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Beautiful Ruins: A Novel Paperback – April 2, 2013
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The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
- Print length337 pages
- LanguageEnglish
- Publication dateApril 2, 2013
- Dimensions5.31 x 0.83 x 8 inches
- ISBN-100061928178
- ISBN-13978-0061928178
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Editorial Reviews
Amazon.com Review
Adriana Trigiani Reviews Beautiful Ruins
Beautiful Ruinsis a glorious read for book lovers. From the moment you pick up the novel, it conjures a world that you long to enter. The teal-blue Ligurian Sea laps against a jagged coastline filled with candy-colored houses and open windows. At first glance, you’re dying to get inside those houses and find out what’s going on.
You needn’t worry. Jess Walter has written a sumptuous epic about the real people who make art, spinning illusion for fun, profit, and meaning. There are screen actors, a novelist, and Pasquale, an innkeeper, who keeps his patrons fed and watered on homemade wine and dreams. Among all the shimmer and hope are the lost souls who long to create something, anything. And just as Jess Walter introduces us to these characters, he follows them for fifty years. The journey will delight and captivate you.
You will be crushed when the novelist, Alvis, tracks down a woman whom he believed saved him in his youth, only to take a long walk down a dark hallway into a room where everything he believes and all his hopes shatter in one exchange. Jess Walter can break your heart in one conversation.
If you love the ancient charms of the Italian coast on the Ligurian Sea, if you long for Edinburgh and its cold rain and distant hot sun, and if you love stories of the dream factory that is Hollywood, you will not be able to part from this book until you are finished reading it. Even then, for months afterward, you’ll keep it close so you can reread a passage here and there that moved you.
It’s all here, the illusion and reality, the joy and the shame of the creative life, of life itself. The ingenue Dee, the producer Michael, and the D-girl Claire take you into the world of making movies, the expectations and disappointments, and in an ingenious turn, the author pins the hem of the action with real Hollywood stars, Elizabeth Taylor and Richard Burton, who are engaging in a drama of their own in Rome.
Jess Walter has quietly and expertly built a career over six novels that puts him at the forefront of great American writers. Beautiful Ruins is the emerald among the pearls.
Review
“A monument to crazy love . . . Walter [is] a believer in capricious destiny with a fine, freewheeling sense of humor.” — New York Times
“Walter is a very, very funny writer and can do Hollywood satire with the best of them. But this is also a novel with a live, beating heart, full of sympathy for its characters and a gut wisdom…You’ll want to explore these Ruins.” — Newsday
“Walter vividly draws a world both tender and cutthroat, where ambition battles reality, daydreams fight doldrums and sometimes win.” — Interview
“A marvel, an absolute gem of a beach read that is both hilarious and heartbreaking.” — Huffington Post
“Expertly scratches the seasonal itch for both literary depth and dazzle.” — Entertainment Weekly
“Entrancing…Walter’s turns of phrase are as brilliant as his plot twists, making for a compelling, fun read.” — People
“Lyrical, heartbreaking, and funny . . . Walter closes the deal with such command that you begin to wonder why up till now he’s not often been mentioned as one of the best novelists around. Beautiful Ruins might just correct that oversight.” — Kansas City Star
“Beautiful . . . A shining, imaginative tale . . . Beautiful Ruins shows novelists how it is done.” — The Plain Dealer
“His [Walter’s] characters are long-suffering, prone to failure and sometimes at death’s door. But the verve and enthusiasm of this novel, from its let’s-go-everywhere structure to the comedy in the marrow of its sentences, are wholly life-affirming.” — Minneapolis Star Tribune
“A beautiful narrative . . . This writer is a genius of the modern American moment.” — Philadelphia Inquirer
“A novel shot in sparkly Technicolor. . . . reimagines history in a package so appealing we’d be idiots not to buy it.” — Library Journal (starred review)
“Well-constructed…quirky and entertaining tale of greed, treachery, and love.” — Publishers Weekly
“This is a blockbuster, with romance, majesty, comedy, smarts, and a cast of thousands. There’s lights, there’s camera, there’s action. If you want anything more from a novel than Jess Walter gives you in Beautiful Ruins, you’re getting thrown out of the theater.” — Daniel Handler, author of Why We Broke Up and creator of Lemony Snicket
“[N]othing less than brilliant, a tour de force that crosses decades, continents, and genres, to powerful and often hilarious effect....A masterful novel of love, loss, and hard-won hope that satisfies on every level.” — Ben Fountain, author of Billy Lynn's Long Halftime Walk
“Within a page-turner of a plot, these triumphantly vulnerable characters leap off the page to take up permanent residence in your inner life. The effect is so powerful that to be untouched by Beautiful Ruins might well be like having no inner life at all.” — Rebecca Newberger Goldstein, author of 36 Arguments for the Existence of God: A Work of Fiction
“A brilliant, madcap meditation on fate. . . . Walter’s prose is a joy-funny, brash, witty and rich with ironic twists. He’s taken all of the tricks of the postmodern novel and scoured out the cynicism, making for a novel that’s life-affirming but never saccharine.” — Kirkus Reviews (starred review)
“A novel with pathos, piercing wit and, most important, the generous soul of a literary classic. . . . Walter has planted himself firmly in the first rank of American authors.” — Boston Globe
“A literary miracle.” — Maureen Corrigan, NPR's Fresh Air
“Beautiful Ruins is satisfying and delicate, a spectacular story of love, frustration, selfish intent, and the patience of the human heart.” — The Stranger
“[A] high-wire feat of bravura storytelling. . . . [Walter’s] mixture of pathos and comedy stirs the heart and amuses as it also rescues us from the all too human pain that is the motor of this complex and ever-evolving novel.” — New York Times Book Review
“His masterpiece . . . an interlocking, continent-hopping, decade-spanning novel with heart and pathos to burn, all big dreams, lost loves, deep longings and damn near perfect.” — Salon
“It is a powerful and lush book.” — Selma Blair, the New York Post
“A great getaway of a novel.” — People
“Beautiful Runs is itself a showcase for Walter’s outrageous literary gifts in virtually every genre and style. . .No wonder critics have been outdoing each other with superlatives. . .” — Nashville Scene
“[An] enchanting novel. . . Sweeping effortlessly back and forth between Italy and current-day Hollywood, and between various modes of storytelling, Walters builds a world that won’t soon let you go.” — Paula McLain, author of The Paris Wife
“Combines satisfying, old-fashioned storytelling with a modern sensibility.” — Becky Aikman
From the Back Cover
From the moment it opens—on a rocky patch of Italian coastline, circa 1962, when a daydreaming young innkeeper looks out over the water and spies a mysterious woman approaching him on a boat—Jess Walter's Beautiful Ruins is a dazzling, yet deeply human, roller coaster of a novel. From the lavish set of Cleopatra to the shabby revelry of the Edinburgh Fringe Festival, to the back lots of contemporary Hollywood, Beautiful Ruins is gloriously inventive and constantly surprising—a story of flawed yet fascinating people navigating the rocky shores of their lives while clinging to their improbable dreams.
About the Author
Jess Walter is the author of six novels, including the bestsellers Beautiful Ruins and The Financial Lives of the Poets, the National Book Award finalist The Zero, and Citizen Vince, the winner of the Edgar Award for best novel. His short fiction has appeared in Harper's, McSweeney's, and Playboy, as well as The Best American Short Stories and The Best American Nonrequired Reading. He lives in his hometown of Spokane, Washington.
Product details
- Publisher : Harper Perennial; Reprint edition (April 2, 2013)
- Language : English
- Paperback : 337 pages
- ISBN-10 : 0061928178
- ISBN-13 : 978-0061928178
- Item Weight : 10.2 ounces
- Dimensions : 5.31 x 0.83 x 8 inches
- Best Sellers Rank: #11,317 in Books (See Top 100 in Books)
- #73 in 20th Century Historical Romance (Books)
- #383 in Family Saga Fiction
- #1,174 in Literary Fiction (Books)
- Customer Reviews:
About the author

Jess Walter is the author of ten books, most recently the story collect The Angel of Rome (2022) and the national bestselling novel The Cold Millions (2020). His novel Beautiful Ruins (2012) was a #1 New York Times bestseller. He was a finalist for the 2006 National Book Award for The Zero and winner of the 2005 Edgar Allan Poe Award for best novel for Citizen Vince. His short fiction has appeared three times in Best American Short Stories. He lives in his hometown of Spokane, Washington.
Customer reviews
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To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
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But now think about creating the same beautiful finished product but NOT by starting with the whole and using technology to reduce it to pieces, but rather starting by individually creating all the intricate and perfectly crafted pieces one at at time so that by the time you are done and everything is then nicely fitted together, the final view would be much more than simple art, but it would be a masterpiece born out of creative vision, brilliance and skill.
Such is the work of Jess Walter in Beautiful Ruins.
Having read several of Jess' books now, Beautiful Ruins is, in my opinion, his best yet. My top three are uniquely different in many ways: Citizen Vince (rapid-fire page turner), The Financial Lives of Poets (engaging and hilarious), and Beautiful Ruins (profound, emotionally complex, magnum opus craftsmanship). Whereas I would generally consider other Walter books (particularly those mentioned) to be "manly books" --especially in themes, characters and humor-- Beautiful Ruins plumbs soulish issues that transcend gender. Additionally, the female characters in this book are richly and thoroughly developed, thus capturing the female psyche in a way that I don't think Jess has done in the past. It is one thing for a man to think like a man, but it is a completely different thing for a male author to capture believable, compelling and authentic female thoughts. Bravo, Jess...the sign of a great author.
There are a good number of characters in the book about which some reviews have found fault with the task of keeping tract of them. Not so with me. What is remarkable about the different unique characters in Beautiful Ruins, is that so many of them are so completely developed and intriguing in different ways: Pasquale, Dee, Claire, Michael, Pat, Shane, Alvis, on on down the list. And Richard Burton, for heaven's sake! What a brilliant fictional portrayal of a legend - carefully researched, of course, thus capturing the historical essence of his life, including virtue and (a lot of) vice. Even the many minor characters were spot-on in their unique roles and appearances.
Walter plumbs the depth of emotions in ways he has not explored in previous works. Taking on the theme of love must stir fear in the heart of a serious author. After all, no subject has been written about so expansively or has produced so much saccharine, cheesy, and predictable books as this. And yet...Walter deals with such a complex subject with an equally complex writing style - complete with parallel stories, tragic relationships, and vignettes of pseudo-love, familial love, reckless love, and fearful love.
As always, Jess Walter's humor is clever and carefully honed in both voice and timing. In predictable fashion, it sometimes leans toward the crude (probably to a fault), but the man can find your funny bone. He is a master of the parenthetical statement, and uses the device liberally in this book.
There are a handful of books in my collection that I have read once to get the story down, and then have read them again to truly study them (Hugo's Les Miserables, Salinger's Franny & Zooey, Steinbeck's East of Eden, Ivan Doig's Dancing at the Rascal
Fair)...Beautiful Ruins will be another one of these books. I am convinced that the overall depth of meaning, creativity in parallel plot lines, brilliance in the stories within the story (Shane's movie pitch, Alvis's book, Pat's song, Lydia's play, etc.) is far beyond what I have yet comprehended. Honestly, there is more meat here than one reading can capture.
I suppose that in one sense, this book is not for every reader. Because it is a book about introspection, written as the result of introspection, and thus demanding introspection, this is a tall order for a lot of readers. Some folks just don't want to do the heavy lifting to go there. And worse yet, they will be very uncomfortable with what they see if they take the time to go deep.
Well done, Jess. Keep 'em coming.
In some respects, it would have made perfect sense. It had a beautiful American actress, a future producer, begins while the movie Cleopatra, starring Elizabeth Taylor and Richard Burton, is being filmed in Italy. Then, it makes a 50-year jump to a journey toward an unexpected reunion. It’s a good thing Burton isn’t still around, because he might have had a case for slander. You can imagine the scenes on the silver screen. For now, it is just a book.
Cue some Italian music. It is 1962. As 21-year old Pasquale Tursi works on the beach of his remote Italian island Porto Vergogna, the hiccup between more glamorous coastal villages. He has inherited the inn his father ran, which has very few customers, but he dreams that a tennis court built into the cliffs will be the attraction it needs. His mother is still in mourning, his aunt cooks the meals. The little boat pulls up to the dock and the American beauty, Dee Moore, disembarks. It was hard not to be smitten at first sight. Dee, the same age as Pasquale, is going to stay at his hotel. Is there some mistake? She is Taylor’s understudy in Cleopatra, but has been diagnosed with stomach cancer and she is here to rest before going to Switzerland for treatment, arranged in part by a 22-year old Michael Deane. When she grows ill, a doctor is called, who informs that she doesn’t have cancer, she is pregnant. We can guess why she is here and what awaits in Switzerland.
Through the short time Dee is at the inn, she and Pasquale become friends, walking among the ruins, some from World War II, on the island. His only other regular customer is the annual visit by Alvis Bender, a former American GI, who continues his attempt to write about his World War II experiences in Italy, but can’t seem to get past the first chapter that includes a brief encounter with an Italian woman before he came home. He tries to find her.
Fast forward 50 years. Michael Deane is the authority on the best way to pitch movies. He’s been married multiple times. His assistant, Claire Silver, thought evaluating scripts would be more glamorous, but is inundated with lousy stories and pitches. Shane Wheeler has an idea to pitch. An elderly Italian man, who speaks little English, shows up at the Hollywood studio grasping a frayed 50-year old Michael Deane business card, seeing if he could find Dee Moore. We have the confluence of these people. Wheeler can speak Italian, so now is the translator for Pasquale; Silver tracks down Dee and the crew sets out on the journey.
Author Jess Walter, though, intersperses what has happened to all the characters during this time and the lives of the new ones. Most key is that Dee never went to Switzerland. She returned to the States, gave birth to a boy she named Pasquale, Pat for short. She never became a famous actress, but started community theater. We are introduced to Pat’s troubled life and his attempts to overcome it. We are introduced to Wheeler’s and Silver’s lives, aspirations and doubts.
Dreams, reinventing one self and discovering what the meanings of love, relationship, and friendship are the threads and themes in Beautiful Ruins. Almost all search for what once was and what now might be.
From a writer’s perspective, it was also wonderful reading Walter’s notes on writing the book and developing the title, with which I could identify. Though the stories are different, the notion of friends in different countries reuniting after gaps of time resonated with my own experiences in Norway.
Top reviews from other countries
It's a love story spanning over 50yrs. At the onset I'm introduced to Pasquale Tursi; an Italian, and Dee Moore; an American. At first encounter; a young Pasquale is captivated and mesmerised by Dee's presence as she gets off a boat at Porto Vergogna, a coastal village near Cinque Terre, Italy.
Jess Walter takes us on a seamless journey of the lives lived by Pasquale and Dee from the moment they meet in the early 1960s, and into their distant futures and then back into their distant past, once again, and yes you guessed it, then back to the present.
Walter's successfully captured my attention and drew me into this story like a dream that never ends, and in doing so, I didn't want to put the book down for too long, anticipating what might happen next.
I'm warmed by the idea that love can be forever eternal between two people, no matter what happens to them in between.
A good read. Highly recommended.
It's not just a chick flick, this story is a feel good story for anyone that's willing to take a glimpse into their journey.
人生とは成功や幸せに満ち溢れたものではなく、むしろ小さな過ちと挫折の連続であること、それでもそれなりにやっていればいつかささやかな幸せに恵まれるであろうこと、そして年老いてこれまで来た道のりを振り返った時「それほど悪くはなかった(⇒だから、『美しい残骸の数々』?)」と思えることこそが最大の幸せであることを教えられました。
驚くほどポジティブな思考が、決して押し付けっぽくなく、穏やかに淡々と語られ、心に沁み入ります。
イタリア人男性というとお洒落で饒舌、ちょい悪というイメージしかありませんでしたが、主人公のPasqualeは言葉少なく控え目で、まるで一昔前の日本人のようです。作者は生粋の米人だそうで、驚きました。
こうした作品がNYT紙のベストセラー入りすること自体、米国読者の良心の表れなんでしょうね。










