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Six out of ten directors these days use music-video techniques in narrative film, and most of them in a hackneyed way, but in Bandits Katja von Garnier shows them how it should be done. Utilizing the kinetic energy of music-video techniques but blending them seamlessly with charged cinematic storytelling, a crackling script, and uniformly good acting, von Garnier's film is a playful and satisfying journey, one of the few rock-band stories to have held my gaze.
The movie's first asset is its diverse lead characters: Jasmin Tabatabai is electrifying as loose cannon Luna, while also having penned most of the songs on the soundtrack. During the music-video sequences, which are so expertly edited and nicely timed in the film so they don't seem jarring at all, she becomes a rock goddess, while also holding her own with comic timing and during the more sensitive sequences. Katja Riemann is great as brainy, middle-aged drummer Emma, and when Emma and Luna share their heart-to-heart on the street after Luna's drunken binge, it's the most beautiful moment in the film, where von Garnier reins in her camera and lets the actors breathe. Not-too-bright, vulnerable bassist Angel (Nicolette Krebitz) and melancholy keyboardist Marie (Jutta Hoffman) round out the band, helping to provide shades, diversity and tension.
The music itself isn't for everybody, but the sheer diversity of styles incorporated in this movie is refreshing: From hard rock to riot-grrl punk, from girl pop to acoustic folk, from blues to a lounge act (destined to go bad, L7 style) -- though it's not perfect music, it fits the tone of the movie perfectly, augmented by the fact that it *is* written and performed by the Bandits of the movie (aside from covers).
In the end, like Run Lola Run, Bandits negotiates its stylistic innovations such as disrupted time (absolutely brilliant editing by Hans Funck), dramatic ellipses and "invisible" payoffs with a sense of fun and moments of true catharsis to make a grandly enjoyable whole.
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Reviewed in the United States on August 12, 2000
Reviewed in the United States on September 8, 2008
Reviewed in the United States on March 28, 2000
Reviewed in the United States on September 11, 2015
Reviewed in the United States on May 22, 2016
Top reviews from other countries
J.A.Hallbauer ;Doc Halliday
Tragigkomödie, Roadmovie und die Kraft der Musik über alle Grenzen. Enthält SPOILER!!!
Reviewed in Germany on November 26, 2015en kvinne
unbedingt empfehlenswert und sehenswert .....
Reviewed in Germany on November 21, 2015