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Babel
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October 10, 2017
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February 20, 2007
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September 25, 2007
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Product Description
In Babel, a tragic incident involving an American couple in Morocco sparks a chain of events for four families in different countries throughout the world. In the struggle to overcome isolation, fear, and displacement, each character discovers that it is family that ultimately provides solace.
In the remote sands of the Moroccan desert, a rifle shot rings out-- detonating a chain of events that will link an American tourist couples frantic struggle to survive, two Moroccan boys involved in an accidental crime, a nanny illegally crossing into Mexico with two American children, and a Japanese teen rebel whose father is sought by the police in Tokyo. Separated by clashing cultures and sprawling distances, each of these four disparate groups of people are nevertheless hurtling towards a shared destiny of isolation and grief. In the course of just a few days, they will each face the dizzying sensation of becoming profoundly lost lost in the desert, lost to the world, lost to themselves as they are pushed to the farthest edges of confusion and fear as well as to the very depths of connection and love.
In this mesmerizing, emotional film that was shot in three continents and four languages and traverses both the deeply personal and the explosively political -- acclaimed director Alejandro González Iñárritu (21 Grams, Amores Perros) explores with shattering realism the nature of the barriers that seem to separate humankind. In doing so, he evokes the ancient concept of Babel and questions its modern day implications: the mistaken identities, misunderstandings and missed chances for communication that-- though often unseen-- drive our contemporary lives. Brad Pitt, Cate Blanchett, Gael García Bernal, Kôji Yakusho, Adriana Barraza and Rinko Kikuchi lead an international ensemble of actors and non-professional actors from Morocco, Tijuana and Tokyo, who enrich Babels take on cultural diversity and enhance its powerful examination of the links and frontiers between and within us.
Amazon.com
Brilliantly conceived, superbly directed, and beautifully acted, Babel is inarguably one of the best films of 2006. Director Alejandro González Iñárritu and his co-writer, Guillermo Arriaga (the two also collaborated on Amores Perros and 21 Grams) weave together the disparate strands of their story into a finely hewn fabric by focusing on what appear to be several equally incongruent characters: an American (Brad Pitt) touring Morocco with his wife (Cate Blanchett) become the focus of an international incident also involving a hardscrabble Moroccan farmer (Mustapha Rachidi) struggling to keep his two young sons in line and his family together. A San Diego nanny (Adriana Barraza), her employers absent, makes the disastrous decision to take their kids with her to a wedding in Mexico. And a deaf-mute Japanese teen (the extraordinary Rinko Kikuchi) deals with a relationship with her father (Koji Yakusho) and the world in general that's been upended by the death of her mother. It is perhaps not surprising, or particularly original, that a gun is the device that ties these people together. Yet Babel isn't merely about violence and its tragic consequences. It's about communication, and especially the lack of it--both intercultural, raising issues like terrorism and immigration, and intracultural, as basic as husbands talking to their wives and parents understanding their children. Iñárritu's command of his medium, sound and visual alike, is extraordinary; the camera work is by turns kinetic and restrained, the music always well matched to the scenes, the editing deft but not confusing, and the film (which clocks in at a lengthy 143 minutes) is filled with indelible moments. Many of those moments are also pretty stark and grim, and no will claim that all of this leads to a "happy" ending, but there is a sense of reconciliation, perhaps even resolution. "If You Want to be Understood... Listen," goes the tagline. And if you want a movie that will leave you thinking, Babel is it. --Sam Graham
Beyond Babel
![]() Other Interweaving Storylines on DVD | ![]() Other DVDs by Director Alejandro González Iñárritu | ![]() Why We Love Cate Blanchett |
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Top international reviews
The apparently "random" sequencing is anything but, and the storytelling succeeds because in your efforts to sequence the events "correctly" and figure out cause and effect, you are building the narrative for yourself and in doing so, you get the insights that the director was after all along. Eminently re-watchable on so many levels, this film succeeds across the board, getting into the cultures it touches (not just national, but child/teen culture and rich & poor alike) in a meaningful way and making the characters all gloriously vulnerable and real. Even the couple holidaying to rebuild their relationship in the aftermath of a child's death - screened by their Western ideas of appearances, conceits, and vanities, become vulnerable and human (again) with oddly tender moments and a sense of the rebuilding that adversity can bring.
What got to me most was that all the protagonists are in some way good, even if they do things that are wrong (or illegal) - I could see why they arranged their lives in the way they did and the necessities they were driven by and the compulsions they were responding to. I've always felt a tie to films such as this (and The Mission) where terrible things happen but the conscience (even of the darker characters) is a common thread. I keep mentioning "human" because this is to me an intensely human film, and it is a story I'm glad I was told. Always liked it, always will.
I also liked the political aspect of the ending, where "the media" and "the politicians" get involved to twist (and in some cases delay) the events that have unfolded to suit their own ends - wonderfully underplayed and thus not moralising or preaching - which sets the seal on why we sometimes find the world so hard to understand.
The Blu-Ray version is generally good, although in some interiors later in the film there is a graininess that caught me by surprise after the clarity thus far. The overall greatness of the storytelling overrides technical concerns so far as I'm concerned - and it may even be that the treatment of these interiors was intentional, since by this time the film is re-entring the so-called "real world" that seems by all accounts to look at the world through a distorted and compromised lens. Inarritu's lens is thankfully clear.
Dieses zweieinhalbstündige Drama um Sprach- und Verständnislosigkeit der Menschen untereinander ist sicher ein wenig anstrengend, aber wer durchhält, wird mit einem grossartigen Film belohnt.
Der Amerikaner Richard (Brad Pitt) und seine Frau Susan (Cate Blanchet) sind auf einer Reise in der marokkanischen Wüste, um ihre kriselnde Ehe zu kitten, die zu scheitern droht.
Dort in den Bergen der marokkanischen Wüste hüten die Hirtenjungen Yusuf und Ahmad die Ziegenherde ihres Vaters. Um die Schakale zu vertreiben, hat er seinen Jungen das neu erstandene Jagdgewehr mitgegeben. In kindlicher Naivität schiessen die Jungen auf den weit entfernten Reisebus, treffen zufällig Susan und verletzen sie schwer. Richard steht plötzlich mitten in der Wüste alleine da und versucht, verzweifelt um das Leben seiner Frau kämpfend, Hilfe zu organisieren, was aufgrund der sprachlichen Barrieren gar nicht so einfach ist.
Zu Hause in Kalifornien entschließt sich ihr Kindermädchen Amelia (Adriana Barraza) die beiden Kinder unerlaubt mit zur Hochzeit ihres Sohnes in Mexiko mitzunehmen. Auf der Rückkehr über die Grenze gerät Amelias Neffe Santiago (Gael García Bernal) mit einem US-Zollbeamten in Streit und lässt seine Tante und die beiden Kinder schließlich in der Wüste zurück.
Unterdessen kämpft in Tokio die junge taubstumme Chieko (Rinko Kikuchi) um Liebe und Anerkennung. Ihr Vater, der ursprüngliche Besitzer des Jagdgewehrs, ist nach dem Tod seiner Frau selbst verzweifelt und kommt nicht mehr an seine Tochter heran Chieko ist durch den Selbstmord der Mutter und die eigene Behinderung verunsichert, gibt sich dem Drogenkonsum und oberflächlichen sexuellen Kontakten hin um in der Gruppe der Gleichaltrigen anerkannt zu sein...
Diese vier Episoden, von denen drei locker miteinander verwoben sind (die vierte nur symbolisch), beschäftigen sich jede auf ihre Weise mit dem Thema Kommunikation, hauptsächlich in tragischen Situationen. In jeder Episode sind 2 Sprachen vertreten, arabisch und englisch in der Wüste, spanisch und englisch in Mexiko und japanisch und die Gebärdensprache in Tokio...ein wirklich geschickter Vergleich mit dem Turmbau von Babel.
Besonders berührt hat mich die Geschichte der Chieko. Die Szene in der Diskothek ist die stärkste im ganzen Film. Man kann erleben, nachempfinden und plötzlich sogar spüren, dass ein taubstummer Teenager einen Song von „Earth, Wind and Fire“ völlig anders wahrnimmt als man selbst.
Wenn die Erde bebt, die Lichtblitze verrückt spielen. Die Musik ertönt, du die Augen schließt. Schwitzt, springst, lachst. Lebst...
Der Film hat sehr viele ergreifenden Szenen. z.B...Wenn ein Junge seine Waffe vernichtet, sich seiner Verantwortung stellt. Oder einfach eine Hand eine andere ergreift. Wenn Grenzkontrollen zur latenten Demütigung werden. Oder wenn ein Veterinär notdürftig der blutüberströmten Susan, die mit schmerzverzerrtem Gesicht auf dem Boden der Lehmhütte liegt, ihre Wunde näht, während ihr verzweifelter Ehemann versucht, die ungeduldigen Mitreisenden zum Warten zu bewegen. In einem lokalen Kaff , der zum Zufluchtsort mutiert. Kultur-geschockte Touristen, die in ihrem Bus verharren, mit großen angsterfüllten Augen, denn die Nachrichten haben ja schon so viel schlimmes berichtet und sie können bei diesen hilfsbereiten Arabern nur noch potentielle Terroristen erkennen.
Trotz vieler langsamer Momente wird die Geschichte nie zu langatmig oder langweilig. Und die Musik unterstützt die erschreckende Authentizität. Man ist stets mitten im Spielgeschehen...gespannt, wie es nun weitergehen wird.
„Babel“ ist mit Sicherheit kein entspannender Unterhaltungsfilm, vielmehr ein mit glänzenden Schauspielern besetzter, intensiver und auch politischer Film der aber, trotz seiner schweren, bitteren Thematik alles andere als blutleer, sondern sehr emotional ist....
Sehr, sehr sehenswert.
I'd recommend a watch.
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