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Azden WMS-PRO Wireless Microphone System
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- LEDs on transmitter and receiver confirm system status
- Ear-phone included to monitor sound being recorded and receiver plugs into camera?s external microphone jack
- Transmitter and receiver use one 9V battery each
- System includes: WR-PRO receiver, WM-PRO belt-pack transmitter, lavaliere electret condenser microphone and hand-held electret condenser microphone
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|Item Dimensions||6.25 x 11.5 x 2.6 in||4.9 x 1.2 x 5.7 in||4 x 1.75 x 9.25 in||8 x 12.3 x 2 in||1.1 x 2.36 x 3.39 in||4 x 12 x 5 in|
The "all-time" best selling wireless microphone for videography. This versatile system consists of the WM-PRO belt-pack transmitter 2 plug-in electret condenser microphones, a lavalier (EX-503) and handheld (EX-413) and the WR-PRO receiver which comes with both shoe-mount and hook and loop fastener. All receivers and transmitters in the "PRO" Series are on the same 2 frequencies (169.445MHz and 170.245MHz).
Azden's WMS-PRO wireless microphone system offers untethered convenience and clear FM transmission from compact, unobtrusive components. The system consists of Azden's WM-PRO transmitter, WR-PRO receiver, EX-503 clip-on electret microphone, and EX-413 handheld microphone. Affix the electret microphone to your lapel or grasp the handheld mic, plug the mic cord into the transmitter, and away you go.
The transmitter and receiver operate in the VHF band, where interference is very low. Choose between 169.445 MHz and 170.245 MHz for the clearest transmission and reception. The transmitter and receiver each operates for about 10 continuous hours on a single 9V battery (not included).
The receiver comes with an attached shoe mount for mounting a video camera, which may be easily removed using a Philips-head screwdriver. You can also attach the receiver with the supplied Velcro strip. The receiver includes an output jack and a telescopic antenna. Plug the supplied earphone into the jack to monitor your recording, or plug the earphone into a camera's earphone jack.
The system conforms to Part 90 of FCC rules, and it's not to be used in high temperatures, high humidity, or near a broadcasting station, airport, or on an airplane.
What's in the Box
WM-PRO transmitter, WR-PRO receiver, EX-503 lapel microphone, EX-413 handheld microphone, a camera shoe mount, a monaural earphone, a Velcro strip, and a user's manual/spec sheet.
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I also bought an additional lapel mic with this setup as I needed both actors to perform lines...bad idea. The Azden set can only accept audio from one source, it's totally pointless to have two people mic'd in the hopes of capturing two audio tracks. If one mic is on it will knock out the second. Only by this if you need one person mic'd.
With that being said, the range of the mic is pretty impressive and it does capture decent audio. BUT...you will also get an accompanying "hiss" to your recordings. This can be handled in post production, but you run the risk of having your audio sound adjusted or robotic. You'd rather not have to correct every audio file you have...a bit annoying and quality can suffer. I believe this hiss would be present even if you had the reciever plugged into an external recording device (H4n, etc) vs the DSLR itself.
If you are just starting out and want practice adjusting audio in post OR you need a wireless solution in low production environment... These would work fine. Once you (I) get the money...get the Sennheiser G3's...they are best in class.
Bottom line? This type of products is something we really need, in several different applications. The price point is right, but execution just isn't where it needs to be.