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Benito Cereno Paperback – November 6, 2012
Purchase options and add-ons
- Print length86 pages
- LanguageEnglish
- Publication dateNovember 6, 2012
- Dimensions6 x 0.2 x 9 inches
- ISBN-101480255319
- ISBN-13978-1480255319
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Editorial Reviews
Review
''The noblest short story in American literature.'' --Edward J. O'Brien, American author and short-story anthologist
''Superficially, this is a story of slavery and mutiny on the high seas, but beneath the adventure-charged plot lies Melville's examination of that subject which so fascinated him: the confrontation of extreme forces of good and evil in the universe.'' --Masterpieces of World Literature
About the Author
Product details
- Publisher : CreateSpace Independent Publishing Platform (November 6, 2012)
- Language : English
- Paperback : 86 pages
- ISBN-10 : 1480255319
- ISBN-13 : 978-1480255319
- Item Weight : 6.4 ounces
- Dimensions : 6 x 0.2 x 9 inches
- Best Sellers Rank: #505,342 in Books (See Top 100 in Books)
- #12,297 in Classic Literature & Fiction
- Customer Reviews:
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About the author

The writing career of Herman Melville (1819 - 1891) peaked early, with his early novels, such as Typee becoming best sellers. By the mid-1850s his poularity declined sharply, and by the time he died he had been largely forgotten. Yet in time his novel Moby Dick came to be regarded as one of the finest works of American, and indeed world, literature, as was Billy Budd, which was not published until long after his death, in 1924.
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We are fed the story from Delano's eyes. This is a literary strategy which keeps the reader glued to each page of his novella. I won't spoil the outcome for the reader, but it's enough to say that there IS ONE...a dramatic one...and that Melville is interested here in human nature, and the process of human perception of information, and its consequences.
Now, the elevated language and sentence construction is of Melville's time, so it requires a bit to get one's self accustomed, but for me, it happened quickly, and is worth the effort. The issue of slavery, in different form, is still on our plate today as it was in Melville's. As such, Melville's treatment might seem a bit opaque for today's reader. Though the author is keen on displaying the humanity of everyone, a story on slavery was never the author's aim. But if one wants more, for a further accounting of the slave side of this story, I can recommend the comprehensive, The Empire of Necessity: Slavery, Freedom, and Deception in the New World .
I would have wished for an introduction for this edition. An Introduction would have added to the perspective of the real life episode, which inspired Melville.
In 1799, Captain Amasa Delano (a real historical figure) of the American sealing ship Bachelor’s Delight anchors his ship in the bay of Santa Maria, on the coast of Chile. He notices the approach of a second ship moving in a peculiarly listless manner, as if in distress. To investigate, Delano boards the ship, named the San Dominick, and is met by its captain, a Spaniard named Benito Cereno. The ship’s primary cargo consists of over a hundred Black slaves, who are watched over by what appears to be an understaffed crew of whites. Unlike just about any slave ship I’ve ever heard of, the slaves are not chained up below but rather allowed to move freely about the deck. Delano, however, doesn’t seem to find this unusual. Cereno explains that a combination of bad weather and illness has reduced both crew and cargo. He needs food and fresh water to continue his journey to a safe and sizable port. Delano agrees to supply the San Dominick with provisions. He is troubled, however, by the odd behavior of Cereno, who exhibits poor social graces and a lack of gentlemanly breeding bordering on outright rudeness.
This novella is notable for its depiction of slavery and its questioning of white Americans’ attitudes towards the slave trade and African Americans. Melville’s narrative illuminates the arguments over slavery that would soon lead to the American Civil War. I have always been impressed by Melville’s lack of racism compared to other white writers of his era. Whether he’s describing the native islanders in Typee or characters such as Queequeg, Daggoo, and Pip in Moby-Dick, Melville consistently treats people of color with dignity and respect. In Benito Cereno, the African slaves are seen indirectly through the eyes and attitudes of Delano and Cereno, who often view the Blacks with fear and mistrust. Through plot details and third-person narration, however, Melville reveals his own sympathies towards the Africans who have been stolen from their homelands and subjugated by an oppressive system.
While the meanings and motives behind the novella may deserve praise and admiration, the narrative itself can make for a somewhat tedious and disappointing reading experience at times. Melville errs on the side of too much descriptive minutiae, calling to mind the more verbose writings of Nathaniel Hawthorne and Joseph Conrad. In the first half of Benito Cereno in particular, Melville repetitively emphasizes the “peculiar” behavior of the title character, describing every twitch, blink, and bead of sweat until the plot positively crawls.
The second half of the story is a marked improvement in pacing. The whole plot trajectory, however, seems intended to deliver a climactic surprise, but I could see it coming from the very beginning. Perhaps it was Melville’s intention that the reader would always be two steps ahead of Delano in solving the riddle of Benito Cereno’s unusual behavior, but if so it considerably lessens the impact of the plot’s eventual revelations. Other than Moby-Dick, Benito Cereno may be the Melville work that has received the most acclaim from critics and literary scholars. This may have much to do with its historical commentary and Melville’s enlightened views on race. Judging by storytelling alone, however, I didn’t find this novella as compelling as Moby-Dick, Typee, or Bartleby, the Scrivener.








