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Ava's Man Hardcover – Deckle Edge, August 21, 2001
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The same fierce pride and love that animated All Over but the Shoutin' glow in Rick Bragg's new book. In fact, he informs us in the prologue that it was the readers of his bestselling 1997 memoir about his mother's struggle to raise three sons out of dire poverty who told him what he had to write about next. "People asked me where I believed my own momma's heart and backbone came from ... they said I short-shrifted them in the first book." Bragg sets out to make amends in this heartfelt biography of his maternal grandfather, Charlie Bundrum, who with wife Ava nurtured seven children through hard times that never seemed to ease in rural Alabama and Georgia. "He was a tall, bone-thin man who worked with nails in his teeth and a roofing hatchet in a fist as hard as Augusta brick," writes Bragg, "who inspired backwoods legend and the kind of loyalty that still makes old men dip their heads respectfully when they say his name." Charlie's children adored him so much that 40 years after his premature death in 1958 at age 51, Bragg's elderly aunts and mother began to cry when asked about him. Chronicling Charlie's hardscrabble life in the flinty, expressive cadences of working-class Southern speech, Bragg depicts a rugged individual who would find no place in the homogenized New South. The marvelous stories collected from various relatives--Charlie facing down a truckload of mean drunks with a hammer, hatchet, and 12-gauge shotgun, or brewing illegal white whiskey in the woods ("He never sold a sip that he did not test with his own liver")--are not just snapshots of a colorful character. They're also the author's tribute to an oral culture with tenacious roots and powerful significance in the American South. --Wendy Smith
From Publishers Weekly
Following up his bestselling memoir, All Over But the Shoutin', Pulitzer Prize-winning journalist Bragg again creates a soulful, poignant portrait of working-class Southern life by looking deep into his own family history. This new volume recounts the life of his maternal grand father, Charlie Bundrum, who died in 1958, one year before Rick was born. Lacking a grandfather, the New York Times reporter sets out to build one "from dirt level, using half-forgotten sayings, half-remembered stories and a few yellowed, brittle, black-and-white photographs."His investigations in the Appalachian foothills along the Georgia-Alabama border turn up a beloved, larger-than-life rambler who inspired backwoods legend among contemporaries, undying devotion from his wife, Ava, and unabashed love and awe from his large extended family. Big-hearted but flawed, Bundrum was a man of contradiction. Genuinely devoted to his wife and children, he was a tenuous provider (a roofer by trade, he also cooked and frequently tasted his own moonshine) who fiercely defended his clan from trouble and hardship even as he occasionally brought it on them. He lived by a code of country justice that tolerated brawling with lawmen but disdained bullying, distinguished "good, solid biblical cursing" from mere "ugly talk," and forswore spitting in the presence of ladies.Bragg strives for an unvarnished portrait and succeeds, mostly balancing tremendous affection for his grandfather with the recognition that Bundrum, the last of his kind and a connection to a culture of backwoods self-sufficiency long dead in the South, deserves and would demand an honest rendering. "He is so much more precious smelling of hot cornbread and whiskey than milk and honey," Bragg writes. "The one thing I am dead sure of is that his ghost... would have haunted me forever if I had whitewashed him." A man like that, he concludes, "would, surely, want a legacy with some pepper on it."Bragg delivers, with deep affection, fierce familial pride, and keen, vivid prose that's as sharp and bone-bright as a butcher knife. In this pungent paean to his grandfather, Bragg also chronicles a vanished South that like the once-wild Coosa River Charlie liked to ply in homemade boats is becoming too tamed to accommodate those who would carve out a proud if hardscrabble living on its margins. (Sept.) Forecast: Knopf is pulling out all the stops for this; know they've got a winner: 200,000-copy first printing, 19-city author tour, and a nine-copy floor display including audio and large-print editions, and paperback copies of All Over but the Shoutin'.
Copyright 2001 Cahners Business Information, Inc.
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Top customer reviews
The reader who was born 1940 or after may find it hard to believe the conditions of the 1930's, as Bragg describes them. Charlie, Ava and the many children they begat, had it comparatively well, in that Charlie generally managed to find work as a carpenter and roofer, as well as a market for his moonshine, and Ava contributed to the meager income, in spite of birthing a rather full manger of young'uns.
Ava's Man is first, instructive and an important nugget of truth too easily dismissed in the history of this country. Second, it is entertaining. Bragg takes us into the crowded and sometimes primitive conditions of the era and illustrates with lingua franca of the locale how survival often depended on the resourcefulness of those trapped in the circumstances of dire poverty.
Ava's Man on a bumper sticker: Be Entertained with the Truth of History
I'm a first-generation Hoosier, raised by folks who emigrated from southeast Kentucky in the 1940's. As a matter of fact, that seems to be the only difference between his family and mine....mine left the south for reasons that I am currently researching and are too lengthy to document here.
And Charlie could have been my Papaw, my great Uncles (one of several), a second cousin. Hell, i knew folks just like him. Papaw Charlie is no stranger to me.
There were very few "things" Bragg referenced that were unfamiliar to me.
The whole damn thing reminded me of when we all would gather at Mamaw and Papaw's for Sunday dinner and makes me wonder why we don't do that anymore.
Reading this story created an aching inside, a longing for those times and the people who lived them. Rick Bragg has done a remarkable job of capturing the essence of the era and the folks who just lived life as it came to them. People nowadays spend too much time thinking about living- what effect will this have, should I let my child do that, what about his self-esteem. Back then, you just dealt with life as it came to you, good or bad.
Thank you, Rick Bragg, for conjuring up the ghosts of harder but simpler times.