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The Bean Trees: A Novel Mass Market Paperback – September 9, 1998
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Barbara Kingsolver
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Enhance your purchase
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Print length336 pages
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LanguageEnglish
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PublisherHarperTorch
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Publication dateSeptember 9, 1998
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Dimensions4.19 x 0.84 x 6.75 inches
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ISBN-100061097314
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ISBN-13978-0061097317
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Lexile measure900
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Editorial Reviews
Review
“As clear as air. It is the southern novel taken west, its colors as translucent and polished as one of those slices of rose agate from a desert shop.” (New York Times Book Review)
"An extraordinary good novel, tough and tender and gritty and moving." (Anne Rivers Siddons)
“So wry and wise we wish it would never end....The chatty, down-home audacity of Barbara Kingsolver’s remarkable first novel hooks us on the first page.” (San Francisco Chronicle)
"A major new talent. From the very first page, Kingsolver's characters tug at the heart and soul." (Ms.)
“An astonishing literary debut....For a deep breath of fresh air, spend some time in the neighborhood of The Bean Trees.” (Cosmopolitan)
"Idealistic and exhilerating, The Bean Trees is a book that combines the most careful craft with a moral code that is loving and expansive." (Philadelphia Inquirer)
“This is the story of a lovable, resourceful ‘instant mother,’ one who speaks, acts and learns for herself, becoming an inspiration to us all.” (Glamour)
“This funny, inspiring book is a marvelous affirmation of risk-taking, commitment and everyday miracles...An overwhelming delight, as random and unexpected as real life.” (Publishers Weekly)
From the Back Cover
Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity for putting down roots. Hers is a story about love and friendship, abandonment and belonging, and the discovery of surprising resources in apparently empty places.
Available for the first time in mass-market, this edition of Barbara Kingsolver's bestselling novel, The Bean Trees, will be in stores everywhere in September. With two different but equally handsome covers, this book is a fine addition to your Kingsolver library.
About the Author
Barbara Kingsolver is the author of nine bestselling works of fiction, including the novels, Flight Behavior, The Lacuna, The Poisonwood Bible, Animal Dreams, and The Bean Trees, as well as books of poetry, essays, and creative nonfiction. Her work of narrative nonfiction is the enormously influential bestseller Animal, Vegetable, Miracle: A Year of Food Life. Kingsolver’s work has been translated into more than twenty languages and has earned literary awards and a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country’s highest honor for service through the arts, as well as the prestigious Dayton Literary Peace Prize for her body of work. She lives with her family on a farm in southern Appalachia.
Excerpt. © Reprinted by permission. All rights reserved.
The One to Get Away
I have been afraid of putting air in a tire ever since I saw a tractor tire blow up and throw Newt Hardbine's father over the top of the Standard Oil sign. I'm not lying. He got stuck up there. About nineteen people congregated during the time it took for Norman Strick to walk up to the Courthouse and blow the whistle for the volunteer fire department. They eventually did come with the ladder and haul him down, and he wasn't dead but lost his hearing and in many other ways was never the same afterward. They said he overfilled the tire.
Newt Hardbine was not my friend, he was just one of the big boys who had failed every grade at least once and so was practically going on twenty in the sixth grade, sitting in the back and flicking little wads of chewed paper into my hair. But the day I saw his daddy up there like some old overalls slung over a fence, I had this feeling about what Newt's whole life was going to amount to, and I felt sorry for him. Before that exact moment I don't believe I had given much thought to the future.
My mama said the Hardbines had kids just about as fast as they could fall down the well and drown. This must not have been entirely true, since they were abundant in Pittman County and many survived to adulthood. But that was the general idea.
Which is not to say that we, me and Mama, were any better than Hardbines or had a dime to our name. If you were to look at the two of us, myself and Newt side by side in the sixth grade, you could have pegged us for brother and sister. And for all I ever knew of my own daddy I can't say we weren't,except for Mama swearing up and down that he was nobody I knew and was long gone besides. But we were cut out of basically the same mud, I suppose,just two more dirty-kneed kids scrapping to beat hell and trying to land on our feet. You couldn't have said, anyway, which one would stay right where he was, and which would be the one to get away.
Missy was what everyone called me, not that it was my name, but because when I was three supposedly I stamped my foot and told my own mother not to call me Marietta but Miss Marietta, as I had to call all the people including children in the houses where she worked Miss this or Mister that, and so she did from that day forward. Miss Marietta and later on just Missy.
The thing you have to understand is, it was just like Mama to do that. When I was just the littlest kid I would go pond fishing of a Sunday and bring home the boniest mess of blue-gills and maybe a bass the size of your thumb,and the way Mama would carry on you would think I'd caught the famous big lunker in Shep's Lake that old men were always chewing their tobacco and thinking about. "That's my big girl bringing home the bacon,"she would say, and cook those things and serve them up like Thanksgiving for the two of us.
I loved fishing those old mud-bottomed ponds. Partly because she would be proud of whatever I dragged out, but also I just loved sitting still. You could smell leaves rotting into the cool mud and watch the Jesus bugs walk on the water, their four little feet making dents in the surface but never falling through. And sometimes you'd see the big ones, the ones nobody was ever going to hook, slipping away under the water like dark-brown dreams.
By the time I was in high school and got my first job and all the rest,including the whole awful story about Newt Hardbine which I am about to tell you, he was of course not in school anymore. He was setting tobacco alongside his half-crippled daddy and by that time had gotten a girl in trouble, too, so he was married. It was Jolene Shanks and everybody was a little surprised at her, or anyway pretended to be, but not at him. Nobody expected any better of a Hardbine.
But I stayed in school. I was not the smartest or even particularly outstanding but I was there and staying out of trouble and I intended to finish. This is not to say that I was unfamiliar with the back seat of a Chevrolet. I knew the scenery of Greenup Road, which we called Steam-It-Up Road, and I knew what a pecker looked like, and none of these sights had so far inspired me to get hogtied to a future as a tobacco farmer's wife. Mama always said barefoot and pregnant was not my style. She knew.
It was in this frame of mind that I made it to my last year of high school without event. Believe me in those days the girls were dropping by the wayside like seeds off a poppyseed bun and you learned to look at every day as a prize. You'd made it that far. By senior year there were maybe two boys to every one of us, and we believed it was our special reward when we got this particular science teacher by the name of Mr. Hughes Walter.
Product details
- Publisher : HarperTorch; Reissue edition (September 9, 1998)
- Language : English
- Mass Market Paperback : 336 pages
- ISBN-10 : 0061097314
- ISBN-13 : 978-0061097317
- Lexile measure : 900
- Item Weight : 5.6 ounces
- Dimensions : 4.19 x 0.84 x 6.75 inches
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Best Sellers Rank:
#916,983 in Books (See Top 100 in Books)
- #8,054 in Women's Friendship Fiction
- #13,664 in Women's Domestic Life Fiction
- #19,414 in Family Life Fiction (Books)
- Customer Reviews:
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About the author

Barbara Kingsolver grew up in rural Kentucky and earned degrees in biology from DePauw University and the University of Arizona before becoming a freelance writer and author. At various times in life she has lived in England, France, and the Canary Islands, and has worked in Europe, Africa, Asia, Mexico, and South America. She spent two decades in Tucson, Arizona, before moving to southwestern Virginia where she currently resides.
Her fifteen books include short stories, essay collections, poetry, and seven novels. In the first decade of the new millennium, following her well-known work The Poisonwood Bible, she published two novels (prior to this one) and three non-fiction books including Animal, Vegetable, Miracle, a narrative of her family’s locavore year that helped launch a modern transition in America’s food culture. Kingsolver’s work has been translated into more than two dozen languages, and has been adopted into the core literature curriculum in high schools and colleges throughout the nation.
Kingsolver was named one the most important writers of the 20th Century by Writers Digest. In 2000 she received the National Humanities Medal, our country’s highest honor for service through the arts. Critical acclaim for her books includes multiple awards from the American Booksellers Association and the American Library Association, among many others. The Poisonwood Bible was a finalist for the Pulitzer Prize and the Orange Prize, and won the national book award of South Africa, before being named an Oprah Book Club selection. Animal, Vegetable, Miracle won numerous prizes including the James Beard award. The Lacuna won Britain’s prestigious Orange Prize for Fiction in 2010, and last year she was awarded the Dayton Literary Peace Prize for the body of her work.
In 1998, Kingsolver established the Bellwether Prize for fiction, the nation’s largest prize for an unpublished first novel, which has helped to establish the careers of more than a half dozen new literary voices. Through a recent agreement the prize has now become the PEN / Bellwether Prize for Socially Engaged Fiction.
Barbara has two daughters, Camille and Lily. Her husband, Steven Hopp, teaches environmental studies. Since June 2004, Barbara and her family have lived on a farm in southern Appalachia, where they raise an extensive vegetable garden and Icelandic sheep.
Customer reviews
Top reviews from the United States
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I highly recommend this to anyone with heart. You will laugh, cry, worry and feel a sense of relief and accomplishment as each struggle evolves into a life lesson worthy of contemplation.
Kingsolver is an incredible storyteller. The characters are unique and come alive. My students became invested in the relationships and therefore were engaged in the classroom conversations and activities.
My biggest criticism of the book, however, is how the ending came off as unrealistic. Both the resolution to the immigration and foster issues seemed unplayable and brought up questions that caused me and my students to do additional research into these elements. Some of these issues are addressed in the book’s sequel, but it is still an issue with the book independently.
That being said, I am teaching the book again this semester and have already gotten a positive reaction from students. I would recommend the book but acknowledge the flaws.
The story (and it's a good story) is about family, friendship and our responsibilities as people.
To give an example of Kingsolver's style (of which I have long been a fan) her description of Taylor's first stop, a bar in Oklahoma:
"..and the black grease on the back of the stove looked like it had been there since the Dawn of Man. The air in there was so hot and stale it felt like I had to breathe it twice to get any oxygen out of it." - p. 21
At this point Taylor is 'given' an Indian baby girl - whom she callsTurtle.
And this, a description of the house she ends up sharing with Lou Ann and her baby Dwayne Rae:
"The house was old and roomy, there was plenty of space for Turtle's bed in my room. It was the type of house they called a "rambling bungalow" (the term reminded me somehow of Elvis Presley movies) with wainscoting and steam radiators and about fifty coats of paint on the door frames..." - p. 191
SPOILER ALERT!
Taylor has a job, and gets to know two Guatemalan refugees who are being helped by Mattie, Taylor's boss. Now Taylor is starting to understand the sort of problems other people face, and so when she decides to try to sort out her own legal standing with Turtle, she volunteers to take Estevan and Esperanza with her.
This scene where the Guatemalans are posing as Turtle's natural parents, giving Taylor permission to adopt her, was heart-wrenching:
"Esperanza...held her against her chest, rocking back and forth for a very long time with her eyes squeezed shut...the rest of us watched... Here was a mother and her daughter, nothing less. A mother and child - in a world that could barely be bothered with mothers and children - who were going to be taken apart. Everybody believed it." - p. 291
How appropriate for this time!
a twenty something' s journey into adulthood with all its attendant challenges - striking out on your own, finding your place, earning a living, making a family, and taking on adult responsibilities as well as recognizing the struggles of others, especially those with even more challenges through no fault of their own. This story is told with heart
Top reviews from other countries
A young woman, wise beyond her years, sets off to escape her stultifying small town surroundings. A series of encounters and adventures are beautifully evoked and told with humour and love in a narrative that follows the main character as she travels through America.
But there's an underlying fury at the way injustice, prejudice, circumstance and intolerance limit people's chances and capacity for happiness.
I found it moving and thought provoking, sometimes chuckling at the sly sense of fun, sometimes grinding my teeth at the casual horror of some aspects of the tale.
Beneath it all is a passionate but muted sense of injustice, especially regarding how American can treat immigrants as diseased. There is a sub-plot of sexual abuse (of the child 'Turtle'), which is insufficiently explored, I think, and is therefore an unnecessary layer.
But it is the small-town, rural and poetic language of Taylor which is the chief pleasure. That, and how Taylor, already wise beyond her age, learns to grow up truly and accept things as they are.









