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Batman Killing Joke Hardcover – March 19, 2008
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Presented for the first time with stark, stunning new coloring by Bolland, Batman: The Killing Joke is Alan Moore's unforgettable meditation on the razor-thin line between sanity and insanity, heroism and villainy, comedy and tragedy.
 
According to the grinning engine of madness and mayhem known as The Joker, that's all that separates the sane from the psychotic. Freed once again from the confines of Arkham Asylum, he's out to prove his deranged point. And he's going to use Gotham City's top cop, Commissioner Jim Gordon, and his brilliant and beautiful daughter Barbara to do it.
Now Batman must race to stop his archnemesis before his reign of terror claims two of the Dark Knight's closest friends. Can he finally put an end to the cycle of bloodlust and lunacy that links these two iconic foes before it leads to its fatal conclusion? And as the horrifying origin of the Clown Prince of Crime is finally revealed, will the thin line that separates Batman's nobility and The Joker's insanity snap once and for all?
Legendary writer Alan Moore redefined the super-hero with Watchmen and V for Vendetta. In Batman: The Killing Joke, he takes on the origin of comics' greatest super-villain, The Joker&;and changes Batman's world forever.
Stunningly illustrated, Batman: The Killing Joke, The Deluxe Edition has been lushly re-colored by artist Brian Bolland, presenting his original vision of this modern classic for the first time.
- Print length64 pages
- LanguageEnglish
- PublisherDc Comics
- Publication dateMarch 19, 2008
- Dimensions7.4 x 0.47 x 11.1 inches
- ISBN-105012256263
- ISBN-13978-5012256263
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"Easily the greatest Joker story ever told, Batman: The Killing Joke is also one of Alan Moore's finest works." —IGN
“I loved The Killing Joke…It’s my favorite. It’s the first comic I’ve ever loved.”
—Tim Burton
About the Author
After making his professional debut in 1975, artist Brian Bolland perfected his clean-line style and meticulous attention to detail on a series of popular strips for the British comics magazine 2000 AD, most notably its signature feature Judge Dredd. He went on to illustrate the 12-issue maxiseries Camelot 3000 and the Alan Moore-written graphic novel Batman: The Killing Joke for DC before shifting his focus to work almost exclusively on cover illustrations. Since then, he has earned a reputation as one of the best cover artists in the industry, and his elegantly composed and beautifully rendered pieces have graced a host of titles, including Animal Man, Batman, The Flash, The Invisibles, Wonder Woman and many more.
Product details
- ASIN : 1401216676
- Publisher : Dc Comics; Deluxe edition (March 19, 2008)
- Language : English
- Hardcover : 64 pages
- ISBN-10 : 5012256263
- ISBN-13 : 978-5012256263
- Item Weight : 15 ounces
- Dimensions : 7.4 x 0.47 x 11.1 inches
- Best Sellers Rank: #111,879 in Books (See Top 100 in Books)
- #254 in DC Comics & Graphic Novels
- #1,265 in Superhero Comics & Graphic Novels
- #26,328 in Science Fiction & Fantasy (Books)
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About the author

Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.
Bio and photo from Goodreads.
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He's crazy, he kills people simply for his own twisted sense of humor, but always has a very zany, cartoonish attitude, which I felt was lacking in Miller's interpretation, where Joker seemed much too serious in appearance, dialogue, and action. The Joker presented in this graphic novel truly is a fiendish jester of fate, who for the most part is truly frightening, but never really acts like anything more than a loon. Bolland's art is very helpful in this aspect, not only bringing the Joker's exaggerated, skeletal body to life, but making it perhaps the most anatomically correct Joker ever seen, while still following the style of the 1970s Joker appearances.
The story revolves around the long struggle between Batman and his foe, and their never ending conflict. Joker, having escaped from Arkham Asylum (again), has decided to prove that one bad day can transform any sane man into a monster, such as himself. Taking possession of an old carnival he's ready to do whatever it takes to prove his point, with the assistance of a circus freak show. Meanwhile The Dark Knight questions himself on how this fight will end; coming to the realization that sooner or later one of them would kill the other, unless they tried to reason it out. A hopeless plan by our hero, but he has to at least try a single time to reason with his arch-nemesis, just so he can say he tried.
While Batman leads the hunt for the psychotic clown, Joker decides to prove his theory, kidnapping Commissioner Gordon, and shooting Barbara Gordon (Batgirl) through the spine (she never walks again). This is one of the most villainous acts in the history of comics; simply because of how pointless the shooting was, considering Barbara wasn't even in the character of Batgirl. She was just a bystander who Joker decided to use as a tool for his plot. Everyone is a puppet, or tool in his mind.
He does this act all of this while wearing a stereotypical beach-going tourist's attire, complete with a large camera, the only exception being his wide-brimmed, purple hat, which conceal his eyes. These are the eyes of a madman, and in one of the comic's final pages his eyes are concealed in shadow once again, before they come out and you see him for the hopeless case he truly is.
The story sets the stage for the most widely accepted Joker back-story through a series of flashbacks, showing him as a failed comedian with a pregnant wife, and soon winds up assisting criminals, and falling victim to tragedy. The character is shown to have had one bad day and that is how he ended up as the smiling super villain who has plagued Gotham City for decades. Of course this back-story isn't necessarily true, being that it comes from flashbacks spawned from Joker's mind, and as he famously states in his confrontation with Batman "If I'm going to have a past, I prefer it to be multiple choice!"
Gordon's capture and torture leads to a fight between these two iconic characters, where Batman tries to see if it is possible to reason with Joker logically, but the villain doesn't even try to lie about what is obviously in store for them. He can never be reasoned with, and won't stop until he's dead, and Batman refuses to kill him so it's a sick cycle that goes round and round. In the end of The Killing Joke the roller coaster has only been reset and it will only be a matter of time before Joker is back on the streets, killing again with some new, random scheme which will only make sense to him alone, depending on the mood he's in at the time, or which version of his past he remembers.
Alan Moore's story is sick, it's disturbing, and doesn't fail to leave the reader in a state of awe. The only problem is that by the end you crave for more! The story practically brings you to the point of begging for a sequel, or expansion which will probably never come. This is a one-shot story, and should remain that way, or else the original's impact may be lost. I don't have a single friend who doesn't think The Killing Joke is one of the most twisted, sick, most perfect stories of the comic medium. It's short, but it delivers a powerful punch!
Brian Bolland's art makes this short graphic novel a masterpiece, providing some of the best art ever seen in the characters' long history, only rivaled (in my opinion) by the art of Alex Ross. Joker really is frightening to look at here, because he doesn't look like a real person in most aspects, but Bolland manages to make this character incredibly believable in appearance, without taking any liberties of changing the body type into something more universal. The tall, skeletal body of the 1970s comics is preserved for the most part, except for the narrowing of the chin, which improves the look even further (hence why it's universally used in today's comics).
Recently I got the hardcover anniversary edition of The Killing Joke, with the artwork being edited by Brian Bolland, and re-colored by Bolland personally the way he intended it to be seen. I must say that I love the changes to the colors, more so than the cheery, bright colors of the original, which I felt distracted from Bolland's line-art, because the colors were way too traditional comic book, not fitting the intensity of the art. These colors are dark, gritty, and really captures to mood of the story more effectively than the bright colors of the original release. I especially love the flashbacks being in black and white, except for concentrating on objects that reflect the color red, which leads up to him taking on the garb of The Red Hood, before his first confrontation, leading to his ultimate disfigurement and insanity. This is a seriously talented artist and I only wish he was presented with more opportunities to draw these characters. Batman and Joker look their very best in these images, and I'd be hard pressed to find a comic with better consistency of art quality.
The Killing Joke is one, if not THE best story in the history of Batman comics, and rightfully earns my rating of 10/10 stars.
The Joker is the single most evil non-superpowered being in the DC universe, and almost nothing is known about who he was before becoming the arch-nemesis of Batman. While curiosity abounds for fans, even more prefer that he maintain this aura of mystery since it is believed that his pre-villain life was not one that would have been considered anything worth writing about; it is because of he IS the Joker that he means anything in the DCU at all.
All that aside, Alan Moore - the creative genius behind such works as V for Vendetta , Watchmen , From Hell , Swamp Thing , The League of Extraordinary Gentlemen and many others - took a chance and in 1988 presented the comic community with what DC has accepted as the official Joker origin story.
WARNING: SPOILERS AHEAD
The Killing Joke is about madness. The Joker has escaped from Arkham Asylum and is setting about a new and truly evil scheme; unrivaled since he murdered Jason Todd/Robin #2 in Batman: A Death in the Family . While Batman is frantically trying to track him down, the Joker has purchased a dilapidated carnival (like something you'd expect to find in a 21st century teen slasher flick, but in his hands is decidedly worse) and is now off to secure his "main attraction". Later at the home of Commissioner Gordon, Barbara answers the door to find a sick fixed smile shooting her through her spine, crippling her; after several off-color disabled jokes, Gordon is kidnapped and spirited away to the the Joker's carnival of horrors. (Moore and DC received a hailstorm of praise and criticism for rendering Batgirl a parapellegic, but the decision stuck and arguably many good, if not great, stories came from it.) Gordon regains consciousness to find himself being stripped down by a host of sideshow freaks and lead at the Joker's behest to a House of Horrors ride filled with the Joker's own snap-shots of Barbara fully undressed and in pain and filled with the Joker and his cronies singing a sardonic song about lunacy (GOD I WISH I KNEW THE TUNE!!!); all of this intended to drive Gordon insane.
Batman uncovers the Joker's plot and rushes to the carnival to stop him; a chase ensues through a booby-trap-laden house of mirrors in which the Joker states that he's proven his point with Gordon's unquestionable descent into madness: "All it takes is one bad day to reduce the sanest man alive to lunacy!" The joker goes on in his analysis with Batman, stating that he too is crazy, but won't admit it and tries to get him to accept it. The final confrontation between them is left a mystery, but it is clear that the Joker - after decades of campy portrayals - has most definitely re-earned the title of most evil comic book villain.
Throughout the story, the Joker offers flashbacks to his life before becoming the monster he is today. He was once a technician at the ACE Chemical Plant who quit his job to become a stand-up comedian. Unfortunately he fails miserably and worries about how he's going to support his very pregnant-in-the-late-trimester wife and soon-to-arrive baby. He decides to make fast, easy money by throwing in his lot with criminals looking to rip off a playing card company next door to the chemical plant and he offers his services to get through unnoticed. So as to protect his own identity, the gangsters present him with his disguise: The Red Hood. While in discussion for the crime, a couple of cops show up to tell him that his wife has died while operating a defunct bottle heater. In his shock, he tries to back out of the crime since he no longer has a reason to go through with it; but the gangsters hold him to it. Later on, they break into the plant, but everything goes wrong as the cops show up and take down the gangsters and that Batman appears to apprehend who he believes to be the Red Hood. Whether he jumped, fell or was pushed is unclear, but the man landed in a vat of chemicals that washed him out of the factory. When he reaches shore and removes his disguise and sees his reflection in a puddle of rainwater, he begins to laugh, turns and reveals himself as the Joker.
At the end of this story follows another one from the mini-series Batman: Black & White called here "An Innocent Guy" about a man - clearly disturbed, making the judgment that if anyone is to truly live a life devoted to good, then they must commit an act of evil to know that that is what they really want. After laying out his basic concept, he arrives at the conclusion that he must kill Batman. He lays out his plan in disturbing detail and closes with the a that after this one act of evil, he can go on to live a thoroughly good life and go to heaven when he dies.
Masterfully written by Alan Moore and beautifully illustrated by Brian Bolland, Batman: The Killing Joke is a must have for all comic collectors.
Top reviews from other countries
The introduction by Tim Sale and the afterword by Brian Bolland are written with sincerity and are totally worth a read. It also includes a morally questionable short story (8 pages) written and drawn by Brian Bolland that is surprisingly good and effective short story, even though it's pretty shocking and off-putting (even more than the actual Killing Joke story) as a boy implies that he would be ready to tie up a little girl and do perverted things to her just to ruin the lives of her family. But it's still a pretty neat extra. The book also includes a double page with some sketches for the Killing Joke as well as for the extra short story and every picture includes a caption from the artist himself. It's good as long as it lasts: I would have liked to see even more character concepts and sketches, but I'm glad that they included some of them anyway.
The overall design of the book is black and beautiful, the iconic art on the dust jacket (which you'll really get only after reading the book)and the black-and-purple hard cover art are just as good as it gets. I think this might be the best comic I'll ever encounter. Or maybe that's going to be Watchmen after I get my hand on that.
The tone and artwork are amazing.
Up there with the best graphic novels of all time.
The story is about the Joker trying to prove that its not just him that's crazy he wants to prove that the world is crazy and in comparison hes normal and its the rest of us that are warped. he goes about this by capturing the sanest and grounded person he can think of, Commissioner Gordon, and then proceeds to do unthinkable things to show that all it takes is one really bad day for even the most rational man to engulfed by insanity.
The characters are all at there strongest The Joker especially, for obvious reasons this is the book that Mark Hamill used to base his Joker persona around for the Batman: Animated Series. Jokers never been so lovable one minute then disgusting the next hes definitely at his best here and alot stronger than he is in the New 52 as he doesn't need to be "Gored up" to be scary it just comes naturally with his psychosis in this book. This book also marks the death of the original Batgirl and the birth of Oracle and the way its done is great just a few frames before Barbara Gordon is confronted by the joker you get the real impression of happiness in her eyes and then the tone changes completely and chillingly. I could analyse all the characters but there's little point, this book is about the joker he is the main character he is the hero of the book and the villain stealing the show from all angles.
The Art is beautifully detailed and presented, with solid drawings and practical use of colourings and shading to set the tone just right all the way throughout. I especially liked the detail to the eyes its done so well you can tell exactly what the characters thinking and feeling without even having to read the accompanying words.
No other book deserves five stars more, this is and always will be a classic and up to this date no writer has come anywhere close to a joker story matching it. You need this book!!
Contains Batman: The Killing Joke #1 and Batman: Black and White #4
Reviewed in the United Kingdom on May 24, 2015
The story is about the Joker trying to prove that its not just him that's crazy he wants to prove that the world is crazy and in comparison hes normal and its the rest of us that are warped. he goes about this by capturing the sanest and grounded person he can think of, Commissioner Gordon, and then proceeds to do unthinkable things to show that all it takes is one really bad day for even the most rational man to engulfed by insanity.
The characters are all at there strongest The Joker especially, for obvious reasons this is the book that Mark Hamill used to base his Joker persona around for the Batman: Animated Series. Jokers never been so lovable one minute then disgusting the next hes definitely at his best here and alot stronger than he is in the New 52 as he doesn't need to be "Gored up" to be scary it just comes naturally with his psychosis in this book. This book also marks the death of the original Batgirl and the birth of Oracle and the way its done is great just a few frames before Barbara Gordon is confronted by the joker you get the real impression of happiness in her eyes and then the tone changes completely and chillingly. I could analyse all the characters but there's little point, this book is about the joker he is the main character he is the hero of the book and the villain stealing the show from all angles.
The Art is beautifully detailed and presented, with solid drawings and practical use of colourings and shading to set the tone just right all the way throughout. I especially liked the detail to the eyes its done so well you can tell exactly what the characters thinking and feeling without even having to read the accompanying words.
No other book deserves five stars more, this is and always will be a classic and up to this date no writer has come anywhere close to a joker story matching it. You need this book!!
Contains Batman: The Killing Joke #1 and Batman: Black and White #4

















