& FREE Shipping on orders over $49. Details
Only 1 left in stock.
Sold by garagesalesabbatical and Fulfilled by Amazon. Gift-wrap available.
Bags & Trane has been added to your Cart
FREE Shipping on orders over $49. Details
Condition: Used: Like New
Comment: Excellent Condition. CD is shrink wrapped. The Jewel Case Has NO Scratches or Scuffing - Brand New. Cover art in perfect condition. No scratches on CD! Fast shipping from Amazon! Qualifies for Prime Shipping and FREE standard shipping for orders over $25.
Trade in your item
Get up to a $0.40
Gift Card.
Have one to sell? Sell on Amazon

Bags & Trane

4.7 out of 5 stars 32 customer reviews

See all 26 formats and editions Hide other formats and editions
Listen Now with Prime Music Join Prime Prime Members
Bags & Trane
"Please retry"
Streaming 
Price
New from Used from
Audio CD, October 25, 1990
$15.87
$6.77 $0.53

Stream Millions of Songs FREE with Amazon Prime
Unlimited Streaming with Amazon Prime Start your 30-day free trial to stream millions of songs FREE with Amazon Prime. Start your free trial.
$15.87 & FREE Shipping on orders over $49. Details Only 1 left in stock. Sold by garagesalesabbatical and Fulfilled by Amazon. Gift-wrap available.

Frequently Bought Together

  • Bags & Trane
  • +
  • Giant Steps
  • +
  • My Favorite Things
Total price: $29.85
Buy the selected items together

  • Sample this album Artist (Sample)
1
30
3:30
Play in Library $1.29
 
2
30
9:32
Play in Library $1.29
 
3
30
7:22
Play in Library $1.29
 
4
30
7:29
Play in Library $1.29
 
5
30
4:20
Play in Library $1.29
 
6
30
7:59
Play in Library $1.29
 
7
30
9:03
Play in Library $1.29
 
8
30
7:06
Play in Library $1.29
 

Product Details

  • Audio CD (October 25, 1990)
  • Number of Discs: 1
  • Label: Atlantic Jazz
  • ASIN: B000002I57
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #225,296 in Music (See Top 100 in Music)

Customer Reviews

Top Customer Reviews

By Tyler Smith on May 26, 2000
Format: Audio CD
This 1960 release does both Coltrane and vibist Jackson proud. Coltrane was considered at the time a "New Wave" proponent with his then-shocking "sheets of sound" vertical attack, while Jackson was a bebop mainstay. On "Bags and Trane" they sound utterly at ease with one another and produce some beautiful jazz.
At the core of the album is the obvious respect that the two musicians had for one another. Coltrane attacks more aggressively, but his hard-edged sound proves a perfect foil for Jackson's mellow, ringing vibes. On "The Night We Called It a Day," you can hear how carefully they listened to each other, one solo blending into the other without costing the tune a beat.
Pianist Hank Jones, Jackson's Modern Jazz Quartet bandmate drummer Connie Kay and longtime Trane collaborator bassist Paul Chambers solidify the album. Jones, in particular, plays a wonderfully understated piano, relying largely on space and single notes to deepen the contrast with Trane's dense attack.
The CD adds tunes originally found on the vinyl release "The Coltrane Legacy," and the new material is a plus. The ballad "Stairway to the Stars" offers a particularly poignant turn by Coltrane, who isn't afraid to show his emotion, and "Centerpiece" is a great mellow blues.
This album will be rewarding to fans of Coltrane and Jackson alike. Best of all, if you're a fan of both (like me), you'll get a double dose from two great jazz musicians who showed how much they respected one another by listening to every musical word the other had to say.
2 Comments 37 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
With all the press and discussion that surrounds the album immediately following this one, GIANT STEPS, this cd is all too often overlooked. Big mistake! This is one of my favorite cd's from Coltrane's time with the Atlantic label. I noticed in the previous reviews that a few people referred to Coltrane's sound and style as "harsh" or "attacking". That caught me off guard, I've never considered him to sound harsh on this at all. I could understand people thinking that way about some of his late-period playing but on this cd his playing flows like liquid silk. So many people think of Coltrane only as a harmonic genius but listening to this cd it is impossible to deny his total brilliance and mastery of rhythm. Quite simply, no one felt the pulse of a tune the way Coltrane did. This is not the scouring, searching, peeling away the layers of self to find redemption Coltrane of later years (a Coltrane which I myself love, but some people hate), this is Coltrane in a straight-ahead format, turning phrases inside out and back around into themselves, and doing it with incredible tenor tone. I love the sonic quality of this recording, Coltranes tone is just beyond words on this cd.

For sheer beauty and swinging mastery of melodic improvisation it almost doesn't get any better than what Coltrane does here on tunes like Be-Bop, Bags & Trane, Stairway To The Stars, etc...

And no, I am not forgetting about the rest of the band. Paul Chambers is brilliant on this cd. Milt also shows what he was made of on this cd, and he was made of some very fine stuff. What someone thinks of this cd overall may well depend on what they think of the vibraphone. If you don't like vibraphone then you may wish Milt Jackson wasn't on this, but if you do like it then this really is a classic recording.
Read more ›
Comment 25 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
This is a very nice disc. Milt Jackson on Vibraphone calls for some funky type of riffs that seem to crescendo once or twice per solo. What is nice is that usually it will be Coltrane and Jackson back to back, leaving each other a lot of room to do individual solos, and then they will come in together very triumphantly. "Stairway to the Stars," the first track in the disc (but not on the originally LP release) is a very nice, mellow track which is perfect for a nice dinner.
I do recommend, however, that rather than buying this album you purchase "The Heavyweight Champion: John Coltrane, The Complete Atlantic Recordings." This 7-CD set may be a little pricy but you get all 10 of Coltranes Atlantic recordings plus a disc of all of the outtakes. The Bags & Trane sessions are particularly emphasized on the box set, so you get much more than you would just buying "Bags and Trane."
Enjoy
Comment 15 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Audio CD
Milt Jackson and John Coltrane complement one another marvelously in this collection of quintet recordings from 1959. The rhythm trio features Hank Jones on piano, assisted by Paul Chambers on bass and Connie Kay on drums. Jackson is here in familiar territory with a group that isn't far from MJQ. The differences are Coltrane and the interplay. The disc commences with a bonus track, the standard "Stairway to the Stars." Here is Coltrane in his best ballad form, excercising restraint and what is as close to lyrical as he gets. Milt Jackson spins his filligrees, nets of sound, as usual, and Coltrane answers seemingly from a distance, with clarity. The next track is Bags' "The Late Late Blues," a simple theme that Coltrane explores in his legendary sheets of sound. His clarity is such that you can hear the patterns evolve within the sheet. Paul Chambers' bass is prominent both in its steady line and in solo. "Bags & Trane" begins with a simple call and response. Bags' intricate solo is followed by Trane's brief statement, again exemplary of his improvisational skill. Hank Jones piano solo proceeds Paul Chambers' arco solo followed by traded breaks by Bags and Trane. "Three Little Words" is a mid-tempo tune that cooks. It begins with Bags' statement of the theme and then Trane establishes the groundwork for his solo and goes to the invention--arabesque variations built on the theme. Trane's solo here is exemplary--worth studying for insights into his method. Jackson's extended solo illustrates his inventiveness and Hank Jones continues into traded fours between Trane, Connie Kay, and Bags. Which leads one to extoll Connie Kay's gifts. Here is a consumate professional at work. He is delicate and tasteful when necessary, but he swings explosively as well.Read more ›
Comment 8 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews


Forums




Look for Similar Items by Category

Pages with Related Products. See and discover other items: vinyl pop