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Comment: Ex-library with usual stamps, labels and pocket/card. May have blacked or obscured library labels or discard stamps. Cover has reinforced edges or heavy laminate.
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Uta Barth (Contemporary Artists) Paperback – November 1, 2004

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Editorial Reviews

Review

'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)

About the Author

Matthew Higgs is a British artist and kindred spirit of Dave Muller.

Pamela M. Lee is Professor of Art History at Stanford University and the author of "Object to Be Destroyed: The Work of Gordon Matta-Clark" and "Chronophobia: On Time in the Art of the 1960s", both published by the MIT Press.
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Product Details

  • Series: Contemporary Artists
  • Paperback: 160 pages
  • Publisher: Phaidon Press; Second ed. edition (November 1, 2004)
  • Language: English
  • ISBN-10: 0714841536
  • ISBN-13: 978-0714841533
  • Product Dimensions: 10 x 0.8 x 11.5 inches
  • Shipping Weight: 2.1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,295,558 in Books (See Top 100 in Books)

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Format: Paperback
This splendid monograph on the work of Uta Barth lays out in lavish detail how she deconstructs vision into a series of sensations and effects. She began making pictures of the backgrounds of snapshots, and then photos of the backgrounds of action film stills. Her aim was the periphery of conscious sight, and the results have been dazzlingly effective. She has progressed in this investigation of vision by adding the effects of the passage of time, and investigating the visual collapse that occurs from an extended stare. Her pictures are always rigorously composed and stunningly beautiful, and they are accurately illustrated in this superb book. The essays are smart and insightful, and the interviews are enlightening. Well worth the cost.
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