“A brilliant and frightening tour de force, a triumph of research and one of the finest portraits of human evil I have ever read . . . The choices the French [faced] during the war [are] brought home with astonishing force and passion by Carmen Callil . . . Callil has done a Herculean job of research to give a far closer, richer portrait of [Darquier’s] life than we have for almost any figure of his era.”
–David A. Bell, The Nation

“Bad Faith is Ms. Callil’s expert investigation of [Darquier]’s life and crimes . . . But the scope of Bad Faith makes it much more than the story of one family’s dark secrets. This book becomes a quietly devastating history of Vichy France’s anti-Semitic machinations . . . Ms. Callil’s impressively exhaustive research follows a trail of dishonesty that goes all the way back to Louis’s baptism . . . Written with dry, elegant sang-froid . . . Potent.”
–Janet Maslin, New York Times

“Magisterial . . . With astonishing detail and documentation (not to mention skill and style) Callil offers a biography of the man who took charge of ‘the Jewish problem’ for the Nazis in France . . . The stories–the tangled personal histories of Louis, Myrtle, and Anne as well as the equally complex history of France in the 1930s and 1940s–will keep readers gripped from beginning to end. The ‘facts’ alone are compelling enough, but it's the deft way Callil has assembled them that works so well . . . Blending these personal and public stories, Callil offers an unparalleled window into Louis Darquier and the extraordinary confluence of historical circumstances and personal character (or, more accurately, lack of character) that allowed this small man to obtain a big title.”
–Erika Dreifus, Christian Science Monitor

“Stirring . . . As thorough as Callil’s portrait is of the antihero Darquier–so readable in part because even villains can be colorful–this book also manages to interweave several other stories . . . [A] telescopic yet meticulously drawn study of Darquier and his era. Among this book’s many merits, it is what we might call a ‘living’ document–not a staid history of a locked-up past . . . We can nearly follow the results of Vichy into our own generation. In some sense, we can glimpse the fluidity of history and, perhaps, the possibility for redemption.”
–Jason Warshof, San Francisco Chronicle

“This astonishing, riveting, carefully researched, and elegantly written history chronicles the life of French anti-Semite and Nazi collaborator Louis Darquier . . . Along with this astounding biography, Callil tells the heartrending story of Darquier’s daughter, Anne . . . All together, this is a brilliant performance in sweeping history, scrupulous biography, and tender psychology.”
–Barbara Fisher, Boston Globe

“Callil has written a fascinating book about this monster . . . Bad Faith is an often moving book, as well as an improbably funny one–a study of awfulness made unexpectedly poignant by the author’s own stake in the subject.”
–Nicholas Fraser, Harper’s Magazine

“[Carmen Callil] regards the man at the center of Bad Faith with a contempt that burns on every page . . . By telling [Darquier’s] story so unsparingly in Bad Faith, Ms. Callil helps to right this historical wrong, and reminds us along the way that it does not take a great man to do a great evil.”
–Adam Kirsch, New York Sun

“Callil’s compelling work is reparation to the healer and friend who was unable to speak openly about the cause of her loneliness and suffering. Highly recommended.”
–Library Journal

“Louis Darquier, who served from 1942 to 1944 as the commissioner for Jewish affairs in France’s collaborating Vichy government, epitomized [the] effluvia of Nazi rule. A mountebank (he bestowed upon himself a noble title), an improvident sponger constantly on the run from his creditors, a wife-beating womanizer, and a braggart, the gallivanting, monocled Darquier cut a ridiculous figure even among the rabble of 1930s French far-right anti-Semites . . . Callil arrestingly weaves the sad story of Anne Darquier’s ultimately failed efforts to reconcile herself to her Larkinesque condition with the history of Darquier’s grungy life, the chaos and political passions of the waning years of the Third Republic, and the sleazy intrigue and backbiting of the Vichy regime.”
– Benjamin Schwarz, The Atlantic Monthly

“Those whom Vichy empowered and enriched were often corrupt, traitorous or mentally disturbed. Louis Darquier was all of these [and] one of the monsters of French history . . . What Darquier really excelled at was graft, and Callil’s account of his machinations is superb. . . Callil’s account of France’s descent into the anti-Semitic maelstrom [is] dramatic . . . Intimate.”
–Christopher Caldwell, New York Times Book Review

“Callil is both fascinated and repelled by [Darquier]. But this is more than his story. Callil also relates the sad fate of his daughter, Anne . . . [This] beautifully written work provides a frank and disturbing portrait of the rot that slowly ate away at French society both before and during the Occupation.”
–Jay Freeman, Booklist (boxed and starred)

“The bottomless corruption, political and personal, of French fascism is explored in this absorbing biography of one of its most loathsome figures–Louis Darquier . . . Callil sets Darquier’s public career in an unsparing reconstruction of his sordid private life . . . Through her superbly written, meticulously researched, densely novelistic portrait of Darquier, Callil takes an uncommonly penetrating look at the malignity of fascism and the suffering of its many victims.”
–Publishers Weekly (starred)

We’ve received the following praise from the U.K. for Bad Faith:

“Darquier’s ruthlessness is laid bare by Callil’s deft unravelling of the complex history of his part in the Holocaust . . . [Her] statistics are endless and chilling . . . Callil pulls off a daunting challenge quite brilliantly. This hugely readable slice of history seen ‘from underneath’ tells an unknown victim’s tale, rather as a generation ago George Rudé presented the French Revolution ‘from below’ by giving the perspective of the lower classes. Her detective work is superb, the social background vividly sketched, and the sorrow and the cruelty of it all are the more effective for being understated. She pulls no punches.”
–David Coward, London Review of Books

“Carmen Callil’s remarkable Bad Faith is an exemplary exposition of the sinister life of Louis Darquier . . . A tour de force and, one senses, driven by a need to bear witness, it shows how biography can sometimes be the best history.”
–William Boyd, The Guardian

“Bad Faith is a tale of terrible things . . . Callil’s sardonic humour and eye for detail make it a compelling read.”
–A.S. Byatt, The Guardian

“Bad Faith represents eight years of astonishing research . . . A remarkable book.”
–Antony Beevor, The Sunday Telegraph

“A work of phenomenally thorough, generous and humane scholarship….Callil understands anguish, and lays bare its causes with clarity and precision. Bad Faith exemplifies what Primo Levi called the ‘continuous intellectual and moral effort’ that is the only adequate response to the events described here.”
–Hilary Spurling, The Daily Telegraph

“A significant work of history . . . A book of devastating power, written with a novelist’s eye for character and with an acute delineation of secrets, loss and grief. I can’t remember the last time I read such a moving piece of nonfiction.”
–The Independent on Sunday

“A fascinating and valuable book.”
–The New Statesman

“An excellent book based on much original research as well as an impressive command of the vast secondary literature on Vichy France.”
–Richard Vinen, The Independent

“An altogether serious work, beautiful in its arrangement and narration, which goes to the heart of Vichy France . . . Impeccably researched, Bad Faith is a work of great power and originality that shines a light on a shadowy period of French history; Callil is to be congratulated on her achievement.”
–The Sunday Times (London)

“Superb . . . Her book about Darquier is furious, lit up by her contempt for the man and her rage about the system of persecution and bureaucratised murder that he served. But what makes it so extraordinary and so touching is its quieter, more confidential admission of pain. Callil’s heart goes out to Darquier’s victims . . . [her] compassion is responsible for the agonizing tenderness of this book.”
–The Observer

“Magnificent . . . Callil approaches the unenviable subject of human depravity with calm resolution. Her ability to engage imaginatively with the plight of the vulnerable is unusual among professional historians, and rare even among novelists.”
–The Times (London)

Carmen Callil was born in Melbourne, Australia, in 1938, and moved to the United Kingdom in 1960. A book publisher, she founded Virago Press in 1972 and ten years later became managing director of Chatto & Windus. She is the author (with Colm Tóibín) of The Modern Library: The 200 Best Novels in English Since 1950. She lives in London.

Chapter 1


The Priest’s Children


Cahors, in southwest France, the Darquiers’ native town, is built on a loop in the River Lot, and boasts monuments and buildings, bridges and churches of great beauty, strong red wine, plump geese and famous sons, one of whom was the great hero of the Third Republic, Léon Gambetta, after whom the main boulevard and the ancient school of Cahors are named. It is an amiable, sturdy, provincial place, with the windy beauty of so many southern French towns, dominated by its perfect medieval Pont Valentré and its Romanesque fortress of a cathedral, the massive Cathédrale de St.-Étienne. Cahors was the capital of the ancient region of Quercy, whose many rivers cut through great valleys and hills, patched with limestone plateaux, grottos and cascades. In medieval times Cahors was a flourishing city of great bankers who funded the popes and kings, but up to the Wars of Religion in the sixteenth century Quercy was also an explosive region of great violence, one explanation perhaps for the cautious politics of its citizens–Cadurciens–in the centuries that followed.

Quercy reflected an important fissure in the French body politic, in the rivalry that existed between Cahors–fiercely Catholic during the Wars of Religion, when its leaders massacred the Protestants of the town–and its southern neighbour, the more prosperous town of Montauban, a Protestant stronghold. But under Napoleon Cahors became the administrative centre of the new department of the Lot, Montauban of the Tarn-et-Garonne. (The rivalry continued: when the Vichy state came to power in 1940, and wanted to work with the Nazis to control its Jewish population, the two Frenchmen who managed much of this process were Louis Darquier of Cahors, Commissioner for Jewish Affairs, and René Bousquet of Montauban, Secretary-General for the Police.)

In the late nineteenth century the Lot was a poor agricultural department, covered with vineyards large and small, a place where “notables”–the elite bourgeoisie–reigned supreme, looking after a rural community who worked a hard land. The Lot was modestly revolutionary after 1789, restively Napoleonic under Napoleon, imperially Bonapartiste in the time of Louis Napoleon, warily republican after 1870. By 1890 the department had become solidly republican, and remained thus ever afterwards. Isolated from the political sophistications and turmoils of Paris, the Lot turned its face towards Toulouse, a hundred kilometres or so to the south.

The Lotois were conformists, but they were individualists and pragmatists. The scandalised clergy of the Lot watched as their congregations went to Mass on Sundays and holidays, while regularly voting for the godless republic and indulging in the “murderous practice” of birth control for the rest of the week. The Lot stood out in the southwest for this singularity: nearby Aveyron remained fervently Catholic; other neighbouring regions veered to the left and distanced themselves from the Church. In Cahors “On allait à l’église mais on votait à gauche”; they went to church but they voted for the left–piety on Sundays and holy days, anticlerical the rest of the week. The Lot remained faithful to both republic and Church, on its own terms. But in 1877 the vineyards which provided so much of its prosperity were destroyed by phylloxera, and so began a long decline, as the Lotois left to find work in the cities.



For the first half of his life Louis Darquier’s father, Pierre, was a fortunate man. He was born at a propitious time, he married a wealthy wife who loved him, and he had three handsome and intelligent sons, and at least one other child born out of wedlock. He was a good doctor, and almost everyone who knew him spoke well of him and remembered him fondly. Born in 1869, he was only a year old when the last of the French emperors, Louis Napoleon, Napoleon III, made the mistake of attacking Prussia in 1870. The Franco-Prussian war ended in the defeat of France and the bloody suppression of the Paris Commune in 1871, and it was also the end of all kings and emperors in France. The Third Republic, proclaimed in 1870, was to last until 1940, almost the entire lifetime of Pierre Darquier.

The origins of the Darquier family were extremely modest. Louis Darquier always varied his claims to nobility, adding and subtracting claims to aristocratic, Gascon or French Celtic blood as the whim took him. His obsession with pure French blood flowing from French soil is genuine, however: most of his ancestors, the dregs of the earth for centuries, are buried in the small towns of the Lot. They were poor, and many were both illegitimate and illiterate.

Pierre Darquier was born on 23 January 1869 at number 10, rue du Tapis Vert, the street of the green carpet, one of the medieval ruelles which cluster around the Cathédrale de St.-Étienne. This was the house of his maternal great-grandmother, and generations of his family had been born and lived there. Pierre’s grandfather, Pierre Eugène Vayssade, a tobacco worker in Cahors, had died there at the age of thirty-eight. His widow, Marie Adélaide Constanty, supported herself and their only child, Eugénie, born in 1843, by working with her mother-in-law in the family’s grocery shop, which served the clergy of the cathedral nearby; it is still there on the angle of rue Nationale and place Chapou, and was worked by the family until 1907.

Pierre’s father Jean often helped his wife Eugénie and his mother-in-law at the counter, and Pierre grew up between shop and home, with his parents and grandmother, fluent in the local patois, a variant of Occitan, la langue d’Oc, the language of the Languedoc. After a lifetime’s work, Louis’ great-grandmother, when she died, had nothing to leave.

About ninety kilometres to the north of Cahors lies the medieval town of Martel, where a large number of Pierre’s paternal ancestors were born, all carefully chronicled in the records of Church and state. His great-grandfather, Bernard Avril, was a priest working in the Dordogne when he authorised the marriage of his daughter Marguerite in 1827, and agreed to provide her with an annual dowry of “wheat, half a pig, two pairs of conserved geese and twelve kilograms of nut oil.” Marguerite was twenty-three when she married Jean Joseph Darquier, a policeman from Toulouse, where his father Joseph was a cobbler and chair porter. It is necessary to be precise about these persons and dates, because it is this unfortunate Marguerite Avril who was used to give Louis Darquier his erroneous claims to nobility. Marguerite had four children, all boys, all born in Martel, before her husband Jean died at his barracks at the age of forty-five. Their first son, Jean the younger, was born in 1828, and it was he who initiated the social rise of the Darquier clan when he took up the lucrative post of tax collector.

On 25 August 1862, when he was thirty-four, Jean the tax collector married his relative Eugénie Vayssade by special dispensation, for Eugénie was also related to the fecund Father Avril. The nineteen-year-old Eugénie took her husband to live in her mother’s house in rue du Tapis Vert. There were two sons of this marriage, both called Pierre, but only the second, christened Jean Henri Pierre, survived to inherit all the considerable worldly goods garnered by his father, who died when Pierre was nineteen. Louis’ paternal grandfather the tax collector left shops in Cahors earning rent, other houses, furniture worth over twenty thousand francs, as well as letters of credit, savings, buildings, land and vineyards at Montcuq and St.-Cyprien, near Cahors.

Pierre was now a wealthy young man. He turned twenty-one just as the belle époque ushered in the joys, both frivolous and practical, of those legendary pre-war decades. As a medical student in Paris from 1888 to 1893 he and his elder brother, who died there at the age of eighteen, were the first Darquiers to savour the full glories of the Parisian vie bohème. Three years later, in 1896, he married an even wealthier young woman.

Louis Darquier’s mother, Louise, was a class above Pierre Darquier, but in fact her family’s prosperity was only one generation older than that of her husband. The Laytou family had lived in Cahors for generations, and Louise’s grandfather made their fortune with his printing works and the newspaper he founded in 1861, the Journal du Lot. His son inherited the business, and his daughter Louise Emilie Victoria was born on 11 April 1877. Like Pierre Darquier, her only sibling, a brother, also died, so she alone inherited all the wealth and property of her printing family.

Cahors was a bustling provincial city of some twenty thousand persons in January 1896, when Pierre and Louise married. He was almost twenty-seven, she eighteen; they honeymooned in Paris, Nice and Marseille. By then he had completed his medical studies in Paris at the time of the great French medical teacher and neurologist Jean-Martin Charcot. Pierre’s thesis, which qualified him as a doctor, was on the subject of one of Charcot’s neurological discoveries. Pierre seems to have taken the best from Charcot, unaffected by the latter’s theories of racial inheritance, and he was often described as a gifted practician, always as a kindly one. Louise Laytou brought wealth to her marriage, and was thought to have married beneath her, but in return Pierre Darquier’s profession qualified him to become one of the leading notables of Cahors and the Lot.

Pierre was blue-eyed and not tall–Louise was taller than he–and had inherited the tendency to corpulence of his mother and grandmother.
When young he was a handsome fellow with brown curls and a round, cheerful face, the shape of which, if not the...