Behind the Candelabra
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Behind the Candelabra (DVD)
Now that Behind the Candelabra, the HBO movie about the secret relationship between pianist/entertainer Liberace and former animal trainer Scott Thorson, has won three Emmys (including statues for best movie or miniseries, lead actor Michael Douglas, and director Steven Soderbergh), it's hard to imagine that this was once a film that no one wanted to make. "Too gay," they said. But after languishing in development for several years, and with Soderbergh, Douglas, and Matt Damon attached, the film finally premiered in 2013--and it is a triumph. Damon is thoroughly convincing as Thorson (whose book supplied the source material), the callow, not-especially-bright young man so susceptible to Liberace's charming, unctuous persuasions (things get nutty when Scott agrees to undergo extensive plastic surgery designed to turn him into a younger version of "Lee," as the pianist's friends call him). Screenwriter Richard LaGravenese's dialogue is hilarious ("In gay years," one character tells Scott, "you're Judy during the Sid Luft obese period"), while Soderbergh's directorial choices are also amusing. Meanwhile, the rest of the cast is clearly having a field day: Rob Lowe (as the cosmetic surgeon) and Debbie Reynolds (as Liberace's mother) gleefully chew the scenery, while Scott Bakula and Dan Aykroyd are entertaining as well. But this is Douglas's show, and he steals it. His performance isn't a caricature. Nor is it a parody, or an impersonation; the real Liberace, a guy whose name was seemingly always preceded by "flamboyant," was such an over-the-top character that Douglas merely has to play it straight, so to speak. In the process, he sheds light not only on Liberace's manipulative tendencies ("Scott, why don't you let me decide what's important?") but also his vulnerabilities--especially at the end, when he and Thorson have one last poignant meeting following a bitter falling out. The filmmakers also have something valuable to say about gay culture during a period when celebrities like Liberace and Rock Hudson tried desperately to stay in the closet, especially after contracting AIDS. --Sam Graham
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proving his acting credentials; and Dan Akroyd, a true journeyman, always able to disappear into his roles); beautiful sets, costuming, camera work; sound; and a well written screenplay; all of which nearly created another classic to compare with Ray, Walk the Line, and Beyond the Sea, Almost!
The ending was a bit hokey (Liberace ascending into Heaven?); although it was compatible with his idea of showmanship and Damon's character's
perceptions. The film would have survived that; what broke the spell were the overly graphic sex scenes between the two men. i'm not a homophobe, don't even object to a little tasteful pornography, if that's what interests you, but these scenes-brief though they were- seemed gratuitous and out of place. Perhaps they tried to send a message; if so it missed the mark--like pairing a mustache on the Mona Lisa. Too bad, it's a could-have-been. Maybe we can blame the editors. The above opinion is strictly my own personal view; many, maybe most, might not agree.