- Series: Batman (DC Comics Hardcover)
- Hardcover: 256 pages
- Publisher: DC Comics; Gph edition (November 1, 2002)
- Language: English
- ISBN-10: 1563898446
- ISBN-13: 978-1563898440
- Product Dimensions: 6.9 x 0.9 x 10.5 inches
- Shipping Weight: 1.9 pounds
- Average Customer Review: 3.2 out of 5 stars See all reviews (448 customer reviews)
- Amazon Best Sellers Rank: #2,202,802 in Books (See Top 100 in Books)
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Batman: The Dark Knight Strikes Again (Batman (DC Comics Hardcover)) Hardcover – November 1, 2002
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The Dark Knight Strikes Again is Frank Miller's follow-up to his hugely successful Batman: the Dark Knight Returns, one of the few comics that is widely recognized as not only reinventing the genre but also bringing it to a wider audience.Set three years after the events of The Dark Knight Returns, The Dark Knight Strikes Again follows a similar structure: once again, Batman hauls himself out of his self-imposed retirement in order to set things right. However, where DKR was about him cleaning up his home city, Gotham, DKSA has him casting his net much wider: he's out to save the world. The thing is, most of the world doesn't realize that it needs to be saved--least of all Superman and Wonder Woman, who have become little more than superpowered enforcers of the status quo. So, the notoriously solitary Batman is forced to recruit some different superpowered allies. He also has his ever-present trusty sidekick, Robin, except that he is a she, and she is calling herself Catwoman. Together, these super-friends uncover a vast and far-reaching conspiracy that leads to the President of the United States (Lex Luthor) and beyond.
The Dark Knight Strikes Again is largely an entertaining comic, but much of what made The Dark Knight Returns so good just doesn't work here. Miller's gritty, untidy artwork was perfect for DKR's grim depiction of the dark and seedy Gotham City, but it jars a bit for DKSA, which is meant to depict an ultra-glossy, futuristic technocracy. Lynn Varley's garish coloring attempts to add a slicker sheen, but the artwork is ultimately let down by that which worked so well for DKR--this time around, it just feels sloppy and rushed. The same is true of the book's denouement, which happens so quickly that it leaves the reader reeling and looking for more of an explanation. Moreover, DKSA is packed full of characters who will mean little to those unfamiliar with the DC Comics universe (e.g., the Atom, the Elongated Man, the Question). Perhaps the book's biggest failing is that where The Dark Knight Returns gave comic book fans a base from which to evangelize to theuninitiated, The Dark Knight Strikes Again is just preaching to the converted. Comic book superhero fans will find much to enjoy here, but others would be better off sticking with the original. --Robert Burrow --This text refers to the Paperback edition.
From Publishers Weekly
This revision of an iconic character, the sequel to Miller's The Dark Knight Returns, has been one of comics publishing's most anticipated events. As installments of the DK2 comic appeared, controversy mounted. Much sloppier and gaudier, the strip didn't really resemble Miller's earlier book, and in the wake of September 11, Miller's in-your-face confrontation with authority figures upset some readers. The collected book edition makes it easier to appreciate why he'd take such risks. Miller sees Batman as an extremist, pushed to the verge of insanity because he can't compromise his beliefs. In this continuation, he's convinced today's world is controlled by powers even crazier and more ego driven than he is. And he's right. Lex Luthor and Brainiac have imprisoned, enlisted or intimidated Earth's superheroes; but the only one they can't control is the hero with no super powers, just furious moral rage. Superman, the ultimate voice of reason, tries to calm Batman. Instead, all hell breaks loose, in pages full of bursting shapes, digitized Day-Glo colors and jagged continuity. Intense as the reading experience is, it's less disturbing than Batman's assault on the masters of America and their accomplices. Miller peppers the book with caricatures of current politicians and pundits rubbing shoulders with outrageously cartoonish goons as they defend a computer-generated president and the Freedom From Information Act. If the masters of power are engaging in terrorism, this work suggests, why shouldn't rebels use terror in return? But how does a successful rebel avoid becoming a fascist leader himself? These are the questions Miller asks in this serious, important comic, a work that's intentionally disturbing in many ways and on many levels.
Copyright 2003 Reed Business Information, Inc.
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Top Customer Reviews
So now, on to the critiques. First, the positive. If you had read "Returns", then you know that Bruce Wayne/Batman died and that everyone knows Batman's identity. Well, it was all a ploy as the end of "Returns" will tell you. In "Strikes Again", Bruce Wayne has quietly been building a trained army to battle the police state that has become the U.S.. The story itself is decent, but a bit rushed. Bruce assembles the old Justice League to fight the "U.S. defense" ...Superman. Carrie has become Batman's lieutenant, running the army. Everyone has a bit of story here. Superman is being controlled by Lex Luthor (the "real" president) and Brainiac, due to them holding the last remaining city of Krypton hostage (if you know Superman backstory then you know he has had the city in his possession for a long time but couldn't figure out how to bring them back to normal). Wonder Woman is still in love with Superman, and even has a daughter who comes into play later. The pace, again, was quick, so anyone looking for non-stop action will be pretty content. Story was decent. And that is about where by positives end.
Now for the cons. I like Frank Miller's writing from what I have read, but I personally think the pace was too rushed. Also, since it was on my kindle there were some parts that were cut off from reading. But the rushing and the language barrier ("billy", for example) made some of this a very hard read. Then there is the art. Lynn Varley's style might be appealing to some, but I hate it. Very polygonal in my opinion. And the sequences could, at times, be very hard to follow. Lex Luthor? Nearly unrecognizable. Carrie's visuals are very weird. The only reason you knew she was a woman were the Angelina Jolie-sized lips.
All in all, the rushing and weak art-work were the reasons I didn't like this end to what was otherwise a solid effort. The police state idea and how Superman became everything Batman was afraid of was a good angle. The Flash running the power grid for the entire country was a funny/messed up plot device. I wasn't overly pleased with the previous "Returns" for the art as well, so nothing changed there.
I'd give it a 5.5/10 for a slightly compelling story that is worth reading (IMO) but not worth the fuss of The Dark Knight Returns.
So yea, future readers, do yourselves a favor: read the Wikipedia summary of this book, and go right to part three.