Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone, Black, Ideal for Project/Home Studio Applications
|Price:||& FREE Shipping. Details & FREE Returns|
|You Save:||$70.00 (41%)|
|Connector Type||XLR Connector|
|Audio Sensitivity||37 dB|
|Signal To Noise Ratio||74 dB|
|Item Weight||1.3 Pounds|
|Noise Level||20 dB|
About this item
- The price/performance standard in side address studio condenser microphone technology
- Ideal for project/home studio applications; The noise level is 20 db SPL
- High spl handling and wide dynamic range provide unmatched versatility
- Custom engineered low mass diaphragm provides extended frequency response and superior transient response
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Output connector: integral 3 pin XLRM type
- Black speckles on the mic is the finish of the item. Audio technical case style: R7
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From the manufacturer
The Standard for Affordable Studio Condensers
The cost and performance standard in side-address studio condenser microphone technology, making it ideal for project/home-studio applications.
Due to high-SPL handling and wide dynamic range.
Custom-Engineered Low-Mass Diaphragm
Provides extended frequency response and superior transient response.
Sound Source Isolation
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.
Pivoting, Threaded Stand Mount
Attaches securely for easy and precise placement of the microphone.
Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch.
|Element||Fixed-charge back plate permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Externally-polarized (DC bias) condenser|
|Polar Pattern||Cardioid||Cardioid||Cardioid||X/Y Stereo||Cardioid||Cardioid, Omnidirectional, Figure-of-Eight|
|Frequency Response||40-20,000 Hz||20-20,000 Hz||30-20,000 Hz||20–20,000 Hz||20-20,000 Hz||20-20,000 Hz|
|Open Circuit Sensitivity||–48 dB (3.9 mV) re 1V at 1 Pa||–37 dB (14.1 mV) re 1V at 1 Pa||–39 dB (11.2 mV) re 1V at 1 Pa||-41 dB (8.9 mV) re 1V at 1 Pa||-33 dB (22.4 mV) re 1V at 1 Pa||–42 dB (7.9 mV) re 1V at 1 Pa|
|Impedence||100 ohms||100 ohms||250 ohms||200 ohms||120 ohms||120 ohms|
|Maximum Input Sound Level||136 dB SPL, 1 kHz at 1% T.H.D.||144 dB SPL, 1 kHz at 1% T.H.D.||145 dB SPL, 1 kHz at 1% T.H.D.||122 dB SPL, 1 kHz at 1% T.H.D.||148 dB SPL, 1 kHz at 1% T.H.D.;158 dB SPL, with 10 dB pad (nominal)||149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal)|
|Dynamic Range||113 dB, 1 kHz at Max SPL||124 dB, 1 kHz at Max SPL||126 dB, 1 kHz at Max SPL||103 dB, 1 kHz at Max SPL||136 dB, 1 kHz at Max SPL||132 dB, 1 kHz at Max SPL|
|Signal-to-Noise Ratio||71 dB, 1 kHz at 1 Pa||74 dB, 1 kHz at 1 Pa||75 dB, 1 kHz at 1 Pa||75 dB, 1 kHz at 1 Pa||82 dB, 1 kHz at 1 Pa||77 dB, 1 kHz at 1 Pa|
|Phantom Power Requirements||48V DC, 2 mA typical||48V DC, 2 mA typical||48V DC, 2 mA typical||N/a||11-52V DC, 3.8 mA typical||11-52V DC, 4.7 mA typical|
|Switches||N/a||N/a||N/a||Off, on/flat, on/roll-off||Flat, roll-off; 10 dB pad (nominal)||Polar selection; Flat, roll-off; 10 dB pad (nominal)|
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Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: The new standard for affordable side-address studio condensers.
Signal-to-Noise Ratio: 74 dB.
Top reviews from the United States
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In terms of condenser mics, the only other one that matches this guy for the price is the MXL 990. I would say the 2020 has a warmer reproduction.
As for quality, ive dropped this mic a couple times ( i know, thats a no-no for condenser mics) and it still works perfectly fine, my MXL 990 broke on the first drop.
Gear: AT202P, Focusrite Scarlett Solo, 6ft Amazon Basics XLR cable, cheap Neewer boom.
The audio is bright, but still rich. My voice is not deep or loud, so it does a great job of capturing it without making me sound like a small child.
I haven't noticed any problems regarding noise floors, but I am also not operating in a treated space, so ambient sound drowns out any noise floor problems the mic/interface might have.
Without any gain, this mic is basically a brick, so you'll have to throw down some gain if your voice is not insanely loud (or if you're not screaming). This will result in picking up a lot of ambient sound. A. Lot.
Will this give you sound to rival, say, an RE-20, SM7B, or even a Procaster? That depends on your mixing skills, somewhat, but in general it will not. Is it absolutely worth the price? Oh yeah. In terms of comparing it to my previous mic (Snowball ICE), the degree to which my audio has improved is simply shameful.
Soundprofessionals has great customer service. Fast order processing and delivery coupled with thorough and thoughtful follow up makes it a cinch to come back to these guys again.
Top reviews from other countries
All of which said, things as they are these days, with the internet and what have you, youth and good looks apparently not as important as they once were – look at Eddie Sheeran, Louis Scapaldi and those other fat bearded blokes with bobbly hats currently doing the rounds – I thought I might give it another go, solo. Thus I have purchased all the requisite home recording bumf, including this mic, which is excellent by the by, and am finally getting the songs which I envisioned would constitute a concept album by the name of ‘Re:Incarnation’ down. And I quote –
We come and go,
Some fast, some slow,
Through many different ages.
We learn and grow,
It’s all a show
Set on different stages.
Come, take a look,
For life’s a book,
Writ on different pages.
And we must see
The truth to free
Our minds from out their cages.
Had to hook it up using an existing phantom power supply and an XLR to USB cable, but when I did this there was a loud, buzzing/hissing on the other end. Couldn't figure out if the issue was the cable, the power supply or the mic and since this mic doesn't come with any other parts, I have no idea what combination of products I need to have the mic work optimally. Also, you can't contact the seller - so I can't ask them.
Really didn't want to have to return this product, but you really can't use it/set it up unless you have an already extensive knowledge of this sort of thing.
You should be going for something more costly if you're a pro - and if you can afford it - but for the rest of us this is a superb choice. Clean sound, great pickup, sturdy and with a nice weight to it, it does what it's meant to do (i.e. record voices and sounds) brilliantly and doesn't feel like it'll break at a moment's notice like some cheaper mics for cool kids do.
Also, while some might find it a bit unflattering to gape at, I like the look of the thing. Functional and unspectacular, like me in many ways.
Reviewed in the United Kingdom on April 13, 2019