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Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone, Ideal for Project/Home Studio Applications
| Price: | $76.56$76.56
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| Brand | Audio-Technica |
| Color | Black |
| Connector Type | XLR Connector |
| Connectivity Technology | Wired |
| Audio Sensitivity | 37 dB |
| Compatible Devices | Any Recording Programs, Audio Interfaces with XLR Cable inputs |
| Item Weight | 1.8 Pounds |
| Polar Pattern | Unidirectional |
| Material | Metal |
| Signal-to-Noise Ratio | 74 dB |
About this item
- The price/performance standard in side address studio condenser microphone technology
- Ideal for project/home studio applications; The noise level is 20 dB SPL
- High SPL handling and wide dynamic range provide unmatched versatility
- Custom engineered low mass diaphragm provides extended frequency response and superior transient response
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Output connector: integral 3 pin XLRM type
- Black speckles on the mic are part of the design. Audio-Technica case style: R7
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From the manufacturer
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Cardioid Pattern |
Condenser |
XLR Output |
Side-address Microphone |
Features
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The Standard for Affordable Studio CondensersThe cost and performance standard in side-address studio condenser microphone technology, making it ideal for project/home-studio applications. |
Unmatched VersatilityDue to high-SPL handling and wide dynamic range. |
Custom-Engineered Low-Mass DiaphragmProvides extended frequency response and superior transient response. |
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Sound Source IsolationCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. |
Pivoting, Threaded Stand MountAttaches securely for easy and precise placement of the microphone. |
AccessoriesStand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch. |
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| AT2010 | AT2020 | AT2021 | AT2022 | AT2035 | AT2050 | |
| Element | Fixed-charge back plate permanently polarized condenser | Fixed-charge back plate, permanently polarized condenser | Fixed-charge back plate, permanently polarized condenser | Fixed-charge back plate, permanently polarized condenser | Fixed-charge back plate, permanently polarized condenser | Externally-polarized (DC bias) condenser |
| Polar Pattern | Cardioid | Cardioid | Cardioid | X/Y Stereo | Cardioid | Cardioid, Omnidirectional, Figure-of-Eight |
| Frequency Response | 40-20,000 Hz | 20-20,000 Hz | 30-20,000 Hz | 20–20,000 Hz | 20-20,000 Hz | 20-20,000 Hz |
| Open Circuit Sensitivity | –48 dB (3.9 mV) re 1V at 1 Pa | –37 dB (14.1 mV) re 1V at 1 Pa | –39 dB (11.2 mV) re 1V at 1 Pa | -41 dB (8.9 mV) re 1V at 1 Pa | -33 dB (22.4 mV) re 1V at 1 Pa | –42 dB (7.9 mV) re 1V at 1 Pa |
| Impedence | 100 ohms | 100 ohms | 250 ohms | 200 ohms | 120 ohms | 120 ohms |
| Maximum Input Sound Level | 136 dB SPL, 1 kHz at 1% T.H.D. | 144 dB SPL, 1 kHz at 1% T.H.D. | 145 dB SPL, 1 kHz at 1% T.H.D. | 122 dB SPL, 1 kHz at 1% T.H.D. | 148 dB SPL, 1 kHz at 1% T.H.D.;158 dB SPL, with 10 dB pad (nominal) | 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal) |
| Dynamic Range | 113 dB, 1 kHz at Max SPL | 124 dB, 1 kHz at Max SPL | 126 dB, 1 kHz at Max SPL | 103 dB, 1 kHz at Max SPL | 136 dB, 1 kHz at Max SPL | 132 dB, 1 kHz at Max SPL |
| Signal-to-Noise Ratio | 71 dB, 1 kHz at 1 Pa | 74 dB, 1 kHz at 1 Pa | 75 dB, 1 kHz at 1 Pa | 75 dB, 1 kHz at 1 Pa | 82 dB, 1 kHz at 1 Pa | 77 dB, 1 kHz at 1 Pa |
| Phantom Power Requirements | 48V DC, 2 mA typical | 48V DC, 2 mA typical | 48V DC, 2 mA typical | N/a | 11-52V DC, 3.8 mA typical | 11-52V DC, 4.7 mA typical |
| Switches | N/a | N/a | N/a | Off, on/flat, on/roll-off | Flat, roll-off; 10 dB pad (nominal) | Polar selection; Flat, roll-off; 10 dB pad (nominal) |
Compare with similar items
Product Description
Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.
Signal-to-Noise Ratio: 74 dB.
Product information
| Item Weight | 1.8 pounds |
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| Product Dimensions | 9.6 x 9.6 x 2.6 inches |
| ASIN | B0006H92QK |
| Item model number | AT2020 |
| Customer Reviews |
4.7 out of 5 stars |
| Best Sellers Rank | #130 in Musical Instruments (See Top 100 in Musical Instruments) #4 in Vocal Condenser Microphones #8 in Multipurpose Condenser Microphones |
| Is Discontinued By Manufacturer | No |
| Date First Available | April 13, 2004 |
| Color Name | Black |
| Compatible Devices | Any Recording Programs, Audio Interfaces with XLR Cable inputs |
| Connector Type | XLR Connector |
| Supported Software | Cubase, ProTools, GarageBand |
| Material Type | Metal |
| Musical Style | Any Genre |
| Size | 0 |
| Color Screen | No |
| Voltage | 240 Volts |
Warranty & Support
Feedback
Product guides and documents
Customer reviews
Reviewed in the United States on August 26, 2016
Top reviews from the United States
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I am editing this review to show my dissatisfaction with AT support. I have been using this mic successfully even though the USB driver in the mic died just a little after the first 40 days ( barely past the return window. Recently I tried using it with JamKazam. The problem is that JamKazam says that the rates don't match for input and output. There is also no way to force it to work.
The turn around time for getting the mic repaired is about 10 days after AT gets the mic. This does not include shipping. If you ship it UPS next days they repair it faster and ship it back Next Day, but by the time I pay for that kind of shipping I might as well put that money into a new mic like a Rode, or go back to using a Yeti. Even though the Yeti didn't have the same quality sound, it was like a brick and went through 2 years of every day usage before the USB controller failed. (It's also cheaper).
Original Review:
Why did I not give this 5 stars? There is only one reason. After about 40-45 days owning this, it started showing up as a Generic USB Mic. After doing some searching, I found out that this a very common problem with the mic. Unfortunately, if you want it fixed, you have to pay to ship it to Audio-Technica with no guarantee that they won't charge you for the repair. Also you are without a mic for who knows how long. I had a Blue Yeti for about 2 years before this happened.
Luckily though, this mic is still usable even after the driver issue. Just so any readers know, I have already tried a different cable and a different computer. The problem is with the mic itself. I know that this happens with USB mics, but should be after extensive use.
On the good side, why I gave it 4 stars even with software issues. The sound quality, even after the driver issue, is far superior to a Blue Yeti. Also, it is very light, and easily attaches to a boom mic stand without making it fall over. I love everything Audio Technica makes, and even if this is the worst thing they make, it's the worst of a load of great products.
But, if you want to have something that will work as advertised longer, I would go with the Yeti or a Rode.
In terms of condenser mics, the only other one that matches this guy for the price is the MXL 990. I would say the 2020 has a warmer reproduction.
As for quality, ive dropped this mic a couple times ( i know, thats a no-no for condenser mics) and it still works perfectly fine, my MXL 990 broke on the first drop.
* Great quality recording.
* Quality build
Cons
* A little awkward to use on a desk
Suggestions:
* Get a boom microphone floor stand for this.
* Get a pop filter.
* Note that this is not a noise canceling microphone. It will pick up your neighbor's dog barking and people talking a few rooms away.
The advantages, I believe, of a large condenser microphone are mostly (1) excellent quality, (2) sensitivity and (3) the microphone overloads gracefully. By that, I mean that it does not just go all the way to the power supply rail and latch. As it approaches the power supply rail, it slows down, so to speak. That way, the signal is rounded and does not have the harsh cold distortion typical of dynamic microphones or electret or piezo microphones. Another way to say it, that sounds bad is that the response is non-linear at high sound pressure. Fortunately, this is a desirable feature. It gives a "warmer" sound and allows you to record at a higher volume than otherwise possible. In other words, it has a response similar to a tube amplifier.
This microphone delivers a high quality sound and has headphone monitoring capability built in.
Is the software easy to install? Reasonably so. It takes a couple of attempts for most software drivers for USB devices and this is no different. You may need to close other programs, restart a couple of times, and so on, but eventually you get it installed and all is good.
I am not a musician, but I have been an audiophile and recognize a good microphone from a poor one.
Reviewed in the United States on August 26, 2016
Top reviews from other countries
Had to hook it up using an existing phantom power supply and an XLR to USB cable, but when I did this there was a loud, buzzing/hissing on the other end. Couldn't figure out if the issue was the cable, the power supply or the mic and since this mic doesn't come with any other parts, I have no idea what combination of products I need to have the mic work optimally. Also, you can't contact the seller - so I can't ask them.
Really didn't want to have to return this product, but you really can't use it/set it up unless you have an already extensive knowledge of this sort of thing.
Reviewed in the United Kingdom on April 13, 2019
You should be going for something more costly if you're a pro - and if you can afford it - but for the rest of us this is a superb choice. Clean sound, great pickup, sturdy and with a nice weight to it, it does what it's meant to do (i.e. record voices and sounds) brilliantly and doesn't feel like it'll break at a moment's notice like some cheaper mics for cool kids do.
Also, while some might find it a bit unflattering to gape at, I like the look of the thing. Functional and unspectacular, like me in many ways.
As someone who has worked in and amongst professional recording environments, I can say that this entry-level mic is very versatile, and the build quality alone is impressive; it feels sturdier than an AKG C414!
Ultimately, microphones that are offered at this price aren't going to be able to compete with the likes of professional studio equipment, but using this in conjunction with an acoustically-treated environment and some good preamps and post-production will certainly give more advanced gear a run for its money.
Oh, and to the reviewer that complained about this microphone not including a power-source or a cable; that gave me a chuckle! This product's intended customer is your typical eager bedroom-producer, not a podcaster looking for a quick solution to vocal overdubs. Always do your research before committing to a purchase :)














