Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$19.38$19.38
FREE delivery: Tuesday, Feb 6 on orders over $35.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $11.92
Other Sellers on Amazon
+ $3.99 shipping
89% positive over last 12 months
+ $5.98 shipping
99% positive over last 12 months
+ $6.25 shipping
99% positive over last 12 months
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Image Unavailable
Color:
-
-
-
- To view this video download Flash Player
-
-
VIDEO -
Follow the authors
OK
Barracoon: The Story of the Last "Black Cargo" Hardcover – Deckle Edge, May 8, 2018
Purchase options and add-ons
New York Times Bestseller • TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018 • The Christian Science Monitor’s Best Books 2018 •
“A profound impact on Hurston’s literary legacy.”―New York Times
“One of the greatest writers of our time.”―Toni Morrison
“Zora Neale Hurston’s genius has once again produced a Maestrapiece.”―Alice Walker
A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade―abducted from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past―memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.
Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
- Print length208 pages
- LanguageEnglish
- PublisherAmistad
- Publication dateMay 8, 2018
- Dimensions5.5 x 0.77 x 8.25 inches
- ISBN-100062748203
- ISBN-13978-0062748201
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now
Frequently bought together

Similar items that may ship from close to you
That though the heart is breaking, happiness can exist in a moment, also. And because the moment in which we live is all the time there really is, we can keep going.Highlighted by 1,258 Kindle readers
When you hungry it is painful but when de belly too full it painful too.Highlighted by 664 Kindle readers
Kossola was born circa 1841, in the town of Bantè, the home to the Isha subgroup of the Yoruba people of West Africa.Highlighted by 500 Kindle readers
Editorial Reviews
Review
“One of the greatest writers of our time.” — Toni Morrison
“Zora Neale Hurston’s genius has once again produced a Maestrapiece.” — Alice Walker, Pulitzer Prize-winning author of The Color Purple
“Short enough to be read in a single sitting, this book is one of those gorgeous, much too fleeting things...Brimming with observational detail from a man whose life spanned continents and eras, the story is at times devastating, but Hurston’s success in bringing it to light is a marvel.” — NPR
“A profound impact on Hurston’s literary legacy.” — New York Times
“With its historically valuable first-hand account of slavery and freedom, Barracoon speaks straight to the 21st-century world into which it has emerged—almost a century after it was written.” — Lily Rothman, Time
“Though both Hurston and Lewis are long gone, Hurston’s account of the former slave’s life serves as a timely reminder of our shared humanity—and the consequences that can occur if we forget it.” — People
“Barracoon and its long path to print is a testament to Zora’s singular vision amid so many competing pressures that continue to put us at war with ourselves.” — Huffington Post
“[Barracoon’s] belated publication of her phonetic transcription offers spine-chilling access to one of modernity’s great crimes, an atrocity that, when described by a victim, suddenly becomes far less distant.” — The Guardian
“Zora Neale Hurston’s recovered masterpiece, Barracoon, is a stunning addition to several overlapping canons of American literature.” — Tayari Jones, Washington Post
“Zora Neale Hurston has left an indelible legacy on the literary community and commanded an influential place in Black history.” — Essence
“A posthumously-released work of acclaimed Harlem Renaissance-era writer Zora Neale Hurston offers a chilling firsthand look at the horrors of the slave trade.” — Vibe
“An invaluable addition to American social, cultural, and political history.” — Publishers Weekly (starred review)
“Sure to be widely read.” — Kirkus Reviews
“Barracoon is a testament to [Zora’s] patient fieldwork” — Vulture
“Barracoon is an impactful story that will stick with you long after the final page.” — Parade
“A profound work that shows a writer in the process of gathering a landmark story.” — Garden & Gun
“Barracoon is a powerful, breathtakingly beautiful, and at times, heart wrenching, account of one man’s story, eloquently told in his own language. Zora Neale Hurston gives Kossola control of his narrative— a gift of freedom and humanity. It completely reinforces for me the fact that Zora Neale Hurston was both a cultural anthropologist and a truly gifted, and compassionate storyteller, who sat in the sometimes painful silence with Kossola and the depth and breadth of memory as a slave. Such is a narrative filled with emotions and histories bursting at the intricately woven seams.” — Nicole Dennis-Benn, author of Here Comes the Sun
“That Zora Neale Hurston should find and befriend Cudjo Lewis, the last living man with firsthand memory of capture in Africa and captivity in Alabama, is nothing shy of a miracle. Barracoon is a testament to the enormous losses millions of men, women and children endured in both slavery and freedom—a story of urgent relevance to every American, everywhere.” — Tracy K. Smith, Pulitzer Prize-winning author of Life on Mars and Wade in the Water
“Barracoon is a piece of the puzzle we didn’t know we were missing. Ms. Zora has captured through the lens of Cudjo Lewis a glimpse into what the slave trade, Middle Passage, and first steps onto American soil meant for millions. The narrative of Cudjo reminds us of the faith and hope that got us here despite it all.” — Michael Twitty, author of The Cooking Gene
“[Zora’s] newly published book, released for the first time 87 years after it was written, will shed new light on the author as a historical chronicler.” — Quartzy
From the Back Cover
From the author of the classic Their Eyes Were Watching God comes a landmark publication – a never-before-published work of the American experience.
In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Cudjo was enslaved fifty years after the slave trade was outlawed.
At the time, Cudjo was the only person alive who could recount this integral part of the nation’s history. As a cultural anthropologist, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn’t always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or appear lost in his thoughts.
Hurston persisted, though, and during an intense three-month period, she and Cudjo communed over her gifts of peaches and watermelon, and gradually Cudjo, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda as “cargo” with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.
Barracoon employs Hurston’s skills as both an anthropologist and a writer, and brings to life Cudjo’s singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted. This profound work is an invaluable contribution to our history and culture.
About the Author
Zora Neale Hurston was a novelist, folklorist, and anthropologist. She wrote four novels (Jonah’s Gourd Vine, 1934; Their Eyes Were Watching God, 1937; Moses, Man of the Mountains, 1939; and Seraph on the Suwanee, 1948); two books of folklore (Mules and Men, 1935, and Every Tongue Got to Confess, 2001); a work of anthropological research, (Tell My Horse, 1938); an autobiography (Dust Tracks on a Road, 1942); an international bestselling nonfiction work (Barracoon: The Story of the Last “Black Cargo,” 2018); and over fifty short stories, essays, and plays. She attended Howard University, Barnard College, and Columbia University and was a graduate of Barnard College in 1928. She was born on January 7, 1891, in Notasulga, Alabama, and grew up in Eatonville, Florida.
Alice Walker is an internationally celebrated writer, poet, and activist whose books include seven novels, four collections of short stories, five children’s books, and several volumes of essays and poetry. She has received the Pulitzer Prize in Fiction and the National Book Award, and has been honored with the O. Henry Award, the Lillian Smith Award, and the Mahmoud Darwish Literary Prize for Fiction. She was inducted into the California Hall of Fame and received the Lennon Ono Peace Award. Her work has been published in forty languages worldwide.
Deborah G. Plant is an African American and Africana Studies Independent Scholar, Writer, and Literary Critic specializing in the life and works of Zora Neale Hurston. She is editor of the New York Times bestseller Barracoon: The Story of the Last “Black Cargo” by Zora Neale Hurston and the author of Alice Walker: A Woman for Our Times, a philosophical biography. She is also editor of The Inside Light: New Critical Essays on Zora Neale Hurston, and the author of Zora Neale Hurston: A Biography of the Spirit and Every Tub Must Sit On Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. She holds MA and Ph. D. degrees in English from the University of Nebraska-Lincoln. Plant played an instrumental role in founding the University of South Florida’s Department of Africana Studies, where she chaired the department for five years. She presently resides in Florida.
Product details
- Publisher : Amistad; Illustrated edition (May 8, 2018)
- Language : English
- Hardcover : 208 pages
- ISBN-10 : 0062748203
- ISBN-13 : 978-0062748201
- Item Weight : 10.2 ounces
- Dimensions : 5.5 x 0.77 x 8.25 inches
- Best Sellers Rank: #19,439 in Books (See Top 100 in Books)
- Customer Reviews:
Important information
To report an issue with this product or seller, click here.
About the authors

Alice Walker (b. 1944), one of the United States’ preeminent writers, is an award-winning author of novels, stories, essays, and poetry. In 1983, Walker became the first African-American woman to win a Pulitzer Prize for fiction with her novel The Color Purple, which also won the National Book Award. Her other books include The Third Life of Grange Copeland, Meridian, The Temple of My Familiar, and Possessing the Secret of Joy. In her public life, Walker has worked to address problems of injustice, inequality, and poverty as an activist, teacher, and public intellectual.

Zora Neale Hurston was born on Jan. 7, 1891, in Notasulga, Alabama. Hurston moved with her family to Eatonville, Florida, when she was still a toddler. Her writings reveal no recollection of her Alabama beginnings. For Hurston, Eatonville was always home.
Growing up in Eatonville, in an eight-room house on five acres of land, Zora had a relatively happy childhood, despite frequent clashes with her preacher-father. Her mother, on the other hand, urged young Zora and her seven siblings to "jump at de sun."
Hurston's idyllic childhood came to an abrupt end, though, when her mother died in 1904. Zora was only 13 years old.
After Lucy Hurston's death, Zora's father remarried quickly and seemed to have little time or money for his children. Zora worked a series of menial jobs over the ensuing years, struggled to finish her schooling, and eventually joined a Gilbert & Sullivan traveling troupe as a maid to the lead singer. In 1917, she turned up in Baltimore; by then, she was 26 years old and still hadn't finished high school. Needing to present herself as a teenager to qualify for free public schooling, she lopped 10 years off her life--giving her age as 16 and the year of her birth as 1901. Once gone, those years were never restored: From that moment forward, Hurston would always present herself as at least 10 years younger than she actually was.
Zora also had a fiery intellect, and an infectious sense of humor. Zora used these talents--and dozens more--to elbow her way into the Harlem Renaissance of the 1920s, befriending such luminaries as poet Langston Hughes and popular singer/actress Ethel Waters.
By 1935, Hurston--who'd graduated from Barnard College in 1928--had published several short stories and articles, as well as a novel (Jonah's Gourd Vine) and a well-received collection of black Southern folklore (Mules and Men). But the late 1930s and early '40s marked the real zenith of her career. She published her masterwork, Their Eyes Were Watching God, in 1937; Tell My Horse, her study of Caribbean Voodoo practices, in 1938; and another masterful novel, Moses, Man of the Mountain, in 1939. When her autobiography, Dust Tracks on a Road, was published in 1942, Hurston finally received the well-earned acclaim that had long eluded her. That year, she was profiled in Who's Who in America, Current Biography and Twentieth Century Authors. She went on to publish another novel, Seraph on the Suwanee, in 1948.
Still, Hurston never received the financial rewards she deserved. So when she died on Jan. 28, 1960--at age 69, after suffering a stroke--her neighbors in Fort Pierce, Florida, had to take up a collection for her funeral. The collection didn't yield enough to pay for a headstone, however, so Hurston was buried in a grave that remained unmarked until 1973.
That summer, a young writer named Alice Walker traveled to Fort Pierce to place a marker on the grave of the author who had so inspired her own work.
Walker entered the snake-infested cemetery where Hurston's remains had been laid to rest. Wading through waist-high weeds, she soon stumbled upon a sunken rectangular patch of ground that she determined to be Hurston's grave. Walker chose a plain gray headstone. Borrowing from a Jean Toomer poem, she dressed the marker up with a fitting epitaph: "Zora Neale Hurston: A Genius of the South."
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Barracoon: The Story of the Last Black Cargo
If you read the book, you don't need to read my review. But I want you to see this quote most of all: "When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
I just read this book, and midway through, I am crying heavily, tears rolling down my face. But not for the horrors and just plain misfortune, which was unimagineable, that he endured during his 91 years, but for the beauty and love that shined through in spite of it.
He was only a "slave" for 5 and a half years. His freedom granted at the end of the Civil War. So the life of a slave was not the main focus of this book, but rather his endless yearning for home, and his quest to recreate it in America.
After reading this, and in the light of the enormous GREED that is coming to light in our own govenment, I can see the thread of GREED running through this whole story and through the entire story of the slave trade in America.
Yes, other Africans sold their captors into slavery. But they would have had no where to sell them if white men in ships had not been waiting on the shore.
Reading the story of Cudjo in his own words, I began to see an evident pattern. He lived in a tiny village in Africa, far from the coast. They had a society with rules and laws. Yes, it was very different from America, and in many ways would seem backward and violent, maybe even misogynistic, men having several wives, paying for them, fattening them up, etc.
But their laws, though harsh, seemed to benefit everyone. If you lied, stole, even murdered, you were tried and punished as everyone watched. If you kill you will be killed. However, the tribe did not wage war, they prepared for it, but that's all. Living in peace, they raised their animals, hunted, raised crops - never having to work too hard. They used palms to make wine, babanas to make beer. They used the different leaves of the forrest to heal wounds and even preserve the dead in some cases.
But their far off neighbors lived differently. They waged war on everyone, heartlessly killing indiscriminately, collecting taxes (food and wealth) from villagers they spared, who paid out of fear. They soon found that if they killed everyone in a village except the young and healthy, they could sell them as slaves on the coast. So, thats what they did. As the warring tribe traveled in comfort, being fed by all the small villages along the way (out of fear), they would arrive at Cudjo's village one day and did exactly that. They asked for their crops and wealth and when the village refused, they killed everyone and captured all the young.
One reason they were able to do this so easily, is because his village safety secrets were betrayed by a man for pay from the warring king. So his GREED led to the capture and slaughter of an entire village, so the king could transport them to the coast to sell. The king's GREED led him to demand other people's wealth as payment for being spared, and so he and his village did not have to work. Then he fed his GREED by selling the captors to the slavers. And he had no problem decapitating anyone who defied him and carrying their heads around on sticks!
Is this beginning to sound familiar? Seems like too many of the people in government begin to act like this. Filling their pockets by dominating the people below, causing pain and destruction without regard. We even have the same people willing to betray secrets that keep people safe, for money.
Now we come to the ship owners who were willing to sail to the coast of Africa for "cargo" that they could sell back home. This story takes place after it was illegal to sail there and bring in slaves. But these people who paid for the ship to sail and the captain were all willing to break the law for their own GREED. They did not care that people cried, got sick were separated from home and family, as long as they got paid. The ship in this story was about the same size as my one bedroom apartment. 116 blacks were laid in the hold for a 75 day trip.
When they arrived, the slaves were sold again, to people who believed it was their birthright to own land and become wealthy and to use slave labor to do it. And when the slaves were freed a few years later, the forer owners felt nothing was owed them. Their own GREED kept them from feeling the freed slaves were owed a place to live or land. Nor did they feel it would be necessary to take on the cost to return them to Africa.
But all this is the back story to his life. He was "freed" and told to go wherever he wanted to go! He was unable, as were his friends in the same situaton, to save enough after being freed to afford passage back to Africa, and of course his village would not have been there anyway. They decided to try to buy land. They rented it at first from their former owners, and did without until they were able to actually buy it. They buitl their own houses themselves, and their own church eventually. They created an African village in America, run by tribal leaders they chose. But his troubles did not stop. Other black Americans who had been here much longer, looked at him and his friends as "savages". They were ridiculed and taunted so much that his children grew up angry and combative. Cudjo was hit by a train, and tried to sue the train company, but his lawyer ran off with the money. His children died one by one, some from sickness, some from run-ins with the law, one from suicide over the despair of all his brothers dying. Cudjo even lost his wife, from a broken heart I think, at all her children dying. He had only a daughter in law and two grandchildren left.
But when he talked about his wife and children it was always with such love and open pain. His stories of his home land were filled with wisdom and poetic phrases. He never learned to read or write, but I have never rread such poignant words. Here are some that touched me the most.
"When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
talking about rich and poor:
"When you hungry it is painful but when de belly too full it painful too."
death
“My father say, ‘Oh de ground eats de best of everything.’ Den he weepee too."
good husband
"De husband what knows what is needed And gives it without asking—"
"When we see a man drunk we say, ‘Dere go de slave whut beat his master.’ Dat mean he buy de whiskey. It belong to him and he oughter rule it, but it done got control of him."
tree of his children have died
“Our house it very sad. Lookee lak all de family hurry to leave and go sleep on de hill."
His church members ask him:
‘Uncle Cudjo, make us a parable.’ “‘Well den,’ I say, ‘You see Ole Charlie dere. S’pose he stop here on de way to church. He got de parasol ’cause hethink it gwine rain when he leave de house. But he look at de sky and ’cide hit ain’ gwine rain so he set it dere by de door an’ go on to church. After de preachin’ he go on home ’cause he think de parasol at Cudjo house. It safe. He say, “I git it nexy time I go dat way.” When he come home he say to one de chillun, “Go to Cudjo house and tellee him I say sendee me my parasol.” “‘De parasol it pretty. I likee keep dat one.’ But I astee dem all, ‘Is it right to keep de parasol?’ Dey all say, ‘No it belongto Charlie.’ “‘Well,’ I say, ‘my wife, she b’long to God. He lef’ her by my door.’
‘Uncle Cudjo, make us a parable.’ “Den I axed dem, ‘How many limbs God give de body so it kin be active?’ “Dey say six; two arms two feet two eyes. “I say dey cut off de feet, he got hands to ’fend hisself. Dey cut off de hands he wiggle out de way when he see danger come. But when he lose de eye, den he can’t see nothin’ come upon him. Hefinish. My boys is my feet. My daughter is my hands. My wife she my eye. She left, Cudjo finish.”
Hurston, Zora Neale.
Barracoon: The Story of the Last Black Cargo
If you read the book, you don't need to read my review. But I want you to see this quote most of all: "When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
I just read this book, and midway through, I am crying heavily, tears rolling down my face. But not for the horrors and just plain misfortune, which was unimagineable, that he endured during his 91 years, but for the beauty and love that shined through in spite of it.
He was only a "slave" for 5 and a half years. His freedom granted at the end of the Civil War. So the life of a slave was not the main focus of this book, but rather his endless yearning for home, and his quest to recreate it in America.
After reading this, and in the light of the enormous GREED that is coming to light in our own govenment, I can see the thread of GREED running through this whole story and through the entire story of the slave trade in America.
Yes, other Africans sold their captors into slavery. But they would have had no where to sell them if white men in ships had not been waiting on the shore.
Reading the story of Cudjo in his own words, I began to see an evident pattern. He lived in a tiny village in Africa, far from the coast. They had a society with rules and laws. Yes, it was very different from America, and in many ways would seem backward and violent, maybe even misogynistic, men having several wives, paying for them, fattening them up, etc.
But their laws, though harsh, seemed to benefit everyone. If you lied, stole, even murdered, you were tried and punished as everyone watched. If you kill you will be killed. However, the tribe did not wage war, they prepared for it, but that's all. Living in peace, they raised their animals, hunted, raised crops - never having to work too hard. They used palms to make wine, babanas to make beer. They used the different leaves of the forrest to heal wounds and even preserve the dead in some cases.
But their far off neighbors lived differently. They waged war on everyone, heartlessly killing indiscriminately, collecting taxes (food and wealth) from villagers they spared, who paid out of fear. They soon found that if they killed everyone in a village except the young and healthy, they could sell them as slaves on the coast. So, thats what they did. As the warring tribe traveled in comfort, being fed by all the small villages along the way (out of fear), they would arrive at Cudjo's village one day and did exactly that. They asked for their crops and wealth and when the village refused, they killed everyone and captured all the young.
One reason they were able to do this so easily, is because his village safety secrets were betrayed by a man for pay from the warring king. So his GREED led to the capture and slaughter of an entire village, so the king could transport them to the coast to sell. The king's GREED led him to demand other people's wealth as payment for being spared, and so he and his village did not have to work. Then he fed his GREED by selling the captors to the slavers. And he had no problem decapitating anyone who defied him and carrying their heads around on sticks!
Is this beginning to sound familiar? Seems like too many of the people in government begin to act like this. Filling their pockets by dominating the people below, causing pain and destruction without regard. We even have the same people willing to betray secrets that keep people safe, for money.
Now we come to the ship owners who were willing to sail to the coast of Africa for "cargo" that they could sell back home. This story takes place after it was illegal to sail there and bring in slaves. But these people who paid for the ship to sail and the captain were all willing to break the law for their own GREED. They did not care that people cried, got sick were separated from home and family, as long as they got paid. The ship in this story was about the same size as my one bedroom apartment. 116 blacks were laid in the hold for a 75 day trip.
When they arrived, the slaves were sold again, to people who believed it was their birthright to own land and become wealthy and to use slave labor to do it. And when the slaves were freed a few years later, the forer owners felt nothing was owed them. Their own GREED kept them from feeling the freed slaves were owed a place to live or land. Nor did they feel it would be necessary to take on the cost to return them to Africa.
But all this is the back story to his life. He was "freed" and told to go wherever he wanted to go! He was unable, as were his friends in the same situaton, to save enough after being freed to afford passage back to Africa, and of course his village would not have been there anyway. They decided to try to buy land. They rented it at first from their former owners, and did without until they were able to actually buy it. They buitl their own houses themselves, and their own church eventually. They created an African village in America, run by tribal leaders they chose. But his troubles did not stop. Other black Americans who had been here much longer, looked at him and his friends as "savages". They were ridiculed and taunted so much that his children grew up angry and combative. Cudjo was hit by a train, and tried to sue the train company, but his lawyer ran off with the money. His children died one by one, some from sickness, some from run-ins with the law, one from suicide over the despair of all his brothers dying. Cudjo even lost his wife, from a broken heart I think, at all her children dying. He had only a daughter in law and two grandchildren left.
But when he talked about his wife and children it was always with such love and open pain. His stories of his home land were filled with wisdom and poetic phrases. He never learned to read or write, but I have never rread such poignant words. Here are some that touched me the most.
"When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
talking about rich and poor:
"When you hungry it is painful but when de belly too full it painful too."
death
“My father say, ‘Oh de ground eats de best of everything.’ Den he weepee too."
good husband
"De husband what knows what is needed And gives it without asking—"
"When we see a man drunk we say, ‘Dere go de slave whut beat his master.’ Dat mean he buy de whiskey. It belong to him and he oughter rule it, but it done got control of him."
tree of his children have died
“Our house it very sad. Lookee lak all de family hurry to leave and go sleep on de hill."
His church members ask him:
‘Uncle Cudjo, make us a parable.’ “‘Well den,’ I say, ‘You see Ole Charlie dere. S’pose he stop here on de way to church. He got de parasol ’cause hethink it gwine rain when he leave de house. But he look at de sky and ’cide hit ain’ gwine rain so he set it dere by de door an’ go on to church. After de preachin’ he go on home ’cause he think de parasol at Cudjo house. It safe. He say, “I git it nexy time I go dat way.” When he come home he say to one de chillun, “Go to Cudjo house and tellee him I say sendee me my parasol.” “‘De parasol it pretty. I likee keep dat one.’ But I astee dem all, ‘Is it right to keep de parasol?’ Dey all say, ‘No it belongto Charlie.’ “‘Well,’ I say, ‘my wife, she b’long to God. He lef’ her by my door.’
‘Uncle Cudjo, make us a parable.’ “Den I axed dem, ‘How many limbs God give de body so it kin be active?’ “Dey say six; two arms two feet two eyes. “I say dey cut off de feet, he got hands to ’fend hisself. Dey cut off de hands he wiggle out de way when he see danger come. But when he lose de eye, den he can’t see nothin’ come upon him. Hefinish. My boys is my feet. My daughter is my hands. My wife she my eye. She left, Cudjo finish.”
Hurston, Zora Neale.
Barracoon: The Story of the Last Black Cargo
If you read the book, you don't need to read my review. But I want you to see this quote most of all: "When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
I just read this book, and midway through, I am crying heavily, tears rolling down my face. But not for the horrors and just plain misfortune, which was unimagineable, that he endured during his 91 years, but for the beauty and love that shined through in spite of it.
He was only a "slave" for 5 and a half years. His freedom granted at the end of the Civil War. So the life of a slave was not the main focus of this book, but rather his endless yearning for home, and his quest to recreate it in America.
After reading this, and in the light of the enormous GREED that is coming to light in our own govenment, I can see the thread of GREED running through this whole story and through the entire story of the slave trade in America.
Yes, other Africans sold their captors into slavery. But they would have had no where to sell them if white men in ships had not been waiting on the shore.
Reading the story of Cudjo in his own words, I began to see an evident pattern. He lived in a tiny village in Africa, far from the coast. They had a society with rules and laws. Yes, it was very different from America, and in many ways would seem backward and violent, maybe even misogynistic, men having several wives, paying for them, fattening them up, etc.
But their laws, though harsh, seemed to benefit everyone. If you lied, stole, even murdered, you were tried and punished as everyone watched. If you kill you will be killed. However, the tribe did not wage war, they prepared for it, but that's all. Living in peace, they raised their animals, hunted, raised crops - never having to work too hard. They used palms to make wine, babanas to make beer. They used the different leaves of the forrest to heal wounds and even preserve the dead in some cases.
But their far off neighbors lived differently. They waged war on everyone, heartlessly killing indiscriminately, collecting taxes (food and wealth) from villagers they spared, who paid out of fear. They soon found that if they killed everyone in a village except the young and healthy, they could sell them as slaves on the coast. So, thats what they did. As the warring tribe traveled in comfort, being fed by all the small villages along the way (out of fear), they would arrive at Cudjo's village one day and did exactly that. They asked for their crops and wealth and when the village refused, they killed everyone and captured all the young.
One reason they were able to do this so easily, is because his village safety secrets were betrayed by a man for pay from the warring king. So his GREED led to the capture and slaughter of an entire village, so the king could transport them to the coast to sell. The king's GREED led him to demand other people's wealth as payment for being spared, and so he and his village did not have to work. Then he fed his GREED by selling the captors to the slavers. And he had no problem decapitating anyone who defied him and carrying their heads around on sticks!
Is this beginning to sound familiar? Seems like too many of the people in government begin to act like this. Filling their pockets by dominating the people below, causing pain and destruction without regard. We even have the same people willing to betray secrets that keep people safe, for money.
Now we come to the ship owners who were willing to sail to the coast of Africa for "cargo" that they could sell back home. This story takes place after it was illegal to sail there and bring in slaves. But these people who paid for the ship to sail and the captain were all willing to break the law for their own GREED. They did not care that people cried, got sick were separated from home and family, as long as they got paid. The ship in this story was about the same size as my one bedroom apartment. 116 blacks were laid in the hold for a 75 day trip.
When they arrived, the slaves were sold again, to people who believed it was their birthright to own land and become wealthy and to use slave labor to do it. And when the slaves were freed a few years later, the forer owners felt nothing was owed them. Their own GREED kept them from feeling the freed slaves were owed a place to live or land. Nor did they feel it would be necessary to take on the cost to return them to Africa.
But all this is the back story to his life. He was "freed" and told to go wherever he wanted to go! He was unable, as were his friends in the same situaton, to save enough after being freed to afford passage back to Africa, and of course his village would not have been there anyway. They decided to try to buy land. They rented it at first from their former owners, and did without until they were able to actually buy it. They buitl their own houses themselves, and their own church eventually. They created an African village in America, run by tribal leaders they chose. But his troubles did not stop. Other black Americans who had been here much longer, looked at him and his friends as "savages". They were ridiculed and taunted so much that his children grew up angry and combative. Cudjo was hit by a train, and tried to sue the train company, but his lawyer ran off with the money. His children died one by one, some from sickness, some from run-ins with the law, one from suicide over the despair of all his brothers dying. Cudjo even lost his wife, from a broken heart I think, at all her children dying. He had only a daughter in law and two grandchildren left.
But when he talked about his wife and children it was always with such love and open pain. His stories of his home land were filled with wisdom and poetic phrases. He never learned to read or write, but I have never rread such poignant words. Here are some that touched me the most.
"When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
talking about rich and poor:
"When you hungry it is painful but when de belly too full it painful too."
death
“My father say, ‘Oh de ground eats de best of everything.’ Den he weepee too."
good husband
"De husband what knows what is needed And gives it without asking—"
"When we see a man drunk we say, ‘Dere go de slave whut beat his master.’ Dat mean he buy de whiskey. It belong to him and he oughter rule it, but it done got control of him."
tree of his children have died
“Our house it very sad. Lookee lak all de family hurry to leave and go sleep on de hill."
His church members ask him:
‘Uncle Cudjo, make us a parable.’ “‘Well den,’ I say, ‘You see Ole Charlie dere. S’pose he stop here on de way to church. He got de parasol ’cause hethink it gwine rain when he leave de house. But he look at de sky and ’cide hit ain’ gwine rain so he set it dere by de door an’ go on to church. After de preachin’ he go on home ’cause he think de parasol at Cudjo house. It safe. He say, “I git it nexy time I go dat way.” When he come home he say to one de chillun, “Go to Cudjo house and tellee him I say sendee me my parasol.” “‘De parasol it pretty. I likee keep dat one.’ But I astee dem all, ‘Is it right to keep de parasol?’ Dey all say, ‘No it belongto Charlie.’ “‘Well,’ I say, ‘my wife, she b’long to God. He lef’ her by my door.’
‘Uncle Cudjo, make us a parable.’ “Den I axed dem, ‘How many limbs God give de body so it kin be active?’ “Dey say six; two arms two feet two eyes. “I say dey cut off de feet, he got hands to ’fend hisself. Dey cut off de hands he wiggle out de way when he see danger come. But when he lose de eye, den he can’t see nothin’ come upon him. Hefinish. My boys is my feet. My daughter is my hands. My wife she my eye. She left, Cudjo finish.”
Hurston, Zora Neale.
Barracoon: The Story of the Last Black Cargo
If you read the book, you don't need to read my review. But I want you to see this quote most of all: "When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
I just read this book, and midway through, I am crying heavily, tears rolling down my face. But not for the horrors and just plain misfortune, which was unimagineable, that he endured during his 91 years, but for the beauty and love that shined through in spite of it.
He was only a "slave" for 5 and a half years. His freedom granted at the end of the Civil War. So the life of a slave was not the main focus of this book, but rather his endless yearning for home, and his quest to recreate it in America.
After reading this, and in the light of the enormous GREED that is coming to light in our own govenment, I can see the thread of GREED running through this whole story and through the entire story of the slave trade in America.
Yes, other Africans sold their captors into slavery. But they would have had no where to sell them if white men in ships had not been waiting on the shore.
Reading the story of Cudjo in his own words, I began to see an evident pattern. He lived in a tiny village in Africa, far from the coast. They had a society with rules and laws. Yes, it was very different from America, and in many ways would seem backward and violent, maybe even misogynistic, men having several wives, paying for them, fattening them up, etc.
But their laws, though harsh, seemed to benefit everyone. If you lied, stole, even murdered, you were tried and punished as everyone watched. If you kill you will be killed. However, the tribe did not wage war, they prepared for it, but that's all. Living in peace, they raised their animals, hunted, raised crops - never having to work too hard. They used palms to make wine, babanas to make beer. They used the different leaves of the forrest to heal wounds and even preserve the dead in some cases.
But their far off neighbors lived differently. They waged war on everyone, heartlessly killing indiscriminately, collecting taxes (food and wealth) from villagers they spared, who paid out of fear. They soon found that if they killed everyone in a village except the young and healthy, they could sell them as slaves on the coast. So, thats what they did. As the warring tribe traveled in comfort, being fed by all the small villages along the way (out of fear), they would arrive at Cudjo's village one day and did exactly that. They asked for their crops and wealth and when the village refused, they killed everyone and captured all the young.
One reason they were able to do this so easily, is because his village safety secrets were betrayed by a man for pay from the warring king. So his GREED led to the capture and slaughter of an entire village, so the king could transport them to the coast to sell. The king's GREED led him to demand other people's wealth as payment for being spared, and so he and his village did not have to work. Then he fed his GREED by selling the captors to the slavers. And he had no problem decapitating anyone who defied him and carrying their heads around on sticks!
Is this beginning to sound familiar? Seems like too many of the people in government begin to act like this. Filling their pockets by dominating the people below, causing pain and destruction without regard. We even have the same people willing to betray secrets that keep people safe, for money.
Now we come to the ship owners who were willing to sail to the coast of Africa for "cargo" that they could sell back home. This story takes place after it was illegal to sail there and bring in slaves. But these people who paid for the ship to sail and the captain were all willing to break the law for their own GREED. They did not care that people cried, got sick were separated from home and family, as long as they got paid. The ship in this story was about the same size as my one bedroom apartment. 116 blacks were laid in the hold for a 75 day trip.
When they arrived, the slaves were sold again, to people who believed it was their birthright to own land and become wealthy and to use slave labor to do it. And when the slaves were freed a few years later, the forer owners felt nothing was owed them. Their own GREED kept them from feeling the freed slaves were owed a place to live or land. Nor did they feel it would be necessary to take on the cost to return them to Africa.
But all this is the back story to his life. He was "freed" and told to go wherever he wanted to go! He was unable, as were his friends in the same situaton, to save enough after being freed to afford passage back to Africa, and of course his village would not have been there anyway. They decided to try to buy land. They rented it at first from their former owners, and did without until they were able to actually buy it. They buitl their own houses themselves, and their own church eventually. They created an African village in America, run by tribal leaders they chose. But his troubles did not stop. Other black Americans who had been here much longer, looked at him and his friends as "savages". They were ridiculed and taunted so much that his children grew up angry and combative. Cudjo was hit by a train, and tried to sue the train company, but his lawyer ran off with the money. His children died one by one, some from sickness, some from run-ins with the law, one from suicide over the despair of all his brothers dying. Cudjo even lost his wife, from a broken heart I think, at all her children dying. He had only a daughter in law and two grandchildren left.
But when he talked about his wife and children it was always with such love and open pain. His stories of his home land were filled with wisdom and poetic phrases. He never learned to read or write, but I have never rread such poignant words. Here are some that touched me the most.
"When I think ’bout dat time I try not to cry no mo’. My eyes dey stop cryin’ but de tears runnee down inside me all de time. "
talking about rich and poor:
"When you hungry it is painful but when de belly too full it painful to
The actual "Baracoon" story takes up about a third of the book. The other two-thirds is filled with introductions, prefaces, pages of book review snippets, additional stories told by Lewis, afterword, notes, glossary - never saw anything like it. But it is mostly interesting and educational, especially for its authenticity and historical value. "12 Years A Slave" is a better true history of one slave's life, and the novel "Uncle Tom's Cabin," perhaps the greatest book about American slavery, is unbeatable for learning about the various angles, forms and breath of slavery in this country in an entertaining read.
Cudjo, born as Oluale Kossola, tells us his life story from his time in his village, his capture, his freedom, and then the founding of a settlement of other Africans after the Civil War, called Africatown. Hurston writes the story in first person using Cudjo's own words and dialect. We hear of his life after slavery, about his family, and how his life's tragedies didn't end with his freedom.
Barracoon was never published during Hurston's lifetime and the two main reasons given are that the vernacular she uses to capture Cudjo's own words was either too difficult to read or out of favor or, most likely in my opinion, the fact that it sheds an unfavorable light on fellow African's role in the slave trade. I recently read "Scarlet Sister Mary" by Julia Peterkin which was widely popular when published in 1928 and won the Pulitzer Prize in 1929. Peterkin, notably the wife of a white plantation owner, is 'praised' for capturing the language and style of the Gullah dialect in her novel. Fascinating that a couple of years later, Black vernacular would suddenly be an insurmountable obstacle to publishing...
As a side note, there were two films put out in 2022 that connect to Cudjo's story. One is the fantastic documentary 'Descendant' which covers the story of Africatown and how the recent finding of the wreck of the Clotilda, the ship that brought Cudjo to America impacted the community. The other is 'The Woman King' which tells the story of the all-female warriors Cudjo notably cites in the attack on his village. It faced criticism for omitting this aspect of their story.
Top reviews from other countries
I like how the author Zora Neale Hurston used the style of speech Kossula used. I feel that gives a more accurate view to the story being told. The story itself was fascinating, something I could not imagine. How his people and surrounding peoples lived and then on to his story of becoming a slave and then to freedom and how life was after that.
After the story is told there are other stories as told to the author which are interesting. After that a discussion about the author herself. Finally a glossary of terms. All of this is interesting and for me useful information regarding this story.
I give it 5 stars even though I wish there was more. I liked what I read and would recommend it as an essential read.
It surely is not a great book of fiction as Roots but a mandatory complement to it. It clarifies how the African kingdoms were, as suppliers, as guilty of the slave trade as the slavers, European and Arabs, as buyers.





















