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Beautiful Ruins: A Novel Paperback – April 2, 2013
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Adriana Trigiani Reviews Beautiful Ruins
Beautiful Ruinsis a glorious read for book lovers. From the moment you pick up the novel, it conjures a world that you long to enter. The teal-blue Ligurian Sea laps against a jagged coastline filled with candy-colored houses and open windows. At first glance, you’re dying to get inside those houses and find out what’s going on.
You needn’t worry. Jess Walter has written a sumptuous epic about the real people who make art, spinning illusion for fun, profit, and meaning. There are screen actors, a novelist, and Pasquale, an innkeeper, who keeps his patrons fed and watered on homemade wine and dreams. Among all the shimmer and hope are the lost souls who long to create something, anything. And just as Jess Walter introduces us to these characters, he follows them for fifty years. The journey will delight and captivate you.
You will be crushed when the novelist, Alvis, tracks down a woman whom he believed saved him in his youth, only to take a long walk down a dark hallway into a room where everything he believes and all his hopes shatter in one exchange. Jess Walter can break your heart in one conversation.
If you love the ancient charms of the Italian coast on the Ligurian Sea, if you long for Edinburgh and its cold rain and distant hot sun, and if you love stories of the dream factory that is Hollywood, you will not be able to part from this book until you are finished reading it. Even then, for months afterward, you’ll keep it close so you can reread a passage here and there that moved you.
It’s all here, the illusion and reality, the joy and the shame of the creative life, of life itself. The ingenue Dee, the producer Michael, and the D-girl Claire take you into the world of making movies, the expectations and disappointments, and in an ingenious turn, the author pins the hem of the action with real Hollywood stars, Elizabeth Taylor and Richard Burton, who are engaging in a drama of their own in Rome.
Jess Walter has quietly and expertly built a career over six novels that puts him at the forefront of great American writers. Beautiful Ruins is the emerald among the pearls.
“A monument to crazy love . . . Walter [is] a believer in capricious destiny with a fine, freewheeling sense of humor.” (New York Times)
“Walter is a very, very funny writer and can do Hollywood satire with the best of them. But this is also a novel with a live, beating heart, full of sympathy for its characters and a gut wisdom…You’ll want to explore these Ruins.” (Newsday)
“Walter vividly draws a world both tender and cutthroat, where ambition battles reality, daydreams fight doldrums and sometimes win.” (Interview)
“A marvel, an absolute gem of a beach read that is both hilarious and heartbreaking.” (Huffington Post)
“Expertly scratches the seasonal itch for both literary depth and dazzle.” (Entertainment Weekly)
“Entrancing…Walter’s turns of phrase are as brilliant as his plot twists, making for a compelling, fun read.” (People)
“Lyrical, heartbreaking, and funny . . . Walter closes the deal with such command that you begin to wonder why up till now he’s not often been mentioned as one of the best novelists around. Beautiful Ruins might just correct that oversight.” (Kansas City Star)
“Beautiful . . . A shining, imaginative tale . . . Beautiful Ruins shows novelists how it is done.” (The Plain Dealer)
“His [Walter’s] characters are long-suffering, prone to failure and sometimes at death’s door. But the verve and enthusiasm of this novel, from its let’s-go-everywhere structure to the comedy in the marrow of its sentences, are wholly life-affirming.” (Minneapolis Star Tribune)
“A beautiful narrative . . . This writer is a genius of the modern American moment.” (Philadelphia Inquirer)
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The story of the Hollywood "would-be" Producer, Claire, made me laugh until I had tear streaming down my face. The emptiness of the bulk of Hollywood productions is a thing of sadness and yet hilariously funny; all the crap they produce yet all the money Hollywood makes is beyond me, and this author expresses it perfectly.
Walter weaves the stories of the aging Hollywood Producer, Michael, his assistant Claire and then the story of an old Cinque Terra town in Italy with the modern Hollywood scene together to make for a fabulous story. Never boring--always captivating. Above all, it is beautifully written.
I gave the book 4 stars only because I save 5 stars for those novels worthy of the Pulitzer. This book is so near that aptitude that it was a difficult choice but there is no 4 and 1/2 star rating!
This novel is obviously written by a writer who has lived and experienced a bit of life. No young up-and-comer could have reached into his soul to have pulled out this story--he had to have lived a life full of living, and knowing how tenuous and short life is, to have produced this work. I related to his words and his thoughts completely. The beauty and sadness of life were told through the stories of a handful of people whose lives were interwoven through the decades between World War II and the present. A beautiful story told by a master writer. A must read.
The novel is a fascinating tapestry weaving characters and time in a way that is anything but linear. We go back to World War Two, jump forward to the present, visit intermediate times, and skip from character to character, and somehow it all flows perfectly. Many authors try this "tapestry" technique, but often the result is jerky and irritating. What makes this one work so well is that each scene is presented at exactly the right time to move the story forward. All else realigns itself to facilitate that movement.
The quality of the writing is excellent. It has always seemed odd to me that there are a gazillion genres of fiction, and then there is this other thing called "literary" fiction. Hello? *All* novels should be literary. But the sad truth is that they're not. They are filled with awkward scenes, grammatical errors, endless exposition, and artificial devices to force an ungainly plot to stagger forward. Which is why I keep coming back to "literary" fiction; it's written by pros who know how to write and how to tell a good story. And Beautiful Ruins is one of the best I've read in years. The prose is so rich and filled with meaning that I found myself highlighting, which is something I almost never do when reading fiction.
I give it seven stars. You can't see the sixth and seventh ones because Amazon peaks at five, but trust me, it's there.
It is a miracle when the boat approaches. An American tourist! Not only an American, but an American movie actresss! Dee Moray is in Italy as a cast member in the blockbuster Cleopatra, a movie that is making headlines even before it is finished as the press can't get enough of Elizabeth Taylor and Richard Burton and their on-again, off-again love affair that is just starting. Dee has been sent here by one of the movie administrators. She is very ill and is waiting there for her lover to come and help her through the illness.
Thus starts a novel that is a delight to read. It moves across time from 1962 to the present, across continents from Italy to America to London. Along the way are famous actors, Italian dreamers, and the men and women who come to Hollywood to try to make dreams come true. It is about love and dreams and how we sometimes settle or find the fulfillment of our dreams in unexpected ways. Above all, we are entranced with the characters we meet and the adventures they take us on. This book is recommended for readers of literary fiction.