I could have spent $200 on a good cartridge, and $600-1200 on a low end audiophile quality table. But then have to live with such a superfine system showing me every blip and dip in my vinyl. No point. I've tried the entire dynamic range from vocals to chamber music to organ to mono orchestra to Rocknroll. Pristine vinyl, and very, very worn.
-Last issue is the fact that this is a totally non automatic table. You put the stylus over the record and release the lever. At the end you lift the stylus and return it to its rest. The LP60 costs a significant amount less and includes auto. I doubt the two models are very comparable.
I like it. Time to go clean those vinyls with warm, gentle soap and filtered water and some care.
Top reviews from other countries
there is some mechanical noise caused by metal rotating against metal(?).
it is hard to know what to expect in terms of moise from a metal platter turning, a motor running.
i would have liked less noise, i would have felt more confident in its structural integrity.
more friction, more wear. i didn't want a belt drive. i used to own a rega planar (30 years old) but how much do spend reparing it?
i thought about buying a 2nd hand system deck but chose this at £170. into a nad amp through the deck input the audio technice suffered with sibilance. it sounded better through its own pre.
it's okay, i'm listening to a lot of old records and am surprised how few clicks and thumps from damage are evident. i may have the arm set a little too heavy but prefer this to noise.
if i had wanted to spend more, and i thought about it, i perhaps would have gone for the sony 500 at £300.




































