NB: there are a couple of spoilers, but this story is almost 7 years old, so don't be too surprised. Also, as the author is Grant Morrison, this book necessitates a longer review to be fair.
The main commonality amongst all the reviews here seem to be Grant Morrison's writing in RIP. This is sensible, as it is the writing, not the art, that is the most defining feature of this book. With Morrison, it is his style that tends to pull focus for the reader.
To begin, the writing is pretty much what I expected from Morrison. It is dense, complex, confusing, entertaining, and appropriately Batman. Morrison is not my favorite writer, and I struggle with reading pretty much any of his collections in one sitting. Before judging, it is not because I am not smart enough to comprehend a deeper meaning he hides, or too distracted for works without payoffs every page. No, I struggle because his work gives me a lot to think about and process what I just read. Though the reader gets this complete story collection in one book, it was not meant to be read this way. The story feels like it was meant to have the reader wait months for the whole picture. As a result, reading two or three chapters at once may reduce the drama, or overload the reader without be given the chance to digest the chapter.
The story itself is somewhat disjointed and fragmented, but that's exactly what was expected. I would say there were maybe five or six times I checked to see if two pages were stuck together, because the story shifted gears so suddenly and inorganically. Morrison was probably going for this angle, but just because this was his intent doesn't mean it is all excusable. I can appreciate waiting a long time to see answers finally revealed in a story, even in vague, uncertain terms, but I also value some degree of clarity and linear ideas. I confess, I had to head over to Wikipedia to make sure I got everything after I had read this book a couple of times, just to make sure I got everything. I am not a comics snob, but I dislike having to go to Wikipedia for summaries. So, I felt a little dumb having to read a summary of a COMIC book that I read twice. I'm not a Mensa member, but I don't feel that I am unintelligent. I am all in favor of a thought-provoking comic book, and this certainly is one. I only feel that at times it is more of a head-scratcher out of confusion, instead of big ideas.
The final not on the writing is that, as I'm sure others have mentioned, is that the actual moment when Bruce Wayne 'dies', is not included in a collection called Batman RIP. Some might say that having that moment when Darkseid blasts Batman with his Omega beams would feel really out of place in this book. They are right, sort of. The issues where Bruce is suddenly being experimented on by Darkseid's scientists are included, with zero explanation of how this whole situation came to be. I mean nothing. Not even a *see Final Crisis for the context of this bizarre scene* note. The moment of Batman's 'death' probably could have been included, with panels worked in with at least a mild sense of context. However, knowing Morrison, this idea was probably tested, and the final panel would just not have worked as well.
The art is passable. It's certainly not Daniels' best work, but he is one of those artists who have been improving over time, so I don't believe he was not trying here. Daniels has proven himself a most talented artist on the Justice League and Batman & Robin Eternal series. The only reason I mention this is that when I saw his name on the cover, I was expecting the quality of work he shows on more recent titles. His work here is not as dynamic as that of Hush, or as clean as that in Year One, but it gets the job done without ever crossing into mediocre territory. His Joker is creepy, almost to the point of being grotesque, but undeniably the Clown Prince of Crime. The covers by Alex Ross are all welcome and fantastic. I would not have wanted his particular style to tell this story, but his art was great to see and actually helped my overall view of this collection. To be fair to Daniels, having his work offset by one of my favorite artists may have accentuated the differences in artistic skill.
Thanks if you've stuck with me this far. To conclude, I like this story, but it may not be for everyone. It feels like Batman, without a doubt, but there is an alien element, something different that is immediately noticeable. While relatively inexpensive, this story almost certainly requires the reader to invest in more than one collection to gain full appreciation for Morrison's Batman.
Buying Options
Digital List Price: | $14.99 |
Kindle Price: | $11.99 Save $3.00 (20%) |
You've subscribed to ! We will preorder your items within 24 hours of when they become available. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period.
Update your device or payment method, cancel individual pre-orders or your subscription at
Your Memberships & Subscriptions
Your Memberships & Subscriptions
There was an error. We were unable to process your subscription due to an error. Please refresh and try again.
Add to book club
Loading your book clubs
There was a problem loading your book clubs. Please try again.
Not in a club? Learn more
Join or create book clubs
Choose books together
Track your books
Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free.

![Batman: R.I.P. (Batman by Grant Morrison series Book 4) by [Grant Morrison, Tony Daniel, Lee Garbett, Tony Salvador Daniel]](https://m.media-amazon.com/images/I/415nvcxtR4L._SY346_.jpg)
Batman: R.I.P. (Batman by Grant Morrison series Book 4) Kindle & comiXology
by
Grant Morrison
(Author),
Tony Daniel
(Illustrator),
Lee Garbett
(Illustrator, Artist),
Tony Salvador Daniel
(Artist)
&
1
more Format: Kindle Edition
Price | New from | Used from |
- Kindle & Comixology
$11.99 Read on any device Kindle & ComixologyBuy now and you can also read this title for free on the Comixology app, Amazon's premier digital comic reading experience. Learn More - Hardcover
$9.88 - Paperback
$26.88
Tying into his other blockbuster stories of 2008 FINAL CRISIS and BATMAN, THE RESURRECTION OF RA'S AL GHUL, the legendary Grant Morrison confronts readers with the unthinkable ... the death of The Dark Knight. The troubled life of Bruce Wayne seems to spin out of control when his relationship with the mysterious Jezebel Jet deepens. Soon Bruce Wayne drops out completely, having seemingly become the victim of mental illness, and abandons his Batman identity for a life on the streets of Gotham City. Capitalizing on the fall of their greatest foe, the Club of Villains begin a crime spree through the streets of Gotham that threatens to bring the city to its knees. Collects BATMAN #676-683.
- LanguageEnglish
- PublisherDC
- Publication dateNovember 21, 2011
- File size620232 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Kindle e-Readers
Fire Tablets
-
Next 3 for you in this series
$56.97 -
Next 5 for you in this series
$116.95 -
First 30 for you in this series
$484.29
Books In This Series (81 Books)
Complete Series
Page 1 of 1Start OverPage 1 of 1
Customers who viewed this item also viewed
Page 1 of 1 Start overPage 1 of 1
Editorial Reviews
From Publishers Weekly
Starred Review. Batman is pushed past the edge of sanity in this spectacular story that mixes icy mind games and passionate outbursts. A club of criminal masterminds, the Black Glove, has an elaborate plot to make Bruce Wayne/Batman self-destruct by convincing him that all his friends and lovers have betrayed him and that his most trusted memories are false. As clever in their scheming as the villains are, however, they have no idea how thorough Batman has been in planning ways to protect his obsessions; consequently, the action is fractured between scenes of what is really happening, what might be happening, what probably isn't happening, etc. This premise gives scriptwriter Morrison and principal artist Daniel a chance to review key episodes and images from the Caped Crime Fighter's long career—including, of course, numerous encounters with the Joker, who's too chaotic to be happy in any organization like the Black Glove, but who struts through the action wielding sardonic humor and two straight razors. Whether Batman winds up (or ever was) totally sane is unresolved, but he's a fascinating protagonist in this sweeping, emotionally draining saga. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Having largely abandoned the outré projects (e.g., Doom Patrol, The Invisibles) that made his reputation for chronicling DC’s big superheros, Morrison here gives us the caper that puts the lid over the Caped Crusader. Dr. Simon Hurt, leader of the international criminal associates known as the Black Glove, has devised an elaborate psychological trap for Batman. The scheme succeeds in breaking Batman’s sanity, long established as being dangerously fragile, and leading him to adopt a psychotically violent persona, the Batman of Zur-En-Arrh, who squares off in Arkham Asylum against Dr. Hurt’s new ally, the Joker. Batman’s delusions are likely to be as confusing to readers as they are to him. Morrison uses elements from seven decades’ worth of disparate and contradictory versions of the character, and only the most dedicated fans will recognize most of them. Tony Daniel’s art grounds the complex proceedings with clarity and verve. Batman’s apparent demise at the saga’s end leads into an arc in which various would-be successors vie for the right to wear his cowl. --Gordon Flagg
Review
“[Grant Morrison is] comics’s high shaman.”—WASHINGTON POST
“[A] comic legend.”—ROLLING STONE
About the Author
Grant Morrison has been working with DC Comics for more than twenty years, beginning with his legendary runs on the revolutionary titles ANIMAL MAN and DOOM PATROL. Since then he has written numerous best-sellers — including JLA, BATMAN and New X-Men — as well as the critically acclaimed creator-owned series THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. Morrison has also expanded the borders of the DC Universe in the award-winning pages of SEVEN SOLDIERS, ALL-STAR SUPERMAN, FINAL CRISIS and BATMAN, INC., and he is currently reinventing the Man of Steel in the all-new ACTION COMICS.
In his secret identity, Morrison is a “counterculture” spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times best-seller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.
Tony S. Daniel decided to be a comics artist in the 8th grade, and he hasn’t looked back since. After making his professional debut in 1993 on Comico’s The Elementals, he has contributed work to Marvel’s X-Force and Image’s Spawn: Bloodfeud as well as writing and illustrating his creator-owned titles Silke, The Tenth, Humankind, Adrenalynn and F5 — the last two of which led him, for a time, into the alternate reality known as Hollywood.
After being lured back into comics to work with writer Geoff Johns on DC’s TEEN TITANS, Daniel went on to draw the final three issues of FLASH: THE FASTEST MAN ALIVE before landing his dream job pencilling the Dark Knight’s adventures in BATMAN. The Batcave is, he reports, surprisingly cozy.
In his secret identity, Morrison is a “counterculture” spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times best-seller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.
Tony S. Daniel decided to be a comics artist in the 8th grade, and he hasn’t looked back since. After making his professional debut in 1993 on Comico’s The Elementals, he has contributed work to Marvel’s X-Force and Image’s Spawn: Bloodfeud as well as writing and illustrating his creator-owned titles Silke, The Tenth, Humankind, Adrenalynn and F5 — the last two of which led him, for a time, into the alternate reality known as Hollywood.
After being lured back into comics to work with writer Geoff Johns on DC’s TEEN TITANS, Daniel went on to draw the final three issues of FLASH: THE FASTEST MAN ALIVE before landing his dream job pencilling the Dark Knight’s adventures in BATMAN. The Batcave is, he reports, surprisingly cozy.
Product details
- ASIN : B0064W64I0
- Publisher : DC (November 21, 2011)
- Publication date : November 21, 2011
- Language : English
- File size : 620232 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 213 pages
- Best Sellers Rank: #78,259 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
Customer reviews
4.5 out of 5 stars
4.5 out of 5
714 global ratings
How customer reviews and ratings work
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
Great product, great price. The story and art are too rate. Loved the old school Batman story references throughout. Definitely recommend.
Images in this review
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Reviewed in the United States 🇺🇸 on March 8, 2016
Report abuse
8 people found this helpful
Helpful
Reviewed in the United States 🇺🇸 on February 24, 2009
My first experience with Grant Morrison's writing was during his very successful stint helming the JLA. After I bought several compilations, a friend of mine who was much more knowledge of comics than myself, informed me that Morrison was a huge star among comic writers but I found the stories highly unimpressive. Of course my buddy had also once gushed over Rob Liefeld so his taste could sometimes be questionable. Over the years, however, I have grown to realize that Morrison is the real deal not some overrated flash in the pan but like his cohort at DC, Geoff Johns, his quality can vary dramatically. Neither have the consistency of Alan Moore. So is R.I.P a boom or a bust? It is most definitely the former.
Batman R.I.P. is an absolute stellar achievement by Grant Morrison. With the release of R.I.P. and All-Star Superman this has been an incredible month for the prolific writer. One complaint I've heard about R.I.P. is that it's very stream of conscious and disorienting and I'll admit that this kind of story if done wrong can be very taxing. The story is a continuation of the previous collection with the Black Glove unleashing a psychological attack on Batman the likes of which the Dark Knight has never seen. Morrison puts the reader into the mind of Batman as he spirals downward into a dark abyss leaving us nearly as disoriented as Batman himself. Problems occur in these kinds of surreal story when the writer leaves no lifeline for the reader but Morrison skates that fine edge leaving just enough for a reader to latch onto to produce a coherent story. The Joker also plays a fairly substantial role in the story as well as a group of international villains collected by the Black Glove.
The last big event comic from DC I read was the Sinestro Wars which was quite good but in my humble opinion R.I.P reaches an even higher level. Sinestro Wars was more sound and fury while R.I.P really gets into the readers head. R.I.P. reaches such a fevered crescendo with Batman charging around in a raggedy red and yellow Batsuit taking advice from Bat Mite screaming that he is the Batman of Zur En Arrh, it just feels as if nothing can even return to the way it was. So many stories have delved into the psychology of Batman but this one seems to take it all the way. The conclusion actually opens far more questions than it answers particularly related to the event that created the Batman, the murder of his parents. Grant Morrison takes everything we know about Batman and turns it on its head.
This collection delivers in both writing and visuals and I now put it among the best stories I have read in over 30 years of collecting. Do not pass it up.
Batman R.I.P. is an absolute stellar achievement by Grant Morrison. With the release of R.I.P. and All-Star Superman this has been an incredible month for the prolific writer. One complaint I've heard about R.I.P. is that it's very stream of conscious and disorienting and I'll admit that this kind of story if done wrong can be very taxing. The story is a continuation of the previous collection with the Black Glove unleashing a psychological attack on Batman the likes of which the Dark Knight has never seen. Morrison puts the reader into the mind of Batman as he spirals downward into a dark abyss leaving us nearly as disoriented as Batman himself. Problems occur in these kinds of surreal story when the writer leaves no lifeline for the reader but Morrison skates that fine edge leaving just enough for a reader to latch onto to produce a coherent story. The Joker also plays a fairly substantial role in the story as well as a group of international villains collected by the Black Glove.
The last big event comic from DC I read was the Sinestro Wars which was quite good but in my humble opinion R.I.P reaches an even higher level. Sinestro Wars was more sound and fury while R.I.P really gets into the readers head. R.I.P. reaches such a fevered crescendo with Batman charging around in a raggedy red and yellow Batsuit taking advice from Bat Mite screaming that he is the Batman of Zur En Arrh, it just feels as if nothing can even return to the way it was. So many stories have delved into the psychology of Batman but this one seems to take it all the way. The conclusion actually opens far more questions than it answers particularly related to the event that created the Batman, the murder of his parents. Grant Morrison takes everything we know about Batman and turns it on its head.
This collection delivers in both writing and visuals and I now put it among the best stories I have read in over 30 years of collecting. Do not pass it up.
6 people found this helpful
Report abuse
Reviewed in the United States 🇺🇸 on March 2, 2016
Right off the bat (no pun intended), buyer beware that if you haven't read Morrison's Batman and Son, you'll have no idea what's going on in this trade. If you have read that collection, this book is a no-brainer. Batman and Son comes across as a somewhat scattershot book, jumping from one storyline to the next without any real feeling of connection between the plots outside of the occasional mention of the "Black Glove." This is the book that brings all of those stories together and gives them a satisfying conclusion...if you don't want to read any further.
What do I mean by that? There are two different groups who may benefit from buying this book. The first is those who just want to see the Black Glove storyline introduced in Batman and Son played out to its conclusion. This book definitely gives you "an" ending to that story. The second is those who want to experience the full story that began in Batman and Son. For those people, they'll need to read this followed by: Final Crisis, Batman: Time and the Batman, Morrison's Batman and Robin Vol 1-3, The Return of Bruce Wayne, Morrison's Batman Incorporated, and the New 52 volumes of Batman Incorporated.
One quick note for those who wish to follow the whole storyline: when reading this book, stop at the point where the Black Glove storyline seemingly ends and the book jumps into what seems like a completely different plot (to minimize spoilers, said climax involves an aerial vehicle crashing). The issues after that moment are included in Final Crisis, and they make a lot more sense when read in that context as opposed to how they are presented in this book.
What do I mean by that? There are two different groups who may benefit from buying this book. The first is those who just want to see the Black Glove storyline introduced in Batman and Son played out to its conclusion. This book definitely gives you "an" ending to that story. The second is those who want to experience the full story that began in Batman and Son. For those people, they'll need to read this followed by: Final Crisis, Batman: Time and the Batman, Morrison's Batman and Robin Vol 1-3, The Return of Bruce Wayne, Morrison's Batman Incorporated, and the New 52 volumes of Batman Incorporated.
One quick note for those who wish to follow the whole storyline: when reading this book, stop at the point where the Black Glove storyline seemingly ends and the book jumps into what seems like a completely different plot (to minimize spoilers, said climax involves an aerial vehicle crashing). The issues after that moment are included in Final Crisis, and they make a lot more sense when read in that context as opposed to how they are presented in this book.
20 people found this helpful
Report abuse
Top reviews from other countries

Losinglemo
5.0 out of 5 stars
Batman Rest in peace..??
Reviewed in the United Kingdom 🇬🇧 on February 18, 2016
I really enjoyed this book, but its important to have a working knowledge of Batman history and to have read the book Batman: The Black Glove as this is basically its sequel. The storyline is rather complex and is definitely not a jumping on point for new readers and even experienced readers may not like or understand the writing style. On a personal level I loved the substance here, Batman springs a trap years in the making that targets him on every level and takes advantage of every little crack in his armour in the most horrible way possible. Bane may have broke Batman physically years ago, but this story tells of how Bruce Wayne was broken.
The story also ties in with Final Crisis at the end and bridges the gap between the two story lines and also enhances Batman's appearance during Final Crisis showing us in more detail what he endures. A fantastic story, great art and a real landmark piece of Batman history, and if thats not enough to draw you in then how about a book that also contains Joker in his own little mystery, what does he really think of the Black Glove and Batman?
Contains Batman #676 - #683, DC Universe #0
The story also ties in with Final Crisis at the end and bridges the gap between the two story lines and also enhances Batman's appearance during Final Crisis showing us in more detail what he endures. A fantastic story, great art and a real landmark piece of Batman history, and if thats not enough to draw you in then how about a book that also contains Joker in his own little mystery, what does he really think of the Black Glove and Batman?
Contains Batman #676 - #683, DC Universe #0
One person found this helpful
Report abuse

Mr. A. J. Cirullo
3.0 out of 5 stars
What a head xxxx!
Reviewed in the United Kingdom 🇬🇧 on November 16, 2021
This storyline was a major headache for me tbh. It was just too "our of the box" to be enjoyable, but the artwork is excellent. I'm now more confused that I've finished it to when I was starting the book. I like a story that makes me think, but this one was a bit too much of a trainee shrink writing their dissitation.

Amazon Customer
5.0 out of 5 stars
AMAZING!
Reviewed in the United Kingdom 🇬🇧 on July 9, 2016
One bad thing about internet or big data is that you count so much on it. Nowadays, people check stars online before read a book, check stars online before go to a restaurant, check stars online before go to an attraction and before do almost everthing. If you do so, you will miss this book as it only gets three and half stars!
After reading some of classic Batman stories, such as the Dark Knight Returns, Year One, the Long Holloween, and etc, I've decided to read Grant Morrison's batman run. I heard that his work is confusing, bad story telling bla bla, but, you know what, it is, in fact, brilliant. I love Frank Miller. his Dark Knight return is just like a wonderful novel with dark and deep thoughts. I love Scott Snyder, his new 52 batman, including all the stories: Court/City of Owls, Death of Family, Zero Year, Endgame and even the Bloom, is amazing and is just like a beautiful action movie.
Grant Morrison, he is a freak, the beginning of the book makes me feel exactly like I was watching a movie. The story itself is amazing! And, his way of storytelling...when I was reading, it happened several times like "AHA! so he meant...""wow so he mentioned something before is...".
I am a big Grant Morrison fan now, I am not saying that he is better than Frank Miller, Alan Moore, Scott Snyder and so on, but he is really a geinus with deep mind not just about comic but life as well.
After reading some of classic Batman stories, such as the Dark Knight Returns, Year One, the Long Holloween, and etc, I've decided to read Grant Morrison's batman run. I heard that his work is confusing, bad story telling bla bla, but, you know what, it is, in fact, brilliant. I love Frank Miller. his Dark Knight return is just like a wonderful novel with dark and deep thoughts. I love Scott Snyder, his new 52 batman, including all the stories: Court/City of Owls, Death of Family, Zero Year, Endgame and even the Bloom, is amazing and is just like a beautiful action movie.
Grant Morrison, he is a freak, the beginning of the book makes me feel exactly like I was watching a movie. The story itself is amazing! And, his way of storytelling...when I was reading, it happened several times like "AHA! so he meant...""wow so he mentioned something before is...".
I am a big Grant Morrison fan now, I am not saying that he is better than Frank Miller, Alan Moore, Scott Snyder and so on, but he is really a geinus with deep mind not just about comic but life as well.
7 people found this helpful
Report abuse

mattyH 1992
4.0 out of 5 stars
Frankly bizzare but a good read
Reviewed in the United Kingdom 🇬🇧 on April 4, 2021
Pretty good story, alot of batman stories can be read stand alone but feels like this requires atleast some specific prior reading. Enjoyed it but not a little hard to follow at times. Hits the batman always win with prep time trope right on the head

nafnamtab
5.0 out of 5 stars
The Dark Knight at his Darkest!Macabre and Brilliant!
Reviewed in the United Kingdom 🇬🇧 on July 31, 2013
If you love insane artwork and stories to match,then and if you are a Batfan,you have to get a copy of this graphic novel.
The Joker artwork is fantastic and scary,its all in here Murder and Mayhem at its best!
I would love to see DC give this the same treatment as Dark Knight Returns and put it out on dvd.
The Joker artwork is fantastic and scary,its all in here Murder and Mayhem at its best!
I would love to see DC give this the same treatment as Dark Knight Returns and put it out on dvd.