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Babylon 5: Season 5 [DVD]
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
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June 16, 2009 "Please retry" | Standard Edition | 6 | $22.73 | $6.48 |
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| Genre | Science Fiction |
| Format | AC-3, Anamorphic, Box set, Color, Dolby, DVD, Widescreen, NTSC, Closed-captioned, Subtitled |
| Contributor | Tracy Scoggins, Bruce Boxleitner, Monique Edwards |
| Language | English |
| Number Of Discs | 6 |
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Product Description
Product Description
From the beginning, both were running out of time. The space station that was the last, best hope for peace was sooner or later certain to be eclipsed by new political coalitions and technical advances. And John Sheridan, who guided the massive freeport through its most tumultuous days, knew that his own fate had been inalterably prophesied. Now both storylines converge in a 22-episode final season (with dazzling Exclusive DVD Extras!) whose events also include Sheridan's attempts to wage peace for the Interstellar Alliance, the tragic fate of the telepaths and the ultimate fireball destruction of the outmoded station after it is declared to be a spaceway navigational hazard. You are cleared for final approach to Babylon 5.
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A disappointment after the superb two previous seasons, the final run of Babylon 5 found Claudia Christian departed and Ivanova replaced by Captain Elizabeth Lochley (Tracy Scoggins), who in a soap-opera twist turned out to be Sheridan's first wife. Sheridan was promoted to President of the Interstellar Alliance and the action moved to a group of telepaths seeking sanctuary from the PSI-Corp on B5. Giving a prominent role to Patricia Tallman's Lyta Alexander, a love story for her was woven with the leader of the telepaths, Byron (Robin Atkin Downs). Meanwhile the aftermath of the Shadow War was explored as the origin of human telepaths became clear in "Secrets of the Soul," and the appearance of PSI-Corp's Bester (Walter Koenig) brought the plight of the refugees to a powerful close in "A Tragedy of Telepaths" and "Phoenix Rising."
This was immediately followed by a rare episode not written by J. Michael Straczynski. Much was expected of "Day of the Dead," penned by Neil Gaiman, the British creator of DC's landmark Sandman comic and graphic novel series. Yet despite a change of tone including a guest appearance by Penn & Teller as 23rd-century comedy favorites Rebo & Zooty, the story proved an incongruous side trip into an unexplained twilight zone of fantasy. As usual the season picked up toward the end, with a string of fine political episodes leading to "The Fall of Centauri Prime" and the haunting "Objects at Rest," in which Sheridan and Delenn leave Babylon 5 for new quarters on Minbar.
The final episode, "Sleeping in Light," was directed by J. Michael Straczynski and made an epilogue to the series. Set 20 years later, after all the sound and fury this quiet, elegiac tale is the apotheosis of the love story that proved the balance to the tragedy of the preceding darkness. A personal story resolved against a background of the epic, at once transcendent, deeply human, and profoundly optimistic, "Sleeping in Light" is as moving as any hour in the history of television drama and a thoroughly satisfying conclusion to one of the greatest series ever made. --Gary S. Dalkin
Product details
- Aspect Ratio : 1.77:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.75 x 5.75 x 1.5 inches; 1.1 Pounds
- Media Format : AC-3, Anamorphic, Box set, Color, Dolby, DVD, Widescreen, NTSC, Closed-captioned, Subtitled
- Run time : 16 hours and 8 minutes
- Release date : April 13, 2004
- Actors : Bruce Boxleitner, Tracy Scoggins, Monique Edwards
- Subtitles: : English, Spanish, French
- Language : English (Dolby Digital 5.1)
- Studio : Warner Home Video
- ASIN : B00019071C
- Number of discs : 6
- Best Sellers Rank: #31,192 in Movies & TV (See Top 100 in Movies & TV)
- #533 in Science Fiction DVDs
- Customer Reviews:
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For the most part, the first two-thirds of the final season was pretty lackluster, with the one glittering exception being the marvelous standalone episode by guest writer Neil Gaiman, "Day of the Dead." I appreciate the amazing achievement of J. Michael Straczynski in writing virtually ever episode of the show. Only David E. Kelly can claim to top him in prolificacy of writing (while Straczynski wrote nearly all of B5, Kelly wrote the majority of a half dozen major series, surely an accomplishment that will never be equaled again). Personally, however, I think B5 lost something in having Straczynski write nearly everything. I personally believe that B5 lacked a little in diversity and in scope of vision other series like BUFFY or BSG. And part of the reason is that the main writers on both of those shows -- Joss Whedon and Ron Moore respectively -- took a different approach from Straczynski. They broke the main storylines and wrote key episodes themselves, but for the most part they served more as executive story editors, hiring a staff of some of the best writers in the business to flesh out their story ideas and then polishing the scripts as they were being prepared for production. There is no question that B5 is from first to last the product of the imagination of J. Michael Straczynski, but I think it is less rich than if others had been involved in the writing process. The wonderful Neil Gaiman episode is a brilliant illustration of that. Also, the show over time showed some of Straczynski's vices as well as virtues. He is, for instance, pretty weak at comedy, though he does recognize the value of comic sequences. He also tends to be an incredibly verbose writer. Given the choice of saying or showing, he'll choose saying every time. On the other hand, I really enjoyed his ability to visualize storylines over long periods of time. He is an incredibly patient writer, willing to throw out a detail that won't really get dealt with for a couple of years. B5 would have been impossible without J. Michael Straczynski. I just think he would have been a richer show if he had brought in other writers to help out and broaden the texture of the show.
As I mentioned, the long telepath arc never really caught fire like the President Clark or Shadows arcs did. Furthermore, some of the main characters on the show seemed to play a lessened role in the first part of Season 5. Bruce Boxleitner had considerably less screen time, as did Mira Furlan. Claudia Christian unfortunately left the show after Season Four and her absence was palpable. Steven Furst also played a much smaller role, though he contributed more off-screen by directing some episodes. I liked Tracy Scoggins a lot as Captain Lochley. I knew her primarily from Season One of THE ADVENTURES OF LOIS AND CLARK, where she played the office sexpot (and got booted off the show by network prudes who felt she was too sexy for it to be the family show they envisioned it should be) and was surprised that she could be convincing in a role that didn't depend on her being sexy.
The last third of the season was, however, a thing of beauty. These episodes were dramatic, exciting, thrilling, and basically everything B5 could be at its best. Londo ends the series as one of the most tragic characters in the history of TV, as he has finally come to realize what matters and what doesn't, but is put into an utterly impossible position. The last couple of episodes are devoted to goodbyes. Various characters leave B5 for the last time as nearly everyone we've known on the show leaves the station for new adventures elsewhere. The series finale is one of the most emotionally satisfying ends to a series ever. Knowing that the twenty year extension on his life is about to expire, Sheridan assembles all his friends from B5 for a final goodbye, and then leaves without telling them. On the way he stops at B5, on the very day it is about to be decommissioned and destroyed. The last person we see on B5 is a technician who is played by J. Michael Straczynski, who literally turns the lights out. A few seconds later we see a series of explosions ripple from one end of the station to another, as Babylon 5 the station comes to an end only a few minutes before BABYLON 5 the series. The series ends on a grand slam home run. (BTW, the destruction of B5 shows how far the CGI on the show came during its five-year run -- in the first seasons the CGI was clumsy, ugly, and frankly just not very impressive, but by the end of the series new software packages had come out to produce some truly lovely shots.)
I've always been honest to anyone I've talked to about this show that I've had a love-hate relationship with B5. It did so many things right but also so many things wrong. Dramatically it was slower to get off the ground than any series I know, but in the end delivered some of the better, more compelling storylines that I've seen. I detested the appalling hair of Londo as well as his improbable accent, but came to like the grand tragedy connected to his character. In the end, the good definitely outweighed the bad. I'm also immensely grateful that the network was patient enough with the show to let it develop all its main stories to the very end. Just think how horrid it would have been had B5 been cancelled after Season 3. In the end it got to go out on its own terms. All series should be so lucky.
The technical aspects of this season are naturally the best of the five. While season 4 contained space battles that still manage to spank pretty much everything out there, in this season everything looks its best. The detail paid by the graphic artists to all the ships and stations is outstanding and indicative of the mind set that went into all aspects of creating Babylon 5. (ie, to do amazing things with almost nothing.)
Story wise, season five is darker than those before it. The consequences of their choices come back to haunt characters like Mollari and Garibaldi. Here, Babylon 5 reminds us that it is not a show that wraps up such things quickly and easily, and that we have to live with whatever we've done. It's a shame that season 4 had to be so compressed, because the whole arc about the first stages of the telepath wars that results in this series is not Babylon 5's greatest moment. On the plus side, it gives the excuse to use Walter Koenig's fascinatingly evil character of Bester just as much as they did in the previous season (4 episodes, ep 6, 10, 11, 13). Considering his strength in this role, it's a true shame he's not been able to break away from the Chekov character and find roles in other works.
But, for every good thing there must be a bad. While Bester is back in full use, we are sorely lacking for Ivanova. It's a true shame she was unable to return. Tracy Scoggins does an admirable job as Capt. Lochley, but she just wasn't around long enough for us to really get to know her well enough.
The extras on the DVD are what fans have come to expect of the set. All of them are quite fascinating. The easter egg this time is a small featurette on the fate of Marcus Cole, whether he was left for dead or frozen in hopes of revival. It even incorporates fan opinions on the issue. Though if anyone has paid really close attention (and has a large enough TV) they'll be able to see the final outcome during the credits of the final episode. Beyond Babylon is probably the most interesting segment of the featurettes this time, as it details Joe's vision of the universe and the fans that supported it through its run.
Unlike the previous season, the cast commentary is great. While dominated by Boxleitner and Scoggins, everyone gets their fare share at voicing an opinion. Like the ones from previous seasons, it's extremely funny and will leave you wishing they had put more of them into other episodes. It also makes you realize just how perfect everything worked behind the scenes (with the exception of the managers at WB, but they were always problems for this series). Joe's two segments are interesting as always, and the one he gives during the final episode is very revealing as he talks about his own direction of the end of his series.
Ultimately, Babylon 5 endured and conquered its opposition. It lasted for the five years that Joe had originally planned and, according to him, ~95% of everything he wanted to do with it made it to the screen. And unlike a majority of television, the story of Babylon 5 truly ended, though the characters and their world would go on. While not the best of the series, it was an excellent ending.
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Sadly, the primary new story, the rogue telepaths, just doesn't work. Byron, leader of the group, is annoying and po faced beyond belief. Plus, the whole situation could have been so easily resolved (sending them to Minbar?) but is drawn out over several tedious episodes. The stand alone stories are also poor/preachy/badly thought out.
Thankfully, the second half of the season improves as the originally planned arc story involving the Centuri being manipulated gets going. episodes such as 'all my dreams torn asunder' and 'the fall of centuri prime' are B5 at its best. The storyline involving Garibaldi's descent into alcohol addiction is also very well done. Sadly, the season finale, 'sleeping in light' is a little disappointing as it leaves too many hanging threads and unresolved stories.
Overall, the season isn't terrible, but certainly suffers from having to have new stories thought up to fill up the episodes. A noticeable example of this is the vast amount of expositional dialog (something Straczynski was already a bit guilty of) that is clearly used to fill up episode time.
Finally, the series does suffer from the same DVD mastering problems as the other seasons (drops in picture quality during CGI & composite scenes).
Season Five begins very ploddingly in a time of peace and explores the setting-up of the new alliance with the former Captain of Babylon 5 John Sheridan as its President. The new Captain of the station Elizabeth Lochley is very likable almost immediately- despite being written to oppose almost every regular on the show before she's even got both feet through the whooshing space-doors- but she is in my view a very solid replacement for Susan Ivanova, who especially gets the chance to shine in the "River of Souls" TV Movie made at the same time as this season.
The telepaths invited to start a colony on the station are one of the two main subjects of the season, but it's not until episode seven that this storyline picks up pace and becomes absorbing. But even then- after the so-called "telepath war" was alluded to more than once in previous seasons- it's somewhat of a disappointment when you consider what could have been had Straczynski chosen to really take on such a large story-arc and all that it entailed ethically, socially and politically for the universe of Babylon 5. The telepaths' story, which comes at a time between their exploitation by Earth Gov. in the past and the war (between them and the "mundanes") that's to come...is an interesting one, but the main problem is that as a group they are largely uncharismatic and with the exception of their leader- mute, which doesn't make for thrilling viewing. But on the flip side this story does provide Patricia Tallman (Lyta Alexander) with the screen-time she deserves and also some fantastic character dilemmas to sink her teeth into and that's reason enough for me be glued to my seat throughout this season. And once it gets up some momentum the storyline and the characters involved do make for compulsive viewing. The second subject of the season I won't give away for those who haven't seen it before, but it's much more thrilling than the telepath story-arc and also ties in with the finale of the show and also the fabled Babylon 5 feature film, which has yet to materialise...
Every season of Babylon 5 is marked by at least one superlative episode that takes every revelatory idea, every glimmer of brilliance and every subtle exploration into what it means to be human to extraordinary heights and it's no surprise that "Sleeping in Light," the episode in the fifth and final season of Babylon 5 and the finale of the show as a whole...is the episode for me, which attains that inexplicable goal. Even though I hadn't followed the programme from the beginning- when I saw this episode for the first time I was moved to tears, such was the power of the feeling and ability of all those involved in its making and I dare anyone not to react in the same way. The last thing you'll want to hear is that this episode alone is worth the price of the box set, because that implies the rest is below par. Well unfortunately...it is to some extent, but this is Babylon 5- it's still an awesome season, so buy the set for every episode, all 22 and be more than pleasantly surprised by a gem of an episode right at the end.
What follows is the briefest of overviews, season 5 has lot more going on.
The year 2262 sees the beginning of the end for season 5. There is a new command Babylon 5 Captain Elizabeth Lochley. The Station is also headquarters of the Interstellar Alliance. Unofficially as a sanctuary for rogue telepaths, who are running from the Psi Corps - this in turn leads to conflict. Although the Shadows have left their dark servants remain. One of these servants the Drakh, need somewhere to `live' and by using a controlling parasite called a keeper to enslave the Regent Virini on Centauri Prime. In order to have a safe hiding place they create war between Centauri and the Interstellar Alliance, so they can further isolate Centauri from the Alliance. The final episode sees the poignant scene where by a technician switching off the lights of a now decommissioned and soon to be demolished Babylon 5 - take a closer look at the technician he looks rather familiar. For me another very good, and sadly, last season.
I used to count down the weeks till each new series was aired and fall into the stories, the plots and the fantastic Arc that J.Michael S wrote.
All five series are Fantastic, all are groundbreaking, all make you laugh, cry, and each series had it's episodes that blew you away (The first time we saw Kosh in series Two!! Babylon Squared and then finding out who Valen really was!!!!)
Series 5 was no different, in fact i loved it even more this second time round, but it is the final episode that still gets me, the finally 15 minutes, when we say goodbye to all we have watched, it certainly made me cry (just bought the episode soundtrack it is that powerful and very recommended if you can get hold of it!).
So thank you J.Michael, Babylon 5 is the best and the fans will never forget and my DVDs will be played over and over.
Therefore the reason why Babylon 5 is so successful is becauase of this series. Series 1-4 were full of fast action packed episodes, however series 5 works more on your emotion centres - guiding us to the emotional charged final episode. But you do have to go on the voyage to get there. G'kar and Londo steal the series with some of the finest acting I have ever witnessed in a made for TV drama and in the end you feel utter despair for Londo - a lost and broken soul.
Long before the final episode "Sleeping in the Light" - the emotions get tugged and "Day of the Dead"; "A Tragedy of Telepaths"; "All my Dreams, Torn Assunder"; "Movements of Fire and Shadow". & "Fall of Centuari Prime" (now corrected), give us some of the greatest TV moments ever recorded.
This series is guaranteed to make grown men cry - so with tissues ready enjoy what surely will still be being talked about in 30 years time.
R.I.P. Richard Biggs, Andreas Katsulas, Tim Choate.








