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Beethoven Reprint Edition

3.2 out of 5 stars 6 customer reviews
ISBN-13: 978-0520212268
ISBN-10: 0520212266
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Editorial Reviews

Review


"Kinderman brilliantly rescues a fundamental concept for Beethoven's work from the analytical cul-de-sac of overly synoptic motivic or tonal analyses. A wealth of information about Beethoven's life and works is compressed into this remarkable book, and it is a testament to Kinderman's literary as well as scholarly abilities that it never reads like a survey."--Robert Hatten, Indiana Theory Review


"Kinderman brilliantly rescues a fundamental concept for Beethoven's work from the analytical cul-de-sac of overly synoptic motivic or tonal analyses. A wealth of information about Beethoven's life and works is compressed into this remarkable book, and it is a testament to Kinderman's literary as well as scholarly abilities that it never reads like a survey."--Robert Hatten, Indiana Theory Review


"Kinderman's remarkable philosophical approach to Beethoven is a necessity for Beethoven scholarship. Highly recommended." --Choice


--This text refers to an out of print or unavailable edition of this title.

From the Inside Flap

"A most welcome addition to Beethoven literature . . . combines a musician's perception of the music and an informed musicologist's command of recent Beethoven scholarship."—Alfred Brendel

"Both strongly original and grounded in the best and most recent scholarship."—Maynard Solomon
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Product Details

  • Paperback: 385 pages
  • Publisher: University of California Press; Reprint edition (December 30, 1997)
  • Language: English
  • ISBN-10: 0520212266
  • ISBN-13: 978-0520212268
  • Product Dimensions: 0.8 x 5.8 x 9.2 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #6,283,107 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By A Customer on July 10, 1999
Format: Paperback
This unhackneyed, interesting book surveys Beethoven's music via representative, sometimes little known works, arrayed in a loose biographical framework. Kinderman concentrates on Beethoven's characteristic traits, many of which are clearly audible already in the composer's childhood and teenage works. The book is aimed at a general audience, though a little familiarity with Beethoven's music and basic musical terminogy is useful (sonata, recapitulation, key).

The book conveys an idea of some of Beethoven's compositional techniques (the analyses are relatively brief, and often only cover aspects of given works, but many are extremely insightful). In more descriptive passages, Kinderman hones in on the essential in the music, without wasting time with the usual sturm+drang+fate baggage too often equated with Beethoven. Typical Beethovenish features, such as the mischievous sense of humor, and the sensory and emotional effects achieved without a trace of sentimentality, get their due too.

To be sure, there are some flaws. The segments on certain philosophical tendencies of the time were not interesting (for me), but Kinderman does clearly label these optional. Fortunately, the reader can easily separate out subjective interpretations from the first rate analyses, since Kinderman doesn't disguise his views in pretend academic authority. I do somewhat cringe at the musicological cliche of calling Beethoven's middle period "heroic". To me, this baffling label puts a false programmatic spin on what is really extremely varied music.
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Format: Paperback Verified Purchase
Certainly this is one of the best books currently available on the Master. It features some fairly in-depth musical textual criticism; moreover, Kinderman has a good handle on philosophical aesthetic criticism of the period of early German Romanticism and Idealist Philosophy (viz., Hegel, Schiller, et alii).

Useful to both the philosopher and the musician.
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Format: Kindle Edition Verified Purchase
A Treasure Trove for Music Experts... because the author analyzes very finely a number of Beethoven's compositions. If I had ANY TRAINING in music, I am sure that I would have been entranced by all these insights and interpretations; but unfortunately, I have absolutely no knowledge about the inner workings of music and can only assume that those who do will find this book fascinating. Despite my ignorance, I stuck with reading the book (scanning over the passages that dealt with the mechanics of music), gained some insight from the author's interpretations, and now know that behind the music created is more than just what meets the ear.
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