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Believing Is Seeing: Creating the Culture of Art Paperback – January 1, 1995
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Mary Anne Staniszewski
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Print length320 pages
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LanguageEnglish
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PublisherPenguin Books
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Publication dateJanuary 1, 1995
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Grade level12 and up
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Reading age18 years and up
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Dimensions8.5 x 6 x 1.1 inches
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ISBN-109780140168242
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ISBN-13978-0140168242
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Product details
- ASIN : 0140168249
- Publisher : Penguin Books; 1st edition (January 1, 1995)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 9780140168242
- ISBN-13 : 978-0140168242
- Reading age : 18 years and up
- Grade level : 12 and up
- Item Weight : 11.2 ounces
- Dimensions : 8.5 x 6 x 1.1 inches
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Best Sellers Rank:
#808,157 in Books (See Top 100 in Books)
- #521 in Philosophy Aesthetics
- #3,583 in Arts & Photography Criticism
- #5,531 in Art History (Books)
- Customer Reviews:
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About the author

Mary Anne Staniszewski investigates culture and art in relation to political and social perspectives. Her books include: Believing Is Seeing: Creating the Culture of Art (Penguin USA, 1995; Korean translations/editions: Hyunsil Cultural Studies, Hyun Sil Moon Hwayonju, 2000 and 2007) and The Power of Display: A History of Exhibition Installations at the Museum of Modern Art (MIT Press, 1998; Korean translation, designLocus, 2007). She was executive editor of Signs of Change: Social Movement Cultures, 1960s to Now, curators/editors, Dara Greenwald and Josh MacPhee (Exit Art and AK Press, 2010), a project of Exit Art's Curatorial Incubator, for which she was director. Staniszewski also co-edited with Lauren Rosati, Alternative Histories: New York Art Spaces, 1960-2010 (Exit Art and MIT Press, 2012).
In 2011, Staniszewski conceived and organized a symposium on contemporary slaveries at Exit Art, New York. Staniszewski is currently completing a contemporary-historical portrait of the United States, which examines issues of slavery and race.
Staniszewski has Ph.D. in Art History from the Graduate School and University Center, City University of New York, and is an associate professor at Rensselaer Polytechnic Institute, Troy, New York.
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There is a very noticble square mark on the cover, the spine on the book is slightly torn and the back has drag marks.
I understand that paper back is more likely to rip and get damaged, but this looks like intentional damage.
By Matthew H. Yi on September 10, 2020
There is a very noticble square mark on the cover, the spine on the book is slightly torn and the back has drag marks.
I understand that paper back is more likely to rip and get damaged, but this looks like intentional damage.











