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Baghead

2.6 out of 5 stars 23 customer reviews

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Editorial Reviews

Product Description

While the Duplass Brothers were shooting their last feature film The Puffy Chair, a crew member raised the question "what's the scariest thing you can think of?" Someone immediately said "a guy with a bag on his head staring into your window." Some agreed, but some thought it was downright ridiculous and, if anything, funny (but definitely not scary). Thus, BAGHEAD was born, an attempt to take the absurdly low-concept idea of a "guy with a bag on his head" and make a funny, truthful, endearing film that, maybe, just maybe, was a little bit scary, too.

Amazon.com

In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents something both fresh and familiar. Not to be confused with the children's book of the same name, Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they all get to star. As they collaborate, it becomes apparent that Chad has eyes for Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghead turns into a frisky take on The Blair Witch Project, except the Duplass Brothers have more than thrills in mind, since it takes a spooky dude to remind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy

Amazon.com
What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to strong effect by young directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adventure that is less than intellectually stimulating. As sexual tensions increase, brown paper bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held camera stylings. Highlights throughout involve Chad, the nerdier, uglier brother who manages many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on trying to be good before it even tries. The characters start washed-up and stay washed-up, as does the movie. But this strange resignation that makes Baghead awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtue—it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton



Filmmakers Mark and Jay Duplass have written a celebrity blog for us to promote their new film, Baghead.

Duplass BrothersWhy the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be” was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head?

I’m still not quite sure. When I look back, what we should have done is clear… we should have made another relationship movie to cash in on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening among the 4 lead characters, just like we did on The Puffy Chair. No matter how eerie or cool-looking our lighting got, we were infinitely more obsessed with the chubby guy whose advances were being rejected by the hottie girl.

About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.” We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that’s what Jay and I know how to do best and that’s what we love showing.

So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.

On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer to us how Baghead could be a really interesting film for this time frame in cinema. Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell is under that bag?” So, we started to feel smart. Confident. Inspired in new ways. We even waxed philosophical about how brilliant we were to “come up with his concept” (that we totally lucked into, btw)…

On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We’re opening the film at the Sundance Film Festival and every buyer is calling us, making insanely inflated offers, asking us how we came up with such a brilliant, genre-smashing concept.

I guess it kinda comes down to the old adage our dad used to tell us… “I’d rather be lucky than good.”

--Mark & Jay Duplass


Special Features

None.

Product Details

  • Actors: Steve Zissis, Ross Partridge, Greta Gerwig, Elise Muller, Anthony Cristo
  • Directors: Jay Duplass, Mark Duplass
  • Producers: Jay Duplass, Mark Duplass, John E. Bryant, John Bryant
  • Format: Multiple Formats, AC-3, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: French
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated:
    R
    Restricted
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: December 27, 2008
  • Run Time: 81 minutes
  • Average Customer Review: 2.6 out of 5 stars  See all reviews (23 customer reviews)
  • ASIN: B001ILHY3G
  • Amazon Best Sellers Rank: #101,285 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Baghead" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD Verified Purchase
I had hopes for Baghead. It let me down. I passed it around. It let everyone else down, too. I can only assume this is another of Duplass's mumblecores that either don't have a script or have a script that is completely disregarded by the so-called actors. The structure is so poor we know from the beginning what's going to happen (not much), and the "dialogue" (???) between the characters is so dead-boring my husband kept asking me if I was watching the film at all. (He admitted he wasn't.)

If I didn't have to watch a wide variety of newer films for business purposes, I wouldn't go near the Duplass gang. The people involved are talent-free.
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You either like Duplass brothers indie films or you don't...I happen to appreciate alternative movie making (or independent American cinema). So far I have only seen two movies made by Duplass brothers, Baghead (2008) and Creep (2014). Both of which are good. As for Baghead, the film reminded me of such films like: Magic Magic (2013) and You're Next (2011), The Strangers (2008), minus the violence part.

The story is about two brothers and their female partners all of which are a combination of armature filmmakers/actors/actress. They come up with a plan to shoot an independent film in a cabin located in deep woods. Once there, the four of them begin brainstorming an idea for a film; however, things get complicated when the younger and less attractive brother gets rejected by the girl he just started seeing...
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I did not know what to expect before viewing this picture, but I was very pleasantly surprised. This little low-budget gem is well-made, with great actors in the leads and a build up to a very satisfying conclusion.

Following a film festival, four friends travel to a distant cabin to brainstorm ideas for their very own screenplay. On the first night, one of the girls has a dream where she sees a man wearing a brown paper bag over his head watching her from behind some bushes. After telling her companions, they decide to use the dream as the basis for their movie. Before their story can even get off the ground, they each come to believe that they really are being stalked by a man wearing a bag over his head. Then things get pretty intense...

Though the set-up might sound like that of some lame slasher flick, nothing could be further from the truth. At its heart, this movie is about the relationships between the characters. Strained friendships and potential love connections make the audience care about the characters just in time for things to get spooky.

The Duplass Brothers do a super job of both establishing the leads' relationships and maintaining the tension. The story keeps you guessing until the end. If you like Baghead, consider renting their earlier effort The Puffy Chair. Enjoy!
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Baghead is an low budget, independent, relationship-driven, horror film (albeit with more emphasis on the relationships than the horror). As such, it definitely delivers on decent inter-character relationships & decent acting. Definitely worth watching if you like independent movies, but avoid it if you can't stand shaky cams, poor lighting and improvised dialog.
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By A. Szarka on January 16, 2010
Format: DVD
I was always interested in this movie. It looked like crap and in a way it was so yay for buying it at a cheap price. It got a little boring during the film and the acting was as real as it could get. I thought the idea of the film was neat but with more of a budget, it might have made a great horror film.
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A funny and scary slacker comedy about four friends who go to a cabin to write a realistic low-budget horror screenplay, and find that reality can be very frightening. This was a Sundance favorite a couple of years ago, where I saw it the first time. It got mixed reviews when I brought it to my cinema program on Halloween - and, with some exceptions, my sense was cinephiles and younger folks seemed to love it, but those over 40 or those who value entertainment over unique and interesting approaches to filmmaking, tended to be underwhelmed. I found it to be very funny and entertaining, and subtly clever; it was probably my favorite American feature film at Sundance 2008.

Clearly, some won't get it. Others may get it and just not like it. Jay and Mark Duplass belong to a small but admirable group of filmmakers who make a virtue of do-it-yourself style filmmaking about ordinary 20 somethings to whom nothing much remarkable ever happens. They face ordinary problems, they hesitate, they don't know how to express their feelings, they are insecure, they mumble. They are just like most of us, and their lives are not all that much more interesting. Still, when done right their decisions and the consequences can be fascinating, when the seemingly simple and mundane moments start to add up to something, indefinable. For the most part I think this one gets it right.

The thing is, this kind of film seems not at all to lend itself to "genre" filmmaking: sci-fi, horror, Westerns, and the like. But Jay and Mark try to pull it off here, and manage to pull off something that is both funny and frightening.

The film begins with a parody (not all that far off) of the artsy student film festival, and makes clear that's not what they're working for here.
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