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B [Hardcover] Hardcover – 2011
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A Q&A with Sarah Kay
Question: How old were you when you started writing poetry?
Sarah Kay: I’ve been making poems since I could string words together. Before I knew how to write, I used to follow my mother around the house and yell, "Poem!" until she found a pen and paper to write down my dictation. I think that’s why she taught me how to write early on, so I would stop making her do it for me.
Question: Are your parents poets? Did they influence your interest in poetry?
Sarah Kay: From kindergarten through fourth grade I brought my lunch to school with me every day. And every day for those five years, one of my parents wrote me a poem and tucked it in my lunchbox. It was usually on a colored piece of paper, folded in half. They were short poems that were sort of Dr. Seuss-y or Shel Silverstein-esque. They made poetry something to look forward to. Each note was a story, a message, a secret, a rhyme; each note made me stop whatever I was doing and surrender to the surprise inside. I don’t think either one of them considers themselves poets, but they definitely gave me a hunger (wink!) for poetry.
Question: Did you always perform your poetry?
Sarah Kay: Absolutely not. All of my early poetry was strictly journal poetry. I had terrible stage fright and never wanted to be in the spotlight. It wasn’t until I was 14 that I discovered Spoken Word Poetry at the Bowery Poetry Club in New York City. I was adopted by a wonderful community of poets and even though my stage fright didn’t disappear, the reward of being part of such an amazing group of people was enough to drown out the fear.
Question: What did your mother say when she first heard your poem, "B"?
Sarah Kay: I had a really hard time writing that poem. When I finally finished it, I called my mother on the phone from my freshman dorm at college and read the entire thing to her. I was really emotional by the end of it. When I finished the last line, I waited to hear what she would say. After a long pause she said, "That’s nice, Missy. Can you read me the beginning again? I think I heard a grammatical error." That’s why I love her. She’s very practical.
Question: What’s the coolest thing that’s ever happened to you on stage?
Sarah Kay: I travel around the country performing and teaching Spoken Word Poetry in schools with Phil Kaye and Project V.O.I.C.E. It’s exhausting and exhilarating, and I count my blessings every day that I get to do what I do. A lot of really cool things happen on stage. The coolest? A couple of years ago we performed at a middle school in Southern California. It was the first time we had ever performed there and it was the first time anyone in the school had ever seen Spoken Word. We were nervous about it, because it was a pretty conservative school, but everyone really enjoyed themselves. The next year, we were invited back to the same school. Halfway through our performance, we asked if anybody in the audience had a poem they wanted to share and a little boy came bolting up onto the stage. He didn’t even raise his hand. When he got up there he said, "I wrote this poem the day after you left last year. I’ve been waiting all year for a chance to perform it for you." That was the coolest thing that’s ever happened to me on stage. Second place would probably be getting a standing ovation at the TED conference. Although at the time I didn’t think it was cool. I was just freaking out. I was worried that the audience was clapping for too long and was terrified that they were taking up too much time. TED is very strict about time limits. I was convinced I would be pulled off stage.
Question: Who is Sophia Janowitz? And why illustrations?
Sarah Kay: Sophia Janowitz is my oldest friend. When we were three months old, we had our first playdate in the park in our neighborhood. We’ve been friends ever since. When we were little, we used to make art projects together. I would tell Sophia stories and Sophia would make amazing art out of whatever random material was around. When we graduated college, we moved into an apartment together in Brooklyn and returned to our childhood practice of project-making. When I decided to make "B" into a book, I wanted it to be more than just a transcript of the poem. I really wanted it to be its own object, with its own personality. I knew Sophia was the woman for the job. Thank goodness she said yes.
Question: Last question. What color rain boots do you have?
Sarah Kay: My last pair was black with white polka dots. My mother found them for me at one of the stores at Union Square in New York City. But they have sprung a few leaks. Maybe I need a new pair.
About the Author
Plenty of 14-year-old girls write poetry. But few hide under the bar of the famous Bowery Poetry Club in Manhattan’s East Village absorbing the talents of New York’s most exciting poets. Sarah Kay also had the guts to take its stage and hold her own against performers at least a decade her senior. Her talent for weaving words into poignant, funny, and powerful performances haunts the heart. Now 23, Kay is a successful Spoken Word poet and educator, who co-directs Project V.O.I.C.E. (Vocal Outreach Into Creative Expression). Founded by Kay in 2004, Project V.O.I.C.E. encourages people to use Spoken Word poetry as a tool for personal and world understanding, and a medium for vital expression.
Top customer reviews
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some of my fav quotes:
“Life will hit you hard in the face, wait for you to get back up just so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air.”
"...don’t you ever apologize for the way your eyes refuse to stop shining."
"“Because there’s nothing more beautiful than the way the ocean refuses to stop kissing the shoreline, no matter how many times it’s sent away.” "
“I have seen the best of you, and the worst of you, and I choose both."
The performance I listened to was from the TED conference, referenced in the description. It became one of my favorite poems to listen to. This is why I was happy to find out that the poem was available in print. I hadn't read a spoken word poem before. I didn't know what to expect. Would the emotions, the power, or the essence Sarah Kay brought to this poem through speaking it out translate to the page and move me? Well it did.
I'm one to enjoy seeing words on a page. I like to see how they are placed on that page; how the poet wishes his or her words to be visualized on the page. For B, there may not be many lines and there may not be many words, but B holds the beauty Kay's performance in how it's presented. There are illustrations to go along with the text and I think that makes the experience that much better.
The reader is able to slowly soak in the poem over roughly 50 pages, when a less creative and resourceful poet may only have used 2 or 3 pages for a poem the same length. At first I had at hard time justifying paying for one poem that I knew only takes the poet a few minutes to read, but I'm glad I didn't let that stop me from trying it out.
I'm happy to have B and Sarah Kay on my shelf. This has become one of my favorite books of poetry. I'm happy to have it in my collection.
I have young women growing up in my family and this is a message I'd love them to have. If you have a daughter, it's a wonderful reminder of teaching them about growing up true to who they are and not letting life knock the wind out of their sails.
A couple of my favorites from this are:
"getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air" and
"But don't you ever apologize for the way your eyes refuse to stop shining; your voice is small, but don't ever stop singing."
This would make an awesome gift for someone who has daughters and I highly recommend it. It's going on my Christmas shopping list for some of my friends and family.