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Audio-Technica AT2020 Cardioid Condenser Studio Microphone
|Price:||$99.00 & FREE Shipping. Details|
- The price/performance standard in side-address studio condenser microphone technology
- Ideal for project/home-studio applications
- High SPL handling and wide dynamic range provide unmatched versatility
- Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
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From the manufacturer
|Element||Fixed-charge back plate permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Fixed-charge back plate, permanently polarized condenser||Externally-polarized (DC bias) condenser|
|Polar Pattern||Cardioid||Cardioid||Cardioid||X/Y Stereo||Cardioid||Cardioid, Omnidirectional, Figure-of-Eight|
|Frequency Response||40-20,000 Hz||20-20,000 Hz||30-20,000 Hz||20–20,000 Hz||20-20,000 Hz||20-20,000 Hz|
|Open Circuit Sensitivity||–48 dB (3.9 mV) re 1V at 1 Pa||–37 dB (14.1 mV) re 1V at 1 Pa||–39 dB (11.2 mV) re 1V at 1 Pa||-41 dB (8.9 mV) re 1V at 1 Pa||-33 dB (22.4 mV) re 1V at 1 Pa||–42 dB (7.9 mV) re 1V at 1 Pa|
|Impedence||100 ohms||100 ohms||250 ohms||200 ohms||120 ohms||120 ohms|
|Maximum Input Sound Level||136 dB SPL, 1 kHz at 1% T.H.D.||144 dB SPL, 1 kHz at 1% T.H.D.||145 dB SPL, 1 kHz at 1% T.H.D.||122 dB SPL, 1 kHz at 1% T.H.D.||148 dB SPL, 1 kHz at 1% T.H.D.;158 dB SPL, with 10 dB pad (nominal)||149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal)|
|Dynamic Range||113 dB, 1 kHz at Max SPL||124 dB, 1 kHz at Max SPL||126 dB, 1 kHz at Max SPL||103 dB, 1 kHz at Max SPL||136 dB, 1 kHz at Max SPL||132 dB, 1 kHz at Max SPL|
|Signal-to-Noise Ratio||71 dB, 1 kHz at 1 Pa||74 dB, 1 kHz at 1 Pa||75 dB, 1 kHz at 1 Pa||75 dB, 1 kHz at 1 Pa||82 dB, 1 kHz at 1 Pa||77 dB, 1 kHz at 1 Pa|
|Phantom Power Requirements||48V DC, 2 mA typical||48V DC, 2 mA typical||48V DC, 2 mA typical||N/a||11-52V DC, 3.8 mA typical||11-52V DC, 4.7 mA typical|
|Switches||N/a||N/a||N/a||Off, on/flat, on/roll-off||Flat, roll-off; 10 dB pad (nominal)||Polar selection; Flat, roll-off; 10 dB pad (nominal)|
Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.
Top Customer Reviews
I've owned and used so many mics and brands through the years that I can't remember them all, but I can I say I've never had a bad A-T. 4033's, 4050's and 4080's I use every week and have for years, the 4033 going back to the mid 90's and the 2020 is just a lower priced electret condenser from the A-T family. You have no idea the % of recordings that you're hearing this brand on, it's used by almost every studio on every continent, I work in the US, Italy to Scotland and can attest to this. But first let me tell you, very simply, where the negative reviewers went wrong.
This is a XLR connection phantom powered mic, which is pro and best. So it requires a phantom powered XLR input, which all pro equipment provides and is also standard on most home recording audio interfaces. Which you should really purchase along with this, if you haven't already, because for around $100 you'll improve your recording and playback and have a preamp and monitoring, you'll find one by searching audio interfaces. I have a Roland TRI CAPTURE Audio Interface and a Focusrite I use just for playback in my office and den but they work well and you don't need Avid HD's to get started. Audio interface is just another name for an external sound card but will provide the proper input and gain meter. Getting your interface away from the electronically noisy computer has been SOP since the dawn of digital. I see that small USB mixers are available, which would be another option. Don't try an adapter on it, it won't work, as this needs power through the cord to charge the field effect transistor, but power supplies are available and after that adapt however you want. It doesn't come with the cord, what a surprise! Quality cords will cost about half the price of this, but a $15 version will probably do for most.
It doesn't come with a shock mount but you can purchase one if you like. Work with it, you may not need one and the recorded vibrations rumbling will tell you that you do. You'll need a windscreen and a popper stopper type Shure Popper Stopper Pop Filter is the usual, but I can also recommend using 2 large $1.49 foam screens with the top cut from one as this mic is side address and you will need to cover the entire screen. This isn't about being cheap, there are times that the goosenecks are very inconvenient and don't work at strange angles and you'll probably always need one or the other.
This does not come with a stand, so pick up a boom stand if you don't have one and pay no attention that the negative reviewers will tell you they tip over, 18 wheelers also tip over. Recommended Use a sandbag or whatever on the leg opposite the mic or remove the boom and top portion and slide on a barbell weight and put it back together or create a proper counterweight where they've put a faux plastic one. If it's possible, you could mount a boom from the ceiling and run the cable on hooks, eliminating vibration from the floor while keeping the cable out the way Microphone Flange Male. For desktop users, here's what I'd do. Using large Command strips and Velcro I'd fasten this to the desk Adjustable Desk Microphone Stand and attach this Telescoping Mini-Boom Here's another option MXL Mics MXL-BCD-STAND Understand that recording has progressed by meeting needs and experimenting, if you need something figure it out, your clean, quiet recording is proof that it works.
I can't justify comparing this to my $500 to $4000 mics like it but if there is a better value buy it. The price of this microphone wouldn't have bought a case for most of my condensers. It sure beats most non electret, electrostatic DC bias or dynamic style mics. The 2020 is certainly an entry level professional mic and in many situations could be substituted for a 4033 without issue. Also individual mics have a sound, of the eight 4033's I have, I prefer 3 of them and use them the most. So when reviewers say it's bright, I say compared to what? I can tell you what it sounds like.....KA-CHING! a great sound in audio recording. Uh huh, I know of one professional recording it's on and the client was clueless that I used an under $100 mic. Think about it, would this be as good as what was used 40 years ago? Have you heard good 70's recordings? Anyone purchasing equipment because it "sounds" better ought to have earned enough to slap down cash to pay for it. Lot's of reviewers have opinions about this mic so don't ignore them, but ask yourself this, do they have formal training and experience with 200 different mics in many studios and are they using expensive gear from their console to their monitors to reveal its true capabilities? Any noticeable increase in sound quality might cost $400 and won't be half of what you'll achieve by improving your recording technique.
This type of mic is excellent for overhead, acoustics, amps or brass and of course vocals, really most recording needs, having a less uni and more omni, cardioid directional pattern than stage mics hyper pattern it's better suited to recording. Just understand that you can't get too loud near it or you'll overdrive it since it's designed for up to screaming vocals, so back off with loud amps and brass, which also means you need a quiet place for recording because it'll pick up your AC ducts and your neighbor's TV. That, is a good thing, what's bad is you trying to do good recording in a noisy environment, so don't blame a mic for your extraneous room noise. You can't just use a different microphone or noise gates or processors of any kind, just quiet, anything else is a pail on a sinking ship because this is an acoustical, rather than electronic, signal to noise ratio. A 10db pad will reduce output but doesn't affect the diaphragm and its input and acoustical foam won't help, that's not even its purpose, I suggest reading this on acoustics and foam, music.tutsplus dot com/tutorials/beginners-guide-to-acoustic-treatment--audio-1274 (just replace the [dot]). Turn off your heat/air, be careful of headphone bleed and do your recording between 3 and 5 AM, when the world's a quieter place and that will really help, you'll likely hear how loud your computer fans are. You can get underground in your basement or build blanket walls, or buy used office partitions but you need quiet, I've known acoustic players who've worn gas masks to cut the sound of their breathing. If this is what your budget allows for it's an excellent first step into recording and this type of mic and likely this brand would be my first choice for a first recording mic no matter the cost. I keep saying "this type of mic" and the reason why is because A-T sells 14 models like this style up to $3000. This model is the lowest priced but you're buying a reputable brand. If your future plans include using only one mic, without the ability to use any traditional recording hardware, you can look here. Audio-Technica AT2020 USB Condenser USB Microphone Or here Audio Technica AT2020USB+ Cardioid Condenser Microphone w/Pop Filter This is not my advice, you will also lose the higher quality playback and the supplied recording software that comes with an interface. This model is not USB.
Now pay no attention to the descriptions of how it sounds, I won't tell you because how it sounds to me on my system won't apply to you and your system and that goes for all audio, descriptions are worthless, only unplugging one piece of gear for another matters. This is important, all audio equipment either accurately reproduces or doesn't, the recording cannot sound better than the source, so a microphone can only reproduce sound more or less accurate than a different microphone. Accurate or inaccurate, not good or bad, there's a difference. It's during the mix that you make it better or different from the original sound. Apply these same thoughts to your home stereo, saying instead, playback cannot sound better than the recording and that's why accuracy is important in your monitors.
So search out any info you don't understand and don't expect to be a competent engineer without years of schooling, training and having worked in a professional setting. If you're lucky like I was, after 1 year of tech school I worked on site repair (studios often need PT) and apprenticed while continuing my education for the next 3, then after 3 years of work (TV) with another year of school I became a studio owner. Real recording involves a facility, equipment and techniques as involved as a surgeon in a hospital. So study electronics, acoustics, the auditory cortex, everything audio, train yourself to hear the smallest sounds all day, it never stops. When making any purchases I recommend reading and research and realize this is a tool and because you can buy a tool doesn't mean you're educated in its use. So yes, I also don't recommend buying a scalpel and trying surgery on your little brother, unless.....But everyone of us started somewhere so get some equipment and start recording, quit all that sleeping, eating and other unnecessary activities and just read and record! Just short sessions at a real studio will also open your eyes and be educational and some will allow you to just stop in and talk, I have. So keep up the research because no man knows it all and I'm just here to help you out. If you need a good, small, inexpensive stereo amp check this one out. Topping TP22 Digital Mini Amplifier
I've posted a comment that might be helpful if you want a mic for uses other than recording.
Please see my video review to hear how it sounds also a little more about the microphone.
I'm a professional recording engineer, and I've always said there are NO RULES, JUST GUIDELINES. I'm not going to go into the technical whys and how comes of what makes a great microphone. You can read the tech specs and study that for yourself.
I say use your ears as the best judge as to what sounds good. For me, the AT2035 is a goto mic for a lot situations in recording voice and instruments. It's reasonably priced so you can afford to have a pair. I've used this mic in live sound as well as studio applications, both indoor and outdoor venues, and the results are no less than perfect.
Clean, clear, and hits everywhere in the common frequency range of human hearing. It's a warm sounding mic; very elegant and captures the natural timbre of unprocessed, acoustic sound. I feel this is a great choice for podcasts and even live radio broadcasts.
One of my favorite times in using this mic was for an acoustic classical guitar played in a stairwell at a college. I placed one in front of the player, and another on the first landing of the steps going up to the second floor to capture the natural reverb of the room. Outside of "tuning" the room with EQ there was no other processing used and the recording was spectacular. Very powerful sounding, yet all the nuances of classical guitar playing were present.
Bottom line is you can't go wrong with the AT2035. If you're new to recording and trying to decide what kind of condenser mic to get - this should be a first choice for you.
In terms of condenser mics, the only other one that matches this guy for the price is the MXL 990. I would say the 2020 has a warmer reproduction.
As for quality, ive dropped this mic a couple times ( i know, thats a no-no for condenser mics) and it still works perfectly fine, my MXL 990 broke on the first drop.
Most Recent Customer Reviews
I saved up for this XLR version of the AT2020 for some time and have been using it for livestream sand YouTube for a few...Read more