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Being There
Deluxe Edition
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
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DVD
February 3, 2009 "Please retry" | Deluxe Edition | 1 |
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| $9.99 | $4.06 |
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April 3, 2001 "Please retry" | — | 1 | $26.00 | $4.00 |
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Product Description
Being There: Deluxe Edition (DVD) Being There author Jerzy Kosinski got a telegram from the books lead character Chance the Gardener: “Available in my garden or outside of it.” Kosinski dialed the accompanying phone number and Peter Sellers answered. The result was Sellers indelible performance (scoring National Board of Review and Golden Globe Best Actor Awards and an Academy Award nomination*) in this modern comedy classic. Isolated all his life in a Washington, DC, townhouse, Chance knows only what hes seen on TV. Cast into the world, he stumbles into the world of power brokers (including Melvyn Douglas in his second Oscar-winning* role) eager for “sage wisdom.” Youll like to watch.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 7.75 x 5.75 x 0.53 inches; 3.2 Ounces
- Item model number : 4649928
- Director : Hal Ashby
- Media Format : Multiple Formats, Color, NTSC, Original recording remastered, Subtitled, Widescreen
- Run time : 2 hours and 10 minutes
- Release date : February 3, 2009
- Actors : Peter Sellers, Shirley MacLaine, Jack Warden, Melvyn Douglas, Richard Dysart
- Subtitles: : French, English, Spanish
- Producers : Andrew Braunsberg, Jack Schwartzman
- Language : Unqualified, English (Mono), French (Mono), Spanish (Mono)
- Studio : WarnerBrothers
- ASIN : B001IHJ988
- Writers : Jerzy Kosinski
- Number of discs : 1
- Best Sellers Rank: #24,842 in Movies & TV (See Top 100 in Movies & TV)
- #2,732 in Action & Adventure DVDs
- #3,316 in Comedy (Movies & TV)
- #4,433 in Drama DVDs
- Customer Reviews:
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I am not one to disagree with that take. It is equally viable as any of my own thoughts on the subject, (depending on your point of view) yet perhaps there is more to it than that. I have found that many trully great pieces of art posses a certain ambiguity about them that goes beyond anything the author originally intended. A meaning that is only revealed through the realization of the work itself, a force which surpasses any conceptual inspiration. I think this is the "Being There" that Ilana Douglas refers to. When Peter Sellers went "full-on retard", as it were, "full-on shut-in" rather, the rest of the cast could not but help to follow suit in their portrayals of what are essentially cultural caricatures, and magic was made in front of the camera lens. No denying that. However, there is another aspect of "Being There", something that may in fact be more intentional and blatant as conceived by the author of the book this film is based on, yet, because most people aren't willing to climb the ladder's top rung, usually remains much more evasive.
Follow me if you will down this rabbit hole;
I couldn't help thinking that it harks back to the old adage about "being a fly on the wall". Have you ever had that notion when thinking about how the corporate sector and the political structure of our country and the world is really run at the top? To be a fly on the wall during those subtle, intimate moments when old, bloodless creatures congregate and deals are struck, policies are shifted and Atlas shrugs? Of course we are able to see the aftermath of many of these moments, which allows those of us who get beyond the smoke and mirrors and dog and pony tricks to understand the nature of the course our society is on, and where it is being steered-- but to hear it from their own curmudgeonly lips! To hear them acknowledge public sentiment against their tyranny yet justify it as necessary for the good of the species in the long run!-- perhaps just after they've been pumped full of another fresh batch of blood to keep them in good spirits as per Chance's first encounter with old Ben Rand. "Some call me a 'kingmaker', but I've stayed true to myself, and that's what matters most of all , my boy."
Wasn't this concept (the fly on the wall, the emotionless being who likes to watch, etc.) the onus of what this film was actually all about? One of the most cleverly disguised depictions of what life is really like at the top? To be a master of the world, to live as if life will never end, as if you will be at the controls forever, and yet, to still be powerless against death when your time has come. To have it all, to live in opulence and luxury while the rest of the world goes to the dogs,(as so poignantly depicted when the Gardener leaves the house he's spent his whole life shut up in for the first time) yet, in the end, to be drug down to Sheol with the rest of us.
So it is that we get to observe our overlords (or at least their caricatures) throught the glinted eyes of a perpetual voyeur (the fly on the wall), the only one of us "down-to-earth" enough to be allowed within their hallowed walls. A character sought after and hobknobbed by the upper eschalon by virtue of his rare optimism and seeming lack of judgementalism, a trait which tends to infect all those of us not quite placated enough to be content to just watch.
Which begs the question concerning the "common man"'s role in modern civilization; are we nothing more than voyeurs? Our thoughts shaped and controlled by the fabricated envoirnment we live in on this tedius journey through life, watching the big men make their moves on deck while kept safely locked away down in the holding regions below?
How about that tomb, eh? A beautiful, little beady eye that makes the one on the back of the dollar bill look like a pale imitation. A legacy for a proud, life-long upholder of The Code, a fitting monument, built in finely hewn stone, built to last. The pallbearers hastily deciding momentous strategy in hushed tones while bringing the old man to his tomb-- er, ah..."final resting place". The show must go on, plenty more runners to snatch up the baton and carry on.
Jack Warden as president!! The first time he appears onscreen is from afar, yet I recognized his craggy features (talk about finely hewn!)from that instant and it filled my heart with glee. What a man, eh? From "Twelve Angry Men", to "...And Justice For All", to "Things to Do in Denver When You're Dead", one was never disappointed with a performance from old Jack. Or his cousin Robert Loggia, for that matter. (Somehow the two are inexplicably linked within the caverns of my mind.) Fitting how his character eulogized the deceased, his own doubts and impotence weighing on him like a roped man at the gallows.
Yes, a lot to digest in this flick, many a hearty meal for the cranial sponge to soak in. Watch it again and again, let it marinate your senses.
Other musings gleaned in passing: *The firm handshake and stiff upper lip. *An ascot and fine taste in all things good. *The rich are fanciful creatures-- they can afford to be. *A proper gentleman, a pillar of stregth to those that succomb easily to temptation and desperation. "I like to watch..." yes, I do too.
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Douglas won the Academy Award for Best Actor in a Supporting Role and Sellers was nominated for Best Actor in a Leading Role.[2] The screenplay won the 1981 British Academy of Film and Television Arts (Film) Best Screenplay Award and the 1980 Writers Guild of America Award (Screen) for Best Comedy Adapted from Another Medium. It was also nominated for the 1980 Golden Globe Award for Best Screenplay.
Being There was the last film featuring Sellers to be released in his lifetime. The making of the film is portrayed in The Life and Death of Peter Sellers, a biographical film of Sellers' life.
-Principal filming occurred at the Biltmore Estate, the largest private home in America, located in Asheville, North Carolina.
Reception:
-The film opened to positive reviews and helped revitalize Sellers' comic career after he had starred in many movie flops, except for the Pink Panther movies. Film critic Roger Ebert mentions the final scene in his 2005 book The Great Movies II (p. 52), stating that his film students once suggested that Chance may be walking on a submerged pier. Ebert writes, "The movie presents us with an image, and while you may discuss the meaning of the image, it is not permitted to devise explanations for it. Since Ashby does not show a pier, there is no pier — a movie is exactly what it shows us, and nothing more."
Sellers won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for his performance in Being There. He was nominated for the Academy Award for Best Actor as well at the 52nd Academy Awards, but he lost to Dustin Hoffman in Kramer vs. Kramer. Hoffman, upon receiving the award, remarked that he refused to believe that he had beaten Sellers, or any of the other nominees.
Melvyn Douglas won his second Academy Award for Best Supporting Actor, and Golden Globe Award for Best Actor in a Supporting Role for his performance.
The credits at the film's end roll over a humorous outtake, known as the "Rafael outtake." Sellers was later displeased that the outtake ran because he believed it took away from Chauncey's mystique. He also believed the outtake was what prevented him from winning the Oscar.
The film is ranked number 26 on the AFI's 100 Years…100 Laughs list, a list released by the American Film Institute in 2000 of the top 100 funniest films in American cinema.
And the idea, the script, that imagines a man whose only knowledge is his own garden and tv. BUt much of the greatness of this film is in the way it is directed: a quiet style which apparently let the scenes develop, the characters reveal, the true meaning of the story emerge. And the more it seems invisible, the more perfect it must be. From director Hal Ashby (LAst Detail, Shampoo, Harold and Maude) a still, cold, almost silent film, where every shot, every dialogue, every scene is perfectly calibrated, with a perfect timing, the right balance, to produce a hylarious comedy, that is a bitter, disenchanted, although filled with a strange sense of mystery, of magic, of fascination for the total emptiness of the character. Because emptiness, sometimes, can even coincide with the ultimate step of zen and sanctity....


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