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The Beatles: The Biography Hardcover – November 1, 2005
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From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
Copyright © American Library Association. All rights reserved
Review
About the Author
- Print length992 pages
- LanguageEnglish
- PublisherLittle, Brown and Company
- Publication dateNovember 1, 2005
- Dimensions6.5 x 2 x 9.75 inches
- ISBN-109780316803526
- ISBN-13978-0316803526
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Product details
- ASIN : 0316803529
- Publisher : Little, Brown and Company; First Edition (November 1, 2005)
- Language : English
- Hardcover : 992 pages
- ISBN-10 : 9780316803526
- ISBN-13 : 978-0316803526
- Item Weight : 3.1 pounds
- Dimensions : 6.5 x 2 x 9.75 inches
- Best Sellers Rank: #473,845 in Books (See Top 100 in Books)
- #446 in Popular Music (Books)
- #1,175 in Rock Band Biographies
- #1,313 in Rock Music (Books)
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1 - The writing isn't that smooth, and there are too many awkward expressions best suited to a colloquial, verbal conversation than formal writing.
2 - The author's personal, subjective hatred for Yoko Ono cones across in such a vitriolic way that sticks out like a sore thumb from the rest of his descriptions of the people involved. I'm not one to wholeheartedly defend her or paint her as a saint, but when writing a biography, balanced objectivity is needed to paint a clear picture, the good and the bad. With Yoko, however, Spitz just gives the bad, bordering on character assassination, using words like "malevolent omnivore" to describe her and saying she "insisted" on never straying from John's side with nothing to support the claim, much less ignoring that John was a grown man who wanted her there and wanted her at the Beatle recording sessions. Lennon may have had a bad heroin problem at the time, but so did she, and his persistent, childish, vindictive portrayal of her as this black magic witch who mind-controlled him not only undermines Spitz's authority as a biographer but follows in line with the typically resentful, baby boomer-generation antipathy toward Yoko.
Keep those flaws in mind and in perspective, and there's still much to like about the book.
Here are summaries for the three lengthy--but NEVER boring--parts of this grand book:
"Mercy": The childhood stories of John, Paul, George, and Ringo are related as smoothly as a bestselling novel. We learn how they meet, merge into a band, and gain a reputation.
"Mania": The Beatles conquer Britain, America, and the world. They endure hardships, and they profit. Eventually they stop making live performances before the masses because the masses misbehave.
"Mastery": Are the Beatles true masters of music? Though the four wealthy young men run into snags in their lives away from music, they never lose their ability to make good music. Right up to the time they split, at least some of their new songs are topnotch. Maybe Beethoven SHOULD roll over, and beg for quarter.
Last month I read Ron Chernow's Pultizer Prize winning biography of George Washington. Except for factual errors, Bob Spitz's book is just as good. Regarding the Beatles' dissolute life styles, Spitz is bold and direct. But he praises their music. I was especially pleased with his descriptions of the songs. He doesn't describe all of them, only about twenty, but he describes them well. He tells the origin of the title, lyrics, and music. He reveals sources that were borrowed from, how the lyrics were written, how the music was composed, and how well the song played.
The book's extras include thousands of notes, a large bibliography, an index with subtopics, and two sections of photos. I would have welcomed more photos. For example, of the Beatles' cars (including the Magical Mystery bus), children, and estates. (We do get one photo of John's Kenwood estate.) Also, I wanted photos of album covers, though I found them on the Internet. My favorite photo in the book was of the mural painted on the Apple Boutique. Subsequent to the photo, the mural was removed upon demand of neighboring businesses.
Because so many reviewers here on amazon have condemned this book because of its factual errors, I want to address that issue. The only error worth mentioning is the photo of the child that John is holding. It is supposed to be Julian Lennon, but trusting other reviewers I believe that child is not Julian. It is some girl. Yes, the errors are there, and there are plenty of them, and Spitz could have made a more dedicated effort toward accuracy. Then how can I, appreciating truth as much as anyone, award Bob Spitz with five stars?
I ask myself, "If another author were to write a Beatles' biography containing the same information as Spitz's but with corrections of all his errors, would I buy that book?" My answer is a firm no. Because I have read Spitz's thorough account, despite his errors, any new group-biography of the Beatles would be boring. The value of Spitz's book lies not with the individual trees, but with the forest. Within a few months, I will have forgotten more than ninety percent of the book's details. So my advice is, do not worry about the inaccurate details. True or false, within a few months you will have forgotten most of them.
This is a rewarding biography that paints a high-definition picture of a legend.
music and am curious about their careers, it was actually too much for me to digest. I stopped reading two thirds of the way through and this was during the pandemic. For anyone who wants to know every last
detail, this is probably a gold mine!











