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Barefoot Gen, Vol. 9: Breaking Down Borders Paperback – November 30, 2009
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- Print length256 pages
- LanguageEnglish
- PublisherLast Gasp
- Publication dateNovember 30, 2009
- Dimensions5.75 x 1 x 8.25 inches
- ISBN-100867196009
- ISBN-13978-0867196009
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- Publisher : Last Gasp; Illustrated edition (November 30, 2009)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 0867196009
- ISBN-13 : 978-0867196009
- Item Weight : 12.3 ounces
- Dimensions : 5.75 x 1 x 8.25 inches
- Best Sellers Rank: #925,773 in Books (See Top 100 in Books)
- #423 in Historical Fiction Manga (Books)
- #2,479 in World War II Historical Fiction (Books)
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The same spirit that has helped him and all who come in contact with him as they struggle out of the hellish remains of the atomic destruction of their city and their lives, now helps an artist in despair. The artist returns the favor by teaching Gen how to draw. The artist tells Gen "Art Has No Borders" which inspires him to learn the universal language of art so that he can break down the national barriers that led to the war and the destruction of his beloved city. As the book ends he dreams of a peaceful world free of war where all the countries are connected by rainbow bridges that people can cross freely and be friends.
All present and future generations have to see and read from a Master like Sensei Nakazawa
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Die Erzählung um Gen Nakaoka und seine Freunde tritt spürbar auf die Zielgerade ein, denn nachdem sich die Familie des Jungen in alle Himmelsrichtungen zerstreut hat, ist er mehr denn je auf sich selbst angewiesen. Natürlich kann er sich weiter auf seine Freunde verlassen, aber auch diese sind nicht vor Schicksalsschlägen gefeit. Die Wiederentdeckung der Kunst und das Vorhaben, seine Botschaft des Friedens mit dieser in alle Welt zu tragen, bilden eine konsequente Weiterentwicklung der autobiografisch angelegten Figur. Ein wenig zurückstecken muss dem gegenüber Keiji Nakazawas sonst etwas ausführlichere historische Betrachtung der Dinge. Zwar geht er unter anderem auf den Verlauf des Korea-Krieges, den angedachten Einsatz von Atomwaffen in jenem Konflikt und die Abberufung General MacArthurs als Besatzungskommandant Japans ein, aber jeweils nur recht kurz. Natürlich gehören die zwangsläufigen Einblicke in das zivile Leben jener Zeit auch zum Bereich jener Authentizität, aber diese erhält man letztlich auf ähnliche Weise in fast jedem anderen Band auch. Nennenswert ist in dieser Hinsicht aber die erzählte Lebensgeschichte seines Arbeitskollegen Kurosaki, der eine ähnliche Vita wie Gen aufweist, aber in wesentlich widrigeren Umständen landete - ein heftiger Kontrast. Im Vergleich zum Vorgängerband gewinnt die Geschichte jedoch wieder an Fahrt und lässt Gen nicht mehr jeden Konflikt mit fliegenden Fäusten klären. Keiji Nakazawas pragmatische Schwarz-Weiss-Zeichnungen unterstützen die Geschichte, wie immer, recht treffend, lediglich die manchmal etwas naive und "plumpe" Darstellung Ryotas kratzt ein wenig an diesem Eindruck. Allerdings macht der sich ja immer etwas zum Affen.
Die vorletzte Stufe der umfangreichen historisch-biografischen Auseinandersetzung mit den Folgen des Atombombenabwurfs über Hiroshima ist, trotz einiger dramaturgischer Schwächen, natürlich empfehlenswert und weist in der erzählerischen Formkurve wieder nach oben.











