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| Genre | Action & Adventure |
| Format | NTSC, Blu-ray, Subtitled |
| Contributor | Charles Roven, Ray Fisher, Amy Adams, Henry Cavill, Diane Lane, Callan Mulvey, Jeremy Irons, Wesley Coller, Geoff Johns, David S. Goyer, Jason Momoa, Scoot McNairy, Jesse Eisenberg, Chris Terrio, Tao Okamoto, Deborah Snyder, Zack Snyder, Laurence Fishburne, Ben Affleck, Gal Gadot, Holly Hunter See more |
| Initial release date | 2016-07-19 |
| Language | English |
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Batman v Superman: Dawn of Justice
Ultimate Edition Blu-ray + DVD + Digital HD UltraViolet Combo Pack.
Fearing the actions of a god-like super hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.
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Despite being sourced from a 4K digital intermediate, Warner's HEVC /H.265/2160p UHD disc won't immediately blow viewers out of their seats with its superior resolution, largely because BvS is such a visually kinetic film that the camera rarely pauses long enough for anyone to assess the improved detail—but it's there. Combined with judicious HDR encoding that subtly enhances brightness and contrast, the UHD treatment of BvS amplifies the impact of director Zack Snyder's crowded frames, even as the action rushes forward. Take, for example, the scene, where Batman and Superman first confront each other standing atop the Batmobile, with bright flames to the right and a blue lens flare bisecting the frame horizontally. In the UHD presentation, the key elements of the tableau stand out more distinctly against the nighttime background, namely, the two superheroes confronting one another, each under the mistaken belief that the other one is a menace. |
Indeed, the entire sequence leading up to that moment demonstrates the UHD image's superiority, beginning with the aerial shot that finds Batman poised above the pier where a ship smuggling kryptonite has docked. As the camera swirls and zooms from above, the folds of Batman's cape blowing in the wind are more defined on UHD. |
The ensuing pursuit in the Batmobile—an elaborate combination of practical stunts and CG elements—feels more visceral and immediate, because, even with the rapid-fire editing, all of the critical elements in the frame have more presence and finer definition, including Batman and his vehicle, the truck carrying the kryptonite, and the various additional vehicles and weapons deployed by Luthor's minions against their pursuer. (For a clear example of superior resolution, look at the beard stubble on Batman's face in the undercranked closeup where he first drives past Superman. On the regular Blu-ray, it's facial coloration, but on the UHD, you can see individual whiskers.) |
Set Features
Video
-Codec: HEVC / H.265
-Resolution: 4K (2160p)
-Aspect ratio: 2.40:1
-Original aspect ratio: 2.39:1
Audio
-English: Dolby Atmos
-English: Dolby TrueHD 7.1 (48kHz, 24-bit)
-French: Dolby Digital 5.1
-Italian: Dolby Digital 5.1
-Spanish: Dolby Digital 5.1
-Portuguese: Dolby Digital 5.1
-English: Dolby Digital 5.1
Subtitles
-English SDH, French, Italian SDH, Portuguese, Spanish, Arabic, Czech, Danish, Finnish, Korean, Mandarin (Simplified), Mandarin (Traditional), Norwegian, Polish, Swedish.
Product Description
Batman v Superman: Dawn of Justice (Ultimate Edition Blu-ray + Theatrical Blu-ray) The extended cut of “Batman v Superman: Dawn of Justice” includes 30 more minutes of story and action not seen in theaters! Also includes the Theatrical Version of the film plus over 2 hours of bonus content. From director Zack Snyder comes “Batman v Superman: Dawn of Justice,” starring Ben Affleck as Batman/Bruce Wayne and Henry Cavill as Superman/Clark Kent in the characters’ first big-screen pairing. Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.
Product details
- Digital Copy Expiration Date : December 31, 2019
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.5 x 5.3 x 6.7 inches; 4.16 Ounces
- Item model number : batman-v-superman-dawn-of-justice
- Director : Zack Snyder
- Media Format : NTSC, Blu-ray, Subtitled
- Run time : 3 hours and 2 minutes
- Release date : July 19, 2016
- Actors : Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane
- Subtitles: : Spanish, English, Portuguese, Thai, French
- Producers : Charles Roven, Wesley Coller, Deborah Snyder, Geoff Johns, David S. Goyer
- Language : English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1), French (Dolby Digital 5.1)
- Studio : Studio Distribution Services
- ASIN : B01DEBC7Q6
- Writers : Chris Terrio, David S. Goyer
- Country of Origin : USA
- Number of discs : 3
- Best Sellers Rank: #2,645 in Movies & TV (See Top 100 in Movies & TV)
- #315 in Action & Adventure Blu-ray Discs
- Customer Reviews:
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THE ACTING- All the acting was spot on, Jesse Eisenberg as lex luthor was great, Cavil, Adams, Lane, Fishburne, all acted their parts out as best they could. Although I like him more as an director than actor, Ben Affleck also did a decent job at honoring the Batman, but I do have some reservations on his character, but more on that later. Gadot also did a good job as Wonder Woman, but the faults in her character have more to do with the creative decision making behind the movie than with Gadot herself, more on that also.
THE DIRECTING- Zack Snyder really is going for "Darker" with this movie. People will say what they will, but I think that as a comic book fan growing up, the difference between DC and Marvel is that while Marvel characters seem to bring story lines that appease more to the masses and are somewhat more good-hearted in nature, DC comics instead don't aim at pleasing the masses and take whichever direction they need to make a storyline/comic better. When I recall some of the best plot twists, deaths, etc., I've read in the comic book world, many examples come from the DC universe, because DC isn't afraid to go there. That is what DC has going for it, that is what DC represents to me, and that's what I believe Zack Snyder tried to portray. Zack Synder's style is perfect for the darker toned DC universe, and having watched and thoroughly enjoyed Watchmen, 300, Man of Steel, etc., I felt that Zack Snyder did the best he could with what he had. Many people have come out to blame Synder for the fallout of the movie, but the creative process and writing of the movie are what hurts it the most. If I ever did meet Zack Synder I would politely ask for his fight scenes to be shot in the actual light of day or not as dark and gloomy as the as they were in BvS. The finale in particular was dark, shot at night, but worse than the night the only light came from some illuminated orange clouds in the background. It was too 300'ish in my opinion, and to dark properly enjoy in my point of view. That's the good that I could take from the movie, but in my opinion the good was just not enough to make this a great movie. I'd like to elaborate on some of the reasons that I feel affected this movie in a bad way.
DC's impatience to make a profit affected the plot, and the movie- One of the biggest problems I had when watching this movie is that this movie felt like three being smashed into one, with too many cutscenes and too much going on to really understand or appreciate any specific character or their significance to the overall DC universe. It took Christopher Nolan 3 hours to show us his idea/concept of Batman, of the Joker, of Bane, of Catwoman etc. How is Zack Snyder supposed to introduce the audience to the DC universe version of Batman, Wonder woman, Lex Luthor, all the while setting up future Justice League movies at the same time. Even if the directing was solid, because of the content of the movie which was overwhelming, the final result felt sloppy which was a shame. When it comes to the Marvel Universe, people may argue about whether or not Iron Man 2, 3, or Thor 2 were good or bad, but the fact remains that Marvel did both Avengers movies justice. It's ironic that BvS has the word "justice" in the title, when the movie did no justice to two of the greatest DC icons in history. The movie made me wish that it was written better, but more importantly, it made me feel that it was too much, too soon, and a missed opportunity to introduce these characters right.
I say that DC was impatient because there was absolutely no reason to rush into making Justice League other than monetary and to catch up to Marvel. Years ago, when Marvel teased the Avengers in the first Iron Man movie in 2008, it was all so exciting and new, the idea of a conglomerate Marvel universe. And regardless if the movies were good, great, decent, or bad, the individual character movie releases leading up to the first Avenger movie peaked such an interest that everyone felt inclined to watch it. Whether you were more of an iron man fan, capt. American fan, Thor Fan, Hulk Fan etc., The Avengers movie represented something that hadn't been done in the superhero world on such a grand cinematic scale. You were almost forced to watch it. Fast forward to phase 3, with Civil war coming out soon and Infinity Wars in sight for 2018 and 2019 release dates, DC could have taken advantage of the schedule, and released individual Batman, Wonder Woman, Green Lantern, Aquaman, the Flash, and Superman movies until 2019 when they could have released a better made, well thought out Justice League movie. This would have also given the characters in Justice League more backstory and background, and it would have given the fans a better opportunity to find out what makes each individual character who who they are. Part of the reason that the Avengers was as successful as they were is because you got to know the characters, where they come from, who they represent, and what makes them so interesting/likeable. BvS shared no such similarities with the Avengers on this front, since it was the first time that we were introduced to any DC character other than Superman. If there was one thing you should have copied from Marvel, it was their layout on how schedule and release movies in a manner that meshes them together, instead of what BvS did which was hurt the franchise as a whole. From everything that I've gathered from everyone I've spoken with regarding this movie, BvS seems to have repelled fans away from future DC movies instead of getting them excited for the next one.
BATMAN 's impact on BvS and DC- Besides how rushed the movie felt, the biggest let down was the actual representation of the BATMAN character in the movie. While each character held their own, and there's not enough Wonder Woman material out there to compare Gadot to, to me Batman is the most important puzzle piece that the DC universe holds, and his representation in the DC movie was a let down. His success to DC is evident in the more than 15 Batman movies made and more than 3.5 billion dollars in he has generated in profit, more than any individual superhero, not including BvS. Not even Spider-man (who is one of my favorite character in the Marvel Universe) has sustained the same success as Batman does with his movies, and there are various reasons to this. The Batman character as TV, Comics, and movies have shown, can be represented with a range that stretches from light and whole-hearted, to Dark and twisted. As his movies show, there are various events and adventures that have made Batman the hero he is. Every Batman until now became Batman a different way, and Batman represented something different to each of them which includes Adam West, Michael Keaton, Val Kilmer, and Christian Bale. George Clooney doesn't count, he just wore the suit. I'll go over Ben Affleck in a bit. Where as every other Marvel/DC hero pretty much has only one true and defined version of who they are and represent in the comic world, Batman has been portrayed in different forms by those actors. So why does this matter, and why is he so important to the DC Universe? He is the most important and successful character to DC because he is relatable. He is human. He represents the potential inside of any human being pushed to the mental and physical brink. He could be one of us. Where as other heros are born or already have powers, Batman became a feared, respected, powerful symbol in a world filled with powerful heros more powerful than him and he is just a man. If there is one character that needed to shine in BvS with the success of Christopher Nolan's Trilogy fresh in our memory, it needed to be Batman, and that did not happen.
I've also realized that as a Batman fan, his movies have been more enjoyable because he doesn't have superpowers. No superpowers means that action scenes in past Batman movies didn't require as much CG and were more real in a movie sense. Batman fight scenes can be choreographed, they can be shot with pyrotechnics or back drops but for the most part, they don't need as much CG. My favorite fight scenes from BvS didn't include the actual B vs S fight or the final end of the movie fight, it was the Batman rescuing clark's mother scene and the Batman dream sequence for that reason. As the finale of the movie showed, If BvS is anything like what's going to come in the future for the rest of the Justice League members or future Justice League movies, its that fight scenes are going to rely heavily on CG and that just sucks. I like CG, but too much just takes away from the movie.
Good Batman scenes in BvS- To be fair, I do want to say that there were a few positives for the Batman character in this movie. Because I couldn't get a proper standalone movie to really feel out what Ben Affleck has in store for the Caped Crusader before Justice League instead of after (2018), one of my most important questions I wanted answered in regards to Batman in BvS was "what does this batman bring to the table that other batmans haven't in the past?". Blogs will be written now and forever about who the best batman is, but what matters is the present, and I'll be honest and say that two of my favorite scenes in the movie which answered that question and stood out Batman from the rest were when the cops go into the abandoned building and find the immigrant hostages and when batman rescues clark's mother. The scene with the cops was shot beautifully and more importantly, was shot to the essence of Batman. Fear, Darkness, Suspense, in that scene, you almost felt like he really was a monster in the dark. You could have almost pretended that it was a horror movie. The way he was blurred in the back corner was great, and true to what Batman is all about, just because you didn't fully see him in the scene, didn't mean he made his impact known. Him moving like some possessed animal through the ceiling was great, and the fear in the young cops eyes really spelled out to me what Batman represented to the good/bad people of Gotham. The rescue scene to me was the MOST IMPORTANT BATMAN scene (the dream sequence was close) because it also showed what this batman brings to the table in terms of combat. This was a unique Batman fighting scene compared to any other Batman fighting scene that I've seen because it felt DC authentic, and went beyond simple martial arts. He explodes through the floor, he's breaking bones, he gets cut by a knife, and he flings a box with a grapple gun and throws it to a villain all in a fast paced scene. It really made me feel like the fight scene came out of an Arkham Asylum video game and it was that much more enjoyable because it wasn't CG. I would have rather watched a Batman movie for 2.5 hours in this style rather than BvS.
Bad- EVERYTHING ELSE ABOUT BATMAN- Let's begin with the character of Bruce Wayne whom I did not like. Although my instinct is to blame Ben Affleck (who I have feel is a better director than actor), it was not the acting. It was the overall presentation of who Batman was and how they wrote his character into the DC Movie Universe. He was cocky, he was egotistical, he was too full of anger, and he almost seemed to be jealous at times. Bruce Wayne seems to be more concerned with having a pissing contest with Superman than being Batman. Sure Bruce Wayne/Batman gets angry, but most importantly, everything he does is in the name of seeking justice and making those responsible of crime and suffering. Instead of meticulously studying and preparing for Superman, he seemed obsessed, sloppy, and stubborn. This of course translated to the actual Batman character, whom if I understood correctly, had already been Batman for several years. This means that he should already be past the naïve young, inexperienced stage and become a wiser, smarter, Batman with refined Detective Skills. Instead, his weakness to be plagued by emotion came through instead, and this was evidenced by the actual B vs S fight. As a Batman fan, there were so many ways I could see the actual fight going down. There have been different ways and reasons that Batman has needed to take down Supes in the past. But I soon as the fight began, I realized what Batman showed up. Batman's character epitomized everything wrong with the Batman Character in this universe, to the point that it made him unlikeable. He was cocky, egotistical, he fought sloppy, and unbelievably slow. Whereas the rescue scene of Clark's mother showed a combat ready, quick, and instinctual Batman, the BvS Batman was slow, clumbsy, unprepared, and simple lucky. In a scene that was supposed to show how a human could take down the most powerful being in the known universe, instead Superman just waited around for Batman to punch him and throw gas bombs at him. That was the slowest I'd ever seen batman move in a movie, and yes he was wearing a battle suit, but it could have had jets or some type of propulsion system in the arms and legs to make him faster. It's a fictional movie for crying out loud.
In my opinion, a basic component of who Batman really is and a part of the Batman that would fit in with the Dark Zack Snyder DC Universe you've envisioned is a darker, twisted Bruce wayne who seems to be wearing more of a mask as Bruce Wayne than he does as Batman. I didn't see darkness in Ben Afflecks eyes or the mental trauma in his character or body language. Besides the two fight scenes (Clark's mom's rescue, dream sequence) and the abandoned building scene in the beginning of the movie, I can't say that I understand Batman in this movie. To me, there was such a great disconnect between what Batman should and could become in this universe vs. how Ben Affleck was (or more importantly wasn't) portraying him. I didn't understand what he stood for, and I don't know where he would fit among the other batmans actors of the past. Honestly it just seemed like Ben Affleck was acting a part in a movie rather than him BECOMING the Batman. The batman in this movie had no darkness or internal mental struggle imbedded into his character which is frankly a shame because a Darker toned DC movie Universe is where a twisted, darker, Batman needs to be present.
And if this Batman isn't the "right" Batman, what type of Batman should he be? If I think of all the other Batman movies that have come out before BvS, there is a simple truth in that those movies didn't require Batman to mesh and work with any other superhero other than himself. Basically, they all could be whatever Batman they had to be for their movie. THIS Batman however is a Justice League Batman, so what type of Batman is that? One of my all time favorite DC comics is Kingdome Come, not only because Alex Ross was able to bring a new level of realism to Justice League characters, but because it tackled real issues that would have to be addressed in an actual Superhero world. I LOVE Civil War, but Kingdom come was first (1996), and it was powerful in a comicbook way. So anyways, the Batman in Kingdom Come though older, represented the perfect example of what Batman can exist in a Justice League Universe. that Batman meshes well with the Justice League because what he lacks in superhero attributes he makes up in detective skills and ability to be a step ahead of the rest. Even when it seems that he's been duped, he suspected a villains plan all along but was playing coy. Basically, Batman is incredulously intelligent and clever as a Justice League member, and it is why he is highly respected by heros more physically able and powerful than he. If you strip that trait away as it was in BvS, he comes out looking like a human in a suit that's one step away from getting killed, like he was in the movie. Of Course the Batman can't fight the end of the movie bad guy directly, but he shouldn't have looked so helpless against him either. Now this is taking the much older senior citizen Batman. Ben Affleck of course in the Movies is much younger, but he still needed to be wiser and smarter. I understand that in a movie plot Batman can't be all knowing, but a Justice League Batman is quick to think, quick to create a plan, and refuses to ever give up. Ben Affleck's Batman embodied none of these traits which just made him seem like a pretender and a Batman governed by emotion instead of Logic. And that's a problem because in the end, what is batman other than a human in an expensive superhero suit? Where does he really fit into a group filled with all powerful superhero's? He only fits in best when he becomes a smart, world renowned detective, and when he is a Batman that's not afraid to do what needs to be done for the good of mankind. While Superman has always represented righteousness, hope, and belief in human beings. Batman instead represents the hand of Justice and gavel that strikes into the fear of villains. Batman in the Comic Justice League Universe is not afraid to get his hands dirty, and THAT is the batman you need in these movies. I feel that out of all the characters in the Justice League world, all of them could be ok to mediocre (though I hope not), except batman. Batman and Superman have always been the most popular, and just as man of steel established who Superman is, I hope Ben Affleck does the same for Batman in 2018.
SIDE NOTE- I also have to say that I didn't understand to senseless killing that Batman did in the movie. During the Batmobile chase scene, he just blew up other cars without regard. Just because the DC universe will be darker, it doesn't mean that he needs to kill. BATMAN does not kill. Not even unintentionally. The Dream sequence gets a pass because I assume it's set in an apocalyptic setting where morals don't mean squat any more, survivor of the fittest type of thing. But other than that, Batman NEVER kills. If he kills (especially if it's non intentional or senseless), you rob Batman of his moral compass and turn him into something completely different than what Batman truly represents.
Conclusion- I've also come to realize that the defining reason I can't say BvS was a good movie, is because BvS was supposed to be better than Christopher Nolan's Batman Trilogy, or at the least better than Man of Steel. Both the Man of Steel and the Batman Nolan Trilogy balanced writing, acting, and directing to make the movies feel memorable, unique, and make the characters come to life. BvS this movie did not do the same for either Batman, Wonder Woman, or the Justice League as a whole. Everyone has an opinion on what would have made BvS a better movie. Whether or not a backstory movie for Batman/Wonder Woman prior to releasing BvS would have been better is irrelevant now because BvS has already came out, and that ship has sailed. And though I did not dislike the movie 100%, it truly made me worry for the future of the franchise and the direction that DC will be taking their movie endeavors, and that's a shame. If I would have thought that a comic book company could create movies and a franchise that is memorable, original, and true to the source material, I would have put my money on DC. No matter what, these movies are coming out, and no matter what, people will watch them. But in the future, once all these movies have come out, it would be great to look at these DC Universe movies and think that they took their time to bring us quality movies that are memorable, and hold their own in the superhero movie world, instead of being forgotten with the worst of them.
I won't go into too much of the storyline so as not to spoil it for the few who may not have seen the movie, but it essentially dovetails off the end of Man of Steel in which Metropolis was destroyed in the climactic fight between Superman and Zod. We see that battle from the perspective of Bruce Wayne who is trying to get to Wayne Financial to get his employees out of the building. This sets up his distrust of Superman, and then there is an 18-month time jump and Batman is becoming more violent which gets him on Superman's radar, and with Lex orchestrating things in the background, the two end up in battle, until they have to team up.
The movie gets ragged on a lot, undeservedly so, in my opinion. It is clearly setting up a larger story and has to be seen as a piece in a multi-movie arc. While I do think it would have been better for DC to follow the Marvel format of setting up the characters in individual movies before bringing them together, so there would not have been so many logic jumps as this movie took, the plot does make sense (especially after you see it a couple of times), and the darker tone that Snyder used for the movie (really all the movies in his "Snyderverse" worked well. And, of course, when Joss Whedon attempted to shoehorn his brand of humor that worked in the MCU into the DCEU, it totally fell flat and was universally rejected.
For those who get the blu-ray set, there are two blu-ray discs. One with the theatrical cut of the movie and the bonus features, and one with the Ultimate Edition of the movie that adds about 30 additional minutes to the run time. Some of the scenes are kind of useless, but others really flesh out how much Lex had put the events of the movie into motion. The extras included several behind-the-scenes and making-of features, character profiles for Wonder Woman and Batman, and shorter ones on the characters of Flash, Aquaman, and Cyborg. All, in all, there is about two hours' worth of extras, so those who like watching the bonus material will be satisfied.
Also of note, there is a 4k version of the Ultimate Edition of the movie that does not include the theatrical version or any of the blu-ray extras, so even if you double-dip for that one, you probably want to hold on to this version unless you are only interested in the movie and just want the Ultimate Edition of the movie. The 4k version just has the movie itself and a commentary track that Snyder made just for the 4k restoration as the only extra. In his commentary, he does spoil his version of Justice League (identifying Martian Manhunter, for example) and generally discusses his vision for where the movies would have gone had he stayed on. The movie looks and sounds great (especially the restored IMAX scenes) in 4k UHD, and is, in my opinion, worth the double-dip.
Overall, the movie is very good. Dark, but good, and it makes a lot of sense. I do think it could have used a better setup through a stand-alone Batman movie first to establish this version of Batman, and what turned him into the more jaded version of the character. I also think this movie would have benefitted from DC releasing the stand-alone Wonder Woman movie first to set her backstory. However, I do think that her extended cameo in this movie worked and was one of the reasons that the Wonder Woman movie did so well at the box office because viewers liked the taste of the character in this movie. But, despite the reputation it has as a bad movie, it is not. Affleck did a great job as an older, more jaded Batman, and I liked the idea of Batman trying to figure out how to stop an unstoppable alien. By now, however, the movie has been out long enough that people have their opinion of it. If you have not seen it, I would definitely give it a chance because it is not nearly as bad as some would have you believe.
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"Wir, die Bevölkerung dieses Planeten, suchen nach einem RETTER. Neunzig Prozent der Menschen glauben an eine höhere Macht! Und jede Religion glaubt an eine Art Messias. Und wenn diese Rettergestalt nun tatsächlich auf der Erde erscheint, wollen wir ihm UNSERE Regeln aufzwingen?"
Endlich treffen die zwei Titanen der Gerechtigkeit aufeinander! Doch während es der respekteinflößende Dunkle Ritter aus Gotham mit dem außerirdischen, fast schon als Gott verehrten Retter aus Metropolis aufnimmt ("Wenn dein Zeichen noch mal am Himmel erscheint, geh nicht hin! Die Fledermaus ist tot. Begrab sie. Betrachte das hier als Gnade." - "Sag mir, kannst du bluten? Du wirst es!"), streitet der Rest der Welt lieber darüber, welche Art Helden sie eigentlich braucht. Dabei wird die Menschheit längst von einer neuen Gefahr ungeahnten Ausmaßes bedroht...
"Hier ist die Wahrheit: Eine gierige Reporterin war an einem Ort an dem sie nichts zu suchen hatte. Superman führte sich auf wie ein Wilder, um sie zu retten – und viele Menschen sind nun tot. Erfinden Sie keine Verschwörungstheorie für seinen Heiligenschein!"
"Welche Leben zählen – und welche nicht?"
"Wir sprechen hier über ein Wesen, dessen bloße Existenz unsere Sicht darüber infrage stellt, wo wir stehen im Universum. Man denke an Kopernikus, der die Sonne ins Zentrum des bekannten Universums schob und so die Erde verdrängte. Und an Darwins Evolutionstheorie, die zeigt, dass wir nichts Besonderes auf dieser Erde sind, nur eine Lebensform von vielen. Nun lernen wir, dass wir nicht mal im ganzen Universum etwas Besonderes sind, denn es gibt Superman!"
Mit Ben Affleck (Armageddon, Pearl Harbor, Paycheck und Marvel's Daredevil, Oscar-Gewinner 1998 und 2013 für Good Will Hunting bzw. Argo) als Bruce Wayne ("Der letzte Martini war wohl zwei zu viel.") und Gothams größte Fledermaus Batman ("Du hast keinen Mut. MENSCHEN haben Mut! [Meine Eltern] lehrten mich, die Welt ergibt nur Sinn – wenn man sie dazu ZWINGT!")
und Henry Cavill (Man of Steel, Krieg der Götter, Codename U.N.C.L.E.) als Superman ("Auf dieser Welt kann NIEMAND nur gut sein!") und Clark Kent ("Superman war nie real! Nur ein Traum eines Farmers aus Kansas."),
Amy Adams (Verwünscht, 5 Oscar-Nominierungen für Junikäfer, Glaubensfrage, The Fighter, The Master, American Hustle) als äußerst taffe, investigative Karla Kolumna von Metropolis Lois Lane ("Ich bin keine Lady. Ich bin Journalistin!")
und Jesse Eisenberg (Zombieland, Mark Zuckerberg in The Social Network, Die Unfassbaren) als hinterhältiger kleiner (vom Joker inspirierter?) Alexander aka "Ich weiß nicht wie man verliert" (und mit mächtigem Vater-Komplex) Lex Luthor ("Sie sind geisteskrank!" - "Ein dreisilbriges Wort für jede Idee, die zu groß ist für einen kleinen Verstand.").
In weiteren Rollen Gal Gadot (Fast & Furious Teile 4 bis 6) als Diana Prince aka Wonder Woman ("Oh, ich denke, Sie kannten noch nie eine Frau wie mich! Wissen Sie, es ist wahr was man über kleine Jungs sagt: Sie werden geboren – ohne natürliche Neigung zum Teilen."),
Jeremy Irons (Stirb langsam - Jetzt erst recht, Der Mann in der eisernen Maske 1998, Königreich der Himmel und Oscar-Gewinner 1991 für Die Affäre der Sunny von B.) als Waynes Butler Alfred Pennyworth ("Wir sind Kriminelle, Alfred. Wir waren immer Kriminelle! Nichts hat sich geändert." - "Alles hat sich geändert! Männer fallen vom Himmel, Götter schleudern Blitze, Unschuldige sterben."),
Diane Lane (Frau mit Hund... sucht Mann mit Herz, Knight Moves, Judge Dredd, Oscar-Nominierung für Untreu) als Clarks Mutter Martha ("Menschen hassen, was sie nicht verstehen. Doch sie sehen, was du tust und sie wissen, wer du bist. Du bist kein Mörder, keine Bedrohung. Ich wollte nie, dass die Welt von dir erfährt. Sei ihr Held, Clark. Sei ihr Vorbild. Sei ihr Engel. Sei alles für sie, was sie brauchen. Oder sei nichts davon. Du schuldest dieser Welt gar nichts. Das hast du nie."),
Laurence Fishburne (Morpheus in Matrix, Ray Langston in CSI) als Perry White, Lois' und Clarks Chef ("Die im Labor haben so etwas noch nie gesehen." - "Das nennt man Kugel. Damit erschießt man Leute."),
Holly Hunter (Oscar-Gewinnerin 1994 für Das Piano und 3 weitere Nominierungen für Nachrichtenfieber, Die Firma, Dreizehn) als Senatorin ("Die Welt war so gefesselt, was Superman tun KANN, dass niemand gefragt hat, was er tun SOLLTE. Vermerken Sie, dass dieses Komitee ihn verantwortlich macht!"), Callan Mulvey (300: Rise of an Empire) als Söldner Knyazev
und sämtliche CGI-Effekte als "Geboren um dich zu vernichten!" Doomsday ("Jedes Mal wenn wir es treffen, machen wird es stärker!" - "Was wollen Sie damit sagen?" - "Dass wir es nicht töten können.").
Außerdem für Sekunden mit klitzekleinen Cameo-Auftritten Kevin Costner (Der mit dem Wolf tanzt, The Untouchables, JFK - Tatort Dallas, Bodyguard) als Clarks Vater, ausgerechnet (möchte man meinen) Lauren Cohan (Maggie in The Walking Dead) und Jeffrey Dean Morgan (Negan in The Walking Dead, Papa Winchester in Supernatural) als Bruce' Eltern, Ezra Miller (Vielleicht lieber morgen) als The Flash ("Finde uns, Bruce. Du musst uns finden!") und nur auf Foto bzw. in einer Video-Datei zu sehen Chris Pine (Kirk in Star Trek) als Major Steve Trevor, Ray Fisher als Cyborg und Jason Momoa (Baywatch, Stargate Atlantis, Khal Drogo in Game of Thrones) als Aquaman.
"Die Metawesen-These." - "Ja, die Metawesen-These. Es spricht mehr dafür als dagegen, dass diese besonderen Geschöpfe unter uns leben. Die Basis für unsere Mythen: Götter unter Menschen!"
Regie führte im Jahr 2016 (mit einem Budget von 250 Mio. $) der 50-jährige US-Amerikaner Zack Snyder (Man of Steel, Sucker Punch, Watchmen, 300, Dawn of the Dead 2004). Produziert wurde der Film u.a. von Christopher Nolan (Regisseur der The Dark Knight-Trilogie) und David S. Goyer (Drehbuchautor von The Crow, der Blade-Trilogie und der The Dark Knight-Trilogie), der auch hier mit am Drehbuch schrieb. Der Film schließt direkt an die Geschehnisse des Vorgängers Man of Steel an.
"Die Teufel kommen nicht aus der Hölle unter uns, nein. Nein, sie kommen vom Himmel!"
"Was wir Gott nennen, hängt von unserem Stamm ab. Gott ist stammesbezogen. Gott ist parteiisch. Kein Mann aus dem Himmel hat mich als kleinen Jungen vor Daddys Faust und Abscheulichkeiten gerettet. Damals habe ich erkannt: Wenn Gott allmächtig ist, dann kann Er nicht nur gut sein – und wenn Er nur gut ist, dann kann Er nicht allmächtig sein!"
_Fazit: 183 Minuten (im Extended Cut der Ultimate Edition und 152 Minuten in der Kinofassung) Psychoanalyse, (philosophisches) Superhelden-Drama, Thriller! "Mit Giga-Getöse inszenierter CGI-Clash der DC-Titanen." (TV Digital) "Die Nacht der Schlacht: Der größte Gladiatorenkampf der Weltgeschichte! Gott gegen Mensch. Tag gegen Nacht. Der Sohn von Krypton gegen die Fledermaus von Gotham!" (Lex Luthor) Aber: Kein Popcorn-Kino. Keine Sprüche. Düster und eben nicht quietschbunt. Action gibt es fast nur im letzten Drittel des Films. Wer hier so etwas wie die Avengers erwartet, könnte also enttäuscht werden. Mit der vielleicht besten Anfangssequenz (Rückblende) aller Batman-Filme ("Und im Traum brachten sie [die Fledermäuse] mich ans Licht. Eine wunderschöne Lüge!"). Ich persönlich wurde absolut positiv überrascht (mochte ich doch Snyders Comic-Verfilmungen von Watchmen und Man of Steel nicht wirklich). Der Film macht definitiv Lust auf mehr. Für mich tatsächlich 4/5**** Note 2+ (und damit für mich der zweitbeste Film im DC-Universum nach The Dark Knight)
[Anmerkung: Ähnlich wie bei Der Herr der Ringe oder Der Hobbit werde ich mir in Zukunft nur noch den Extended Cut der Ultimate Edition anschauen. Für mich ist der Film nun schlüssiger und ergibt so mehr Sinn, da die Beweggründe der beiden jetzt offensichtlicher sind.]
Clark Kent: "Was halten Sie von dem Fledermaus-Ordnungshüter in Gotham?" - Bruce Wayne: "Daily Planet! Gehört mir die? Oder dem anderen Kerl?"
"In Ihrer Stadt werden Bürgerrechte mit Füßen getreten. Brave Menschen leben in Angst." - "Glauben Sie nicht alles was Sie hören, Junge."
"Ich hab's gesehen, Mr. Wayne. Er denkt, über dem Gesetz zu stehen." - "Dass der Daily Planet die kritisiert, die denken sie würden über dem Gesetz stehen, ist ein wenig heuchlerisch. Finden Sie nicht? Jedes Mal wenn Ihr Held ein süßes Kätzchen vom Baum rettet, vergöttern Sie ihn gleich in einem Leitartikel – über einen Alien, der wenn er wollte hier alles niederbrennen könnte. Und wir könnten ihn mit nichts aufhalten!"
"Die meisten sind anderer Meinung, Mr. Wayne." - "Vielleicht ist das das Gotham in mir. Ich meine, wir haben einfach schlechte Erfahrungen mit Freaks im Clownskostüm."
"Jungs! Bruce Wayne trifft Clark Kent. Hah. Ich liebe es. Ich liebe es, Leute zusammenzubringen." – Lex Luthor
Die Cinema schreibt: "Vor allem Ben Affleck überrascht mit einer Entschlossenheit, die ihm wohl nur die wenigsten zugetraut hätten. Unter seiner stoischen Miene lässt [er] als geschundener Mitternachtsdetektiv immer wieder die Fratze eines Soziopathen aufblitzen, der die Unterwelt für den Verlust seiner Eltern bluten sehen will und dafür jede Nacht auf ein Himmelfahrtskommando geht."
"Ich hab dich nicht verdient, Alfred." - "Nein, das haben Sie nicht."
"Sie wissen, Sie können nicht gewinnen. Es ist Selbstmord!" - "Ich bin heute älter als mein Vater es je war. Das hier ist vielleicht meine einzige Tat, die Bedeutung hat."
"Zwanzig Jahre Kriminelle zu bekämpfen zählt also nichts?" - "Kriminelle sind wie Unkraut, Alfred. Es wächst da wieder nach, wo man es ausreißt. Hier geht es um die Zukunft der Welt! Das ist mein Vermächtnis."
"Nein, Clark, du darfst nicht..." - "Das ist MEINE Welt. DU bist meine Welt!"
EXTRAS (auf der Disc mit der Kinofassung): Die Vereinigung der Superhelden 15:05, Götter und Menschen: Ein Treffen der Giganten 12:28, Kriegerin & Mythos 21:16, Beschleunigtes Design: Das neue Batmobil 22:46, Superman: Komplexität & Wahrheit 7:08, Batman: Entbehrung & Wut 8:15, Wonder Woman: Anmut & Stärke 6:48, Batcave: Das Vermächtnis der Höhle 7:12, Die Macht eines Schlages (Fightanalyse) 5:15, Das Imperium von Luthor 12:33, Rettet die Fledermäuse (#Save the Bats! Total süß und ein wahrlich ernstgemeinter Aufruf) 4:37, außerdem gibt es ein Wendecover.
"Der Mensch hat eine Welt erschaffen in der Zusammenhalt unmöglich ist." - "Die Menschen sind noch gut. Wir kämpfen. Wir töten. Wir hintergehen einander. Aber wir können uns ändern. Wir können es besser machen. Das werden wir. Das müssen wir."
La catastrofica battaglia di Metropolis vista in L'Uomo d'Acciaio ha lasciato enormi strascichi dietro di sé, dentro e fuori lo schermo cinematografico. L'ondata di distruzione portata dallo scontro tra l'improvvisato 'paladino' Superman/Clark Kent/Kal-El e l'invasore kryptoniano, il fiero Generale Zod, è stata una delle cose più criticate da pubblico e critica all'uscita della pellicola, ma allo stesso tempo è stata anche, nell'universo di finzione filmica, l'argomento di discussione principale per l'opinione pubblica nel corso dei due anni successivi all'evento. Il mondo è diviso tra chi considera Superman una sorta di Messia protettore, votato al bene e sempre pronto a proteggere, e chi lo crede un magnete per calamità di vario tipo, un impostore, un pericolo ambulante che minaccia l'esistenza stessa del genere umano. Tra questi va sicuramente annoverato Bruce Wayne, ereditiero e playboy di giorno e vigilante mascherato di notte nei panni di Batman, deciso a stanare e rendere inerte l'incredibile minaccia. E mentre Clark è ancora confuso sul modo migliore di sfruttare i suoi doni per il bene dell'umanità senza per questo perdere di vista la propria vita privata e il rapporto sentimentale con la giornalista in carriera Lois Lane, la misteriosa Diana Prince si muove nell'ombra alla ricerca di informazioni top secret e il machiavellico genio di Lex Luthor ha architettato un piano per esacerbare la rivalità tra il "semidio" kryptoniano e il raddrizzatore di torti proveniente da Gotham City... il conflitto Batman v Superman è l'alba di un nuovo concetto di giustizia.
Risorgere dalle proprie ceneri e imparare dai propri errori: questa la missione e il proposito di Batman v Superman: Dawn of Justice, film diretto da Zack Snyder e tassello fondamentale nell'effettiva creazione di un universo cinematografico condiviso per gli eroi targati DC Comics. Man of Steel, l'imperfetto esperimento che ha voluto rilanciare la figura di Superman presso il grande pubblico, serve ora come trampolino di lancio per la Justice League, il supergruppo che coinvolge i "pesi massimi" della casa fumettistica, in primis Batman e Wonder Woman. Quello che doveva essere un semplice sequel, insomma, in corso d'opera si rivela un film corale, che si sforza di porre le basi per il futuro. Peccato che si tratti di fondamenta tanto pregiate quanto tremolanti. Se il primo film mostrava di possedere ottime intenzioni non supportate da uno script all'altezza, qui notiamo ancora una volta poca lucidità nella stesura della vicenda, che mette troppa carne al fuoco.
Come di consueto, in queste riduzioni filmiche, gli originali fumettistici fungono solo da spunto, quindi se state cercando il Frank Miller de Il ritorno del Cavaliere Oscuro vi consiglio piuttosto di recuperare il film animato in due parti di qualche anno fa, dato che qui ruolo e convinzioni dei personaggi non sono esattamente gli stessi. Ancora una volta, l'essenza del personaggio di Superman viene messa a fuoco ma mai centrata davvero, e se un primo film su un personaggio 'in divenire' è accettabile e anzi interessante, al secondo cominciamo a volere delle risposte o quantomeno delle linee guida, non una figura ancora incerta del suo ruolo che porta con sé una risma di comprimari basilarmente vuoti (eh sì, Lois compresa: per quanto ci si sforzi a renderla forte, rimane un insopportabile elemento di disturbo). Posso dire invece un gran bene del Batman di Ben Affleck: convincente, credibile, sofferto e perennemente imbronciato e profondamente rabbioso, è il Batman che più si avvicina a quello dei grandi classici "seri" sul personaggio, oserei dire probabilmente il migliore fino ad ora, con buona pace di Christian Bale, probabilmente l'interprete più amato del Pipistrello di Gotham. La mossa intelligente è quella di mostrare un Batman maturo, con vent'anni di carriera alle spalle, cinico e pragmatico in conseguenza del terribile passato che lo tormenta da decenni. Graficamente, stilisticamente e a livello di mentalità e stile di combattimento, è un Batman mastodontico, che rende giustizia al più grande detective d'azione della storia del fumetto mondiale. Sebbene rimanga qualche dubbio sui suoi metodi, più efferati di quanto siamo abituati a vedere. Elemento curioso, comunque, è l'evidente modellazione delle movenze e delle coreografie di combattimento sulla versione Rocksteady del personaggio, elemento che, ad ogni modo, è tutt'altro che disprezzabile. Altra nota cutiosa, l'Alfred di Jeremy Irons è giovanile e accattivante, ma mai solo apparentemente distaccato come siamo abituati a vederlo. Un'interessante rivisitazione.
Al di là, poi, degli eventuali camei e citazioni, c'è da spendere due parole sulle altre due new entry principali nel cast: Lex Luthor e Wonder Woman. Jesse Eisenberg è un Luthor giustamente mefistofelico e lontano dal pensare comune, ma è forse fin troppo palesemente schizofrenico, preda di una lucida follia che sembra accomunarlo più al Joker che al geniale inventore e stratega spina nel fianco di Superman nei fumetti. La Diana di Gal Gadot, invece, riesce nonostante tutto a convincere: il terzo componente della "Trinità" DC era un elemento assai delicato da posare nell'organigramma della trama e si temeva che la bella attrice israeliana non fosse fisicamente all'altezza per presentare una dea della guerra scesa in Terra. Ma invece buca lo schermo e riesce sempre ad essere convincente e sensuale.
E a proposito delle due città: il film presenta meno assurde incongruenze del suo predecessore, ma il rapporto tra le due città rimane assai confuso, sia a livello scenografico che geografico. Vista la continua alternanza di palcoscenici, con personaggi che passano in pochi minuti dall'una all'altra, sembrano quasi adiacenti, con conseguente grande confusione dello spettatore e molti dubbi di tipo logistico che restano difficilmente spiegabili.
DISCO E CONTENUTI SPECIALI:
Durata: 151 minuti circa;
Film: Blu Ray 1080p e Copia Digitale per guardare il film sui dispositivi portatili;
Audio: Dolby Atmos;
Contenuti Speciali: ben oltre 2 ore con documentari dei futuri supereroi, le schede dei personaggi, il design della Bat Mobile, il mondo DC e altro ancora. I contenuti speciali non sono in alta definizione.
CONCLUSIONI:
L'importanza di una pellicola del genere nell'affollato panorama dei cinefumetti è indiscussa, e le possibilità di fallire erano alte. Tanto è vero che ogni precedente tentativo di realizzare un film simile erano, finora, naufragate. Batman v Superman: Dawn of Justice, tuttavia, non è un fallimento, alcune cose sono state studiate molto bene e danno discreta soddisfazione sia ai neofiti dell'universo DC Comics che ai fan. Ma, ad ogni modo, è palese che sia stata calcata troppo la mano, portando gli autori a infarcire la pellicola di troppi elementi, oltretutto non valorizzati a dovere nonostante la generosa durata dell'opera. La pellicola, in sostanza, ha delle ottime frecce al suo arco ma lascia troppi dubbi nello spettatore. Si tratta di un film difficile da fruire ed elaborare, interessante ma con poco mordente, non equilibrato ma, tutto sommato, godibile. Confido che i successivi film stand-alone sui personaggi DC aggiustino il tiro. Solo per gli appassionati del genere.
Reviewed in Italy on July 10, 2022
La catastrofica battaglia di Metropolis vista in L'Uomo d'Acciaio ha lasciato enormi strascichi dietro di sé, dentro e fuori lo schermo cinematografico. L'ondata di distruzione portata dallo scontro tra l'improvvisato 'paladino' Superman/Clark Kent/Kal-El e l'invasore kryptoniano, il fiero Generale Zod, è stata una delle cose più criticate da pubblico e critica all'uscita della pellicola, ma allo stesso tempo è stata anche, nell'universo di finzione filmica, l'argomento di discussione principale per l'opinione pubblica nel corso dei due anni successivi all'evento. Il mondo è diviso tra chi considera Superman una sorta di Messia protettore, votato al bene e sempre pronto a proteggere, e chi lo crede un magnete per calamità di vario tipo, un impostore, un pericolo ambulante che minaccia l'esistenza stessa del genere umano. Tra questi va sicuramente annoverato Bruce Wayne, ereditiero e playboy di giorno e vigilante mascherato di notte nei panni di Batman, deciso a stanare e rendere inerte l'incredibile minaccia. E mentre Clark è ancora confuso sul modo migliore di sfruttare i suoi doni per il bene dell'umanità senza per questo perdere di vista la propria vita privata e il rapporto sentimentale con la giornalista in carriera Lois Lane, la misteriosa Diana Prince si muove nell'ombra alla ricerca di informazioni top secret e il machiavellico genio di Lex Luthor ha architettato un piano per esacerbare la rivalità tra il "semidio" kryptoniano e il raddrizzatore di torti proveniente da Gotham City... il conflitto Batman v Superman è l'alba di un nuovo concetto di giustizia.
Risorgere dalle proprie ceneri e imparare dai propri errori: questa la missione e il proposito di Batman v Superman: Dawn of Justice, film diretto da Zack Snyder e tassello fondamentale nell'effettiva creazione di un universo cinematografico condiviso per gli eroi targati DC Comics. Man of Steel, l'imperfetto esperimento che ha voluto rilanciare la figura di Superman presso il grande pubblico, serve ora come trampolino di lancio per la Justice League, il supergruppo che coinvolge i "pesi massimi" della casa fumettistica, in primis Batman e Wonder Woman. Quello che doveva essere un semplice sequel, insomma, in corso d'opera si rivela un film corale, che si sforza di porre le basi per il futuro. Peccato che si tratti di fondamenta tanto pregiate quanto tremolanti. Se il primo film mostrava di possedere ottime intenzioni non supportate da uno script all'altezza, qui notiamo ancora una volta poca lucidità nella stesura della vicenda, che mette troppa carne al fuoco.
Come di consueto, in queste riduzioni filmiche, gli originali fumettistici fungono solo da spunto, quindi se state cercando il Frank Miller de Il ritorno del Cavaliere Oscuro vi consiglio piuttosto di recuperare il film animato in due parti di qualche anno fa, dato che qui ruolo e convinzioni dei personaggi non sono esattamente gli stessi. Ancora una volta, l'essenza del personaggio di Superman viene messa a fuoco ma mai centrata davvero, e se un primo film su un personaggio 'in divenire' è accettabile e anzi interessante, al secondo cominciamo a volere delle risposte o quantomeno delle linee guida, non una figura ancora incerta del suo ruolo che porta con sé una risma di comprimari basilarmente vuoti (eh sì, Lois compresa: per quanto ci si sforzi a renderla forte, rimane un insopportabile elemento di disturbo). Posso dire invece un gran bene del Batman di Ben Affleck: convincente, credibile, sofferto e perennemente imbronciato e profondamente rabbioso, è il Batman che più si avvicina a quello dei grandi classici "seri" sul personaggio, oserei dire probabilmente il migliore fino ad ora, con buona pace di Christian Bale, probabilmente l'interprete più amato del Pipistrello di Gotham. La mossa intelligente è quella di mostrare un Batman maturo, con vent'anni di carriera alle spalle, cinico e pragmatico in conseguenza del terribile passato che lo tormenta da decenni. Graficamente, stilisticamente e a livello di mentalità e stile di combattimento, è un Batman mastodontico, che rende giustizia al più grande detective d'azione della storia del fumetto mondiale. Sebbene rimanga qualche dubbio sui suoi metodi, più efferati di quanto siamo abituati a vedere. Elemento curioso, comunque, è l'evidente modellazione delle movenze e delle coreografie di combattimento sulla versione Rocksteady del personaggio, elemento che, ad ogni modo, è tutt'altro che disprezzabile. Altra nota cutiosa, l'Alfred di Jeremy Irons è giovanile e accattivante, ma mai solo apparentemente distaccato come siamo abituati a vederlo. Un'interessante rivisitazione.
Al di là, poi, degli eventuali camei e citazioni, c'è da spendere due parole sulle altre due new entry principali nel cast: Lex Luthor e Wonder Woman. Jesse Eisenberg è un Luthor giustamente mefistofelico e lontano dal pensare comune, ma è forse fin troppo palesemente schizofrenico, preda di una lucida follia che sembra accomunarlo più al Joker che al geniale inventore e stratega spina nel fianco di Superman nei fumetti. La Diana di Gal Gadot, invece, riesce nonostante tutto a convincere: il terzo componente della "Trinità" DC era un elemento assai delicato da posare nell'organigramma della trama e si temeva che la bella attrice israeliana non fosse fisicamente all'altezza per presentare una dea della guerra scesa in Terra. Ma invece buca lo schermo e riesce sempre ad essere convincente e sensuale.
E a proposito delle due città: il film presenta meno assurde incongruenze del suo predecessore, ma il rapporto tra le due città rimane assai confuso, sia a livello scenografico che geografico. Vista la continua alternanza di palcoscenici, con personaggi che passano in pochi minuti dall'una all'altra, sembrano quasi adiacenti, con conseguente grande confusione dello spettatore e molti dubbi di tipo logistico che restano difficilmente spiegabili.
DISCO E CONTENUTI SPECIALI:
Durata: 151 minuti circa;
Film: Blu Ray 1080p e Copia Digitale per guardare il film sui dispositivi portatili;
Audio: Dolby Atmos;
Contenuti Speciali: ben oltre 2 ore con documentari dei futuri supereroi, le schede dei personaggi, il design della Bat Mobile, il mondo DC e altro ancora. I contenuti speciali non sono in alta definizione.
CONCLUSIONI:
L'importanza di una pellicola del genere nell'affollato panorama dei cinefumetti è indiscussa, e le possibilità di fallire erano alte. Tanto è vero che ogni precedente tentativo di realizzare un film simile erano, finora, naufragate. Batman v Superman: Dawn of Justice, tuttavia, non è un fallimento, alcune cose sono state studiate molto bene e danno discreta soddisfazione sia ai neofiti dell'universo DC Comics che ai fan. Ma, ad ogni modo, è palese che sia stata calcata troppo la mano, portando gli autori a infarcire la pellicola di troppi elementi, oltretutto non valorizzati a dovere nonostante la generosa durata dell'opera. La pellicola, in sostanza, ha delle ottime frecce al suo arco ma lascia troppi dubbi nello spettatore. Si tratta di un film difficile da fruire ed elaborare, interessante ma con poco mordente, non equilibrato ma, tutto sommato, godibile. Confido che i successivi film stand-alone sui personaggi DC aggiustino il tiro. Solo per gli appassionati del genere.
Wie wurde nach der ersten Ankündigung des Films wild diskutiert. Bei vielen Optimisten steigerte sich die Neugierde und Vorfreude, nach diversen geschickt dosierten Infohäppchen und den ersten Teasern und Trailern, nicht allzu überraschend ins Unermessliche. Es gab aber auch haufenweise Zweifel bei den hartgesottenen Ur-Anhängern der umjubelten Comic-Vorlage. Gelingt die Integration von Publikumsspalter Ben Affleck, der lange Zeit unterschätzt wurde, als Batman ins Justice League-Universum? Schafft er es die Rolle des smarten und im Inneren doch schwermütigen Milliardärsplayboys überzeugend darzustellen? Und ist es überhaupt möglich nach der erfolgreichen „The Dark Knight Trilogie“ von Chris Nolan originalgetreu und trotzdem innovativ das Batman Franchise behutsam wieder einmal neu zu beleben? Diese und andere Fragen blieben bis zur mittlerweile vergangenen und letztlich doch allseits herbeigesehnten Kinopremiere unbeantwortet. Und nun ist es endlich soweit. Das große Aufeinandertreffen der wohl bekanntesten Superhelden der Comic-Historie findet nach monatelanger Wartezeit endlich auch seinen Weg in die Heimkinopaläste zahlreicher Fantasy und Action-Fans.
In der hierzulande auf Blu-Ray veröffentlichten Ultimate Edition befindet sich neben der Kinofassung auch noch eine exklusive ca. 30 Minuten längere Extended Filmversion, derer ich mich in meiner Rezension widme. Diese längere Fassung ist zusätzlich auch in den meisten Video-on-Demand Streaming Portalen als Kauf- und Leihversion erhältlich. Wie z.B. auf Amazon-Prime.
Beginnen tut der Superhelden-Streifen, der direkt am Ende des Vorgängers „Man of Steel“ (Den man unbedingt vorher gesehen haben sollte) anknüpft, mit einigen Rückblenden. Diese werden den vielen Insidern durchaus vertraut sein und auch den Laien bieten sie eine halbwegs nachvollziehbare Einführung und Überleitung der Batman Kult-Figur in den Superman Kosmos.
Nach den anfänglichen Zerstörungssequenzen geht es dann aber recht schnell sehr viel ruhiger und erzählerischer weiter. Ja, der Film lässt sich viel Zeit. Und gerade in der erweiterten Fassung bekommen die Protagonisten und die vielen hochkarätig besetzten Nebenrollen eine Menge Aufmerksamkeit. Und doch kommen die namenhaften Sidekicks, aufgrund des mangelhaften Skripts, in der leicht überladen wirkenden Figurendichte mitunter arg zu kurz. Dies war schon in „Man of Steel“ ein kleines Manko und ist weiß Gott nicht auf die Unfähigkeit der Top-Schauspieler zurückzuführen. Kevin Costners kurzer Auftritt als Clark Kents Adoptivvater, stetes Leitbild und moralischer Wegbereiter wirkte damals schon stark vernachlässigt und so kann er auch in der direkten Fortsetzung sein volles Potenzial leider nicht entfalten. Diane Lane, als Martha Kent, soll diese Lücke schließen und stellt in immer wiederkehrenden Heimkehrszenen auf die Farm der Kents in Smallville Clarks Ruhepol dar. Des Weiteren bekommen Topacts wie Jeremy Irons, Amy Adams und Laurence Fishburne ledigdlich ein paar gute aber eben nicht denkwürdige Leinwandauftritte. Man denke da nur an Michael Caine als Butler Alfred, Gary Oldman als Commissioner Gordon oder Maggie Gyllenhaal als Rachel Dawes in „The Dark Knight“. So kann die eigentlich für die Handlung sehr wichtige Beziehung von Louis und Clarke kaum ausreichend behandelt werden. Was bleibt sind viele offene Fragen zu deren Beziehungsstatus, wodurch es einem schwerfällt ihre Zuneigung zu einander vollends zu begreifen. Höchstwahrscheinlich will man sich die schauspielerische Bandbreite aber noch für spätere Auftritte in weiteren DC Filmen aufsparen und sie erst sukzessiv entfalten. Wohlgemerkt handelt es sich in all den Fällen nach wie vor um Nebenfiguren, die es ohnehin schwerer haben, dem Zuschauer lange im Gedächtnis zu bleiben. Die Performances von Gal Gadot und Jesse Eisenberg stechen da schon etwas mehr hervor. Während die Figur der geheimnisvollen Fremden Diana Prince, alias Wonder Woman, Lust auf kommende Solo-Abenteuer macht, stellt Jesse Eisenberg gekonnt den verrückt gefährlichen Gegenpart der Heldentruppe dar. Die Rolle des neurotischen jedoch kühl berechnenden Strippenziehers Lex Luthor spielt er durchaus akzeptabel. Überhaupt liefert er den Schauspielern Henry Cavill und Ben Affleck eine gute Steilvorlage für ihre Rollen als Batman und Superman. So lockt er die beiden ein ums andere Mal aus der Reserve und treibt mit seinem diabolischen Plan vorerst einen unabwendbaren Keil zwischen die beiden. Darauffolgend verschafft er ihnen dann aber doch ihre Daseinsberechtigung und beweist, dass ein bisschen Heldentum in so manch schwierigen Zeiten durchaus von Nöten sein kann. Ein Superheld ist eben nichts ohne einen guten Superschurken.
Allein Supermans physische Präsenz des übermächtigen Wesens aus einer anderen Welt spielt Cavill wieder einmal sehr gut. Wo andere Schauspieler in so manchen Kraftposen durchaus lächerlich wirken würden, überzeugt Cavill fast mühelos. Er schafft es aber auch die inneren Zweifel eines Erdenfremdlings und die immer stärker werdende emotionale Last, durch die ihn kritisierende Erdbevölkerung, mit Mimik und Gestik glaubhaft darzustellen.
Ben Affleck, der sich aufgrund seines Neueinstiegs erstmal zu beweisen hat, zeigt neben auch nicht zu verachtendem Körpereinsatz ebenso charakterstarke Auftritte. Seine düstere sowie abgründige Batmanversion ist nah an der Vorlage und im Schnitt noch etwas ernster als die von Christian Bale. Viel Raum für auflockernde Oneliner-Witze gibt es hier vorerst nicht. Allerdings lassen sich leichte Ähnlichkeiten in den Wesenszügen zu seiner damaligen Daredevil-Figur nicht gänzlich von der Hand weisen. Eine größere Facettenhaftigkeit wäre da wünschenswert gewesen. Kurzum kann man sagen, dass Affleck zwar noch nicht vollkommen mit der Rolle verschmilzt, er aber wie Ms. Gadot die Neugier auf weitere DC-Filme bzw. Batman-Filme geweckt hat.
Es wird aber auch viel Mühe aufgebracht, die Entwicklung der Helden sowie die sich anbahnende Rivalität zwischen Superman und Batman herzuleiten. Leider gelingt es dem Film aber dank blumig vorgetragener Moralpredigten und halbgaren politischen Statements nicht hinreichend einen schlüssigen Grund für die gegenseitige Missachtung der Titelhelden zu generieren. Am Ende wirkt der gesamte Konflikt leicht aufgesetzt und bisweilen künstlich. Bis es dann aber endlich zum groß angekündigten Showdown der beiden Helden kommt, vergeht übrigens viel Zeit. Das ist gerade für Action-Fans sehr bedauerlich. Denn der vielversprechende Titel und die anregenden Trailer ließen deutlich mehr erwarten. Insgesamt treten die kostümierten Helden im ganzen Film irritierenderweise etwas zu selten und zu kurz in Erscheinung und der lang hinausgezögerte Kampf zwischen Batman und Superman beginnt auf der Ultimate-Fassung frappierenderweise erst nach gut zwei Stunden. Zumal dieser auch viel zu schnell wieder vorbei ist und in einer äußerst bedenklichen, fast schon lächerlich wirkenden Kehrtwende abrupt endet. Trotzdem kommt gelegentlich auch Gänsehautfeeling auf. Beispielsweise wenn Batman Superman in seinem absolut cool designten Metall-Kampfanzug mit den Worten: „Kannst du bluten? Du wirst es!“ säbelrasselnd herausfordert. Und auch der Finalkampf ist schön inszeniert. Dieser wird zwar durch mehrere Szenenwechsel dreist gestreckt, Zack Snyder zelebriert aber wieder einmal in versierter Manier opulentes Bombast-Kino. Das rekordverdächtige Budget von satten 250 Millionen US-Dollar wird spätestens hier sichtbar. Es hätte aber gerne mehr dieser ultrastylischen Einstellungen geben können. Luft nach oben ist jedenfalls deutlich vorhanden.
Im Laufe des Films zeichnet sich mittlerweile auch unverkennbar ab, dass den Zuschauer mit dem DC-Universum, ähnlich wie im Marvel Cinematic Universe (MCU), eine mit der Zeit zunehmend komplexere und hochspannende Superhelden Filmreihe erwartet. Sofern man dem durchdachten Plot mit der immer weiter heranwachsenden, schillernden Heldenriege dauerhaft denn auch folgen kann. Denn es folgen voraussichtlich noch einige Soloauftritte der beliebten Weltenretter. Der Startschuss für die Justice League ist somit gefallen.
Im Fazit handelt es sich um einen ordentlichen, vereinzelt aber leicht aufgeblasen wirkenden State of the Art-Blockbuster, der viel Geduld erfordert und leider sichtlich hinter den Erwartungen zurückbleibt. Die erweiterten Szenen in der Langversion bringen aufgrund aufschlussreicherer Zusammenhänge etwas mehr Klarheit in die Handlung. Denn sie korrigiert notwendigerweise den episodenhaften Charakter der trotz langatmiger Ausführungen dennoch unvollständig wirkenden Kinoversion und vermag den von der Standardfassung leicht ernüchterten Fan eher zufriedenzustellen.
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