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Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution Hardcover – August 23, 2022
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Instant #1 New York Times Bestseller from the author of The Poppy War
“Absolutely phenomenal. One of the most brilliant, razor-sharp books I've had the pleasure of reading that isn't just an alternative fantastical history, but an interrogative one; one that grabs colonial history and the Industrial Revolution, turns it over, and shakes it out.” -- Shannon Chakraborty, bestselling author of The City of Brass
From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.
Traduttore, traditore: An act of translation is always an act of betrayal.
1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.
Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.
For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide…
Can powerful institutions be changed from within, or does revolution always require violence?
- Print length560 pages
- LanguageEnglish
- PublisherHarper Voyager
- Publication dateAugust 23, 2022
- Dimensions6 x 1.65 x 9 inches
- ISBN-100063021420
- ISBN-13978-0063021426
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From the Publisher
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| The Poppy War | The Dragon Republic | The Burning God | Yellowface | The Complete Poppy War Trilogy | |
| A powerful historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic. | Rin’s story continues in this acclaimed sequel to The Poppy War—an epic fantasy combining the history of twentieth-century China with a gripping world of gods and monsters. | The exciting end to the Poppy War trilogy, R. F. Kuang’s acclaimed, award-winning epic fantasy that combines the history of twentieth-century China with a gripping world of gods and monsters, to devastating, enthralling effect. | A chilling and hilariously cutting novel about identity, white lies, and ambition from R.F. Kuang, the #1 New York Times bestselling author of Babel. | From R. F. Kuang, the #1 New York Times bestselling and award-winning author of Babel and Yellowface, this collection features all three novels in her historical military fantasy trilogy! |
Editorial Reviews
Review
“Babel has earned tremendous praise and deserves all of it. It’s Philip Pullman’s The Golden Compass by way of N.K. Jemisin’s The Fifth Season: inventive and engaging, passionate and precise. Kuang is fiercely disciplined even when she’s playful and experimental … Like the silver bars at its heart—like empires and academic institutions both—Babel derives its power from sustaining a contradiction, from trying to hold in your head both love and hatred for the charming thing that sustains itself by devouring you.” — New York Times Book Review
“A fantastical takedown of 19th-century imperialism that’s as meaty as its title. R.F. Kuang proved her prowess at blending history and magic with her debut series, The Poppy War, and she’s done it once again in this sweeping novel that blends historical fantasy and dark academia…If, as Babel suggests, words contain magic, then Kuang has written something spellbinding.” — Oprah Daily
“Absolutely phenomenal. One of the most brilliant, razor-sharp books I've had the pleasure of reading that isn't just an alternative fantastical history, but an interrogative one; one that grabs colonial history and the Industrial Revolution, turns it over, and shakes it out.” — S.A. Chakraborty, bestselling author of The City of Brass
“A fantastically made work, moving and enraging by turns, with an ending to blow down walls.” — The Guardian
"Kuang follows her award-winning Poppy War trilogy with an engaging fantasy about the magic of language. Her richly descriptive stand-alone novel about an ever-expanding, alternate-world empire powered by magically enhanced silver talismans scrutinizes linguistics, history, politics, and the social customs of Victorian-era Great Britain." — Booklist (starred review)
"It's ambitious and powerful while displaying a deep love of language and literature...Dark academia as it should be."
— Kirkus Reviews
“The true magic of Kuang’s novel lies in its ability to be both rigorously academic and consistently welcoming to the reader, making translation on the page feel as enchanting and powerful as any effects it can achieve with the aid of silver.” — Oxford Review of Books
“R.F. Kuang has written a masterpiece. Through a meticulously researched and a wholly impressive deep dive into linguistics and the politics of language and translation, Kuang weaves a story that is part love-hate letter to academia, part scathing indictment of the colonial enterprise, and all fiery revolution.”
— Rebecca Roanhorse, New York Times bestselling author of Black Sun
"Babel is a masterpiece. A stunningly brilliant exploration of identity, belonging, the cost of empire and revolution—and the true power of language. Kuang has written the book the world has been waiting for." — Peng Shepherd, bestselling author of The Cartographers
"Kuang has outdone herself. Babel is brilliant, vicious, sensitive, epic, and intimate; it's both a love letter and a declaration of war. It's a perfect book."
— Alix E. Harrow, bestselling author of A Mirror Mended
“A brilliant and often harrowing exploration of violence, etymology, colonialism, and the intersections that run between them. Babel is as profound as it is moving.”
> — Alexis Henderson, author of The Year of the Witching
“An astonishing mix of erudition and emotion. What Kuang has done here, I have never before seen in literature.” — Tochi Onyebuchi, author of Goliath
“If you only read one book this year, read this one. Through the incredibly believable alternative HF, Kuang has distilled the truth about imperialism and colonization in our world. Kuang’s depth of knowledge of history and linguistics is breathtaking. This book is a masterpiece in every sense of the word, a true privilege to read.” — Jesse Sutanto, author of Dial A for Aunties
"A book that confirms Kuang as a major talent." — SFX
"BABEL is one of the finest standalone novels I’ve read. It is a victory for literature, and its quality is what every other dark academia novel should strive to be. Paying homage to the importance of languages, translations, identity, and ethnicities, BABEL is one of the most important works of the year." — Novel Notions
"Babel is ambitious, engaging, impactful, and executed with brutal effectiveness." — reader@work
About the Author
Product details
- Publisher : Harper Voyager (August 23, 2022)
- Language : English
- Hardcover : 560 pages
- ISBN-10 : 0063021420
- ISBN-13 : 978-0063021426
- Item Weight : 1.53 pounds
- Dimensions : 6 x 1.65 x 9 inches
- Best Sellers Rank: #4,684 in Books (See Top 100 in Books)
- #53 in Historical Fantasy (Books)
- #548 in Epic Fantasy (Books)
- #652 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Rebecca F. Kuang is the #1 New York Times bestselling and Hugo, Nebula, Locus, and World Fantasy Award nominated author of Babel, the Poppy War trilogy, and the forthcoming Yellowface. She is a Marshall Scholar, translator, and has an MPhil in Chinese Studies from Cambridge and an MSc in Contemporary Chinese Studies from Oxford. She is now pursuing a PhD in East Asian Languages and Literatures at Yale.
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Robin is half-Chinese, raised in China until the sort of illness born of poverty kills off his family. A benefactor, an English professor who had paid for his education, whisked the boy to England. There Robin, who looks English, continues his education and is prepared to go to Oxford, to study in the Tower—Babel. The secrets of language are unearthed there, meanings and connotations prodded and molded to be understood fully. Once the student is ready and the words are fully examined, the words are combined in pairs to be inscribed on polished silver bars. In 1820 England the bars power rail lines and carriages, passenger ships, and warships Permanent lanterns light the dark. Mills are powered to produce more cloth which causes massive unemployment. More production requires more cotton—which requires more slaves—not in England, where abolitionism has won the day—but in the Americas. All over the world, Britain's colonialistic power draws riches to the Crown but also to the great companies that thrive under the system. And it is all built on the silver that Babel needs to use the words to run the Earth in Britain's image. Under it all lie the colonized lands and their oppressed peoples, all of whom work to support the Empire.
Robin and three other scholars enter Oxford together, cohorts in their studies, companions who enter the world of Oxford unaware of how much will be demanded of them.
Themes of world power, colonialism, racial inequity, class, and most of all, superiority and inferiority based on blood and money—all weave their way through the story, leading to an inevitable clash of destructive interests.
Because the well-chosen historical facts are combined with well-crafted twists and inventions of near-history, it is so simple to slide into a world that is familiar but also exotic and bizarre, a world when casual cruelty is perfectly acceptable unless you are of the wrong class or color. The genre is a blend of science fiction/fantasy based in historical fiction that verges on brief moments of horror when British civility slips into moments of brutal inhumanity.
This is not an easy read. It takes concentration and the ability to just suspend disbelief in a slightly more bizarre intensity than one might be prepared to do. The author is Chinese and studied linguistics and languages in elite British universities. One wonders how much of the anguish of intense study was her true experience.
I found the book fascinating. I recommend it to those who will approach it with the resolve to understand the four young scholars as they learn to love and then hate the place that brought them together to study language from the inside out.
The characters and their relationships with each other were so multi-dimensional, I truly felt like I knew these characters myself. The fantasy world building was insane to read. RF Kuang has written this story at a pace which allows the reader to really understand the integral parts of Silver Working, and show how it’s created, how it’s implemented into society, how it fails, etc etc etc.
The translation aspect was mind blowing. As I was reading, I just kept thinking to myself “how much research had to go into writing this book?!!” I really enjoyed how the nitty-gritty parts were written in the form of lectures. I also learned a great deal about how connected languages are (which of course I knew languages evolve from one another, but I never realized how linked they ALL are). The footnotes were really interesting (read: good) additions to the story. I liked how Kuang used these to provide a backstory/support to some scenes, as well as just plain remarks on what was happening.
The colonialism aspect to this book…. was just insane. The way Kuang wrote everything (and I mean EVERYTHING) to relate back to the systemic oppression that stems from colonialism was just so impressive. I mean, every single mark was hit with this.
I know this book won’t be for everyone, just with how heavy handed the history part is, but I truly believe everyone needs to read this book.
The first 50% to 60% of the book is bloated to being borderline unreadable. Honestly, you could probably skip 3/4 of every page in the first half and lose nothing. There's a lot of "school days friendship" minutiae that lends nothing to the plot while still managing to leave the characters fairly undeveloped.
I have two college degrees and I read research papers for fun. This book tries way too hard to uphold an "academic" aesthetic with constant references to "academic" material. Then, in the same breath, it seems to say the same readers it expects to appreciate all these literary references aren't smart enough to pick up on the themes of colonialism and oppression unless they're lambasted with them for 300+ pages before anything interesting happens.
That being said, this IS a story about colonialism and oppression. It does deliver its message that often, those who oppress by violence can only ever be stopped by experiencing violence in return. It's a poignant story, it has a powerful ending, and yes, this alternate fantasy history does come full circle and close out the story well in the end.
So I'm giving it five stars for the story it told, even if the execution was almost painful at times. I actually nearly dropped this book in the DNF pile because it was such a slog, and I only pushed through because I refused to believe that a book over 500 pages had nothing to offer. Unfortunately, most of what it had to offer was in the last pages of the book.
I regularly read novels of this length with no problem, and I actually like academic and literary references, but this felt more like "look at all the things these kids know about, they're SO smart" than anything that had any real bearing on the story. In fact, the story "Babel" tells could easily be condensed down to around 300 pages, and would probably deliver a harder hit if it was. It's been five months since I bought and read this book. To this day, the overall themes and story still come back to me. But even as I write this, I can't remember a single character's name, more than three main events, or pretty much any of the first half of the book.
The vast majority of it is just forgettable, even if the deeper concepts resonate. I do suggest reading this book...but I also wholeheartedly encourage anyone feeling like it's going to slow to just go ahead and skip a handful of pages at a time. As long as you keep up with the overarching plot (which is actually very short) you won't miss too much.































