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Behringer Xenyx X1204USB Premium 12-Input 2/2-Bus Mixer with USB/Audio Interface,Black
| Price: | $199.00$199.00 |
Enhance your purchase
- Premium ultra-low noise, high headroom analog mixer
- 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
- 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound
- Neo-classic "British" 3-band EQs for warm and musical sound
- New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
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From the manufacturer
Xenyx X1204USB
Premium 12-Input 2/2-Bus Mixer with Xenyx Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface
The compact X1204USB mixer allows you to effortlessly achieve premium- quality sound, thanks to 4 onboard studio-grade Xenyx Mic Preamps and ultra-musical 'British' channel EQs. And our easy-to-use 'one-knob' compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this our 24-bit, dual engine Multi-FX processor with 16 editable, professional-grade presets including reverb, chorus, flanger, delay, pitch shifter and multi-effects – and the X1204USB becomes an incredibly versatile mixer for your live performances.
But the X1204USB wasn’t just designed to handle your live gigs; it also provides the state-of-the-art tools you need to make stunning, professional- quality recordings. Along with a built-in USB/audio interface, the Xenyx X1204USB comes with all the recording and editing software needed to turn your computer into a complete, high-performance home recording studio.
Sonically Superior Mic Preamps
All Xenyx mixers have one thing in common – great-sounding, high headroom Xenyx mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, Xenyx mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.
One-Knob Compression
Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs find challenging. Our 'one-knob' compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on the Xenyx X1204USB mixer.
- Premium ultra-low noise, high headroom analog mixer
- 4 state-of-the-art, phantom-powered Xenyx Mic Preamps comparable to stand-alone boutique preamps
- 4 studio-grade compressors with super-easy 'one-knob' functionality and control LED for professional vocal and instrumental sound
- Neo-classic 'British' 3-band EQs for warm and musical sound
- New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
Xenyx X1204USB
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Sonically Superior Mic PreampsAll Xenyx mixers have one thing in common – great-sounding, high headroom Xenyx mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, Xenyx mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking. |
One-Knob CompressionAsk professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs find challenging. Our 'one-knob' compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on the Xenyx X1204USB mixer. |
Sublimely Musical British EQThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our Xenyx mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality. |
Built-in Digital Multi-FX ProcessorEquipped with our studio-grade 24-bit Multi-FX processor, the X1204USB gives you 16 mind- blowing digital effect presets such as delay, chorus and reverb. Time-based functions can be entered manually by pressing the Tap button in tempo with the music. Apply them to any channel, as well as to the monitors and main output. Of course, if you have treasured outboard gear you’ve grown attached to, the X1204USB lets you integrate them into the mix – bypassing the built-in FX processor. |
Recording Bliss
There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio – and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. How do you get all that music flying around your brain into your computer? That’s where the Xenyx X1204USB comes in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect your X1204USB directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the mixer can be recorded directly to your hard drive. Which brings us to software...
Free Software Would Be Nice!
Because you’ll want to take full advantage of the Xenyx X1204USB’s recording and podcasting potential, we’ve included all the software you’ll need for audio recording, editing and even podcasting –You’ll be ready to go live on your PC or Mac right out of the box! We’ve also provided a free download of more than 150 virtual instruments and FX plug-ins – turning your computer into a powerful home-based or mobile recording studio from input to output.
Compose. Record. Mix. Share.
Tracktion is one of the world’s fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources.
Recording Bliss
Free Software Would Be Nice!
Compose. Record. Mix. Share.
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| Customer Rating | 4.6 out of 5 stars (1187) | 4.5 out of 5 stars (601) | 4.5 out of 5 stars (943) | 4.5 out of 5 stars (526) | 4.6 out of 5 stars (345) |
| Price | $199.00$199.00 | $179.00$179.00 | $249.00$249.00 | $109.00$109.00 | $289.00$289.00 |
| Sold By | GearNuts | Amazon.com | GearNuts | Amazon.com | GearNuts |
| Item Dimensions | 12.91 x 10.63 x 3.82 inches | 12.91 x 10.63 x 3.82 inches | 12.99 x 14.57 x 3.54 inches | 11.73 x 8.5 x 2.87 inches | 13.98 x 16.93 x 3.54 inches |
| Item Weight | 5.75 lbs | 8.38 lbs | 9.30 lbs | 6.11 lbs | 11.68 lbs |
Product description
The compact Behringer X1204USB mixing console takes the 1204FX up a notch, providing all the same great features, plus Behringer's 24-bit, dual engine FX processor, with 16 editable, studio-grade presets including reverb, chorus, flanger, delay, pitch shifter and multi-effects. User-definable parameters include reverb time and brilliance, delay room size and repetitions, modulation depth and speed, and much more. The audio mixer's time-based functions can be addressed via a handy Tap button. The most recent parameter settings are always stored in memory.The Behringer XENYX USB mixers are designed to handle your live gigs, and they provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, XENYX USB mixing consoles come with all the recording and editing software you'll need to turn your computer system into a complete, high-performance home recording studio.Sonically Superior Mic Preamps The Behringer XENYX X1204USB mixers have one thing in common-great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology-and they can easily hold their own, even when compared to the most expensive standalone mic preamps. XENYX preamps offer a staggering 130dB of dynamic range, with a bandwidth that extends from below 10Hz to well above 200kHz. Armed with these outstanding mic preamps, Behringer XENYX audio mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren't looking.Sublimely Musical British EQ The British mixing consoles of the 1960s and '70s changed the sound of rock-and-roll-without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on Behringer's XENYX mixers is
Product information
| Item Weight | 5.75 pounds |
|---|---|
| Product Dimensions | 12.91 x 10.63 x 3.82 inches |
| ASIN | B0039PPW60 |
| Item model number | X1204USB |
| Customer Reviews |
4.6 out of 5 stars |
| Best Sellers Rank |
#4,257 in Musical Instruments (See Top 100 in Musical Instruments)
#11 in Unpowered Recording Mixers |
| Is Discontinued By Manufacturer | No |
| Date First Available | October 2, 2001 |
| Body Material | Composite |
| Color Name | Black |
| Connector Type | 4 x XLR; 6 x 1/4" TRS |
| Hardware Interface | USB |
| Material Type | Composite |
| Mixer Channel Quantity | 12 |
Warranty & Support
Feedback
Customer reviews
Top reviews from the United States
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For $200 I do expect a product that doesn't break after a simple test (engage/disengage). Is it worth returning for a new one? To be honest I am debating this, but here's the issue. If could get a replacement that is worse and half of the buttons could stick in the engaged position, or perhaps I could end up with other issues such as bad faders, POTS or whatever. One switch isn't the end of the world, but it does stink.
One thing to note before buying the X1204USB (or any in the Xenyx family) is that while this is USB, it WILL NOT (repeat) WILL NOT multi track record for you. Unlike a Studio Live mixer from Presonus which can muti track record into the DAW, all you can do in a XENYX is record in 2 track stereo into your DAW. Definitely not what you'd want in your home studio. Even podcasting you have to send it all to 2 tracks (even with 4 mic outs and instrument (line in). Makes it tough to isolate the audio for a good mix down.
Over all this is a decent entry level mixer, but don't expect everything under the sun. Even with what this has, it is still very basic. I've been recording for years, and have been a musician for many years, my experience say this is okay, but there are better mixers out there if you spend a bit more.
Regardless, the reason for my review is actually a warning
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WARNING: DO NOT INSTALL THE BEHRINGER DRIVERS FOR WINDOWS 7
Reason: While troubleshooting a hissing sound in my audio (turned out to be a capture card... still isolating the issue, but not related to drivers) I decided to install the "official" Behringer drivers per the recommendation of a random person on Google. TERRIBLE idea. Immediately, I noticed a huge reduction in the number of recording and playback modes over USB, but after some time I realized my system had become wildly unstable. I disabled my onboard sound in the BIOS thinking there was some type of conflict with my onboard sound, but then found out the issue was related to the drivers I had installed (mind you, the "default" Windows 7 drivers worked PERFECTLY FINE). After numerous blue screens and audio cutting in and out, I began using the inputs/outputs to my sound card bypassing USB all together. Seemed a little silly as a huge selling point was the USB interface. Even though I uninstalled the drivers and uninstalled everything I could find related to the drivers, I could not get the drivers completely off of my PC. I did get to a point where the device wouldn't install at all, but it still recognised it as "BEHRINGER blah blah". This told me that somehow Windows in its infinite wisdom was still identifying the device differently than it used to (the default Windows driver that's assigned labels the device as "2- USB Audio CODEC").
Finally, I searched my entire hard drive, and registry, for "behringer" "busb2902" and "busbwdm" (with the sound board uninstalled and unplugged). I deleted literally every reference I could (warning: this is very wreckless, but I was prepared to reformat my PC anyway because I intend to sometime soon). I then rebooted into safe mode and did it again to verify I did not miss anything. Once I booted back up, finally success! I am back on the default "2- USB Audio CODEC" drivers and am not experiencing any of the problems I was as a result of the erroneous drivers.
Now, you may be thinking that others have not had the same problems with the drivers. This may be true, but I stick by my advice to stick to the default drivers for 2 key points:
1) The default drivers work absolutely fine, so there is no need to install the ones from Behringer, so why take the risk?
2) The default drivers offer numerous more configuration options and recording modes than the ones supplied by Behringer, oddly enough.
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Regarding the unit itself, I do like it but there are some things to keep in mind.
Comments on the USB interface:
The USB input is strange, and it's not easy to control. The only thing you can do is bus it into your headphone monitoring, and you can bus it back out to the master, but that's it. No volume controls, no EQ, and you can't use fx/aux on it either. If you're using ALT 3-4 as a submix, you also have no option of sending it to that submix. It's quite frustrating and difficult to use. With regard to USB out, with Behringer's drivers you just have an option for 44.1K or 48K output and it's based on the main bus. Again, no volume option what so ever. This can be a real pain if you need to actually use the main mix out to something, and simultaneously use the USB output as well - this basically makes it impossible to mix it so that they are both at optimal volume. You'll inevidibly be stuck with mixing one correctly, then the other one you will have to deal with it being too loud or too quiet - and on that note, it does seem to go in a little hot. You can control the recording volume within windows, but this isn't optimal and riding levels isn't going to be an option. Would it have been so hard to make a button to pipe the USB into channel 7/8 so that we could have some control over it? Finally, this is a prosumer device... why can't it support 96khz on the USB bus? would that be asking too much?
Comments on the board itself:
The preamps in this board are better than expected. As with most preamps, they do tend to get some pretty gnarly noise in the last 10-20db of boost, but you shouldn't be pushing them that far. Even for my naturally quiet shotgun mic, the preamps offer me plenty of headroom that I don't need to boost that high on gain to attain unity gain. I will warn though, the preamps in this board seem to color the audio add a lot of warmth to the audio (typical of tube-style preamps). I like it a lot, but if it isn't what you were expecting be warned (again, this is typical of tube style preamps, so you wont notice a think if that is what you typically use).
The built in compressors worked exactly like i thought they would - decent, and wonderful for live events, but best to leave them off for recordings as you can do more controlled and precise compression in post processing. Still, this feature is absolutely outstanding and works well! The EQ is decent and what I would expect from a board of this price. Sure I would have preferred a mid-sweep or more EQ positions, but I don't know that I would have been willing to pay the price for those features.
The AUX channel is wonderful, but I was disappointed to find that it is attached to the master mix. For example, if something is turned down on the master mix or muted on the master mix, having it turned up in the aux channel will not send any audio through (even with the pre selector enabled, which I was sure would rectify the problem). For this reason, I couldn't use the AUX channel the way I was hoping and has kinda been a real bummer because I am now needing a solution for said problem. I do find it a bit odd that it's mono out stereo in, but I guess that makes sense when used in the context of external sound processing.
The FX channel is also wonderful, and the on board sound effects are all quite good. What I would expect to find on any sound board I've used in my day really, from many reverb settings to a pitch shifter your basic FX are all there. I thought they did above and beyond on this for such a cheap board, I found myself impressed (but the FX I really don't have a need for unfortunately). I believe the FX channel does not behave like the AUX channel and sends regardless of which mix it's in (pre-fader, one might say). I haven't confirmed this yet, but am in process of exploring this as an alternative to using AUX as I don't need the digital FX anyway, as nice as they are.
Panning is well... panning. However, I am glad that it exists on this basic sound board. The phones mix has an amazing amount of power, and I typically keep it below 25%. I was glad, because this is a shortcoming of some boards. Nothing more annoying than mixing for a band/concert and not being able to hear your monitoring headphones over the mains. Doubt that will ever be an issue with this board, it's got quite a bit of volume. Granted I wont be needing the board for this type of use, but if you did decide to use it in that fashion, I'm sure it would perform admirably. I am annoyed by the double sliders for the main mix and alt 3-4 as I always am, but I guess I see why it's separated that way (couldn't we have a panner knob for the main and alt 3-4 rather than individual sliders?). I have seen this in so many sound boards I've used that I can't really fault them for it though. Surely there is a practical reason for this in the world somewhere - but I have never ran into it in my experience.
One of the major selling points to this board was the ability to mute and use pre-fader listen to set my levels correctly. This might be the cheapest board out that has those features. Finally, I would have liked an option for 1/4" output on the mains. Granted it's typical to use XLR for mains on boards, I would have really liked that
Final Conclusion:
For the price, this board is outstanding! The features are really quite good, and while I do have my gripes with the board, so far all of them have been minor. The USB interface is an obvious selling point, and while I was hoping for a lot more out of it, it does do the job. The amount of features on this board is truly amazing from single knob compressors, to EQ's for each channel, and AUX/FX sends with a decent on board FX processor... I am very satisfied at this price point. Had I paid over $300 for this board though, I would have expected more and not been satisfied. This does truly make me wonder why people pay so much for USB preamps etc when you can have this entire board with way more than a simple preamp for marginally more money.
Sound quality is exactly what you SHOULD expect from a $179 mixer. This isn't studio quality but I've had no noise issues.
Put simply, if you know what you're doing, this is good bang for your buck. BUT... if all you're doing with it is streaming, etc. and don't have experience with audio mixing you're going to either A) Need to take the time to learn how to use it properly OR B) Need to consider buying something simpler for your needs. Reading through a lot of the bad reviews, it's clear most reviewers could have benefited from some knowledge in gain structure and mixer routing (among other things). TRY YOUTUBE!!
This is great for event production (weddings, corporate events etc.), Karaoke, SMALL bands, DJs (bars, nightclubs, etc.) ... so basically SMALL PA systems. If you're looking for a mixer for your home recording studio, or larger systems. I'd recommend you spend more and get a better mixer, as this one is more of an entry-level product.
Finally, Behringer makes quality, affordable products. It's not top of the line, but people should really educate themselves before leaving bad reviews. It's not Behringers fault you don't know how to use their product. But, most assuredly, the majority of their customer base does.
Top reviews from other countries
It does the job very well. Plenty of inputs and outputs for my needs and it copes with a variety of equipment, including electric guitar & bass, drum machines, MP3 player and recording computer. I use it purely as a mixing desk, so can’t comment on how it performs as an audio interface.
The routing to different outputs takes a bit of working out as does the use of aux sends/effects, but the manual is OK, and realistically, once you’ve got everything plugged in and set up, you probably don’t need to tinker.
The only negative is the onboard compressor, which is a nice feature, but which I find can introduce some unpleasant distortion, no matter what you do with the gain settings.
But overall I’m pleased and I think the value for money is pretty good.
I am a great believer in the Behringer ethos of good price point gear. It allows many of us to stretch our budgets when it comes to studio gear. I have a 20 year old Behringer mixer that still works fine.













