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Batman Begins [HD DVD]

4.5 out of 5 stars 2,338 customer reviews

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• IMPORTANT NOTICE: This high-definition disc will only play in an HD DVD player. It will not play in a standard-definition DVD player, Blu-ray player, or PS3.

Editorial Reviews

Batman Begins explores the origins of the Batman legend and the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to fight the sinister forces that threaten the city.

Product Details

  • Actors: Christian Bale, Katie Holmes, Michael Caine, Liam Neeson, Morgan Freeman
  • Format: Anamorphic, Color, Dolby, Subtitled, Widescreen
  • Language: English, French, Spanish
  • Subtitles: English, French, Spanish
  • Dubbed: French, Spanish
  • Aspect Ratio: 2.40:1
  • Number of discs: 1
  • Rated:
    PG-13
    Parents Strongly Cautioned
  • Studio: Warner Home Video
  • DVD Release Date: October 10, 2006
  • Run Time: 140 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2,338 customer reviews)
  • ASIN: B000E1MTY0
  • Amazon Best Sellers Rank: #116,201 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Batman Begins [HD DVD]" on IMDb

Customer Reviews

Top Customer Reviews

By Hazen B Markoe on June 16, 2005
Since his first dramatic appearance in Detective Comics in 1939, Batman has grown to become a pop-culture icon. From movie serials in the 40's, to a classic campy TV show in the 60's, to a solid animated series in the 90's, fans have thrilled to the super heroics of this unique character. However, as a film franchise, he has brought results that were somewhat less than impressive creatively. While the Tim Burton directed films, BATMAN and BATMAN RETURNS were stylish and dark, they also suffered from plot holes you could drive a Batmobile through. Then Joel Schumacher introduced a Day-Glo sensibility to the Dark Knight in BATMAN FOREVER, before drowning the character in ludicrous costumes (a Bat suit with nipples???), pun-filled foes, and whiney sidekicks in the lousy BATMAN & ROBIN. By then, Batman as cinematic property had become a laughingstock. Fortunately, indie film director Christopher Nolan reinvigorates the franchise in glorious form in BATMAN BEGINS, a reboot of the Batman legend that, for the first time, puts the focus squarely on our hero and not on the over-the-top villains of past films. Nolan also bases the film in a strong semblance of reality that allows the audience to not only accept the possibility of the winged vigilante, but embrace it as well.

Most fans already know the story of how wealthy Bruce Wayne (Christian Bale) loses his parents when they are slain during an attempted robbery, but the movie also tells how he chose the bat as his symbol, as well as the steps needed to become the avenger of the night that he turns into. Disillusioned and frustrated by Gotham City's corrupt judicial system, the young Wayne goes abroad to study the criminal mind.
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Christopher Nolan and his co-screenwriter, David Goyer have chosen to postpone the crossover of Bruce Wayne (a soulful Christian Bale) into Batman until half way through the new "Batman Begins."
And this is a crucial and important step that Nolan puts off until Bruce walks the earth in search of his own personal nirvana... in a sort of Christ-like journey to understand himself and his place in the world after his parents are brutally murdered. It is also from this quest that he acquires the knowledge and skills necessary for him to become a warrior, ready and able to combat the ills and rid his town Gotham of all evil-doers.
Nolan's "Batman Begins" is a more macho, masculine film than were the previous movies, which is not to take anything away from Tim Burton's elegiac, gothic and visionary takes on this story. But Burton's world is/was/ and will always be the world of the dreamer: his Batman is more sinned against than sinning. His Batman needs love and understanding while Nolan's wants and needs justice and revenge more than anything else: even the sultry Katie Holmes as Rachel Dawes proves to be of little interest to Batman save a chaste kiss at the end of the movie. It's interesting to note that in the previous Batman films we had big beautiful bombshells like Kim Bassinger and Nicole Kidman as the so-called love interests while here, in Nolan's vision we have a more scrubbed clean, working class (Rachel is an assistant D.A.) heroine: a woman who is as interested in righting wrongs as is Batman and not merely someone meant as an adornment to the suave debonair Batman of Val Kilmer, George Clooney or Michael Keaton.
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After years of not having a Batman film and mostly due to the franchise hitting bottom thanks to Joel Schumacher's disastrous "Batman forever" and "Batman and Robin", Christopher Nolan present us his version of the character with an impressive all star cast anda story brilliantly written by David S. Goyer.

The film

There were high expectations for this film before its release as if would it be as good as Burton's films, the truth is, there are no points to compare, Nolan and Burton visions are quite different from each other, but both respect the origins and essence of who the character is.

Goyer took some liberties in the storytelling that could be considered as unforgivable by many fans (Bruce's parents are originally killed after seeing "Mark of Zorro" at the movie theater, a fact that marks Bruce's mind with the idea of a masked vigilante) but also hints at stuff that the previous versions let pass unnoticed, the main focus of this film are the origins of Batman and his training to become what he ultimately is. Even though the detective part of Bruce's training is not even mentioned, the twist in which Ra's Al Ghul (Liam Neeson) is the one who trained him in the ninja arts and theatricality just makes their conflict more delightful and interesting. Cameos and appearances of characters from the comic book are also well used, justified and important to the story (Carmine Falcone and killer Zsaz)

The story uses the two villains exactly as they would act in the comic book, Ra's Al Ghul with his constant desire to set thing right his way and Jonathan Crane (Cillian Murphy) working and experimenting with the thing he enjoys the most: fear.
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