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Barkskins: A Novel Paperback – Big Book, April 11, 2017
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A Washington Post Best Book of the Year & a New York Times Notable Book
From the Pulitzer Prize–winning author of The Shipping News and “Brokeback Mountain,” comes the New York Times bestselling epic about the demise of the world’s forests: “Barkskins is grand entertainment in the tradition of Dickens and Tolstoy…the crowning achievement of Annie Proulx’s distinguished career, but also perhaps the greatest environmental novel ever written” (San Francisco Chronicle).
In the late seventeenth century two young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord for three years in exchange for land, they become wood-cutters—barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a native woman and their descendants live trapped between two cultures. But Duquet runs away, becomes a fur trader, then sets up a timber business. Annie Proulx tells the stories of the descendants of Sel and Duquet over three hundred years—their travels across North America, to Europe, China, and New Zealand—the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.
“A stunning, bracing, full-tilt ride through three hundred years of US and Canadian history…with the type of full-immersion plot that keeps you curled in your chair, reluctant to stop reading” (Elle), Barkskins showcases Proulx’s inimitable genius of creating characters who are so vivid that we follow them with fierce attention. “This is Proulx at the height of her powers as an irreplaceable American voice” (Entertainment Weekly, Grade A), and Barkskins “is an awesome monument of a book” (The Washington Post)—“the masterpiece she was meant to write” (The Boston Globe). As Anthony Doerr says, “This magnificent novel possesses the dark humor of The Shipping News and the social awareness of ‘Brokeback Mountain.’”
- Print length736 pages
- LanguageEnglish
- Publication dateApril 11, 2017
- Dimensions6.13 x 1.84 x 9.25 inches
- ISBN-100743288793
- ISBN-13978-0743288798
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Editorial Reviews
Review
“Barkskins is masterful, full of an urgent, tense lyricism, its plotting beautifully unexpected, its biographical narratives flowing into one another like the seasons. Ambitious. . . A marvel. . .[Barkskins] is a long novel worth your time.” ― Charles Finch, USA Today
“[It’s] a tale too beautiful to miss, excellent for long afternoons spent swaying in a hammock.” ― Good Housekeeping
“Magnificent... Barkskins flies... One of the chief pleasures of Proulx’s prose is that it conveys you to so many vanished wildwoods, where you get to stand ‘tiny and amazed in the kingdom of pines.’ This is also the great sadness of Barkskins. The propulsive tension here is generated not by wondering what will happen to each character, but by knowing that the forests will be leveled one after another... If Barkskins doesn’t bear exquisite witness to our species’s insatiable appetite for consumption, nothing can.” ― Anthony Doerr, Outside Magazine
"A masterpiece." ― Buzzfeed
“Annie Proulx’s Barkskins is remarkable not just for its length, but for its scope and ambition. It’s a monumental achievement, one that will perhaps be remembered as her finest work. . . It’s exhilarating to read Proulx, a master storyteller; she is as adept at placing us in the dripping, cold Mi’kma’ki forests as in the stuffy Duke & Sons parlors. Despite the length, nothing seems extraneous, and not once does the reader sense the story slipping from Proulx’s grasp, resulting in the kind of immersive reading experience that only comes along every few years.” ― Publishers Weekly, starred review
“Part ecological fable à la Ursula K. Le Guin, part foundational saga along the lines of Brian Moore's Black Robe and, yes, James Michener's Centennial, Proulx's story builds in depth and complication without becoming unduly tangled and is always told with the most beautiful language. Another tremendous book from Proulx, sure to find and enthrall many readers.” ― Kirkus Reviews (Starred Review)
“Proulx’s signature passion and concern for nature as well as her unnerving forensic fascination with all the harm that can befall the human body charge this rigorously researched, intrepidly imagined, complexly plotted, and vigorously written multigenerational epic. [With an] extensive and compelling cast, Proulx’s commanding epic about the annihilation of our forests is nothing less than a sylvan Moby-Dick replete with ardently exacting details about tree cutting from Canada and Maine to Michigan, California, and New Zealand, with dramatic cross-cultural relationships and with the peculiar madness catalyzed by nature’s glory. Here, too, are episodes of profound suffering and loss, ambition and conviction, courage and love. With a forthcoming National Geographic Channel series expanding its reach, Proulx’s commanding, perspective-altering epic will be momentous.” ― Booklist, Starred Review
“Barkskins is an awesome monument of a book, a spectacular survey of America’s forests dramatized by a cast of well-hewn characters.Such is the magnetism of Proulx’s narrative that there’s no resisting her thundering cascade of stories. A vast woods you’ll want to get lost in. . . Barkskins is a towering new work of environmental fiction.” ― Ron Charles, The Washington Post
“Annie Proulx returns with a great long read for the summer . . . Worth the wait, [Barkskins is] a stunning, bracing, full-tilt ride through 300 years of U.S. and Canadian history, told through two families whose fortunes are shaped, for better and worse, by the Europeans' discovery of North America's vast forests. With Barkskins, Annie Proulx blows out the horizons. The novel has a satisfying global sweep, with the type of full-immersion plot that keeps you curled in your chair, reluctant to stop reading. Barkskins is a tour de force.” ― Elle
“Fans of Annie Proulx have waited 14 years for a new novel from her. This summer, she has rewarded them. Her eye for detail offers readers glimpses into a world that is almost unimaginable. Proulx's novel will leave readers with new perspectives on a familiar history. It will also, perhaps, make some readers pause, this summer, during a summer stroll perhaps, and consider the manmade environment — the roads, the sidewalks, the homes, the cellphone towers, the flowerbeds — amid the tall, long-lived trees.” ― Chicago Tribune
“Stunning, monumental... a moving opus of evolving Western environmental values in novel form.” ― Jim Carmin, Minneapolis Star Tribune
“Towering. . . With gorgeous imagery, clean prose and remarkable sensitivity, [Barkskins is] as powerful and important as any literary work produced on this continent in the three centuries spanned by the story. “Barkskins” is “The Giving Tree” for grown-ups.” ― Sandra Levis, Pittsburgh Post-Gazette
“Dazzling. . . Proulx’s characters are vivid, insistent, captivating. . . nary a page goes by without a few exquisitely observed historical details. The temptation to consider Barkskins under the rubric of a Great American Novel is difficult to resist, given its scope. But Proulx’s ambitions seem to be keyed differently. Melville’s Moby-Dick, Twain’s Huckleberry Finn, Morrison’s Beloved—all of these books might be doomed in their respective attempts to somehow encompass the United States in its full complexity, but they at least focus on that burgeoning and manifold nation. Proulx, in contrast, establishes in Barkskins a narrative so grand in spatial and temporal scope, so broad in theme, that it cannot conceivably be strictly American. Her pitch-perfect sentences, instead, encompass the entire Western world, and its ever-growing concern with ecological and environmental change.” ― Jeffrey Zuckerman, The New Republic
“Extraordinary. . . Barkskins is the masterpiece Proulx was meant to write.” ― John Freeman, Boston Globe
“Enthralling. . . Proulx’s human characters are vividly conceived. Barkskins brims with a granular sense of human experience over a period of 300 years. And like many novels by excellent writers, Barkskins encourages understanding, if not empathy, for characters whose outlooks we might usually dismiss. One of the great achievements of this novel is to create a tragic personality for the environment. Proulx’s beautiful prose renders and exultant view of the life of forest worlds lost to us.” ― Bookpage
“Like the best realists, Proulx can make us see the world and its inhabitants with greater clarity. Juggling so many different plotlines and characters becomes easier when you have, as Proulx does, a Dickensian gift for quick portraiture... Proulx reminds us that the world we live in was made possible by the destruction of the world that preceded it. The novel concludes with Saptisia Sel, the head of the Breitsprecher Tree Project, asking, ‘Can’t we try again? Can’t we fix what we broke?’ It’s an urgent question, perhaps the urgent question, one that we should all be asking ourselves now.” ― Anthony Domestico, Boston Globe
“‘Barkskins’ is Annie Proulx’s greatest novel yet. [Her] talent for bringing individuals alive with a single perfectly-turned line has never been sharper than in these pages. … It's a completely masterful performance, the greatest thing this great novelist has ever written.” ― Christian Science Monitor
“Annie Proulx’s new work is a tribute to the world’s boreal forests, an intricately detailed narrative of geography, history and humanity that is both exhilarating and mesmerizing... [T]his is not a novel to peck at or flick through, but one to read slowly and to savour as a long and fulfilling feast.” ― The Economist
“Annie Proulx – the magnificent American writer who brought us ‘Brokeback Mountain’ and ‘The Shipping News’ – scores once again with the captivating ‘Barkskins.’ . . . Her prose is often glorious, her several protagonists unforgettable. Proulx taps a vein here, helping to make ‘Barkskins” one of the most exciting books I have read in years. Proulx has pulled out all the stops." ― Karen Brady, Buffalo News
“Few authors are as uniquely qualified as Annie Proulx (The Shipping News) to sustain a novel as long as Barkskins. Pages melt away as readers zoom through the decades. Proulx’s story is bigger than any one man, one death, or even one culture: It’s about the effect civilization and society have had on the land. In her magical way, Proulx leaves the reader with an impression of not only a collection of people, but our people and the country that shaped us as we shaped it. This is Proulx at the height of her powers as an irreplaceable American voice.” ― Entertainment Weekly (Grade A)
“Annie Proulx weaves [a] wealth of research, [and] brilliant imagination in [her] new novel Barkskins. Annie Proulx is a fearless writer. Like Melville's whaling and McMurtry's ranching, [Barkskins] provides a cast of colorful characters — and a means of examining their relationships to the natural world and the continent's indigenous people. [With] delicious prose . . . Barkskins has a large cast, but that's a showcase for Proulx's gift for creating lively, complex characters. Proulx's style is inimitably her own, but it echoes here with those of great influences: Dickens, Melville, Twain, Faulkner and more.” ― Tampa Bay Times
“Annie Proulx’s 10th book is ambitious and essential. Barkskins is grand entertainment in the tradition of Dickens and Tolstoy. Barkskins is awesome and urgent. And if we’re lucky enough to survive the Anthropocene we’ve seemingly wrought, then Barkskins will surely survive as the crowning achievement of Proulx’s distinguished career, but also as perhaps the greatest environmental novel ever written.” ― Peter Geye, San Francisco Chronicle
"Barkskins leaves no board unturned as it covers the industry that brought us plywood, cheap paper and prefab housing. [With] Proulx’s stunning stylistic gifts . . . She is a writer’s writer, and one whose deep interest in history provides the long view of how our environmental recklessness has brought us to a point of reckoning." ― Ellen Emry Heltzel, Seattle Times
“Proulx sketches each person with vigorous, unforgettable strokes . . . read it, absorb its urgent message.” ― Annalisa Quinn, NPR
“An epic capstone to 80-year-old Proulx’s impressive career, Barkskins surpasses even the extraordinary The Shipping News as her finest novel." ― Cliff Froehlich, The St. Louis Post-Dispatch
“Annie Proulx’s stunning new Barkskins is a bracing, full-tilt ride through 300 years of U.S. and Canadian history. With Barkskins, she blows out the horizons. The novel has a satisfying global sweep, with the type of full-immersion plot that keeps you curled in your chair, reluctant to stop reading. Barkskins is a tour de force [and] was worth the wait.” ― Elle
“Epic . . . Violent, monumental and often breathtaking, Barkskins is a colossal achievement.” ― Columbus Dispatch
"A masterpiece, Barkskins encompasses a breadth of themes and history rarely approached by any writer, girded by peerless research and Proulx's X-ray vision into the human heart. But the triumph of the novel lies in sentences that burst from the page, ideas that move and breathe with mission.” ― Hamilton Cain, O The Oprah Magazine
“The Pulitzer Prize-winning author of Brokeback Mountain and The Shipping News delivers an epic novel that begins with two impoverished Frenchmen, full of hope, who migrate to Canada in the 18th century and become indentured woodcutters, or 'barkskins.' The following 300-year history of two families spans cultures and continents, and probes North Americans’ predatory history with our now-vanishing natural world.” ― Ms. Magazine
About the Author
Product details
- Publisher : Scribner; Reprint edition (April 11, 2017)
- Language : English
- Paperback : 736 pages
- ISBN-10 : 0743288793
- ISBN-13 : 978-0743288798
- Item Weight : 1.75 pounds
- Dimensions : 6.13 x 1.84 x 9.25 inches
- Best Sellers Rank: #398,672 in Books (See Top 100 in Books)
- #698 in Native American Literature (Books)
- #3,851 in Family Saga Fiction
- #15,004 in Literary Fiction (Books)
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About the author

Annie Proulx's The Shipping News won the Pulitzer Prize for Fiction, the National Book Award for Fiction, and the Irish Times International Fiction Prize. She is the author of two other novels: Postcards, winner of the PEN/Faulkner Award, and Accordion Crimes. She has also written two collections of short stories, Heart Songs and Other Stories and Close Range. In 2001, The Shipping News was made into a major motion picture. Annie Proulx lives in Wyoming and Newfoundland.
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Now comes Barkskins, a compelling story of people who came to North America to clear the vast coast-to-coast forests of what is now Canada and the United States. This time the narrative spans more than three centuries and never once lost my interest.
Barkskin was a word unfamiliar to me; it refers, in Proulx’s dedication, to “loggers, ecologists, sawyers, sculptors, hotshots, planters, students, scientists, leaf eaters, photographers, practitioners of shinrin-yoku, land-sat interpreters, climatologists, wood butchers, picnickers, foresters, ring counters and the rest of us.”
The novel, epic in length (over 700 pages), was utterly engaging over the two months it took me to read it (I’m a bedtime book-devourer). It begins in 1693 with two indentured Frenchmen named Rene Sel and Charles Duquet who become indentured lumberjacks. It traces them and their descendants’ various pursuits as barkskins into the early 21st century. Although fiction, it’s easy to see Proulx has done her homework: there is verisimilitude in characterization and time-place incidents that are clearly drawn from assiduous research. If you care to learn about the plot in detail, I encourage you to see the Wikipedia page https://en.wikipedia.org/wiki/Barkskins. Actually, I encourage you to just read the book.
Proulx writes with such vigor and incisiveness, as she always has, about the coarseness of life and its tribulations, without a narrator’s fairness or blessings or remorse. Her work often concerns the Northeastern United States and Canada, which are especially hard on people. This is particularly true of life in the New World for Sel and Duquet (the latter’s family will eventually change its name to Duke) as they disembark the ship from France to bushwhack through the dense forests of what is now Canada, a gazillion mosquitos attacking their faces and necks each step of the way as they slog through the mud and leaf mold and stumble over hidden tree roots.
Is this a “man vs. nature” story? Hardly. It is more pointedly “man vs. man.” For example, crews are enlisted to clear-cut, or denude, a piece of Maine land of its pine trees (for use as ship masts) with promise of payment once the trees have been floated down the river for passage to England. Yet they will never be paid since the landowner, who is part of the plot with the woodcutter, chases them off as trespassers once their work is completed. Or this: Having heard tales of the vast forests of kauri, a prized tree in New Zealand, a barkskin departs Chicago to greedily claim his share of them, only to be kidnapped by native Maoris and, well, that’s a spoiler alert.
In point of fact, lurking beneath all the people and events flowing through this novel is the issue of humankind’s lack of respect for, and conservation of, the forests. Proulx, ever careful not to proselytize, portrays this through Dieter Breitsprecher, who has married into the Duke family, and starts a project to replant vast acreage that’s been clear-cut. But as good or kind as some of these characters are, or as rapacious and greedy as others, in Proulx’s story no one gets out alive. There is no redemption or salvation, even for the trees. Barkskins is a book to carry you through the long winter nights ahead.
As a reader, I care more about the quality of the prose and the purposefulness of the words used than about a story that might one day make a good movie. If you compare a paragraph by Obreht or Diaz, each sentence seems to have been properly weighted and carefully placed in the narrative, like if you were building a log cabin without nails or mortar and every piece of timber had to be cut just right. Because otherwise, you might end up shy of a 1,000 page slab of deadwood. (There is an expression in French, langue de bois, a wooden tongue, that describes a style of writing that is rather dry and full of artifice and, to my great disappointment, Barkskins is written in a langue de bois, rather than in a language of the forests I had envisioned.)
When the movie Barkskins comes out, I will go and see it, and probably enjoy it as much as I did Shipping News.
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Poderia se imaginar que a partir desse momento surgisse, ao menos, uma semente de consciência ecológica nessa figura. Mas não é o caso. Estamos no século XVII, e trata-se de um francês que chegou na América do Norte para tentar a vida. “Por um momento, ele estava assustado, se milhas de florestas podiam ser removidas tão rapidamente por alguns homens com machados, eram as florestas tão vulneráveis quanto um castor? Não, as florestas retornariam com vigor, rebrotando de tocos cortados, sementes jogadas, criando raízes-mães de onde cresceriam novas árvores. Essas florestas não poderiam desaparecer. Na Nova França, eram vastas e eternas”, conclui o narrador verbalizando o pensamento do personagem.
Centenas e centenas de páginas depois, Annie Proulx se presta a descrever o quão errado era o pensamento desta figura. Trata-se de Charles Duke (né Duquet), um órfão Dickensiano crescido nas ruas de Paris que emigra para onde será o Canadá (e, mais tarde mais para o Sul) em busca de uma oportunidade. E ele encontra. Depois de explorado por um outro colonizador, abandona o trabalho, e vai empreender, para usar uma palavra da moda, embora não faça sentido na época em se passa esse segmento do romance.
Barkskins acompanha duas famílias. A de Duke, e a de René Sel. Ambos chegam do mesmo lugar com o mesmo objetivo, e trabalham para o mesmo sujeito, mas com destinos bem diferentes. Sel não foge, acaba sendo obrigado a casar com uma nativa Mi’kma, e constitui sua família. As duas árvores genealógicas, ao final do livro, dão a dimensão exata do desenvolvimento dos dois clãs (embora também sejam spoliers, se olhadas na íntegra antes do final da leitura) que talvez acabe se perdendo ao longo do romance.
Mais do que dois modos de vida, dois mundos, esse par de grupos de personagens dão conta de dois projetos de país para os EUA – ambos ligados à exploração da natureza. Não que os Sel sejam mocinhos, mas suas raízes nativas lhes dão uma relação menos feroz em relação à natureza. O que também não quer dizer nenhuma romantização em relação aos povos indígenas – simplesmente, eles sabem ter uma relação mais saudável com a natureza.
Duke, por sua vez, é a ilustração de uma acumulação primitiva resultando em sua empresa familiar chamada Duke & Sons, cujos caminhos percorrem até chegar à sua tataraneta Lavinia, que cristalizará o processo de transformação da empresa numa corporação. Proulx, no entanto, não se concentra em muitos personagens como em Lavinia. Alguns são meros nomes e têm apenas episódios – alguns destes podem ser chamados até de anedota – dentro do romance, pois mais do que figuras humanas, a autora está interessada aqui no movimento da História que impulsiona sua narrativa.
A forma, em Barskin, no entanto também materializa uma espécie de luta de classes. Na penúltima parte do romance – que cabe aos Sel – em cerca de 12 páginas, a autora dá conta de quase uma centena de anos na vida desse clã. É um “telling” vertiginoso citando nomes e destinos. Ao o romance, o destino dos mais pobres não merece detalhamento – bem, talvez não apenas no romance. Já Lavinia, por exemplo, domina dezenas de páginas, e mesmo depois de sua morte suas ações recaem sobre os personagens.
Barskins é uma narrativa sobre as transformações humanas sobre a natureza – um duelo, aliás, que pauta a obra de Proulx, que inclui The Shipping News (ganhador do Pulitzer) e o conto Brokeback Mountain – formalizado numa espécie de romance histórico, cuja pesquisa é impressionante, mas nunca se sobressai à criação ficcional. Uma das linhas condutoras que dá sentido de progressão na trama, aliás, é a transformação dos métodos de corte de árvores. A temática ecológica – com direito a final levemente apocalíptico – está mais ligada à Ficção-Científica – daí seu novo subgênero da moda o cli-fi (cli, de climate, clima) – mas a autora mostra que o romance histórico pode ser um gênero capaz de dar conta desse assunto
Both the TV series and the book give an insight into what life could have been like during the early days of the colonisation of North America, but there the similarities end. The film goes for sensational action, albeit with a realistic ethos, while the book gives a much better insight into the fortunes of two families through a very long period of time. Rene Sel has a family with Mari and their fortunes differ considerably to those of Duquet's lineage.
Each is dealt with in turn and shows a considerable difference between the experiences of those of native Mi'kmaq indian/european heritage and those of solely european.
The early chapters are very interesting and well researched, really giving a feel for the time and the living conditions, it's hard to put down. As it progresses, though, it sometimes becomes too densely packed with detail and becomes difficult to follow the family lineages. The author has a flow chart in the form of the two family trees at the back of the book, but I only found these after reaching the end. Many of the experiences are fascinating too and, again, give a good feel for the times. But there seems to be a morbid preoccupation with various ways of dying. In one case there's nearly a full page about how one of Sel's descendants meets his accidental death. Perhaps that is really what life was like then.
So, I enjoyed a lot of it and I rarely read novels, but there are some parts I didn't enjoy and I found it much too long, I also found that the ending didn't really close the circle. But I'm glad I did read it especially for the early chapters.















